We have a lot of treats for you today. No tricks. I promise. It is all good stuff. October was another good month for the 2 Loud 2 Old Music Collection. We have box sets, CDs, Vinyl, Cassettes, books and I would say that is a good month. The month started off with a couple items that were supposed to arrive in September, but sadly did not come until after I had written the September Purchases post. It also ended with a new a new band from this album as well. A perfect booked. So, we have the two Night Ranger Rock Candy reissues and their new album that is a live album done with a Youth Orchestra. Great stuff…
Next up is a bunch of items I picked up when I went to visit a local store I hadn’t hit in a while. It is Repo Records. I dug through the CDs, the Cassettes and the Vinyl and found a lot of good things. First, I found another Kiss bootleg I didn’t have in my collection. That was an easy decisions…
And then I found some great 45’s from the 80’s with picture sleeves. I like picture sleeves. I picked up a Billy Idol, a Loverboy, a Billy Squire and a John Cougar Mellencamp single. All choice cuts…
The band’s first live concert video, ‘Live From London’ was released in 1995 on both VHS and Laserdisc. The tour was in support of their new album at the time, ‘These Days’ and the show was from their stint at Wembley Stadium on June 25, 1995. They played several shows I believe and all to a massive crowd of 72,000 screaming fans. This isn’t the full set either as I believe some tracks were cut for time and to get the runtime down to around 90 minutes, but it is a great setlist.
The version I have is the International DVD release which was in 2003. There was a DVD release in 1998 in the US and Canada, but mine is the 2003 release. There is absolutely no difference between the VHS and the DVDs, no remastering or anything. It is the same cut. The film is directed by David Mallett and produced by Andy Picheta. These two have to reign in Jon Bon Jovi, Richie Sambora, David Bryan and Tico Torres along with touring member and studio member, but not band memer yet, Hugh McDonald.
The show kicks off with a couple of old classics with “Livin’ on a Prayer” starting the show. Richie comes out and immediately puts his mouth around the talk box and you know the song that is coming. The band kills it and like almost every song on here they don’t do a straight album version of the song, they change things up a little with either more musical breaks or longer, drawn out jams at the end of the song which makes things more interesting as you don’t know what they are going to do for each song. Then we get “You Give Love a Bad Name” and the crowd screams along with the band. Jon sound’s really great as he was still in his prime. Richie’s solo is quick and stellar and then the crowd gets involved with the chorus. Always a fun song live.
For My Sunday Song #384, we have Tim’s fourth choice with “You Can’t Fight It” by Rush. This is about as early as you can get with Rush and isn’t on any studio album. It is the first professional studio recording the band had ever done. It was done in Toronto, Canada with David Stock producing. In fact, this is part of the very first single the band ever put out with the song “Not Fade Away” which is a great Buddy Holly cover. But we are here to talk about the B-Side which was written by Geddy Lee and then drummer, John Rutsey.
It was written back in 1971 by the two gents, but Geddy ended up getting kicked out of the band, but cooler heads prevailed and John called Geddy and asked him to come back and by March of 1972, the band was set and ready to progress forward. No one would release the record so the band formed Moon Records and released it themselves, mainly in Toronto. It is extremely rare and a probably worth a fortune if you can actually find one. There is one for sale on Discogs as of my writing this for $1,500 if that gives you any idea of the value.
The song seems to be about the band just rocking you hard and you won’t be able to fight it. The song is short at under 3 minutes because according to Alex Lifeson, radio would only play songs that were around 3 minutes. A song that completely and utterly rocks out. A great bar sounding song with some wicked guitar riffs and soloing by Alex. Just Stellar!! John’s drum rolls on this song were killer as well as he would go nuts during his fills. Both Alex and John fed off each other with this one. Geddy’s vocals were perfect for this song as well as he slayed with the confidence and cockiness needed for a beast of a rock song. This might be a new favorite song of mine for Rush. Simply fantastic!!
Halloween is almost upon us and we’ve scared up over 80 releases for you this week. No tricks, only treats!! There are so many bands, so many genres and so many great things to hear there should be something for everyone. I’ve got a few I want to hear with James Blunt, Duran Duran, Dokken and probably Black Pumas as well. Let me know what you want to hear this week and/or what we may have missed as well so everyone knows. Thanks for stopping by and I hope you all have a scary good weekend!!
James Blunt – Who We Used to Be – (Atlantic Records / Warner Music)
Duran Duran – Danse Macabre – (Tape Modern / BMG Rights Mgmt)
Dokken – Heaven Comes Down – (Silver Lining Music)
Motley Crue – Shout at the Devil (40th Anniversary) – (BMG Rights Mgmt)
Mark Tremonti – Mark Tremonti Christmas Classics New & Old – (Mark Tremonti Music)
Black Pumas – Chronicles of a Diamond – (ATO Records)
King Gizzard and the Lizard Wizard – The Silver Cord – (KGLW)
To celebrate the 40th Anniversary of the bands debut album, Def Leppard put together quite an impressive box set. This disc is the second prized disc to have. It is full of studio recordings and live songs from various BBC recordings in those early years. Some pretty cool stuff and the only way to get it is to buy The Early Years ’79-’81 (2020)
The first set of songs were recorded in June 1979 and they were for a show hosted by DJ Andy Peebles. The really cool thing about these four songs is that all the guitar parts were handled by Steve Clark. Pete Willis was unable to get off work to record the sessions. This was back when the band was still trying to make it. Those 4 songs that were recorded were “Glad I’m Alive”, “Sorrow is a Woman”, “Wasted” and “Answer to the Master”. The guitar sound on these songs all sound a little different as a result, There isn’t as much depth as the guitar parts sound too similar than when Pete is on it as this guitars sound different than Steve’s.
The solo on “Glad I’m Alive” sounds different almost hollow like in a stage far from the band. Still, this is one of the coolest non-album tracks the band has ever done. “Sorrow is a Woman” sees Joe shine on vocals, but the music this time around lacks a little punch. “Wasted” is all guitar so it is all Steve. It isn’t as raw and crunchy as the original recording, but there is something cool on this one. Rick Savage’s bass seems to be higher in the mix to offset the lack of Pete’s guitar and it adds a new dimension to the song. They also added a lot of echo to Joe’s vocals at time which i very different from the original. Lastly, “Answer to the Master” really misses the second guitar,but still a solid recording of the song. I’d still would’ve been a fan of these songs if these were what I heard first. I didn’t have these versions in my collection so I think they are awesome.
Journey’s ninth studio albums was 1986’s ‘Raised on Radio’ and the second single off the album was “Suzanne” which was written by members Steve Perry and Jonathan Cain. The song went to #17 on the U.S. Charts and was one of three Top 20 hits from the album. An album that would reach #4 and sell over 2 million albums going double platinum. The band at the time was really only Steve Perry, Jonathan Cain and Neal Schon as Ross Valory was out and during recording, so was Steve Smith which is why you only see 3 guys on the cover of the single.
The song came out in June 1986 and from an album that had 5 total singles. The song was about this guys ex-girlfriend who went on to become very famous and he can’t get her out of his head. Every time he sees here on TV, in the movies or hears her on the radio, he is tormented and can’t stand it. Steve Perry was asked if there was someone real the song was about, he basically said didn’t give a straight answer and said real or not, the girl in the song itself is real.
The version I have of the single is a 7″ Vinyl single and it is a promo as can be seen on the label with the words “Demonstration Not For Sale”. As a result, it is the same song on both sides so no new B-Side here. In the old days, the song would be Stereo on one side and Mono on the other, but by 1986, all stations were basically Stereo so no need for a Mono side.
After the end of the ‘Keep the Faith’ tour in 1993, the band need some time, so Jon Bon Jovi went on vacation and immediately started writing songs. Over the next 9 months, he and Richie Sambora wrote and demoed close to 40 songs. I guess they didn’t need much time. But the album was taking longer than anticipated so they agreed with the label to put out a greatest hits set called ‘Cross Road’ in 1994. The album did well. The band also ran in to trouble with bass player Alec John Such. Due to unsatisfactory performance during the live shows, they decided to dismiss Alec from the band in 1994 as well.
This made the album a four-piece technically as Alec is not on the album. Who is on the album is Jon, Richie, David Bryan and Tico Torres, officially. Unofficially, on bass was Hugh McDonald who we already met as he was the bass player on the song “Runaway” from the band’s debut album. They brought in producer Peter Collins to co-produce with Richie & Jon, but things weren’t easy. They started recording down in Nashville, TN. After 10 days of that, Jon wasn’t happy and erased all the tapes. Recording moved to New York to Jon’s home studio and also various studios in Los Angeles. One of the problems they had in New York was the band Fear Factory was recording their album and they were so loud that recording was not possible for them in their studio. Now, that is loud!
The album, ‘These Days’ was finally done and released on June 27, 1995. The album only went to #9 in the U.S., but overseas, the album was huge. It went to #1 in the U.K., Switzerland, Australia and numerous other countries. It sparked 5 singles and has sold over 10 million copies worldwide. They might not have been as popular in the U.S., but they were still doing fine. The album itself still sounded like Bon Jovi musically, but lyrically, it is a much darker album. It is not a rock & roll party full of sunshine. The band was in a good place funny enough. The music saw them really take the darkness of grunge but put it with the Bon Jovi sound. A lot of bands at this time were going heavier and completely changing their sound, but not Bon Jovi. And it worked.
The album opens with one of the heavier songs on the album, “Hey God”, and in the same epic way they open all their albums. According to wiki, the song was inspired by Jon looking out a window at 57 St. & Broadway and seeing a guy in an expensive suit standing next to a guy sleeping on the street. Also according to wiki, Richie was inspired by the song while looking out of his limo and seeing a homeless guy sleeping in a cardboard box. Who knos which is right or they both are. The song questions if God has forgotten about the world as all the good shit is gone and there nothing but bad. It is a darker tone, darker lyrics and sees the band questioning the world. A total ballbuster of a song. The song was the final single, but not in the U.S. and was released on June 24, 1996. It was a minor hit in Canada and several European countries. It is one of my favorites on the album.
For My Sunday Song #383, we are diving in to the song “I Really Don’t Want Your Love” by April Wine. This is another Tim Durling selection that is a rare track and not any April Wine studio album. This is a B-Side to the song to their 1984 hit “This Could Be The Right One” off their album ‘Animal Grace’. The single hit #61 on the U.S. Billboard Hot 100, but of course the B-Side did nothing, but at least it was out there in the world to be heard.
The song was written by Myles Goodwyn, as all of their songs basically were. The song is about a girl that is leading the guy on. She’s playing games and stringing hime along for her own enjoyment. He is tired of it and has hit his breaking point and he’s ready to say goodbye. He doesn’t need her love anymore and he’s out of there. Someday she’ll turn around and might notice that he’s gone.
This is a great song and so hard to believe this wasn’t on any studio album as it has everything you’d want in a song. The quick tempo has lots of energy, great guitars, great driving drum beat and rhythm section. The vocals have a pacing that is really great on the lyrics and Myles vocals are awesome as well (assuming Myles is singing as I am not overly familiar with the band). The chorus is really awesome as well as it is so catchy and will hook you in instantly. I found myself moving to the beat of the music and that is always the sign of a good song. If this is a non-album track, just how good are the studio tracks. I might need to check these guys out.
As we get closer to Halloween, we have over 70 more treats for you this week. No tricks. It is another huge Friday New Release day and there should be something for everyone. I have a couple I’ve pre-orded and one I’ll listen to for sure. The two pre-ordered are The Rolling Stones new one with the Atlanta Braves Exclusive cover and the other is a new Night Ranger album with a live show on CD & DVD as well. The third thing I’ll at least stream is the new Blink-182 now that the original members are back together. Outside of that, I’m sure I’ll get to Rival Sons when I can. What do you want to hear this week or what are you buying? Also, let me know if there were any new release s we missed. Thanks for stopping by and have a great weekend.
The Rolling Stones – Hackney Diamonds – (Polydor Records / Universal International Music)
Night Ranger – 40 Years And a Night (With Contemporary Youth Orchestra) – (Frontiers Records)
Blink-182 – One More Time… – (Columbia Records)
Lynch Mob – Babylon – (Frontiers Records)
Rival Sons – Lightbringer E.P. – (Atlantic Records)
Duff McKagan – Lighthouse – (The World is Flat LLC)
To celebrate the 40th Anniversary of the bands debut album, Def Leppard put together quite an impressive box set. Released on March 20, 2020, “The Early Years 79-81” box set was full of goodies. Not only did we get the first two albums, ‘On Through the Night’ and ‘High ‘N’ Dry’, but we got the live album ‘When the Walls Come Tumbling Down’ which we have alread talked about. The fourth disc, “Too Many Jitterbugs’ title is actually a line from the song “Glad I’m Alive”, was chock full of Rare songs and B-Sides as well as Single Edits and remixes. For someone new collecting Lep stuff, this is a great disc. For someone like myself, I had most everything already in some form, but not quite everything which is why this is so great.
The set kicks off with the three songs from The Def Leppard E.P. which are “Ride Into the Sun”, “Getcha Rocks Off” and “The Overture”. The first track is “Ride Into the Sun”. The song is very different than the two other versions of the song released later that are more familiar to most fans. The first version was a B-Side on the “Hysteria” single and the last version was on the album ‘Retroactive’. The B-Side version was my favorite until I heard the original which is now my favorite version of this song. It is the true intention of the song and it has a better sound and feel. The guitar and drum work are awesome and Joe sounded so young and fresh. The guitar solo was better and an overall more satisfying experience. It is the more rock version of the song and pure Def Leppard at their best.
Track two on Side One is “Getcha Rocks Off”. This track was re-recorded for their first full length album “On Through the Night”, but the title was changed to just “Rocks Off”. I think this song sounds better as well over the re-recorded version. It doesn’t have the fake crowd noise or the weird guitar sounds that are thrown in needlessly. The E.P. version is also a more hard rock sounding song.
“The Overture” is an epic song at over 7 minutes long. It was also re-recorded for the ‘On Through The Night Album’ like “Getcha Rocks Off”. Again, due to how amazing this record sounds, I prefer this song over the version on “On Through the Night”. What I love about the song is the changing tempos, the great double guitars of Steve & Pete. The song takes you on a great musical journey.
“Wasted”, but this single is different than the album version which is odd. It had never been released on an album until the release of The Collection, Volume 1 (2018). it sounds more raw and like an early demo of the studio track or something. It is still great though. The same with “Hello America” as it is a single version that isn’t the album version either. I’m not sure the reason behind this, but I like different versions so I’m all good.
After that we get a previously unreleased version of “Rock Brigade”. The song is a very early version of the song which lacks the punch of the guitars on the “On Through the Night’ version and the drums don’t sound like Rick Allen’s and for that it the lesser track. But you can hear the promise of what was to come. Then the coolest song they’ve never released on a studio album, “Glad I’m Alive”. It is a fast paced, groove-tastic piece of brilliant rock that is such a shame they never did anything with this as it is perfection. It is also the namesake for this album. “Good Morning Freedom” is a B-Side to “Hello America” and opens with some great drumming from young Rick Allen. His drumming throughout is fantastically slamming. Another rocker and another gem from this band. It is more razor sharp guitars cutting through those Elliott vocals.
The rest of the album are single edits and remixes. We get the single edit for the opening track for ‘High ‘N’ Dry’ called “Let It Go” which chops 30 seconds off the album version. It cuts out a lot of the guitar wankering which is what makes the original so bad ass. Then we get a single edit for “Switch 625” and the only I can see that is different is it removed some of the fade that comes off of “Bringing on the Heartbreak”.
The next two tracks are the single edit for “Bringin’ On the Heartbreak” which knocks off about 40 seconds from the original and again, doesn’t make it better. It also has a cleaner ending rather than the fade in to “Switch 625”. The next track is the original version of “Me And My Wine” and it is the version that is the B-Side to “Bringin’ On the Heartbreak”. It has more punch and more of a rawness to it than the later remix version. I like it a lot! A punk attitude with dash of hard rock.
The final two tracks are the Remixes of “Bringin’ On the Heartbreak” and “Me and My Wine” that were on the 1984 re-issue of the ‘High & Dry’ album. The remixes were done with added synthesizers and piano overdubs to make it sound more like what was done on ‘Pyromania’. which was out at the time of the re-issue. The remix doesn’t make them better, but they are already great songs so fine, whatever they felt was necessary. It did cause the album to sell a lot more copies so all good.
And that wraps this one up. Being a compilation of tracks, I wouldn’t delete anything on this one. A lot of great tracks with only a couple I didn’t already have in the collection. It is a lot like the bootleg I have “First Strike” which we already reviewed, but better sounding. It is nice having the songs all on one disc rather than spread out on singles or E.P.’s so for that it is worth buying. My Overall Score is a 5.0 out of 5.0 Stars as you can’t go wrong with The Early years of Def Leppard.
James Blunt – Who We Used to Be – (Atlantic Records / Warner Music)
Duran Duran – Danse Macabre – (Tape Modern / BMG Rights Mgmt)
Dokken – Heaven Comes Down – (Silver Lining Music)
Motley Crue – Shout at the Devil (40th Anniversary) – (BMG Rights Mgmt)
Mark Tremonti – Mark Tremonti Christmas Classics New & Old – (Mark Tremonti Music)
Black Pumas – Chronicles of a Diamond – (ATO Records)
King Gizzard and the Lizard Wizard – The Silver Cord – (KGLW)
The Rolling Stones – Hackney Diamonds – (Polydor Records / Universal International Music)
Night Ranger – 40 Years And a Night (With Contemporary Youth Orchestra) – (Frontiers Records)
Blink-182 – One More Time… – (Columbia Records)
Lynch Mob – Babylon – (Frontiers Records)
Rival Sons – Lightbringer E.P. – (Atlantic Records)
Duff McKagan – Lighthouse – (The World is Flat LLC)
2 Loud 2 Old Music 