I can’t believe we are on our 20th Review in the Kiss Bootleg Series. Nuts to think I’ve picked up that many. This one is called ‘The Ritz on Fire’ which is from August 12, 1988, The Ritz, New York City. A radio broadcast, from the Crazy Nights tour. This one is not the full show, but sort of a Best Of Compilation of that show. There are a bunch of different ones out there, some with full shows and some like this. I do have a show from the Crazy Nights Tour that was recorded on April 18, 1988 in Osaka, Japan, so I figured I’d grab this one as well as why not, you can never have enough Kiss Bootlegs…obviously or we wouldn’t be on #20.
I have found that this version is one of the few bootlegs that get all the packaging correct. They have the right band members in the pictures (Paul Stanley, Gene Simmons, Eric Carr and Bruce Kulick) and the right song titles and I don’t see any mistakes which is rare in the Bootleg world.
This is Kiss live much in the same vein as their current “Off the Soundboard” series in that there are no touchups, it is as you heard it when it happened and in this case as it was on the radio broadcast. The first 9 songs on this 10 song set are in order of the original setlist and it isn’t until the 10th song that it jumps ahead a number songs and plays one more. Basically, it is the first half of the show.
After just finishing the Kiss Review Series, I have come to realize I have a ton of posts that are about Kiss. I figured (thanks to the help of Mike Ladano) that putting all the links to every Kiss Post in one post might be convenient for the readers of this site. I have everything from Album Reviews, to Book Reviews, to Concert Reviews to almost anything you can think of, I’ve probably written about it. And the good thing is, I will continue to have Kiss Posts as I find more vinyl I don’t have in my collection, more videos, more books, more bootlegs, more tour books and more of well…Kiss. So, I will continually be updating this post with the latest Kiss posts. You might want to bookmark this page for easy reference.
As of right now there are 155 Posts of Kiss…This might take you a while to go through so sit back, grab some coffee and enjoy!!
We are finally to the end of the Kiss Review Series. And like I like to do at the end of each series is Rank the Studio Albums from Worst to First and we aren’t going to do it any differently here. There are 24 Studio albums and since there are so many, I am keeping the summaries brief and no videos as I usually like to post a video with each album, but just way too many to do this time around.
Kiss began in 1973 and are still around today, but the last studio album was in 2012. It started with the original four – Paul Stanley, Gene Simmons, Peter Criss and Ace Frehley. Then came Eric Carr who replaced Peter Criss; then Vinnie Vincent who replaced Ace Frehley; then Mark St. John to replace Vinnie and then Bruce Kulick replaced Mark; and it continues with Eric Singer replacing Eric Carr after his death and then Peter & Ace came back in and out after the reunion and then finally Tommy Thayer replaced Ace for good. Lots of changes, but Gene and Paul are always the consistent formula that has kept Kiss “Alive” all these years. For the diehard fan, remember, this is my opinion and your favorites are probably going to be different, but it is okay as we both love Kiss. For the newbie, this is a good guideline on where to focus.
Now, if the band ever decides to do another Studio album, I will gladly come back and update this, but it doesn’t look like that will ever happen. If you want to check out the review of each album in detail, there are links at the bottom to all the reviews in the series and there were only 72 of them!! It took me almost 14 months to get through them all and it is still the most fun I have had on the site.
Thanks for spending all this time with me going through the Kiss catalog and my Kiss collection. I hope you enjoyed it. Enough chit chat as there is a lot to get through so sit back, grab a coffee or a beer and enjoy!!
By this time in the Kiss World, things are kind of boring. There are no more studio albums and doesn’t look like there will ever be. The band is touring regularly meaning they are basically doing Summer Tours with another Big Named Band. And for their 40th, that Big Name Band was none other than Def Leppard…yes, I saw that show and Leppard was freaking fantastic and Kiss was good. But it was still exciting because the band was celebrating their 40th Anniversary (which was really 2013 if I’m not mistaken)…regardless, it was time for the band to release another Greatest Hits Compilation…yes…just what we needed!! That is supposed to be very sarcastic so if you could read as such, that would be great!!
They did make this compilation a little interesting. Being the 40th Anniversary, they picked one song…and I mean only 1 song…from each and every album release they have had over the years. That means, that picked a song from all studio albums, including the solo albums, they picked one from every live album and every greatest hits package and every box set. How many bands can say when they pick one song from every release they can have 40 songs…probably none. And actually they couldn’t either. There were 4 extra songs added to get to the 40 and we will talk about that later.
Not every song was the album version though. They did throw in some Single Mixes such as “I Was Made for Loving You” from Dynasty, Radio Edits like “Jungle” from Carnival of Souls, an edited version of “Shout It Out Loud” from Alive II and an edited version of “Psycho Circus’ from Psycho Circus that had the beginning instrumental piece edited out. They weren’t all the cookie cutter songs straight off the release.
This time around, we have a little bonus edition for you. There is no dramatic story behind this release, it is simple a way to give the fans something kind of cool and the band a little more money. There are no new songs or remixes, these are all songs you already have in some way shape or form. On November 13, 2012, Kiss released the box set, ‘The Casablanca Singles 1974-1982’ collection. It houses all 29 singles the band released on Casablanca Records. They have all been digitally remastered and given some very collectible sleeves from the original single releases from around the world.
Now, this is not going to be review of each song, been there done that with all of the album reviews. No, this is going to be a picture review of the entire box set. You are going to see everything there is to see in this box set. There are over 90 pictures so sit back and enjoy. We will do them in order of each album, but first we will start with the box set itself and the booklet. I hope you enjoy…
The box set is literally housed in a box. There is a flap on the side you open and all the singles and booklet slide right in. It is nice and sturdy. There is a cool effect on the front where the box there is an empty space with a fiery red, orange and yellow swirled backing that gives the Kiss logo its fiery appearance. The box also has an etched metal plaque engraved with the name “The Casablanca Singles 1974-1982 Limited Edition”. But here is the big question…What’s in the Box??
As we discussed back in the 1991 timeline, Eric Carr passed away on November 24, 1991 due to an aneurysm that probably stemmed from the numerous surgeries he had to remove tumors related to his heart cancer. Before his death, Eric was always writing songs as he was a very creative soul. He could write, he could sing and he could play more than just the drums. ‘Rockology’ is a collection of the songs he had been working on prior to his death. These are demos and not necessarily full fledge songs in some cases so keep that in mind. Think of this as his ‘Vault’ because it is very similar in the type of songs you get. You get some fully fleshed out songs, you get some where lyrics are being scatted because their aren’t any yet and you get some straight-up instrumentals.
The album was put together by one of Eric’s great friends and former Kiss bandmate, Bruce Kulick. With the help of Adam Mitchell (co-writer of numerous Kiss songs), they pieced together a collection of songs from old cassettes or where ever they could find them. They would clean them up the best they could, add some backing vocals where appropriate and even Bruce overdubbed some killer solos in a few songs to help complete them. Bruce produced the album and I think this was a wonderful tribute to his old friend and bandmate.
After the MTV Unplugged special that ran on August 9, 1995, the fan reaction was huge. People were itching for the original line-up to get back together in make-up. Now Kiss is not one to generally miss a good opportunity. While they were in the studio with their current line-up of Bruce Kulick and Eric Singer recording their next album (Carnival of Souls), Paul Stanley and Gene Simmons were contemplating their next move. Well, the noise was getting too hard to ignore and so was the money.
The Carnival of Soul album was shelved (for the time being) and Bruce and Eric were pushed to the side as Peter Criss and Ace Frehley were back in the band. The Kiss Reunion was going in full force. The band decided to get back together, the make-up was re-applied and the Tour was scheduled. This tour would be called the 1996-1997 Alive / Worldwide Tour. If you want to read about my concert experience a little and see the Tour Book…click TOUR BOOK.
In support of the Tour, Kiss decided to make a massive cash grab and released a Greatest Hits compilation of sorts. This one was released on June 25, 1996 and was called “You Wanted the Best, You Got the Best” and consists of all live tracks from the band with Ace and Peter. The name of the album, of course, stems from the opening line of all the Kiss shows when most famously, roadie JR Smalling would scream out “You Wanted the Best, and you got it. The Hottest Band in the Land…KISS!!!”
Before we get to the music, let’s talk about what was inside the Album. Not much, sorry. When you bought this album, inside was simply order forms for Kiss merchandise because Kiss never missed an opportunity to sell you something…
Alright, back to the music on the album. Did this album offer anything new and different. Well yes, it actually did it. But it mostly consisted of songs taken from the albums ‘Alive!’ and ‘Alive II’. There were, however, 4 previously unreleased tracks as well. You get four songs that were taken from those eras that were outtakes or leftover tracks. Now, if you were in Japan you got a bonus track. Let’s be honest, this is a total and utter cash grab. There is nothing real special. This is pure & simple, Kiss trying to profit off the new found interest in the band. But at least you got some unreleased stuff which is still way more than you get on from the next release. I’m getting ahead of myself, let us talk about what you get on this one.
The first record has the most unreleased stuff. The first three tracks are all unreleased. First up you get “Room Service” recorded in Davenport, IA in 1975. Then you get “Two Timer” which was recorded at Cobo Hall in Detroit MI on May 16, 1975. The third track is “Let Me Know” and it was recorded at the same Cobo Hall show as the previous track. These are cool tracks as they aren’t normally played live so that much is awesome about them. But here is the crazy thing. They were overdubbed and remixed in 1996 with not Ace on guitar or probably not even Peter on drums. Bruce Kulick has admitted he worked on the overdubs and those drums sound pretty damn good and clean…and a little modern. I’m just saying. The crowd noise also sounds so fake and it doesn’t really feel that live. Who knows what to believe.
The remaining of Record 1 are three tracks from ‘Alive!’ which are “Rock Bottom”, “Parasite” and “Firehouse” and one track from ‘Alive II’ which is “I Stole Your Love” and “Calling Dr. Love”. If you don’t have those two albums, then these songs are classic and worth having. But if you don’t, you aren’t really a Kiss fan are you…sorry I’m judging and that isn’t nice…but seriously why don’t you own those two albums…better than this crap!!
The second record kicks off with another previously unreleased track and that one is “Take Me” which was Los Angeles, CA and recorded in 1976. Again, this was overdubbed in 1996 as well. It at least has more of a live feel than those first three. Paul is a little rougher around the edges and there is a better energy so I won’t bash this one. Now most of the rest of the album are tracks from the two classic albums again. The tracks are “Shout it Out Loud”, “Beth” and “Rock And Roll All Nite”.
If you have the Japanese edition, your album would end with another unreleased live track. This one was Ace’s song “New York Groove”. This one is cool in that it was recorded from Australia back in 1980 and actually includes Eric Carr on the drums which is always cool. I actually like this track as well and glad I have it. I like it because it has the warts and all as they didn’t clean up the feedback or much of anything which makes it really live. On Side D of this album is a 17 minute interview with the band hosted by Jay Leno. Which basically makes it pure promotion, nothing but softball question and Peter is the only that sounds like he is having any fun (maybe Ace too). Gene and Paul are the same as they always are…stick to the point and sell it. Now the funny thing is Paul states that everyone is “Straight” and “Clear Headed”, but if I’m not mistaken that during rehearsing for the Unplugged, Ace would show up late and in a slight “haze” from possible drinking so not an honest comment completely.
And that is it, thank goodness. What a waste of product this truly is and is only for diehard fans and idiots like myself. However, I don’t own this yet as it is really expensive to get on vinyl. I will have it at one time, but right time, right price! As far as a score, it gets a 2.0 out of 5.0 Stars only because it does have 5 unreleased tracks at the time. If it wasn’t for that, this would be a 0!!
Next Up: Kiss – Greatest Kiss (1997)
Check out the rest of the series if you have time!!
The lack of success for the band’s last album, ‘Hot in the Shade’, had them at a crossroads again as to what to do. They were asked to record a song for Bill & Ted’s Bogus Journey in February of 1991, so they brought Bob Ezrin back to record it although Gene was a little hesitant about it after the debacle of ‘Music from the Elder’. But they recorded that song, which was “God Gave Rock And Roll To You II”, and then nothing for awhile. Paul was writing songs with various people, Gene was writing with Bob Dylan (sort of – you can read about that in The Vault series), and then the tragedy of Eric Carr happened. As we discussed in the last post, Eric had heart cancer and died on November 24, 1991 and he had been sick for some time. It was a dark day in Kisstory.
Eric Singer was brought in as the drummer full time now and Kiss went back in the studio in December 1991 with Bob Ezrin back at the helm as the producer probably in part that the Bill & Ted song did so well. The band sought help from an old friend at this time to help with the songwriting. That old friend was Vinnie Vincent. Actually, I think Vinnie reached out to them, but it doesn’t matter. Vinnie had turned over a new leaf and wrote some great songs with both Gene and Paul. And then Vinnie turned back in to Vinnie and tried to renegotiate a contract with them, sued the band and then lost. And Vinnie was again on bad terms with the band. Oh well, at least they tried. There was another Kiss connection on this album as the boys from the band Black ‘N Blue were brought in to help with backing vocals. They would be Jaime St. James and Tommy Thayer. Tommy is now the current Kiss guitarist for the band. This brings the count to 7 Kiss members that worked on the album…Gene, Paul, Eric S., Eric C., Bruce, Tommy and Vinnie. Pretty cool!
Prior to the release of their next studio album, Kiss was asked to due a song for a movie. That movie was Bill & Ted’s Bogus Journey. Yes, one of cinema’s finest movies, I know. The song was a cover of “God Gave Rock And Roll To You” by the band Argent, but the lyrics were changed up so much, they added the “II” at the end to signify it was a little different than the original. So that meant, not only was Russ Ballard’s name on the credits, it now had Gene Simmons, Paul Stanley and producer Bob Ezrin who the band was working with at the time for the new album. The single was released on August 22, 1991.
What was special about this song and release is that is the last Kiss single to feature Eric Carr. Eric wasn’t healthy enough to do the drums at the time, but he is featured in the background vocals. And luckily he was healthy enough to be in the video. Eric was extremely ill as he had been diagnosed with heart cancer. He had become so ill, he was no longer able to play, so the drum work on the song was handled by Eric Singer, who also did the drum work on the band’s next album, ‘Revenge’. Eric Carr made his last public appearance with the band shortly after the video at the MTV Musis Awards in September 1991. Shortly thereafter, Carr suffered an aneurysm then a brain hemorrhage and never regained consciousness. He later died on November 24, 1991 which was sadly, the same day Freddie Mercury of Queen had died and that overshadowed his death.
It had been two years since the last studio album, ‘Crazy Nights’ and still the band wasn’t working on a new album. Gene Simmons was out producing bands on his record label and Paul Stanley decided that in early 1989, he was going to go out on a solo tour. People were freaking out as was this the end of Kiss. Paul’s solo band on the tour had two major Kiss connections. On guitar was Bob Kulick and on drums was future Kiss drummer Eric Singer who would take over after the death of Eric Carr. Paul even went so far as to sing and record the title song to the Wes Craven movie ‘Shocker’. Kiss in my eyes, seemed doomed.
But it wasn’t the end. In mid-1989, the band got back together and finally started working on the new album. They had a very small budget for this album so instead of going in and fully recording a new album, they grabbed a bunch of demos and re-worked or even overdubbed them to turn them in to the album we have here. ‘Hot in The Shade’ has a crazy number of songs with 15 and the album was about an hour long. This was the late 80’s when bands felt they needed to fill up the entire CD and as a result, we got a lot of bloated albums at that time. If you knocked a few songs off this album, it would be a lot better but still suck.