For My Sunday Song #136, We are going to talk about the 80’s classic “No, No, No” off the 1987 album ‘Crazy Nights” and the B-Side of their first single “Crazy, Crazy Nights”. ‘Crazy Nights’ was a platinum selling album and might be considered as one of the bands weaker albums in some circles as they were chasing the trend at this point rather than creating it.
The song was originally titled “Assume the Position” (get your mind out of the gutter…because I am sure that is where their mind was with that title) and later it was called “Down on All Fours” (hmmm…I think their mind is still in the gutter). The song was originally written off a riff by Bruce Kulick and Eric Carr put his stamp on it as well. It was later handed over to Gene Simmons for completion.
The song opens with a blistering, solo by Bruce. It is fast and ferocious and shows why he is so highly regarded as one of the best Kiss Guitarists!! The drums are heavy thanks to the late, great Eric Carr and Gene finally has a decent song as over the last few albums, his weren’t always so stellar. Well, really this is great mostly because of Bruce, but we won’t tell Gene that as we don’t want to hurt his fragile little ego.
Continue reading “My Sunday Song – “No, No, No” by Kiss”
Back in 1981, Billy Squier came screaming on to the scene with the classic track, “The Stroke”. This was the song that introduced me to him and kept me a fan all these years. The song did fairly well on the charts reaching #17 on the Billboard Hot 100 and the song comes from his second album ‘Don’t Say No’ which went on to be a triple platinum selling album.
Now admit it. You have always thought this song was about masturbation, didn’t you? “Put Your Right Hand Out / Give a firm handshake”…always led you to believe that Mr. Squier was manhandling his little…”guitar” for lack of a better word. Ok, I didn’t want to say dick, so there, now I have said it. However, the song is actually not about that at all.
The song is about the Music Business and how it treats it’s talent. How with “the stroke” of a pen, the musician signs their life away and becomes the property of the record label. They promise them the “big break”, get their music everywhere (“spread your ear pollution”) and promise fame and fortune. However, when the hits dry up, the label drops you (“when you’ve found you bled me / slip on by”). And when you look at the song from that perspective it is really a great song…okay…when you look at it the dirty way it is also a great song…either works!
Continue reading “Billy Squier – “The Stroke” (45 Single)”