Another 12″ Single I picked up from Noble Records on that big Metal Collection he was selling was from Aldo Nova. You remember Aldo from his early 80’s song “Fantasy”. This was a Promotional 12″ Single for his fourth album ‘Blood on the Bricks’ that came out in 1991. It was for the first single, the title track “Blood on the Bricks”.
This particular single was the “Metal Radio Exclusive” red vinyl 12″ (in gatefold clear PVC sleeve with color insert) with three songs from the “Blood On The Bricks” album. It was promotional only and not for sale at the time..but now it is fair game because Noble had it for sale almost 30 years later. This was the album and Tour that I saw and got to meet Mr. Aldo Nova and his band and get autographs. They were all super nice.
The cool thing about this album for Aldo Nova is that it was produced and all of the songs were co-written with some guy named Jon Bon Jovi. You see, Jon and Aldo go way back as Aldo worked with Jon on his debut album that became the debut Bon Jovi album before Richie and the gang were a full band. Jon was returning the favor in what they hoped would be Aldo’s big comeback album…which didn’t really work out. Jon had signed Aldo to his Jambco record label.
The A-Side of this LP was “Blood on the Bricks” which was a straight-up rocker. It was uptempo with a hard driving, very catchy chorus. Even though Jon put his stamp on these songs, the guitar still sounds like Aldo’s tone and feel so he didn’t completely strip away that thank goodness. The song was all street tough and had that Jon Bon Jovi storytelling vibe. Like most of the album, it is a little overproduced, but hey, it still isn’t half bad.
The B-Side of this disc had 2 songs. First up was “Young Love” which was written by Aldo and Jon but also had the help of Bryan Adams writing partner Jim Vallance. This song was a little cheesy that was leaning between power ballad and pop song and seemed to be a leftover track that wasn’t good enough for a Bon Jovi album.
The last track is called “Modern World” which was soley written by Aldo and Jon. This is a tough, street fighting type song. It has a lot of edge and balls and has a really cool riff and groove to it with a whole tribal flair. You even get a shout out to Donald Trump, but this was way before his time as president. This was around the time he cheated on his then wife with Marla Maples. There are a lot of cultural references from the time which actually dates the song a little…okay a lot. But Aldo’s playing is sensational and he lays down a great solo in only the way Aldo can.
And there you have it. The 12″ Promotional Single for “Blood on the Bricks” by Aldo Nova. It is a nice piece to add to my ever growing Aldo Nova collection. I hope you enjoyed it and thanks for stopping by.
“Love Hurts” is a classic song by the band Nazareth. But did you know it is actually a cover? Nope, me neither. It is the most famous version of the song and the first time it was ever a hit single in the US. The song was actually written by Boudleaux Bryant and recorded by the Everly Brothers back in 1960. However it didn’t reach the charts and wasn’t a hit until Nazareth covered it in 1975 and included on their album ‘Hair of the Dog’. It reached #8 in the US and went Gold. Not too shabby.
The song is about a man who discovers that young love is so hot, but it burns out just as hot and fast. When the flame goes out it burns, it hurts and is painful. He is telling those that are so in love and all they are doing is talking about it that in the end love fades and you will get burned. It is a really sad song when you think about it. They kept pretty true to the original song only changing the one line “love is like a stove/it burns you when it’s hot” and changing it to be “love is like a flame/it burns you when it’s hot”. I have to admit, flame is way better than stove.
Continuing the saga of all the 12″ Singles I picked up at the big Metalocalypse sell at Noble Records, we are now on a 4 week run of singles from The Cult. First up was from the band’s 1985 album ‘Love’ with “She Sells Sanctuary” and then we took a look at the lead track and third single form the band’s 1987 album ‘Electric’ with the song “Wild Flower” and from that same album we did the song “Love Removal Machine”. And finally we are on “Fire Woman” written by Ian Astbury and Billy Duffy off their 1989 classic ‘Sonic Temple’. Like “Love Removal Machine”, this copy was still sealed, but since it wasn’t expensive and music should be listened to, it is no longer sealed and it sounds fantastic now that it finally gets to breathe and be heard. I could feel it sigh with relief when I broke the seal. I swear I heard it say softly…”thank you”.
This 12″ was a “Specially Priced Maxi-Single, whatever that means. The song “Fire Woman” was produced by Bob Rock and is the first song I think I really heard by them that made me take notice because when I did, I was hooked. The song is about a femme fatale who is fiery and hotter than hell. She might be a dancer the way the moves around like a flame or she is really wild and sexy…probably all of the above.
Continuing the saga of all the 12″ Singles I picked up at the big Metalocalypse sell at Noble Records, we are now on a 4 week run of singles from The Cult. First up was from the band’s 1985 album ‘Love’ with “She Sells Sanctuary” and then we took a look at the lead track and third single form the band’s 1987 album ‘Electric’ with the song “Wild Flower”. The 12″ this time around is also off ‘Electric’ and was the first single off the album. The song was “Love Removal Machine” written by both Ian Astbury and Billy Duffy. My copy was still sealed, but since it wasn’t expensive and music should be listened to, it is no longer sealed and it sounds fantastic now that it finally gets to breathe and be heard. I could feel it sigh with relief when I broke the seal. I swear I heard it say softly…”finally”.
The 12″ comes with three tracks. The LP Version of the song as well as an extended version. The third track is “Wolf Child’s Blues” which was not on the album so that is the gem piece for this 12″ Maxi Single. All songs were produced by Rick Rubin and “Wolf Child’s Blues” was actually recorded live in the studio on New Years Eve 1986.
Continuing the saga of all the 12″ Singles I picked up at the big Metalocalypse sell at Noble Records, we are now on a 4 week run of singles from The Cult. First up was from the band’s 1985 album ‘Love’ with “She Sells Sanctuary”. This time we are going to look at the lead track and third single form the band’s 1987 album ‘Electric’ with the song “Wild Flower”. The 12″ this time around doesn’t have any other tracks other than “Wild Flower”, but you do get three versions. You get the the Remix version, the Dub version and the original LP Version.
My copy is mint and still in the plastic which is why the picture is a little hard to read. The vinyl was clean and who knows when it last saw a needle…maybe never. That has since changed.
The song was written by Ian Astbury and Billy Duffy. “Wild Flower” is basically Ian’s alter ego Wolfchild who has a lust for the liquor, drugs and those fine women. The Wolfchild came out when Ian decided to crossover to the wild side.
The remix was done by Andy Wallace and the album and the album was produced by Rick Rubin. The Remix version of the song is actually 2 minutes longer than the original which in part comes from the extended opening which is heavy on the drums and not as much as a crushing opener as the original. Throughout, you get extended parts with repetitive musical breaks, more drum parts and bass added to give it a more dance feel I guess. You still get that killer Duffy solo as the song would be lost without it.
First up on this side is the dub mix which was also done by Andy Wallace. This time they open with the guitar and then give that echo layered heavy drum beat that extends out numerous times before the song kicks in to familiar territory. No real lyrics here only Ian thrown in the with lines from the chorus and occasional “Wild Flower” thrown in. It is a lot of drums and guitars which isn’t always a bad thing.
The second track on here is the LP Version and man what a beast of a track. Those rip roaring riffs by Duffy are soul crushing. Ian’s vocals are stellar as his inner beast shines and he tears through the lyrics. As an opening track on the album it is impactful and mind blowing. What a killer way to start off the album. Here it is the last to remind you that even though there are dance mixes, this song is a total rocker and way better than any mix.
And there you have it. I hope you enjoyed the look at this little gem…well, a gem to me. I actually enjoy all versions on this one, but the original LP version is still the killer track here. I am glad I have all the mixes since they didn’t go too crazy with them. I actually like the dub version as it is more guitar driven and the extended version still makes for a joyful ride even with all the extended parts probably because the musicianship on the song is stellar so now matter how you slice it up, it still sounds great.
Continuing the saga of all the 12″ Singles I picked up at the big Metalocalypse sell at Noble Records, we are now on a 4 week run of singles from The Cult. First up is from the band’s album ‘Love’ from 1985. The song is “She Sells Sanctuary” and this is the 12″ Remix release. The original version of the song is not on here, nope. Instead you get two extended mixes of the song and one unreleased track.
All of these were only available on one of their 12″ Single releases which they had a couple. That was until 2009 when the band released a deluxe edition of the album which included all the mixes and unreleased tracks.
The original song did really well and stayed on the Dance Club Chart for about 6 weeks reaching #36 back in 1986. I never thought of The Cult as a dance band, but whatever floats your boat. My only complaint with this 12″ is the back cover. I’m old and my eyes aren’t that great anymore, but the font with songs is really light and very heard to read. I snapped a closer up shot so I can read it and you too…
Let’s get to the music…
As you can see, the sole song on side one is “She Sells Sanctuary (Howling Mix)” which is over 8 minutes long. The howling mix does just that. It has a howling dog at the beginning and several other times in the mix. There isn’t much in the way of vocals as it is mostly music done in more of a dance fashion than anything else. It was remixed by Steve Brown. The song is good if you like that sort of thing, but I’ll stick with Side 2 as that is where the greatness is for this disc.
Side 2 kicks off with the 12″ Mix of of “She Sells Sanctuary” and this one more closely resembles the original song. It has the vocals from Ian Astbury who sings with such confidence and a sound that is unique to him. He is easily recognizable. But it is that guitar work from Billy Duffy that shines on this song. Accompanied by that driving beat from Nigel Preston, which this was his last recording before he was fired, Billy’s gritty metallic guitar sound delivers a killer riff and some cool fills This is the version I’m more familiar with and the extended version just adds to its greatness.
The real gem at the time of this release is the final track which was the unreleased song called “Little Faces”. Ian’s vocals are so melodic and powerful, it has a smoothness to it that lifts the song to another level. Billy’s guitar work is sensational as usual and he lays down a nice solo. I found the song to be worthy of the album and no reason it needed to be left off as it is as good as anything else they have done. I love it when a B-Side track shines and this does brightly.
And there you have it. I hope you enjoyed the look at this little gem…well, a gem to me. Side Two is the winner of the best side as the extended long version of “She Sells Sanctuary” is just as good as the album version. But the real joy is the song “Long Faces” as that is worth price for just this song. My copy is practically mint and I don’t think was played much…that has since changed. We will be back next week with the next The Cult 12″ that we picked up. Thanks for stopping by.
When I hit up Noble Records for the big metal collection he was selling, it wasn’t all Def Leppard Singles I purchased. There was a Queensryche in there as well and it was a single from my favorite album ‘Operation: Mindcrime’. The single was for the song “Eyes of A Stranger” which was only moderately successful as it only reached #35 on the US Mainstream Rock chart. It was played on MTV, but for me it was played constantly as that album was on repeat for most of 1988 and has been played every year (multiple times a year) ever since.
For those that don’t know, ‘Operation: Mindcrime’ was a concept album and this song, “Eyes of a Stranger” was the final track on the album and a culmination of the whole album story. This 12″ Single is a Limited Edition Gatefold that contains a Video Story Board of the video shot for the song. The gatefold has pictures from the video and sums up the story as seen below.
Another grab from Noble Records from the sell of the big metal collection he picked up from a former record store owner was another Def Leppard release. This time around I found a 12″ Promotional Single for the songs “Bringin’ On the Heartbreak (Remix)” and “Me & My Wine (Remix)”. After the success of ‘Pyromania’, it was decided to do a re-release of the prior album ‘High ‘N Dry’. For that to be successful, they added two new songs…okay one new one and one remix of another song on the album. Both were mixed by Robert John “Mutt” Lange himself. The album was rereleased on May 31, 1984.
The band sent out this Promotion Single with only those two new songs and they actually did videos with for the songs as well. Now, Phil Collens was in the band now and not Pete Willis who played on both these songs so the videos have Phil not Pete which is strange.
This promo is a U.S. release just prior to the album re-release and sent out in hopes of pushing that album. I remember the videos popping up on MTV and I loved it. It was already my favorite Def Leppard album and I was fine and dandy with picking up another copy of the album with the two new tracks. Since these are remixes, let’s talk a little about the songs.
When I am out crate digging, I like to find the unusual, the different and if it is something I haven’t seen before, I usually grab it because who knows if I will see it again. With Def Leppard that always rings true. See it, like it, grab it and that is what I did with this piece. Noble Records bought a massive metal collection from a gentlemen who use to own a record store. The collection was his personal collection and not store stock so you know there was good stuff in there and let me tell you there was.
The piece I had to have was a 5″ Shaped Picture Disc which I never knew existed. I have had picture disc before, but not anything that wasn’t shaped as a 7″ or 12″ round vinyl. This one is triangle shaped like the band’s logo. It is really cool. And apparently, it has two songs on it, one on each side. Before we get to that, let’s talk a little about what this disc really is.
The single is actually a UK Special Edition 5″ Shaped Picture Disc for the song “Pour Some Sugar on Me”. It was released on September 7, 1987 to promote the upcoming UK Tour Def Leppard was doing. It actually came in a white folder with the band logo on the front…
When you open the folder, it has the UK Tour Dates on one side and the disc on the other. It look a lot like this…
Back before Christmas, Noble Records here in Charlotte came across an amazing Record Collection that was being sold and it was filled with so many rare and amazing rock and metal albums. He naturally bought it and offered it up in his store in a huge release on December 12, 2020. He called it Metalocalypse or something like that. It was full of great stuff and worth getting up and being in line almost an hour before opening and I was’t alone. I was sadly, about 20th in line and as a result I didn’t get everything I wanted. But there was one thing I saw on his instagram posts and videos that caught my eye and I was able to grab it.
That was a Promotional Copy of Bon Jovi’s single “You Give Love a Bad Name”. Doesn’t sound like a big deal does it? You’d be wrong because this is special for two reasons. First, It has the original banned album cover as the single cover art work. The woman in the wet T-Shirt. Yeah, I’ll take that shot any day. But that wasn’t the only thing cool about it. It was also autographed by Jon Bon Jovi himself. Of course, it is made out to Paul who was the gentlemen that originally had these albums. He owned a record shop back in the 70’s, 80’s and early 90’s as that was the time frame of most of his albums. I am glad that I have one of his pieces and he can be happy it is with a fellow music lover. Paul has since passed away which is the reason the collection was up for sell.