Continuing the saga of all the 12″ Singles I picked up at the big Metalocalypse sell at Noble Records, we are now on a 4 week run of singles from The Cult. First up was from the band’s 1985 album ‘Love’ with “She Sells Sanctuary” and then we took a look at the lead track and third single form the band’s 1987 album ‘Electric’ with the song “Wild Flower” and from that same album we did the song “Love Removal Machine”. And finally we are on “Fire Woman” written by Ian Astbury and Billy Duffy off their 1989 classic ‘Sonic Temple’. Like “Love Removal Machine”, this copy was still sealed, but since it wasn’t expensive and music should be listened to, it is no longer sealed and it sounds fantastic now that it finally gets to breathe and be heard. I could feel it sigh with relief when I broke the seal. I swear I heard it say softly…”thank you”.
This 12″ was a “Specially Priced Maxi-Single, whatever that means. The song “Fire Woman” was produced by Bob Rock and is the first song I think I really heard by them that made me take notice because when I did, I was hooked. The song is about a femme fatale who is fiery and hotter than hell. She might be a dancer the way the moves around like a flame or she is really wild and sexy…probably all of the above.
Continuing the saga of all the 12″ Singles I picked up at the big Metalocalypse sell at Noble Records, we are now on a 4 week run of singles from The Cult. First up was from the band’s 1985 album ‘Love’ with “She Sells Sanctuary” and then we took a look at the lead track and third single form the band’s 1987 album ‘Electric’ with the song “Wild Flower”. The 12″ this time around is also off ‘Electric’ and was the first single off the album. The song was “Love Removal Machine” written by both Ian Astbury and Billy Duffy. My copy was still sealed, but since it wasn’t expensive and music should be listened to, it is no longer sealed and it sounds fantastic now that it finally gets to breathe and be heard. I could feel it sigh with relief when I broke the seal. I swear I heard it say softly…”finally”.
The 12″ comes with three tracks. The LP Version of the song as well as an extended version. The third track is “Wolf Child’s Blues” which was not on the album so that is the gem piece for this 12″ Maxi Single. All songs were produced by Rick Rubin and “Wolf Child’s Blues” was actually recorded live in the studio on New Years Eve 1986.
Continuing the saga of all the 12″ Singles I picked up at the big Metalocalypse sell at Noble Records, we are now on a 4 week run of singles from The Cult. First up was from the band’s 1985 album ‘Love’ with “She Sells Sanctuary”. This time we are going to look at the lead track and third single form the band’s 1987 album ‘Electric’ with the song “Wild Flower”. The 12″ this time around doesn’t have any other tracks other than “Wild Flower”, but you do get three versions. You get the the Remix version, the Dub version and the original LP Version.
My copy is mint and still in the plastic which is why the picture is a little hard to read. The vinyl was clean and who knows when it last saw a needle…maybe never. That has since changed.
The song was written by Ian Astbury and Billy Duffy. “Wild Flower” is basically Ian’s alter ego Wolfchild who has a lust for the liquor, drugs and those fine women. The Wolfchild came out when Ian decided to crossover to the wild side.
The remix was done by Andy Wallace and the album and the album was produced by Rick Rubin. The Remix version of the song is actually 2 minutes longer than the original which in part comes from the extended opening which is heavy on the drums and not as much as a crushing opener as the original. Throughout, you get extended parts with repetitive musical breaks, more drum parts and bass added to give it a more dance feel I guess. You still get that killer Duffy solo as the song would be lost without it.
First up on this side is the dub mix which was also done by Andy Wallace. This time they open with the guitar and then give that echo layered heavy drum beat that extends out numerous times before the song kicks in to familiar territory. No real lyrics here only Ian thrown in the with lines from the chorus and occasional “Wild Flower” thrown in. It is a lot of drums and guitars which isn’t always a bad thing.
The second track on here is the LP Version and man what a beast of a track. Those rip roaring riffs by Duffy are soul crushing. Ian’s vocals are stellar as his inner beast shines and he tears through the lyrics. As an opening track on the album it is impactful and mind blowing. What a killer way to start off the album. Here it is the last to remind you that even though there are dance mixes, this song is a total rocker and way better than any mix.
And there you have it. I hope you enjoyed the look at this little gem…well, a gem to me. I actually enjoy all versions on this one, but the original LP version is still the killer track here. I am glad I have all the mixes since they didn’t go too crazy with them. I actually like the dub version as it is more guitar driven and the extended version still makes for a joyful ride even with all the extended parts probably because the musicianship on the song is stellar so now matter how you slice it up, it still sounds great.
Continuing the saga of all the 12″ Singles I picked up at the big Metalocalypse sell at Noble Records, we are now on a 4 week run of singles from The Cult. First up is from the band’s album ‘Love’ from 1985. The song is “She Sells Sanctuary” and this is the 12″ Remix release. The original version of the song is not on here, nope. Instead you get two extended mixes of the song and one unreleased track.
All of these were only available on one of their 12″ Single releases which they had a couple. That was until 2009 when the band released a deluxe edition of the album which included all the mixes and unreleased tracks.
The original song did really well and stayed on the Dance Club Chart for about 6 weeks reaching #36 back in 1986. I never thought of The Cult as a dance band, but whatever floats your boat. My only complaint with this 12″ is the back cover. I’m old and my eyes aren’t that great anymore, but the font with songs is really light and very heard to read. I snapped a closer up shot so I can read it and you too…
Let’s get to the music…
As you can see, the sole song on side one is “She Sells Sanctuary (Howling Mix)” which is over 8 minutes long. The howling mix does just that. It has a howling dog at the beginning and several other times in the mix. There isn’t much in the way of vocals as it is mostly music done in more of a dance fashion than anything else. It was remixed by Steve Brown. The song is good if you like that sort of thing, but I’ll stick with Side 2 as that is where the greatness is for this disc.
Side 2 kicks off with the 12″ Mix of of “She Sells Sanctuary” and this one more closely resembles the original song. It has the vocals from Ian Astbury who sings with such confidence and a sound that is unique to him. He is easily recognizable. But it is that guitar work from Billy Duffy that shines on this song. Accompanied by that driving beat from Nigel Preston, which this was his last recording before he was fired, Billy’s gritty metallic guitar sound delivers a killer riff and some cool fills This is the version I’m more familiar with and the extended version just adds to its greatness.
The real gem at the time of this release is the final track which was the unreleased song called “Little Faces”. Ian’s vocals are so melodic and powerful, it has a smoothness to it that lifts the song to another level. Billy’s guitar work is sensational as usual and he lays down a nice solo. I found the song to be worthy of the album and no reason it needed to be left off as it is as good as anything else they have done. I love it when a B-Side track shines and this does brightly.
And there you have it. I hope you enjoyed the look at this little gem…well, a gem to me. Side Two is the winner of the best side as the extended long version of “She Sells Sanctuary” is just as good as the album version. But the real joy is the song “Long Faces” as that is worth price for just this song. My copy is practically mint and I don’t think was played much…that has since changed. We will be back next week with the next The Cult 12″ that we picked up. Thanks for stopping by.
When I hit up Noble Records for the big metal collection he was selling, it wasn’t all Def Leppard Singles I purchased. There was a Queensryche in there as well and it was a single from my favorite album ‘Operation: Mindcrime’. The single was for the song “Eyes of A Stranger” which was only moderately successful as it only reached #35 on the US Mainstream Rock chart. It was played on MTV, but for me it was played constantly as that album was on repeat for most of 1988 and has been played every year (multiple times a year) ever since.
For those that don’t know, ‘Operation: Mindcrime’ was a concept album and this song, “Eyes of a Stranger” was the final track on the album and a culmination of the whole album story. This 12″ Single is a Limited Edition Gatefold that contains a Video Story Board of the video shot for the song. The gatefold has pictures from the video and sums up the story as seen below.
Another grab from Noble Records from the sell of the big metal collection he picked up from a former record store owner was another Def Leppard release. This time around I found a 12″ Promotional Single for the songs “Bringin’ On the Heartbreak (Remix)” and “Me & My Wine (Remix)”. After the success of ‘Pyromania’, it was decided to do a re-release of the prior album ‘High ‘N Dry’. For that to be successful, they added two new songs…okay one new one and one remix of another song on the album. Both were mixed by Robert John “Mutt” Lange himself. The album was rereleased on May 31, 1984.
The band sent out this Promotion Single with only those two new songs and they actually did videos with for the songs as well. Now, Phil Collens was in the band now and not Pete Willis who played on both these songs so the videos have Phil not Pete which is strange.
This promo is a U.S. release just prior to the album re-release and sent out in hopes of pushing that album. I remember the videos popping up on MTV and I loved it. It was already my favorite Def Leppard album and I was fine and dandy with picking up another copy of the album with the two new tracks. Since these are remixes, let’s talk a little about the songs.
When I am out crate digging, I like to find the unusual, the different and if it is something I haven’t seen before, I usually grab it because who knows if I will see it again. With Def Leppard that always rings true. See it, like it, grab it and that is what I did with this piece. Noble Records bought a massive metal collection from a gentlemen who use to own a record store. The collection was his personal collection and not store stock so you know there was good stuff in there and let me tell you there was.
The piece I had to have was a 5″ Shaped Picture Disc which I never knew existed. I have had picture disc before, but not anything that wasn’t shaped as a 7″ or 12″ round vinyl. This one is triangle shaped like the band’s logo. It is really cool. And apparently, it has two songs on it, one on each side. Before we get to that, let’s talk a little about what this disc really is.
The single is actually a UK Special Edition 5″ Shaped Picture Disc for the song “Pour Some Sugar on Me”. It was released on September 7, 1987 to promote the upcoming UK Tour Def Leppard was doing. It actually came in a white folder with the band logo on the front…
When you open the folder, it has the UK Tour Dates on one side and the disc on the other. It look a lot like this…
Back before Christmas, Noble Records here in Charlotte came across an amazing Record Collection that was being sold and it was filled with so many rare and amazing rock and metal albums. He naturally bought it and offered it up in his store in a huge release on December 12, 2020. He called it Metalocalypse or something like that. It was full of great stuff and worth getting up and being in line almost an hour before opening and I was’t alone. I was sadly, about 20th in line and as a result I didn’t get everything I wanted. But there was one thing I saw on his instagram posts and videos that caught my eye and I was able to grab it.
That was a Promotional Copy of Bon Jovi’s single “You Give Love a Bad Name”. Doesn’t sound like a big deal does it? You’d be wrong because this is special for two reasons. First, It has the original banned album cover as the single cover art work. The woman in the wet T-Shirt. Yeah, I’ll take that shot any day. But that wasn’t the only thing cool about it. It was also autographed by Jon Bon Jovi himself. Of course, it is made out to Paul who was the gentlemen that originally had these albums. He owned a record shop back in the 70’s, 80’s and early 90’s as that was the time frame of most of his albums. I am glad that I have one of his pieces and he can be happy it is with a fellow music lover. Paul has since passed away which is the reason the collection was up for sell.
Prior to the release of their next studio album, Kiss was asked to due a song for a movie. That movie was Bill & Ted’s Bogus Journey. Yes, one of cinema’s finest movies, I know. The song was a cover of “God Gave Rock And Roll To You” by the band Argent, but the lyrics were changed up so much, they added the “II” at the end to signify it was a little different than the original. So that meant, not only was Russ Ballard’s name on the credits, it now had Gene Simmons, Paul Stanley and producer Bob Ezrin who the band was working with at the time for the new album. The single was released on August 22, 1991.
What was special about this song and release is that is the last Kiss single to feature Eric Carr. Eric wasn’t healthy enough to do the drums at the time, but he is featured in the background vocals. And luckily he was healthy enough to be in the video. Eric was extremely ill as he had been diagnosed with heart cancer. He had become so ill, he was no longer able to play, so the drum work on the song was handled by Eric Singer, who also did the drum work on the band’s next album, ‘Revenge’. Eric Carr made his last public appearance with the band shortly after the video at the MTV Musis Awards in September 1991. Shortly thereafter, Carr suffered an aneurysm then a brain hemorrhage and never regained consciousness. He later died on November 24, 1991 which was sadly, the same day Freddie Mercury of Queen had died and that overshadowed his death.
Do you remember the TV series ‘The Greatest American Hero”? It ran from 1981-1983 and was about an ordinary guy named Ralph who was given a superhero suit from a group of aliens…you know the space aliens, not the illegal ones. The suit gave him super human abilities like a super hero. Of course, Ralph loses the instructions manual and has to figure things out on his own which is where all the fun begins. Ralph Hinkley was played by William Katt, Robert Culp played FBI Agent Bill Maxwell and Connie Selleca played Ralph’s girlfriend Pam Davidson. The first season of this show is basically an origins story and the origin stories are usually the best.
One of the really great things about the show was the theme song. Do you remember theme songs for TV shows? They don’t really do those much nowadays. This one was called “Theme From The Greatest American Hero” or better known as “Believe It or Not” as the other is just too long to say. It was written by TV theme songwriters Mike Post and Stephen Geyer, but performed by Joey Scarbury. The song appeared on Joey’s debut album which was called ‘America’s Greatest Hero’ so it doesn’t steal directly the shows name exactly.
As you can see, the back cover of the 45 sleeve is almost exactly the same as the front with the exception being the record label and producer information. I found this at an antique shop down in St. Augustine, Florida back in the Summer of 2020…yes, I travelled away from home during the pandemic. We rented a house near the beach with a pool so as to socially distance from everyone so there! When I saw this in the guys stack of 45’s, it was a no-brainer for me as I loved this show (first season at least) and I loved this song.