For the month’s The Original vs. The Cover, we have a Canadian Battle Royale!! We are going to look at the song “Hey Operator” which was originally recorded by Toronto’s own Coney Hatch and they are battling it out with Montreal’s own Aldo Nova. The song was written by Coney Hatch’s lead singer Carl Dixon and was on their 1982 debut self-titled album. It was released as a single and went to #19 on the Canadian charts. No real success in the U.S. though. Aldo Nova released the song in 1983 on his second album ‘Subject’. It was never released as a single, but for me was one of my favorite songs on his album. I had never heard of Coney Hatch back then, but I was a massive Aldo fan.
“Hey Operator” is a simple song about a guy wanting to call his girl long distance…or maybe it is just phone sex, who knows. There doesn’t seem to be any deep seeded meaning behind it, but that doesn’t make a great song no matter who sings it. As both versions are worth a listen. But let’s’s walk through both and see who has the best version.
CONEY HATCH
The Coney Hatch is more of a guitar and piano version and is a straight up rock track. Very radio friendly with a catchy chorus and I like how the piano gets louder during the chorus with some great riffing by Steve Shelski. His solo is also great, if not short and sweet. The rhythm section of Andy Curran and Dave Ketchum is the driving force behind the song though. But for me the real highlight is Carl’s vocals as they are quite fantastic. I love his tone and he just has a great rock & roll voice. How did these guys never make it in the U.S. is unknown as this is great, a kind of Foreigner vibe to it.
For this version of The Originals vs. The Cover, we are tackling the Young Rascals 1966 song “You Better Run” off their album ‘Groovin'”. The song was written by Eddie Brigati and Felix Cavalliere both members of the band. The song was considered a disappointment for them as it only went to #20 on the Billboard Charts. The disappointment was due to their previous song going #1, “Good Lovin'”. The Cover version is by Pat Benatar and hers didn’t do as well only going to #42 just missing the Top 40. But hers is famous because it is the 2nd Video ever played on MTV, yep, right after ‘Video Killed the Radio Star’. And since MTV didn’t have a lot of videos back then, it got played a lot.
The song is a kiss off to a bad relationship. Some girl did one of the guys wrong and it was telling her to get lost, run and hide and get away from him. As well as it worked for them, Pat Benatar took and gender reversed it and now she’s telling the guy to the same and it was a great twist to the song. Let’s get to the battle and see who needs to run after this one. Before we do that, I want to thank Barry Gropman for his email and recommendations for ideas for this series.
THE YOUNG RASCALS:
The first thing you notice with their song is that bass guitar. It is the driving force as that repeated chord patter takes you up and down and back again. It is great. The song is really simple for them, with that bass line, the guitar riff and the great drumming by Dino Danelli. Felix’s vocals are filled with pain and that delivery of the vocals is so superbly deliberate and well paced. He makes it sound serious and full of anger. The harmonies on the chorus are great as well. Really killer track.
PAT BENATAR:
Pat Benatar’s version turns up the guitar with Neil Giraldo and Myron Grombacher’s drums are slamming. The bass is there, but now it is a full on guitar rocker and the guitar takes over that part. Pat’s vocals are…well…amazing. There is so much anger in her vocals and she is a total badass ready to kick this guys ass if he shows up again. It would make me run. She totally modernized the song to be a pure hard rock anthem and she totally made it her own as I didn’t realize it was a cover until years later.
THE VERDICT:
You could go either way with this one. The Young Rascals original is a classic track. I love the bass work and Felix really delivers a great vocal as I really love his approach on the lyrics. Pat turns it in to a total hard rock, almost metal, song. Her vocals are unmatched by anyone and Neil’s guitar is really the driving force. But for me, it is always Pat Benatar. It was her version I heard first, her version I always think of when I think of this song and I never tire of hearing her. So Pat Benatar for the win here for me, but I know you all might have different views, so lay them on me.
I am really interested in hearing what everyone else thinks of these two songs. Let me know which version you like the best and why. Feel free to leave a comment and talk about the song and tell me how right or wrong I am on this one. Thanks for stopping by and have a great day.
LYRICS:
“You Better Run”
What you tryin’ to do to my heart? What you tryin’ to do to my heart? You go around tellin’ lies You’re runnin’ ’round with the other guys What you tryin’ to do to my heart?
You better run, you better hide You better leave from my side What you tryin’ to do to my soul? What you tryin’ to do to my soul? Everything I had was yours And now I’m closin’ all the doors What you tryin’ to do to my soul?
I love you girl, I love you so Can’t you see and don’t you know? I can’t stand your alibis, your tellin’ lies, you drop me wise Myself, I can’t stand anymore Oh, what you tryin’ to do to my head? What you tryin’ to do to my head? Now I gotta draw that line You’re not gonna take my mind What you tryin’ to do to my head?
You better run, you better hide You better leave from my side What you tryin’ to do to my soul? What you tryin’ to do to my soul? Everything I had was yours And now I’m closin’ all the doors What you tryin’ to do to my soul?
I can’t stand anymore, leave me alone, woman! Go way, too much, have mercy! I need you, I need you!
For this edition of The Original vs. The Cover, we are going to explore the Fleetwood Mac song “The Chain” which was covered by the band The Highwomen for the soundtrack to the movie ‘The Kitchen’ back in 2019. I could’ve picked other covers by maybe Tantric or Evanescence, but I really liked this version. The song was written by all of Fleetwood Mac and this is certainly true as the song is pieced together from parts of several different unused material from all members of the band.
The opening intro was from an old Lindsey Buckingham song called “Lola (My Love”, the lyrics are from Stevie Nicks and other elements were worked in from Christine McVie’s song “Keep Me There”. The final section of the, including the bass progression were written by Mick Fleetwood and John McVie. It is a Frankenstein’s Monster of sorts and quite wonderful.
Let’s take a look at each version and see which one is the best.
FLEETWOOD MAC
The Fleetwood Mac version is so well known, it would be hard to top it. The opening guitar picking by Buckingham is damn near perfect. Lindsey and Stevie’s vocals together are always so perfect together as their tones play off each other so nicely. Mick’s drumming is so precise and played for the song. Not one drum hit is out of place. When you get to that bass progression towards the end, the song is really hitting on all cylinders as the tempo picks up and the energy as well. The vocal harmonies are what sets this song apart. It is one of those songs where each instrument is so critically placed and if pulled out the song would suffer. I’m telling you, it don’t get much better than this.
For the next installment of The Original vs. The Cover we are giving some love to “Jolene” written by Dolly Parton. In fact, she wrote this song the same day she wrote “I Will Always Love You” which would make another great The Original vs. The Cover post. The song was recorded on May 22, 1973 and released October 15th of the same year which became her 2nd #1 solo song. The cover is from The White Stripes and we are going with the studio cover and not the live version as a tough comparison with the live track. The studio track was originally the B-Side to their song “Hello Operator” but was finally issued on their greatest hits album.
The song was inspired by a bank teller that was flirting with Dolly’s husband when the two first got married. Apparently it really bothered her. The physical description of Jolene and here name though were taken from a fan of hers that came running up on stage to get an autograph. The song has Dolly pleading to Jolene to not steal her man as she can’t compete with her beauty, but we know that Dolly and her man are still together today. So she won out in the end.
For this round of The Original vs. The Cover, we are battling out with “Let the Music Do the Talking” which will pit The Joe Perry Project against Aerosmith. Wait, isn’t Joe Perry in both of those…why yes he is!! The Joe Perry Project released an album in March 1980 with this song as the lead off track and the name of the album. Aerosmith did it 5 years later as the lead off track as well on their 1985 album ‘Done with Mirrors’.
How did this song come about? Well, Joe Perry got in to a major fight with Steven Tyler and the band over their wives, plus drugs and other band issues. He left the band and immediately started work on an album. Columbia Records was real hesitant on giving him a deal with all the struggles he had with Aerosmith. But they did and this song just kind of came in to being. Joe had a lot to prove that he could make it on his own and he felt the music should do the talking for him rather than shooting off his own mouth. And he was right. When he rejoined Aerosmith, the band loved the song and wanted to cover it, so they did.
This version of The Original vs. The Cover is going to be 3 songs. The song is the classic “Without You” and we will kick it off with the original by the band Badfinger. Now, I have to admit, I thought the original was by Harry Nilsson and didn’t realize his was a cover. So, Harry is up next. Lastly, we will throw in one of the most successful covers by the great Mariah Carey. The song was written by Pete Ham and Tom Evans from the band Badfinger.
Pete Ham was originally writing a song called “If It’s Love”, but the song didn’t have a good chorus. When he was getting ready to leave the studio one day, Tom Evans stopped him and said he had an idea for a song. Peter was supposed to go out with his girlfriend, well his girlfriend knew him well and knew he would not be able to focus so she made him stay behind. Tom was working on a song with the chorus “Can’t live if living is without you”. The two parts were like chocolate and peanut butter. Apart they are good, but together they are perfect. The two didn’t think much of the song but apparently it has now been covered by over 180 artist.
On a side note and after effect of the song, Both Ham and Evans later committed suicide due to legal and financial reasons. Evans reason for the suicide seemed to be related to the royalties on this song which makes it a pretty sad tale.
BADFINGER
The Badfinger song came out on November 9, 1970 and was on their album ‘No Dice’. It is was a guitar ballad and had some heavy bass and both electric and acoustical accompaniment. Ham and Evans both take on lead vocal duties. It has that classic 60’s/70’s rock vibe to it and there is a punch to as the song progresses. There is a yearning to the vocals and you can feel the pain of that broken heart. It is a rather effective song and why I wasn’t overly familiar with it before I have no idea.
HARRY NILSSON
Harry Nilsson covered the song a year later on his 1971 album ‘Nilsson Schmilsson’. The song was released on October 11, 1971 and the song went all the way to #1 on Billboard Charts. Harry’s version turns the song in to a piano ballad giving it it an airy atmostpheric feel. The bass groove that lies just behind the lyrics is impactful and soulful. And when the chorus explodes it is so much more dramatic and he owns the pain and sorrow in those vocals. It is almost cathartic and you know he feels better after singing it. The song might be even more effective than the original and he even shaved a minute off the song. Harry truly owns this one and has probably the most recognizable version…at least for 20+ years.
MARIAH CAREY
Then on January 24, 1994, Mariah Carey releases her version of the song from her 1994 album ‘Music Box’. A whole new generation would now be introduced to the song which only went to #3 on the Billboard Charts. Mariah’s version is based off Harry’s as it is mostly a biting piano song with some heavy, heavy bass added to it. Almost too much bass. Her vocals soar and hit notes that Harry would only dream of, however, her vocals, though beautiful, don’t capture the emotion of the song. I feel she is singing it, but not feeling it.
THE VERDICT
Based on the above, I am torn between Badfinger’s version and Harry Nilsson’s version. As I said Mariah, she sings it beautifully but she doesn’t feel the song. And if I am basing on who “feels” the song and makes it believable, I guess I would go with Harry Nilsson’s version. He truly owned it and made it his own. Changing it to a piano based song really turned up the feels and you believed he felt the pain and sorrow of those lyrics. Badfinger is a very close second as I do love the guitar and bass work on the original. I hate they didn’t get the recognition they truly deserved for creating such a beautiful and powerful song.
I am really interested in hearing what everyone else thinks of these two songs. Let me know which version you like the best and why. Feel free to leave a comment and talk about the song and tell me how right or wrong I am on this one. Thanks for stopping by and have a great day.
LYRICS:
“Without You”
Well, I can’t forget this evening And your face when you were leaving But I guess that’s just the way the story goes You always smile, but in your eyes your sorrow shows Yes, it shows
Well, I can’t forget tomorrow When I think of all my sorrow I had you there, but then I let you go And now it’s only fair that I should let you know What you should know
[CHORUS:] I can’t live, if living is without you I can’t live, I can’t give anymore I can’t live, if living is without you I can’t live, I can’t give anymore
Well, I can’t forget this evening And your face when you were leaving But I guess that’s just the way the story goes You always smile, but in your eyes your sorrow shows Yes, it shows
The song for this month’s The Original vs. The Cover is “Big Yellow Taxi” written by Joni Mitchell. The song is off her 1970 album ‘Ladies of the Canyon’. The song saw moderate success at the time going to #14 in her home country of Canada, but only #67 on the Billboard Charts. But in 1974, she released a live version of the song and it went to #24 on Billboard. We will focus on the studio song for this comparison. There have been many covers including a popular one from Amy Grant back in 1994, but I am going to put it up against the cover I know better which is Counting Crows’ version featuring Vanessa Carlton. The song was from their album in 2003 called ‘Hard Candy’. The song for them went to #42 on the Top 100, but did much better on the other charts going to #5 on Adult Top 40 and #2 on Top Adult Alternative Songs.
The song was inspired by a trip Joni had made to Hawaii. She arrived in Hawaii and took a cab to the hotel. I am assuming it was night, as when she woke the next morning, she threw open the curtains and saw such a beautiful view until she looked down and saw a massive parking lot. It was her political statement to the world about how we pave over everything that is beautiful. She even goes further talking about farmers and the use of the poisonous DDT chemical which is killing everyone.
She even puts a little humor in it as she jokes about the fact we take the trees and put them in museums and pay $1.50 to see them which was based on the Foster Botanical Gardens in Hawaii that she visited. There is even another line that a taxi took her old man away which either means he left her and drove away in a taxi or he was arrested as Metro Toronto Police cops cars were yellow at that time. I believe she is from Toronto so that makes sense as well. Enough of the backstory to the song, lets talk about each artist’s version.
JONI MITCHELL:
Joni’s version is more acoustic and folksy as that is who she is. The song is only an acoustic guitar and some percussion and I think that is all I hear. Her majestic vocals are all you really need anyway. Her voice sounds almost childlike in its tone, but is so smooth and beautiful. The background vocals add more depth to the overall sound. It is a soft, yet upbeat sounding song despite the fact it is a song talking about such sad imagery. I love at the end where she goes real deep with vocals and then laughs. It shows a lot of humor and I think adds to the beauty of the song.
COUNTING CROWS (Feat. VANESSA CARLTON):
Counting Crows version plugs the band in and adds more drums, a great bass groove and some good old electric guitar. Vanessa Carlton is on backing vocals duties with a lot of “ooh bop bops” which actually is a nice touch. Adam Duritz vocals are strong and his tone is really cool as well. He lacks a little of the humor that Joni had which I think makes the song slightly less impactful. The Crows version adds a little vocal break at the end where Adam sings in a little scat like way with Vanessa adding more backing vocals with some great fills. It is still a really great version of the song.
VERDICT:
It isn’t really a tough choice. I do really like the Counting Crows version a lot as it was the first time I really remember hearing the song. But Joni’s version is the best, hands down. Joni’s smooth, childlike, innocent vocals are just so hard to beat. The acoustic version gives it a more poignant vibe and I really loved the little bit of humor she threw in to the song which I think helped bring home the point how ridiculous we are paving over our world and taking away everything that is beautiful about it. I see it everyday where I live as the farms that are near us are disappearing and all the trees are getting cut down to build, yet another, subdivision. Just what we need.
I am really interested in hearing what everyone else thinks of these two songs. Let me know which version you like the best and why. Feel free to leave a comment and talk about the song and tell me how right or wrong I am on this one. Thanks for stopping by and have a great day.
LYRICS:
“Big Yellow Taxi”
They paved paradise Put up a parking lot With a pink hotel, a boutique And a swinging hot spot
Don’t it always seem to go That you don’t know what you’ve got ’til it’s gone? They paved paradise Put up a parking lot
They took all the trees Put ’em in a tree museum Then they charged the people A dollar and a half just to see ’em
Don’t it always seem to go That you don’t know what you’ve got ’til it’s gone? They paved paradise Put up a parking lot
Hey, farmer, farmer Put away that DDT now Give me spots on my apples But leave me the birds and the bees Please!
Don’t it always seem to go That you don’t know what you’ve got ’til it’s gone? They paved paradise Put up a parking lot
Late last night I heard the screen door slam And a big yellow taxi took away my old man
Don’t it always seem to go That you don’t know what you’ve got ’til it’s gone? They paved paradise Put up a parking lot
I said Don’t it always seem to go That you don’t know what you’ve got ’til it’s gone? They paved paradise Put up a parking lot
They paved paradise Put up a parking lot They paved paradise Put up a parking lot
For this episode of The Original vs. The Cover, we are going to discuss the incredible song “With A Little Help From My Friends” originally by The Beatles and most famously covered by Joe Cocker. The song for The Beatles was off their 1967 album ‘Sgt. Pepper & the Lonely Hearts Club Band’ and it was never released as a single until a re-issue of it in 1978. Joe Cocker’s version was off his 1968 album of the same name. His version went to #1 in the UK and only #68 in the US but is a signature song for him.
The song was written by the great writing duo of McCartney and Lennon and according to John Lennon, the song was mostly written by Paul with a little help from his friend. They wrote the song specifically for Ringo Starr who sings lead on the track. I found where the original working title of the song was called “Bad Finger Boogie” because Lennon played with only his middle finger on the piano as he hurt his forefinger. That title is said to have inspired the band Badfinger. Now, only believe this if you believe everything wikipedia tells you.
The song is said to be about drugs as even former U.S Vice Presidential candidate, Spiro Agnew, stated it was and wanted the song to be band. That claims is completely denied by the band. The song could be just about how no matter hard it gets, you can make it through it with the help of your friends. I mean John and Paul wrote the song for Ringo so that was helping their friend. Let’s get to the music.
For this installment of The Original vs. The Cover we are going to discuss the Sammy Hagar track “I’ve Done Everything For You” which was later covered, more successfully I might add, by Rick Springfield. The original release of the song was a live version from Sammy back in 1978 on his live album ‘All Night Long’ which did not chart. Rick’s version came out as a single in 1981 and was the follow-up to his massive hit “Jessie’s Girl” and as a result went all the way to #9 on the Billboard Hot 100.
The song had been a constant in Sammy’s live shows which is why a live version was released. The studio version was done in 1979 and released as a B-Side to the song “(Sittin’ on) The Dock of the Bay” an Otis Redding Cover. It finally saw a release in 1982 on his greatest hits compilation called “Rematch” which was only done because of the popularity of the Springfield version.
The song seems to be about a relationship/an affair that was really one-sided. He gave everything to her, but she didn’t return that favor. I’ve also heard that it could possibly be about a manager or label where Sammy worked his ass off for them and got nothing in return. I am not sure which is true, but I am leaning to the relationship as it is spelled out specifically in the song, but Sammy could be using that as a pretty damn good metaphor. Either way, I like it.
For this edition of The Original vs. The Cover, we are discussing the song “Hanging on the Telephone” originally performed by the band The Nerves. We are going to do two different covers with the first and most famous being that from Blondie and the other cover is from Def Leppard. The song was written by Jack Lee of the band The Nerves back in the 1976 and was released on their debut E.P. The song never charted and the band was short lived as they didn’t do much after that.
Blondie heard the song while sitting in a taxi in Japan. The song was given to them by Jeffrey Lee Pierce of the band The Gun Club and they popped in to listen to while in that cab. They really liked it and decided to record it. Blondie reached out to Jake Lee for permission to record it and since Jake was facing financial ruin it was a very easy decision. The answer was yes and Jake made a little money that was much needed.
The song is about a man that sounds quite obsessed with the woman he is or was seeing. He keeps calling her and calling her and calling her so he can hear her voice again. The woman’s mother says she can’t see him any more it sounds like and that seems to make him quite angry and he won’t stop trying to get in touch with her. Very stalkerish if you ask me. I think someone might need a restraining order in place. Still no denying it is a fun song.
2 Loud 2 Old Music 