The end of another month has arrived and only 3 more to go this year. Crazy how time flies. One way to enjoy the time flying by is listening to new music and we have another large batch of new releases for you this week. There are almost 50 this time around. There are a handful I want to check out, don’t know if I’ll buy, but I’ll listen like KK’s Priest, Black Stone Cherry and even Red…and probably Green Day’s Dookie Deluxe Set…maybe I’ll buy that one, it looks cool. Let me know what you want to hear this week. I am sure a lot of you might like Ed Sheeran’s new one or maybe even LANY as I’m sure those will be pretty popular this week. Thanks for stopping by and I hope you all have a great weekend.
KK’s Priest – The Sinner Rides Again – (Napalm Records)
Black Stone Cherry – Screamin’ at the Sky – (Mascot Label Group)
Red – Rated R – (Red Entertainment / The Fuel Music)
Welcome to the monthly round-up as we go through the purchases here at 2 Loud 2 Old Music for September 2023. It was another good month for vinyl and CDs, but that was it. Nothing out of the ordinary this month like Cassettes, 8-Tracks or even books. Strictly vinyl and CDs which I won’t complain about because that is enough. The month started out with a couple new releases that came out at the end of August, but didn’t arrive until after the August post was done. I picked the new albums for both Eclipse and H.E.A.T. and both are great…
Then during Labor Day weekend, my wife and I had a kid free weekend and we went out to 2nd & Charles so she could look for books. I, of course, took advantage of the Buy 2 Get 2 Free in the used CD section where I picked up 10 CDs. Two of them were actually still sealed (Lifehouse and Halestorm)!! I picked up a handful of Live including their debut E.P., some Wallflowers and a great Pearl Jam live CD and as Jimmy Buffett passed away, I grabbed his greatest hits in memory of him.
The Def Leppard E.P. from 1979, sold really well and saw the band’s popularity rise heavily in their home country of the U.K. The Union Jack was their friend, but that was soon about to change. With the release of their debut album, shouts were coming from the media that Def Leppard were sell-outs and trying to pander to the American public especially with a song called “Hello America” and the fact that they toured way more in the U.S. then they did anywhere else. As a result of those shouts, they were abused and heckled and bombarded with bottles of piss at the Reading Festival, but to be fair a lot of bands were abused during that festival.
Def Leppard were one of the first bands on this ride called the New Wave of British Heavy Metal which included the likes of Iron Maiden, Saxon, Tigers of Pan Tang and many more. Their sound was more raw, definitely more heavy and yet a little more polished then some of the other bands. There was no denying that this young gang of boys with an average age of 18, were ready to rock America and the World. The band consisted of singer Joe Elliott, guitarists Steve Clark and Pete Willis, bassist Rick Savage and the Thunder God himself, Rick Allen who was the tender age of 16 when the album came out.
The album was produced by Colonel Tom Allen who you might know from producing acts like Judas Priest and engineer on albums from Black Sabbath. He helped craft a really solid and exciting debut album which saw the light of day March 14, 1980. The album saw three singles with only 2 charting in the UK, but the album did sell over a million copies over time thanks to their big albums ‘Pyromania’ and ‘Hysteria’ I am sure. Through the success of the album and the touring, they band caught the eye of producer, Robert John “Mutt” Lange. The man saw something special and these young lads and would change their world forever.
I remember growing up and seeing this album in my brothers collection and I remember him seeing them live and telling me how great they were. So I grabbed this album and listened to it a lot. I had a strange fascination with it using it for two projects in school. One was a paper in English which I talked about the song “Wasted”. That paper sucked and I was lucky to walk away with a “C” when it probably deserved and “F”. The second was for Art Class when I drew the album cover. I still have the original album on vinyl and the cover is all marked up since I drew lines on it to help with my actual drawing. It is rough. Not the drawing, it looks great and is below…
After 16 months of touring for ‘New Jersey’, the band was simply exhausted. Without so much as a goodbye, the band members went home and did their own things for awhile. Jon Bon Jovi became real disillusioned with the music “business” so he fired everyone from management to advisers to even agents (which was Doc McGhee). Jon took control. And in October 1991, he brought the boys back together down in St. Thomas in the Caribbean where the band hashed out their issues and decided it was time to work again.
In January 1992, the band headed back to Little Mountain Studios in Vancouver, Canada to start work on their fifth album. They tried to get Bruce Fairbairn back to produce, but he was busy with a little band from Boston called Aerosmith and their smash album ‘Get a Grip’. So, they got the next best thing, Bob Rock, who engineered their last two albums with Bruce so he was taught very well. They worked on the album through August of that year and wrote/recorded over 30 songs for the album. Of which, 12 made it and a couple were used for various bonus tracks whether in Japan or Australia.
Things had changed significantly since their last album. Some thing called Grunge had taken over and even Rap was growing in popularity. But the boys ignored all that, they also ignored their old sound which was full of cliches. Instead, the focused on righting real songs about more serious topics. Now, not all the songs were that way, but enough were that we got a band that sounded more mature, more focused and more serious.
The album came out on November 3, 1992 and would spawn six singles – four in the U.S. and two around the world. The album would chart at #5 in the U.S., #1 in the UK and high on so many charts around the world. It would sell over 8 million copies worldwide and have 3 Top 40 hits. Bon Jovi was back and in a big way. They were actually more popular around the world then in their home country. Why did this album do so well, let’s dig in to the songs and see.
For My Sunday Song #379, we are talking about “Let it Ride” and not the BTO version, but the cover by Big Sugar. Deke’s choice is another Canadian band, but he is mixing it up by picking a cover song. The song is off this Toronto band’s 1998 album ‘Heated’ which went platinum in Canada with over 100,000 album sold.
The song has a great story with it as it was inspired by a bus touring traffic incident with Bachman-Turner Overdrive. While driving from one town to the next, the band got boxed in between some 18 -Wheelers and when the trucks and the bus pulled over at the next rest stop, they actually confronted the truck drivers. And truck drivers being as cool as they normally are, they told the band to basically calm down and let it ride. The song itself is about a guy that apparently has lied to his girl and he is telling her to forget about and move on…yeah…I am sure that went over well.
Big Sugar has taken this song and really changed it up. The guitars don’t sound like this 70’s hit did, no. They brought some crunchy guitars and then there is almost a swagger to it with a reggae vibe. The vocals aren’t full of harmonies, now they have a darker edge that only Gordie Johnson can do. They have brought the song in to the 21st Century in a big way. Heck, they even added another 1:20 to the song with more guitars and well more everything. A totally different vibe, they made it their own song. Which I like to see they put in a lot of effort thinking how they wanted to present this song.
As Fall starts tomorrow and temperatures start to cool down, we bring another list of new releases and for me things have cooled down. As there have been a bunch of releases this month that I have bought so it is nice to have an off week. But that doesn’t mean there aren’t some good releases as you have Doja Cat this week which will probably be one of the biggest releases. Let me know what you want to hear this week or what we may have missed. Thanks for stopping by and I hope you all have a wonderful weekend.
Doja Cat – Scarlet – (Kemosabe Records / RCA Records)
Wolves at the Gate – Lost in Translation – (Solid State Records)
 Paul Rodgers – Midnight Rose – (Heartstar Music / Sun Label Group)
When planning the Def Leppard Collection Series, I thought it would be fun to include what I call Def Leppard Adjacent albums. That would be any side projects or bands the members of Leppard have been in that I have in my collection. First up is an interesting one in that it is the band Girl which features future Def Leppard guitarists, Phil Collen. What is cool about it for me is that Girl’s debut and Def Leppard’s debut albums came out one month apart in the year of 1980. It was a battle of two new British bands and we know who comes out on top. But which album was better? Before we get in to that, lets talk about the band.
The band was formed in 1979 by Phil Lewis, Phil Collen, Gerry Laffy, Jonathon Trevisick and Mark MeGary. Two names should be easily recognizable as we know Phil Collen from Leppard, but Phil Lewis went on to fame with a Sunset Strip band in 1987 called L.A. Guns. The band quickly replaced two members of the band as Trevsicik was out and Dave Gaynor was in on drums and then MeGary was out with Simon Laffy on bass and yes, Simon is Gerry’s brother.
The band quickly signed with Jet Records and in no time had an album out called ‘Sheer Greed’. The debut came out in January 1980…that is pretty fast after just forming in 1979. Not sure if they paid their dues as they didn’t spend years grinding it out in clubs to finally get a record deal. No, they got it right out of the gate…bam!
The New Wave of British Heavy Metal was sweeping the nation, but the androgynous glamminess of Girl was a little misunderstood, however they make a few waves, just nothing big you could surf off of. They weren’t metal, but they were hard enough with even a little punk side to them with some dashes of reggae thrown in for good measure. ‘Sheer Greed’ peaked at #33 and its debut single hit #50. They didn’t have massive success, but they made some waves. Many years after the band split, Phil Collen and Simon Laffy would be in another band together called Man Raze…we will get to it in due time.
The version of the album I have in my collection is a Gold Stamped Promo. It even has “Demonstration Not For Sale” on the vinyl label. It also still has the inner sleeve with the song lyrics. There is something about picking up a promo that I do love. Maybe because it was played by a Radio Station or whatever, but it is cool to know this was handed out by the record label to specific locations. Enough about that, let’s get to the music.
After a very tumultuous time in the boy band Take That, Robbie left the group, recorded an album and went in to rehab. Robbie’s drug problem and ego problem was too much for Take That. He was tired of his creative input being ignored and was ready to branch out on his own. And branch out he did. His first album, ‘Life Thru a Lens’ was released on September 29, 1997 and though it started off slow, it would go on to great heights hitting #1 on the UK charts and selling over 3 million copies in Europe.
Now, we peasants here in the States, knew nothing about Robbie and sadly that would continue throughout most of his career. He had some moderate success with a few songs, but for the most part, the U.S. missed on on a hugely talented guy. I’m glad to say, I didn’t miss out. I discovered him a few years later with the songs “Millennium” and “Rock DJ” and I was hooked. But we aren’t here to talk about the albums those songs were on. Nope. We are here to talk about the 25th Anniversary Edition of his debut album, ‘Life Thru a Lens’ and what a box set he put together.
While Bon Jovi was on an extended hiatus, Jon Bon Jovi wasn’t the only to put a solo album. The band’s lead guitarist, Richie Sambora, decided to spread his wings and release a solo album as well. Richie would step out of the shadows and take on the lead vocals as well as most of the guitar duties as well. And like Jon on his solo album, Richie brought along a few friends for the ride including fellow Bon Jovi bandmates, Tico Torres and David Bryan. On bass, he had Tony Levin, but he also had Randy Jackson on one song who also worked on Jon’s solo album too. The biggest guest on the album would be one of his idols, Eric Clapton for Mr. Bluesman.
Speaking of Blues, Richie didn’t stick with the same Bon Jovi sound. He shook things up and focused the album on more of a blues sound and I would say he captured it beautifully. The album would be released on September 3, 1991 and would #36 on the Billboard Hot 100 and #20 on the UK Charts. He would release 3 singles officially as well as one promo single. None went Top 40, but they still had moderate airplay and one single did hit #13 on the Mainstream Rock Charts. Richie might not have sold as many albums as Jon, but for me had the more interesting album of the two.
My version is a Japanese reissue from 2020 and came with the ever cherished OBI strip as well as a bonus track which is the cover of Jimi Hendrix’s “The Wind Cries Mary”. You can’t have a Japanese edition without a bonus track, then it is just an overpriced copy of the CD. I have to say that I think Bon Jovi isn’t the same without Richie for the reason of his backing vocals (and songwriting abilities). His solo work gives us the chance to hear how well Sambora can sing and a chance for his vocals to be front and center. Too band Bon Jovi, the band, didn’t utilize the two singer approach as it wouldn’ve been awesome. But it is and willl albums be Jon’s band so I get it. I am off on a tangent now, so let’s get back to the album.
The album opens with “Rest in Peace”, an atmospheric, bluesy piece that sees Richie sparsely place the licks as David Bryan gives the orchestrated sounds that give it an ethereal tone. Richie’s vocals are sparse as well, sounding angelic and little sad. The song is more of an opening for “Church of Desire” than a song on its own, but the tone is set and we know this is NOT going to be a Bon Jovi style album. When “Church of Desire” comes bleeding in, the tempo picks up, the bluesy riffs keep coming and Richie’s vocals come in strong. The song is polished, all glossy and perfect production which doesn’t make it pure blues, just dashed with its essence. The solo is exciting as it plays for the song while showcasing the talent he is and then the 2nd solo is pure joy as he takes it to another level. The thing we learn from this song is that Richie’s vocals are better than we ever heard as backing vocals with Bon Jovi.
For My Sunday Song #378, we are on the 8th song choice from Deke. This time around we have a live song from Brighton Rock called “Hangin’ High ‘N’ Dry”. This might be the first live song we’ve done here on My Sunday Song so this is a change of pace for me. The song is off the band’s live album called ‘A Room For Five Live’ which was released July 23, 2002. This Canadian band only had 3 albums and the last one was 1991. This was the first release from the band in over a decade. The original song can be found on their 1988 album ‘Take a Deep Breath”.
The song was written by lead singer Gerry McGhee, lead guitarist Greg Fraser and keyboardist Johnny Rogers. The song is about standing by your lover, but they moved up and on leaving you in the dust. You are waiting for them to say something, but they no longer care. They’ve moved on leaving you high & dry. It is sad really. But I am sure that it has happened to everyone.
The live song is a keyboard heavy song at the opening and then Gerry comes in on the first verse. His vocals are a little rough and gritty in an almost Tom Keifer kind of way, but not as high pitched. The guitar work by Fraser is great as he has nice riffs thrown in and a solo that plays perfectly for the tone of the song and not all showboaty. The rhythm section lays down a nice groove as the song is a cross between a ballad and a rocker as there is a little punch to it, but there is still a tenderness and sadness to it as well. Not a bad track.
KK’s Priest – The Sinner Rides Again – (Napalm Records)
Black Stone Cherry – Screamin’ at the Sky – (Mascot Label Group)
Red – Rated R – (Red Entertainment / The Fuel Music)
Doja Cat – Scarlet – (Kemosabe Records / RCA Records)
Wolves at the Gate – Lost in Translation – (Solid State Records)
 Paul Rodgers – Midnight Rose – (Heartstar Music / Sun Label Group)
2 Loud 2 Old Music 