I know what you are thinking. Why do we need another Kiss Greatest Hits compilation? Honestly, we really don’t. We have tons already and there is nothing new on here that the real fan doesn’t already have. So Why? Well, easy. Kiss was touring their End of the Road tour and they wanted product out there that the casual fan or new fan that they get from all the press can run out and grab. Simple!
But is this something worth getting? As a casual fan…Maybe, but maybe not as well as there are better compilations out there. As the Hard Core Fan….Well, I did buy it if that tells you anything. I had to buy it because I didn’t have it in my ever growing collection. Plus, it is so pretty. Yes, pretty. I bought the Special Edition double LP with Yellow/Red Splatter vinyl.
The packaging is a gatefold with the Group photo on the front and the track listing on the back such as below…
After a year since the release of The Collection Volume 1, Def Leppard released Volume 2. It wasn’t until 2 years later that we finally received Volume 3. I believe the delay was due to the Covid-19 virus so I will forgive them for the delay. And as I did with the first two in the collection, I bought the Vinyl edition. And this was one was crucial to do that because these albums were not available on vinyl so it was even more of a must have buy. You can read those reviews here… click on The Collection Volume 1 and The Collection Volume 2. As I normally do with these box sets, I focus mostly on the packaging and the bonus material as the main albums we all know and love or we wouldn’t be buying this set. I want to know if we are getting a bang for our buck on the whole package.
Look at all the albums and songs you are getting. There are 3 Studio albums and 3 albums of bonus material and there a total of 9 LPs in the set as 3 of the albums are double LPs. It is heavy and chock full of great tunes that will give you hours and hours of fun. I always save the sticker that is on the plastic wrapping and this time is no different. Here is a summary of the box set.
I was out and about in Florida this pat Summer and while on vacation, I hit up a record a store in the city I as visiting. I mean, who doesn’t do that. While their, I found this picture disc of Def Leppard except it was an interview disc, and I don’t like to collect interview disc. For some strange reason, I still bought it. Last week, I talked about the Radio Promo Interview disc from Queensryche that was a vinyl with the answers from the band and the radio was sent the questions they should ask. That way the artist/band didn’t have to call in or even visit all radio stations. Plus, it made the radio station sound like they were asking the questions.
This type of disc is actually the whole interview and I don’t know if this is anything that was sent to radios or not. It might only be as simple as a bootlegger putting out product because this does not in any way, shape or form look like an official release. Reality is that these are a little pointless and not sure why you would collect these other than you are a completist for a band and need anything and everything with their name on it.
This disc original came in a cardboard sleeve where you could see the picture on one side and the back was actually a list of all the releases this company that made the vinyl actually had that you could buy. However, my copy does not have this cardboard sleeve and was only included in a clear plastic cover.
Continuing the saga of all the 12″ Singles I picked up at the big Metalocalypse sell at Noble Records, we are now on a 4 week run of singles from The Cult. First up was from the band’s 1985 album ‘Love’ with “She Sells Sanctuary” and then we took a look at the lead track and third single form the band’s 1987 album ‘Electric’ with the song “Wild Flower”. The 12″ this time around is also off ‘Electric’ and was the first single off the album. The song was “Love Removal Machine” written by both Ian Astbury and Billy Duffy. My copy was still sealed, but since it wasn’t expensive and music should be listened to, it is no longer sealed and it sounds fantastic now that it finally gets to breathe and be heard. I could feel it sigh with relief when I broke the seal. I swear I heard it say softly…”finally”.
The 12″ comes with three tracks. The LP Version of the song as well as an extended version. The third track is “Wolf Child’s Blues” which was not on the album so that is the gem piece for this 12″ Maxi Single. All songs were produced by Rick Rubin and “Wolf Child’s Blues” was actually recorded live in the studio on New Years Eve 1986.
Continuing the saga of all the 12″ Singles I picked up at the big Metalocalypse sell at Noble Records, we are now on a 4 week run of singles from The Cult. First up is from the band’s album ‘Love’ from 1985. The song is “She Sells Sanctuary” and this is the 12″ Remix release. The original version of the song is not on here, nope. Instead you get two extended mixes of the song and one unreleased track.
All of these were only available on one of their 12″ Single releases which they had a couple. That was until 2009 when the band released a deluxe edition of the album which included all the mixes and unreleased tracks.
The original song did really well and stayed on the Dance Club Chart for about 6 weeks reaching #36 back in 1986. I never thought of The Cult as a dance band, but whatever floats your boat. My only complaint with this 12″ is the back cover. I’m old and my eyes aren’t that great anymore, but the font with songs is really light and very heard to read. I snapped a closer up shot so I can read it and you too…
Let’s get to the music…
As you can see, the sole song on side one is “She Sells Sanctuary (Howling Mix)” which is over 8 minutes long. The howling mix does just that. It has a howling dog at the beginning and several other times in the mix. There isn’t much in the way of vocals as it is mostly music done in more of a dance fashion than anything else. It was remixed by Steve Brown. The song is good if you like that sort of thing, but I’ll stick with Side 2 as that is where the greatness is for this disc.
Side 2 kicks off with the 12″ Mix of of “She Sells Sanctuary” and this one more closely resembles the original song. It has the vocals from Ian Astbury who sings with such confidence and a sound that is unique to him. He is easily recognizable. But it is that guitar work from Billy Duffy that shines on this song. Accompanied by that driving beat from Nigel Preston, which this was his last recording before he was fired, Billy’s gritty metallic guitar sound delivers a killer riff and some cool fills This is the version I’m more familiar with and the extended version just adds to its greatness.
The real gem at the time of this release is the final track which was the unreleased song called “Little Faces”. Ian’s vocals are so melodic and powerful, it has a smoothness to it that lifts the song to another level. Billy’s guitar work is sensational as usual and he lays down a nice solo. I found the song to be worthy of the album and no reason it needed to be left off as it is as good as anything else they have done. I love it when a B-Side track shines and this does brightly.
And there you have it. I hope you enjoyed the look at this little gem…well, a gem to me. Side Two is the winner of the best side as the extended long version of “She Sells Sanctuary” is just as good as the album version. But the real joy is the song “Long Faces” as that is worth price for just this song. My copy is practically mint and I don’t think was played much…that has since changed. We will be back next week with the next The Cult 12″ that we picked up. Thanks for stopping by.
When I am out crate digging, I like to find the unusual, the different and if it is something I haven’t seen before, I usually grab it because who knows if I will see it again. With Def Leppard that always rings true. See it, like it, grab it and that is what I did with this piece. Noble Records bought a massive metal collection from a gentlemen who use to own a record store. The collection was his personal collection and not store stock so you know there was good stuff in there and let me tell you there was.
The piece I had to have was a 5″ Shaped Picture Disc which I never knew existed. I have had picture disc before, but not anything that wasn’t shaped as a 7″ or 12″ round vinyl. This one is triangle shaped like the band’s logo. It is really cool. And apparently, it has two songs on it, one on each side. Before we get to that, let’s talk a little about what this disc really is.
The single is actually a UK Special Edition 5″ Shaped Picture Disc for the song “Pour Some Sugar on Me”. It was released on September 7, 1987 to promote the upcoming UK Tour Def Leppard was doing. It actually came in a white folder with the band logo on the front…
When you open the folder, it has the UK Tour Dates on one side and the disc on the other. It look a lot like this…
Back before Christmas, Noble Records here in Charlotte came across an amazing Record Collection that was being sold and it was filled with so many rare and amazing rock and metal albums. He naturally bought it and offered it up in his store in a huge release on December 12, 2020. He called it Metalocalypse or something like that. It was full of great stuff and worth getting up and being in line almost an hour before opening and I was’t alone. I was sadly, about 20th in line and as a result I didn’t get everything I wanted. But there was one thing I saw on his instagram posts and videos that caught my eye and I was able to grab it.
That was a Promotional Copy of Bon Jovi’s single “You Give Love a Bad Name”. Doesn’t sound like a big deal does it? You’d be wrong because this is special for two reasons. First, It has the original banned album cover as the single cover art work. The woman in the wet T-Shirt. Yeah, I’ll take that shot any day. But that wasn’t the only thing cool about it. It was also autographed by Jon Bon Jovi himself. Of course, it is made out to Paul who was the gentlemen that originally had these albums. He owned a record shop back in the 70’s, 80’s and early 90’s as that was the time frame of most of his albums. I am glad that I have one of his pieces and he can be happy it is with a fellow music lover. Paul has since passed away which is the reason the collection was up for sell.
August started off with a bang on purchases. We went on vacation down to St. Augustine, Florida and like I do on every trip, I hit the local record stores to see what I can find. There were three to choose from on this trip and of course, I hit all three on different days.
The first was actually in a little house that was selling Antiques. The record shop goes by the name On The Record – Vinyl Records and More and it was two blocks from where we were staying which made for an easy walk from the house. It was a small shop and didn’t have a ton, but enough that I found some albums. First up was a Crowded House album and then 2nd was The Cult. I also picked up a 45 Single for the song from the TV show The Greatest American Hero which I loved (at least the first season).
The next shop was a record store called MusicMatters. It was in a strip mall and looked promising but was far from it. They didn’t have anything really cool and everything was overpriced. Not a great shop in my book. I did find a Kiss Bootleg and thankfully I already had that one because they wanted $200 for it. That is right $200. CRAZY!!!…no F$&KING CRAZY!! I paid $50 for mine and the quality was no different at all. I did find one cool piece at this store and that was a compilation that I bought for two reasons, 1) I had when I was a kid and 2) it was $5. It was “Masters of Metal”… Continue reading “August 2020 Purchases – Vinyl & CDs”→
In my quest for collecting Kiss Bootlegs for every tour they have done, I found another fantastic addition to the collection. My local record shop, Hardy Boy Records, has been a goldmine of late for Bootlegs. I have now bought four over the last few months and all for tours I didn’t have (or a collection of Wicked Lester demos – that is another story that will be told later).
The last 2 I bought were actually at the same tour, so I guess that statement wasn’t entirely true. The difference was one was the European Tour setlist (which will come in the next week or two) and this one is the North American leg of that tour with an ever so slightly different setlist.
Before we get in to where the show was and the music, lets first discus the cover as it is pretty cool and what drew me to this one in the first place. The cover is the same artwork as the Judas Priest album ‘Hero Hero’. Thanks to Mike Ladano for pointing that out to me when I sent him a picture of the album and sure enough, he was right.
As I mentioned in the post last week on the Billy Idol bootleg “Rebel Waltz”, A few weeks back, Lunchbox records posted on Facebook that they got in a bunch of bootlegs from Duran Duran and Billy Idol. I will be honest, I don’t care about the Duran Duran bootlegs, but the Billy Idol peaked my interest. It was around 6:30pm on a Saturday night and I mentioned to my kids we should go to Lunchbox, but we didn’t go. We did go the next day on Sunday. We left a little after 12pm and arrived just before 1pm and they were closed (Duh Duh Duh – dramatic music insert).
We forgot to check if they would be open and with the virus going around, I wasn’t sure now if they would open at all. Lo and behold, they were going to open and that was going to be at 1pm which was in a couple minutes. We were the first ones in and those Billy Idol bootlegs were still there. Apparently, there are not of ton of crazies out there buying Billy Idol bootlegs…Who knew!!!
Unlike the last bootleg, this one was a little more advanced in its packaging. This time we actually get a picture on the album jacket on both the front and the back as opposed to a print out on a sheet of paper stuffed inside. I couldn’t find much information on the show as to which show it was at the Roxy in L.A. I know based on the track list it was in 1982 after the release of his self-titled debut album. There were 3 shows in L.A. at the Roxy. The first two were in August on the 11th and the 12th. The next was on November 13th. I couldn’t find a setlist at all so now way to match. But I am guessing one of these shows for sure. Continue reading “Billy Idol – ‘Rebel Calling’ (Live Bootleg) – Album Review (The Billy Idol Series)”→