For this installment of The Original Vs. The Cover, we are discussing the classic Aretha Franklin song “Respect” which is actually a cover of the song originally written and performed by Otis Redding just two years earlier. The Otis Redding song was written for Speedo Sims and his band the Singing Demons, but they were unable to find the sound they liked and so Otis decided to sing the song.
The song came out in 1965 and went to the Top 5 on the Black Charts, but actually crossed-over to the pop charts where it reached #35. It was one of a couple songs that crossed-over for Otis. The Redding version is about a man’s plea to his woman to show him some respect for bringing home the bacon. He could care less if she does him wrong, but just wants his due from her.
In looking through his roster of musicians, he had a couple that stood out for me. There were two keyboard players on the song, one goes by the name Booker T. Jones and the other is Isaac Hayes. The rest of the band were all Booker T. & the MG’s band members except for the horn section, they were not part of Booker’s band.
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For this version of The Original vs. The Cover, we are covering the classic song “I Love Rock & Roll” by The Arrows and by Joan Jett & the Blackhearts. We are not going to explore the cover by Britney Spears because, well it is Britney Spears and so not worthy!
The song was written by Alan Merrill and Jake Hooker of the band The Arrows back in 1975 and when it was released, it ran into a run of bad luck and never amounted to much on the charts thanks in part to a Paper Strike and no news was printed around its release. The song itself was a reaction to the Rolling Stones song “It’s Only Rock & Roll (But I Like It)” according to an interview Merrill had with Songfacts.com…
“That was a knee-jerk response to the Rolling Stones’ ‘It’s Only Rock ‘N’ Roll.’ I remember watching it on Top of the Pops. I’d met Mick Jagger socially a few times, and I knew he was hanging around with Prince Rupert Lowenstein and people like that – jet setters. I almost felt like ‘It’s Only Rock and Roll’ was an apology to those jet-set princes and princesses that he was hanging around with – the aristocracy, you know. That was my interpretation as a young man: Okay, I love rock and roll. And then, where do you go with that?”
The band would play this song on Top of the Pops in 1976 and it was at that time, a young lady by the name of Joan Jett heard it while she was touring her band The Runaways. She decided she wanted to record it, but The Runaways didn’t want to cover it so when she went solo, she recorded it herself.
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For this version of The Original vs. The Cover, we are covering the song “Get It On” by T. Rex and covered by The Power Station. The song originally came out back in 1971 and went all the way to #1 in the UK, but only #10 in the US (only…like #10 is a bad thing). However, in the States, the song was called “Bang a Gong (Get It On)” as jazz band called The Chase, released a song that same year called “Get It On”…completely different song though.
The Power Station released the song in 1985 and they did so much better as the song went to #9 on the US Charts and all the way to #22 on the UK charts..oh wait, that isn’t really better…oh well. It still was very popular and helped sell a lot of albums for the band.
The song is a simple song which is basically about sex. What? That wasn’t obvious to you with the title. That’s it, it is about sex. I have nothing else to add. There is no big story behind it, just sex. I do know that a certain radio DJ of some fame by the name of John Peel really hated this song and as a result, his relationship with Marc Bolan became strained as Peel wouldn’t play the song on his show. Apparently they were solid chums prior to this song. Other than that, that is all I got for you until I speak of the song itself with each band. So let’s get to that.
T. Rex’s version is a straight up rocker with a great little guitar riff that Marc Bolan claims he took from Chuck Berry’s song “Little Queenie” which he also ended the song with the line “For the meanwhile I’m still thinking” from that song as well. The song has a retro 50’s feel to it as well and the simplicity of the lyrics is also a shout out to that era.
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For this installment of The Original vs. The Cover, we are tackling the Cranberries song “Zombie and comparing to the cover by Bad Wolves. The song was written by Dolores O’Riordan of the Cranberries back in 1993 and was released on their 1994 album ‘No Need to Argue’. The Cranberries had pretty good success with the song, but the song was never released as an official single in the U.S. so it never made the Billboard Top 40. The song helped the album go on to sell over 7 million copies in the U.S.
The song was a very big political statement for the band. It was about the IRA bombing in England in 1993 which killed two children, Jonathan Bell and Tim Parry. The band is from Ireland and this hit too close to home for them. For those that don’t know, the IRA is a militant group that has been trying for years to get the British troops removed from Northern Ireland. Dolores wrote the song as an anthem for peace. The song also speaks to the year 1916 which is how long the fighting has been taking place over this issue.
For me, I now look at the song differently. I think the song was also talking about depression. The lyrics do speak of war and fighting and it is obvious what the song is about, but with the lines repeated a lot “in your head / Zombie”, I looked at as the mental anguish the singer was fighting with herself as she did suffer from depression and sadly took her life on January 15th of this year, 2018. Maybe I am trying to read too much into it.
The Cranberries song was a departure for the band sonically. The band was an alternative rock band with some pop flare to them as well. This song was more grunge sounding than anything they had done. It was very dark, angry and Dolores’ delivery of the lyrics made you feel that anger and the pain of losing the children and the heartache the family’s must have felt.
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When you hear the song title “Black Magic Woman”, most people immediately associate the song with Santana and that is because they have the most famous version of the song. However, their version is actually a cover version. I did not know that until a short time ago when I discovered that the original was performed by Fleetwood Mac two years earlier. My world was rocked as I had no idea. I don’t know if life will ever be the same.
The song was written by Peter Green who was the original singer for the Fleetwood Mac and he came from John Mayall & The Bluesbreakers where he originally replaced Eric Clapton on guitar. There is whole story around that and the formation of Fleetwood Mac which we will have to save for another time as this post is about comparing the two versions of “Black Magic Woman”.
The Fleetwood Mac version of “Black Magic Woman” was a real bluesy track, heavy on the drums and the bass with little guitar riffs thrown in. Then there is a great guitar solo that comes in about a minute into the song and goes on for about 45 seconds. It is really great and what would you expect from a guy that replaced Eric Clapton in another band.
Peter sounds great vocally as well and after listening to it, I realized I have heard the song many times before but probably thought it was the Santana song, of course it doesn’t have the same feel, but they aren’t completely different songs.
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For this month’s edition of “The Original vs. The Cover”, we are going to take on a third version as we tackle the David Essex song “Rock On”. We will battle it out between David Essex’s original version vs. covers by both Michael Damian and Def Leppard.
The song was written for a movie that David was starring in called “That’ll Be the Day” which also had Ringo Starr and Kieth Moon. The song, however, was not used in the movie. David wrote the song based on his character from the movie and it has a pure old rock & roll rebellious attitude. The song is actually a tip-of-the-hat to the old time rockers as it mentions “Blue Suede Shoes” and “Summertime Blues” as well as it gives a shout-out to an old Hollywood rebel James Dean.
Since we have three versions, we might as well jump right into it.
David’s version hit #3 on the UK singles chart in 1973 and didn’t do that great in the US, but doesn’t mean we Americans don’t love it. The song is very unique in that there are no instruments that play any chords which means there is No Guitar and No Piano on the song at all. It is all bass, percussion and horns. It is really stripped down.
You can tell a major influence of the song is Jamaican raggae and the whole dub style. The song is driven by the bass line which was done by Herbie Flowers. According to Wikipedia…”(Herbie’s) double-tracked bass guitar was treated with a prominent “slapback” delay effect, creating a complex polyrhythmic backbeat.”
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As everyone is aware, David Bowie had what is called his Berlin Era which was the time period between 1976-1979 when he lived in Berlin and recorded several albums including ‘Low’, ‘Heroes’ and ‘Lodger’. During that same period, Iggy Pop was living in Berlin as well and the two got together and wrote the song we covering this month on The Original vs. The Cover. That song is “China Girl”.
The Original version of this song is actually by Iggy Pop. It was released by Iggy in 1977 on his album ‘The Idiot’. David Bowie’s version didn’t come out until 1983 on his album ‘Let’s Dance’. I will tell you that at the time of Bowie’s release I was completely unaware that Iggy had done this song 6 years earlier so I thought this was the original.
There has been discussion over the meaning of the song over the years. One group believes the song is about a Vietnamese woman that Iggy was completely infatuated with. Her name is Kuelan Nguyen. The song is about his desire to be with her, but at the same time warn her of the problems of Western Civilization and the damage it can do as you can see with the line…”Visions of swastikas in my head”. The fact the were in Berlin probably added to that commentary.
The other camp thought the song was about Heroin since the term “China White” is a term used to describe heroin. The girl in the song was considered the Heroin and all the problems it can cause. I can believe either version, but the truth is it was actually about the woman that Iggy was crazy about. I prefer the love story over the drugs. Now, let’s get to the music.
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For this month’s version of The Original Vs. The Cover we tackle “American Woman” by The Guess Who vs Lenny Kravitz’s version. The song was originally released in 1969 by Canadian band The Guess Who. The song went to #1 and became such a popular song in the U.S. mainly because of it’s title.
That is strange because the song is not Pro-American, but it isn’t really Anti-American either. It is a small part Anti-War song (one line says “I don’t need your war machine”) and large part bashing of American women. Bashing is harsh, it was more like American women were too much for lyricist Burton Cummings. Here is what he said about the song to the Toronto Star back in 2014…
“It had nothing to do with politics. What was on my mind was that girls in the States seemed to get older quicker than our girls and that made them, well, dangerous. When I said ‘American woman, stay away from me,’ I really meant ‘Canadian woman, I prefer you.’ It was all a happy accident.”
The article goes on to describe how the song developed and it seems like it was by pure chance…
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For this month’s edition of ‘The Original vs The Cover’, we are going to cover the song “You Really Got Me” by The Kinks vs the cover by Van Halen. When Van Halen originally released this song back in 1978, I thought it was an original…what did I know, I was only 9. The Kinks didn’t exist in my world yet. Apparently, I wasn’t the only one as Ray Davies has mentioned that fans have come up to them after shows and thought it was cool that they played a Van Halen song.
“You Really Got Me” was released on Sept 2, 1964 in the US and the song was off the band’s album ‘Kinks’. The song went to #7 on the Billboard Hot 100, but it went all the way to #1 in their home country of the UK. It was their third single at the time, but it was the first to really do anything for the band. It was so successful, it became their signature song.
The song has been described by Ray Davies as a “love song for street kids”. It is a rebellious track of sex and lust and all around gritty, dirty love. It is that energy both versions capture so well.
The Kinks’ version had a very Beatlesque quality to it which makes sense since the Beatles were huge at the time. The band wanted to capture that sound and they truly did. The song to me also had a real punk feel to it. It was aggressive and in your face, but it was the guitar sound that really made the song.
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For this version of The Original vs. The Cover, we are covering (pun intended) Ian Hunter’s classic “Once Bitten, Twice Shy”. The song was written by Ian and included on his self-titled solo album he released in 1975 after his departure from Mott the Hoople. The song went to #14 on the UK singles chart and was produced by Ian and great Mick Ronson.
The song hasn’t been covered by a whole lot of acts, but one of the most famous was by Great White. So, let’s sit back, have a listen and compare the two and determine who has the best version of “Once Bitten, Twice Shy”.
The song tells the story of a rock musician who meets a girl why he is out on tour and becomes intimate with her (meaning he has sex with her). He thinks she is young and innocent until to his dismay he discovers she has been around quite a lot and been with a lot of other musicians. It is a classic tale of old!!
The title of the song comes from the old expression meaning once you have been hurt once, you become less trusting and cautious going forward. The phrase dates back to 1484 and is traced back to an English printer (William Caxton), the first to publish a translation in to English of Aesop’s tales. There is your history lesson for the day.
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