I can’t believe we are on our 20th Review in the Kiss Bootleg Series. Nuts to think I’ve picked up that many. This one is called ‘The Ritz on Fire’ which is from August 12, 1988, The Ritz, New York City. A radio broadcast, from the Crazy Nights tour. This one is not the full show, but sort of a Best Of Compilation of that show. There are a bunch of different ones out there, some with full shows and some like this. I do have a show from the Crazy Nights Tour that was recorded on April 18, 1988 in Osaka, Japan, so I figured I’d grab this one as well as why not, you can never have enough Kiss Bootlegs…obviously or we wouldn’t be on #20.
I have found that this version is one of the few bootlegs that get all the packaging correct. They have the right band members in the pictures (Paul Stanley, Gene Simmons, Eric Carr and Bruce Kulick) and the right song titles and I don’t see any mistakes which is rare in the Bootleg world.
This is Kiss live much in the same vein as their current “Off the Soundboard” series in that there are no touchups, it is as you heard it when it happened and in this case as it was on the radio broadcast. The first 9 songs on this 10 song set are in order of the original setlist and it isn’t until the 10th song that it jumps ahead a number songs and plays one more. Basically, it is the first half of the show.
We are going to take a little break and highlight a couple singles I have in my collection. This is a little bonus material for you in the series. First up is the 12″ single for the band’s first single off ‘Crazy Nights’. It is the title track, but called “Crazy, Crazy Night” because one crazy wasn’t enough. The single was released on August 18, 1987 and was the highest charting song for the band in the UK hitting at #4 and selling over 200,000 copies (that would be the 7″ single I am sure). In the US, it only reached #64 on the Top 100 songs, but I do remember seeing the video on MTV a lot.
This 12″ single does come with 4 songs, but I can’t find much about this release at all. It does not appear that any of these songs are anything other than the album release version. I do know this version is the UK release and was not in the US so glad I was able to find a copy. The picture sleeve is nothing new as it is basically the album cover. The cool thing about it are those Vertigo Labels. Strange not seeing Mercury or Casablanca.
We are now in 1987 in the Kiss timeline and something odd has happened. For the first time in Kisstory, Kiss did not release an album in a given year. 1986 did not see a Kiss studio album release. For a band that started out doing 2 a year and then one a year, it is a huge surprise that 1986 saw nothing. Not even a greatest hits package. After the Asylum Tour ended, Kiss took a break as they had been going strong for 12 years non-stop. Gene went off and produced other albums such as Black N’ Blue and Paul, well Paul was left trying to keep Kiss alive (no pun intended).
By this time, Paul was pretty sick of Gene’s lack of commitment and confronted Gene about. He told Gene that it wasn’t fair that he was off doing all these side projects while reaping the benefits of Kiss thanks to Paul doing all the work and heavy lifting and you know, Paul is right. Paul was the one to save Kiss and keep the wheel’s turning. I don’t know how much that worked, because Gene’s input on this album is still pretty minimal with only 4 of the 11 songs on the album. Heck, Bruce had 4 writing credits on this album and Eric had one. Paul brought in some of the same people to help write the album including Adam Mitchell, Desmond Child and even Diane Warren. The band took on a more pop, radio-friendly sound with this one and saw them use synthesizers a great deal more with Paul, Bruce and Phil Ashley helping out on that instrument. The one cool thing about the album is that the line-up is unchanged from ‘Asylum’. Kiss saw no turnover this time around and this band would stay together for at least one more album.
For My Sunday Song #136, We are going to talk about the 80’s classic “No, No, No” off the 1987 album ‘Crazy Nights” and the B-Side of their first single “Crazy, Crazy Nights”. ‘Crazy Nights’ was a platinum selling album and might be considered as one of the bands weaker albums in some circles as they were chasing the trend at this point rather than creating it.
The song was originally titled “Assume the Position” (get your mind out of the gutter…because I am sure that is where their mind was with that title) and later it was called “Down on All Fours” (hmmm…I think their mind is still in the gutter). The song was originally written off a riff by Bruce Kulick and Eric Carr put his stamp on it as well. It was later handed over to Gene Simmons for completion.
The song opens with a blistering, solo by Bruce. It is fast and ferocious and shows why he is so highly regarded as one of the best Kiss Guitarists!! The drums are heavy thanks to the late, great Eric Carr and Gene finally has a decent song as over the last few albums, his weren’t always so stellar. Well, really this is great mostly because of Bruce, but we won’t tell Gene that as we don’t want to hurt his fragile little ego.