Tag: Strutter

Kiss – ‘Flaming Years: Toronto, Canada, September 6, 1976’ (1994) – Album Review (The Kiss Bootleg Series)

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We are now to a set of shows that were all done within a month of each other. These three disc were included in the John Humphrey Collection I bought last year at an auction where I got my hands on 38 Bootleg CDs from his personal collection. Oh, if you don’t know who John Humphrey is, you need to know he is a massive Kiss collector. And he is the drummer of the band Seether. John decided to sell off his entire collection…sort of…he kept all the vinyl (like 4,000 of them). He did it through an auction at Backstage Auctions and I had to have a piece of it…which I did.

We are going in chronological order for these three shows, so last time we did ‘Unnecessary Evil: Anaheim Stadium August 20, 1976’. Then it was ‘The Spirit of ’76: Richfield Coliseum, September 3, 1976’. We are now to the final of the 3 shows from the Destroyer Tour. This one is called ‘Flaming Years’ and it was recorded on September 6, 1976 in Toronto Canada at Varsity Stadium. This bootleg was released in 1994 by Backstage and it was released in Italy. The CD was purchased on March 27, 1995 as the receipt was still in the CD and John paid $29.25 for it which I imagine that was a lot back in the day.

Like the Cleveland show, this is another soundboard recording, but the sound is little more clear as it seems to breathe a little better. Paul is still as loud, but the crowd is very faint. There are some interesting moments here as “Rock and Roll All Nite” does cutout midway through and goes right into “Deuce” which is already in-progress. And during the intro to “Black Diamond,” Ace Frehley is apparently calling someone an “asshole.”  I wonder what that was about.

The show stsarts with the annoucer screamning “Alright Toronto, You Wanted the Best and You Got the Best…KISS”. This was louder then when the band actually starts playing “Detroit Rock City”. Paul’s vocals are quite loud in the mix so you hear all his flaws (which aren’t many at this time in their career. Everything else isn’t quite as loud as Paul, but it is clear. Peter is keeping great time, Ace’s is playing is outstanding and the bass is laying the groove. A great performance. It is definitely a soundboard recording. It ends with a car crash as it should be and then it is “King of the Night Time World”. Gene roars in the backing vocals on the Chorus and Paul is still really loud and Ace is still killing it, so is Peter.

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Kiss – ‘The Spirit of ’76: Richfield Coliseum, September 3, 1976’ – Album Review (The Kiss Bootleg Series)

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We are now to a set of shows that were all done within a month of each other. These three disc were included in the John Humphrey Collection I bought last year at an auction where I got my hands on 38 Bootleg CDs from his personal collection. Oh, if you don’t know who John Humphrey is, you need to know he is a massive Kiss collector. And he is the drummer of the band Seether. John decided to sell off his entire collection…sort of…he kept all the vinyl (like 4,000 of them). He did it through an auction at Backstage Auctions and I had to have a piece of it…which I did.

We are going in chronological order for these three shows, so last time we did ‘Unnecessary Evil: Anaheim Stadium August 20, 1976’. Now, it is time for ‘The Spirit of ’76: Richfield Coliseum, September 3, 1976’. This bootleg was released in 2011 on a label called Strutter Productions and is listed as For Promotional Use Only Not For Sale…yeah…bootleg!! As far as setlist go, Kiss doesn’t deviate at all from the prior show.

The show says it was in Cleveland, Ohio, but it was actually Richfield, a suburb of Cleveland and throughout Paul says Cleveland. The opening act was Artful Dodger and I have no information on Crowd size or box office take like I did for the last one. It is a soundboard recording and is said to be one of the best recordings of the tour with the exception of some mix level adjustments early on and a cut short on ‘Rock And Roll All Nite’, but this mix fixes the cut short although the remainder of the song sounds different. Crowd noise is minimal and all you hear are the boys doing what they do best!!

The show starts off with some noodling around on the instruments, a pause and then we get the classic “You Wanted the Best and You Got ‘Em…”. This was louder then when the band actually starts playing. Lots of explosions can be heard at the start of “Detroit Rock City”. Paul’s vocals are quite loud in the mix compared to the mix of the last album we discussed, so you hear all his flaws (which aren’t many at this time in their career. Suddenly the drums get higher in the mix, then down a little as I am guessing they are still noodling around. Ace’s guitar sounds very distant during the solo and the bass is about the same. Outside of all that, a great performance. Definitely a soundboard recording.

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Kiss – ‘Unnecessary Evil: Anaheim Stadium August 20, 1976’ – Album Review (The Kiss Bootleg Series)

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We are now to a set of shows that were all done within a month of each other. These three disc were included in the John Humphrey Collection I bought last year at an auction where I got my hands on 38 Bootleg CDs from his personal collection. Oh, if you don’t know who John Humphrey is, you need to know he is a massive Kiss collector. And he is the drummer of the band Seether. John decided to sell off his entire collection…sort of…he kept all the vinyl (like 4,000 of them). He did it through an auction at Backstage Auctions and I had to have a piece of it…which I did.

We are going in chronological order for these three shows, so first up is ‘Unnecessary Evil: Anaheim Stadium August 20, 1976’. The release was on Deep Records and was released in 1992 and is obviously another Bootleg. This is actually the 50th Kiss Bootleg Post I’ve done which is crazy to think about. And I still have several more to do. The show we have here is from the Destroyer Tour and saw the band come to Anaheim, California with an impressive line-up for this show. It had Montrose, Ted Nugent as well as Bob Seger & the Silver Bullet Band all on the bill. There were around 43,000 people at the show and it gross was $437,653 which in today’s dollars would be equivalent to around $2.5 million today. That is crazy to think.

This particular show I read is a soundboard recording, but maybe it is the age, but doesn’t sound that clear for a soundboard. But it doesn’t sound that bad either for an audience recording. You can hear the crowd really well, but the band is a little soft and distant sounding. Although, I can hear everything fairly clear. The show was pretty much an all day festival and reports show the band sold $36,000 in merchandise on that day. There were two massive video screens, one on each side of the stage as well as Eddie Kramer was brought in to record the show. I don’t believe that show has been released yet officially. Maybe that would be a great release for the 50th Anniversary of the album.

The show starts out with a warning from the announcer for everyone to back up as the crowd was pushing the stage. Safety is important. The fans start chanting “We Want Kiss” and with a fade out and fade in, the band was introduced by each name and there was no “You Wanted the Best” intro. As the are coming down the stage, it is known that Gene falls down, but he gets right back up. Since this is a CD, you don’t actually see that happen, just know it does. They open with “Detroit Rock City”. It is heavy, fast paced and over before you know, but not before the car crashes and they go right into “King of the Night Time World”. A song they should’ve played more in the later years. Theses songs follow each other on ‘Destroyer’ and so they should live as well. It is a messy transition with the crowd noise and such, but once it gets going, it rocks.

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Kiss – ‘Days of Sorrow And Madness’ (2012) – Album Review (The Kiss Bootleg Series)

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We are to yet another disc that was included in the John Humphrey Collection I bought last year at an auction where I got my hands on 38 Bootleg CDs from his personal collection. Oh, if you don’t know who John Humphrey is, you need to know he is a massive Kiss collector. And he is the drummer of the band Seether. John decided to sell off his entire collection…sort of…he kept all the vinyl (like 4,000 of them). He did it through an auction at Backstage Auctions and I had to have a piece of it…which I did.

This particular bootleg comes to us from The Godfatherecords and was released on October 1, 2014. What you get here are two complete live shows from Kiss on one disc. Surprising, I know, however these shows are from 1974 when Kiss was basically an opening act. The first show is from Independence Hall in Baton Rouge, LA on July 16,1974 and the second show is from The Bayou in Washington D.C. on March 25, 1974. When you look at the names of the places they played, you think the names have to be mixed up because The Bayou sounds like a place in Louisiana and Independence Hall sounds like it should be in our Nation’s Capitol. But, trust me. Those are the correct cities for each arena.

The first show at Independence Hall saw Kiss as the opening act of a three band line-up. The other bands were the New York Dolls and Blue Oyster Cult. Kiss was relegated to only 6 songs which makes it last around 30 minutes. The other show at The Bayou saw Kiss do not one, but two shows that night and both sold out. The first at 8pm and the second at 10:30pm. The Bayou was basically a hole-in-wall club that was said to look like an unfinished basement when I looked it up on Kissconcerthistory.com. The recording is the 2nd show and both shows on this disc I think are audience recordings, but done ver well.

INDEPENDENCE HALL (July 16, 1974):

Up first is Independence Hall and they kick off the show with “Deuce” but not before the announcer says “put your two lips together and get ready for Kiss!”. The band comes exploding out of the gate. Gene sounds a little bit younger here and so does Paul. They are still very early in their touring career but they sound tight and mean. There is a long pause between this one the next one which is “Strutter”. Not as abusive as “Deuce”. Strangely, Gene seems to sing the first couple lines before Paul comes in to finish it off. Being an audience recording, the instruments are little muddied, but you can still hear them pretty well.

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Kiss – ‘The Rock ‘N Roots of Kiss’ (2025) – Album Review (The Kiss Bootleg Series)

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Kiss is one of those bands that there are hundreds upon hundreds of bootlegs. Each year brings us a new batch and 2025 is no different. I was out shopping for Record Store Day Black Friday and discovered three bootlegs at Repo Records. I didn’t have two of them, so I bought the two I didn’t already own. First up is ‘The Rock ‘N Roots of Kiss’. It is obviously, unofficial, and was released by a company called Rockin’ Bear Records. There are only 9 songs on here and they are simply a collection of songs from Radio Broadcasts in 1974 and 1975. Side A is all 1975 and Side B is from 1975.

Some bootlegs come with a lot of extra inserts, stickers and really cool pieces. This is not one of those releases. This is as bare bones as you can get. It does have a nice thick cover, but the vinyl is in a small clear plastic sleeve, no liner notes or anything to tell us what show these songs are from, but I think I figure it out some of it as we go through the album. It shouldn’t be hard as there weren’t a ton of radio broadcasts released, that I am aware. The only cool thing in here is the vinyl is a clear translucent color which is very nice. The artwork gives me AI vibes as someone got lazy and had the computer draw the cover. Still looks kinda cool though.

SIDE A:

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Kiss – ‘Boxx (Vol. 2) – Live in Europe 1984’ (1993) – Album Review (The Kiss Bootleg Series)

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I have been doing a Kiss Bootleg Series for years. You get a review every time I add a new one to the collection. Well, after buying 38 Bootleg CDs from John Humphrey’s personal collection, I figured let’s jump right back in and do a whole lot of reviews on the Bootlegs. Oh, if you don’t know who John Humphrey is, you need to know he is a massive Kiss collector. And he is the drummer of the band Seether. John decided to sell off his entire collection…sort of…he kept all the vinyl (like 4,000 of them). He did it through an auction at Backstage Auctions and I had to have a piece of it…and I did wind up with some things.

This time around we have another Australian Bootleg which means it has a big “UNAUTHORIZED” across the cover. It is called Boxx (Vol. 2) – Live in Europe 1984 and was released in 1993 by a label called Banana and distributed by Apple House Music. What is with the fruit references?? It’s packaging is identical to the other two we’ve reviewed from this company All were made in Australia. This time we get a Gold Disc for the CD which is different.

This show has Bruce Kulick on guitar and he was not yet an official member. All the songs are from a show at the Gaumont Theater in Ipswich, England on October 11, 1984 for the Animalize Tour. I have a full show from this European Tour and it was the October 26 show in Stockholm on the “They Only Come Out at Night” bootleg. This one here is only 10 tracks, it is not a full show, but with only 3 songs are classic 70’s Kiss and the rest are all from the 80’s, I am truly okay with that as I love the 80’s songs. Heck, the 80’s were the era I grew up in. The 70’s, I was a little kid and influenced heavily by my brother’s taste. The 80’s were all my doing.

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Kiss – ‘Live Vol. 1: Detroit, Michigan April 7, 1974 – Album Review (The Kiss Bootleg Series)

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I have been doing a Kiss Bootleg Series for years. You get a review every time I add a new one to the collection. Well, after buying 38 Bootleg CDs from John Humphrey’s personal collection, I figured let’s jump right back in and do a whole lot of reviews on the Bootlegs. Oh, if you don’t know who John Humphrey is, you need to know he is a massive Kiss collector. And he is the drummer of the band Seether. John decided to sell off his entire collection…sort of…he kept all the vinyl (like 4,000 of them). He did it through an auction at Backstage Auctions and I had to have a piece of it…and I did wind up with some things.

This time around we go back to 1974. April 7, 1974 to be exact. This bootleg is from their Detroit, Michigan show that was recorded at the Michigan Palace. The release is called Live Vol. 1 and is out of Australia from a label called Joker. It is Unauthorized as it says in rather large print on the front cover. This is real early in their career and is from The First Kiss Tour!! This was for the Radio Station WABX-FM Kite-In and Balloon Fly show and if I’m not mistaken, there was another up and coming band called Aerosmith on the same bill along with Michael Finnelly and The Mojo Boogie Band. As far as the track listing, there is an error…well, not an error but more of an omission. On the same track as “Cold Gin” is the song “100,000 Years” which is not listed. So that was a plus.

The sound is not that great. Very muddy and sounds like a recording of a recording of a tape. The volume starts off low and suddenly you can hear it getting louder as someone was turning it up. The band is introduced as “the most unusual band” which is totally awesome and so true for the time. Kiss opens with “Deuce” and like I said, the sound is bad. The volume goes up and down and not a good recording at all. But this is hungry, early Kiss and you can hear how good they still sound. A rocking opening song and Gene’s scream during Ace’s solo towards the end was awesome!!

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Kiss – Electric Magic: Live East Lansing, MI October 21, 1974 – Album Review (The Kiss Bootleg Series)

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I have been doing a Kiss Bootleg Series for years. You get a review every time I add a new one to the collection. Well, after buying 38 Bootleg CDs from John Humphrey’s personal collection, I figured let’s jump right back in and do a whole lot of reviews on the Bootlegs. Oh, if you don’t know who John Humphrey is, you need to know he is a massive Kiss collector. And he is the drummer of the band Seether. John decided to sell off his entire collection…sort of…he kept all the vinyl (like 4,000 of them). He did it through an auction at Backstage Auctions and I had to have a piece of it…and I did wind up with some things.

The bootleg we have for you this time around is called ‘Electric Magic’ and it was recorded live from The Brewery in East Lansing, Michigan on October 21, 1974 about a week before ‘Hotter Than Hell’ was released. This particular one is a soundboard recording which means the sound is pretty good. A little more focused on the instruments as they are louder than the vocals. Also, it means the crowd noise is pretty limited as they weren’t mic’d up. This one is from Godfatherecords and is on a tri-fold cardboard sleeve. It was released on May 15, 2008 so it isn’t that old. But the show is.

The show opens with a classic opening line of “Put Your Two Lips Together and KISS” screamed from the announcer. The opening riff comes on and you know it is “Deuce”. A killer opening track and to be followed by “Strutter” is a brutal opening. Before the song starts, you hear a lot of noodling around on the instruments and it is a pretty long pause before the song kicks in. The bass is real heavy on this one, but it is still killer. Paul announces the next song is off their new album that will be out this week and it is “Got to Choose”. One of the coolest songs on that album and cool they heard it before the album dropped.

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Kiss – ‘Wicked Lester’ – Album Review (The Kiss Bootleg Series)

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I have been doing a Kiss Bootleg Series for years. You get a review every time I add a new one to the collection. Well, after buying 38 Bootleg CDs from John Humphrey’s personal collection, I figured let’s jump right back in and do a whole lot of reviews on the Bootlegs. Oh, if you don’t know who John Humphrey is, you need to know he is a massive Kiss collector. And he is the drummer of the band Seether. John decided to sell off his entire collection…sort of…he kept all the vinyl (like 4,000 of them). He did it through an auction at Backstage Auctions and I had to have a piece of it…and I did wind up with somethings.

Now, to the review…We all know Kiss was started by Gene Simmons, Paul Stanley, Peter Criss and Ace Frehley.  But did you know about the band prior to Kiss?  It all started with Gene (Chaim Witz) and Paul (Stanley Eisen) in a band called Rainbow with Gene’s friend Stephen Coronel.  Paul was the third member and then they brought in a drummer named Joe Davidson. This band didn’t last long at all and hell, the drummer even a shorter time as he was quickly replaced with Tony Zarella.  They only played one show before they had to drop the name Rainbow because that name was already being used by some other band (and no, not the Richie Blackmore band).

And that is how Wicked Lester was born.  After only a couple shows as Wicked Lester, they were approached by a label and were given the chance to record some demos. After listening to those demos, the label decided that Stephen was not good enough and had to be fired. And since Gene and Paul the upstanding citizens they are, they fired Stephen.  I guess you do whatever it takes to make it in this business.  Ron Leejack was then brought in for guitar duties and it was time to record the album.

Now the album would take about a year to complete and upon receiving the album and hearing it, the label were not quite thrilled with it…okay, they hated it.  Hated it so much, they shelved it and it was never released.  Well, never in a full, pure album form.  It has been leaked out as a bootleg and that is what we have here. This particular release has a total of 9 demos of Wicked Lester and it also has the 5 demos done by Eddie Kramer before Kiss did their first album. Lastly, it claims to have 5 songs from Live at the Academy of Music in New York from 12/31/73, but this is not true from what I researched. It is actually 5 songs from the Long Beach recording on 5/31/74.

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Kiss – The Best of Kiss: Green Series (2008) – Album Review (The Kiss Review Series)

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Universal Music did not care about over saturation of an artist as they released a ton of Kiss Compilations and Canada received the brunt of them. This one was released in April 2008, I believe. It was part of the Green Series that Universal was releasing which had a number of bands. The Green Series means the packaging was all done with recycled paper and even used a plant based ink. Good on them for trying to save the earth, but with the shipping of the product and I am sure was wrapped in some sort of plastic, it was really all for naught. Plus, the cardboard digipak would tend to show wear and tear after awhile. However, the copy I received was in pretty darn good shape.

The album contains 15 tracks and really only covers the 70’s with the minor exception of “Lick It Up” from 1983. The rest is only from the original band members of Gene Simmons, Paul Stanley, Peter Criss and Ace Frehley. With “Lick It Up”, you add Eric Carr and Vinnie Vincent. Wait, this isn’t all entirely true as the song “Cold Gin” is live and is copyrighted from 2001. More on that later. There is a write-up in the booklet by Don Winkley giving a brief history of the band only going up to the reunion (and this was 2008 when released so I would say they missed some years). If you like the 70’s material, then at 15 tracks, not a bad comp…but not a great one either. A pure cash grab from the label. Let’s get to the music…

“Shout It Out Loud” was the first single off ‘Destroyer’ trying to capitalize off the success of the live version of “Rock and Roll All Nite” that was released previously.  The title of the song comes from the Hollies song “We Want to Shout It Out Loud” which Wicked Lester demoed years earlier. The song is sung by both Paul and Gene  and that chorus of “Shout it, Shout it, Shout It Out Loud” is pure rock gold.

Ace is finally on lead vocals with “Shock Me” and might be my favorite Ace song.  The song is based off an incident that is well documented where Ace touched an ungrounded metal railing and had the life shocked out of him.  No, he didn’t die, but he was thrown back a little.  He continued the show with no feeling in his hand and I believe the show was December 12, 1976, at the Lakeland Civic Center in Lakeland, Florida.  Ace having little confidence wanted Gene to sing and Gene, thankfully, talked Ace in to singing.  Ace finally agreed and actually recorded the song lying down on the floor.  I hope that method has changed. The song is utterly brilliant and the guitar work is some of Ace’s best. In fact, he does all the guitar work on this one, both lead and rhythm.  This defines Ace Frehley in my book!!

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