Tag: Cleveland

Kiss – ‘The Spirit of ’76: Richfield Coliseum, September 3, 1976’ – Album Review (The Kiss Bootleg Series)

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We are now to a set of shows that were all done within a month of each other. These three disc were included in the John Humphrey Collection I bought last year at an auction where I got my hands on 38 Bootleg CDs from his personal collection. Oh, if you don’t know who John Humphrey is, you need to know he is a massive Kiss collector. And he is the drummer of the band Seether. John decided to sell off his entire collection…sort of…he kept all the vinyl (like 4,000 of them). He did it through an auction at Backstage Auctions and I had to have a piece of it…which I did.

We are going in chronological order for these three shows, so last time we did ‘Unnecessary Evil: Anaheim Stadium August 20, 1976’. Now, it is time for ‘The Spirit of ’76: Richfield Coliseum, September 3, 1976’. This bootleg was released in 2011 on a label called Strutter Productions and is listed as For Promotional Use Only Not For Sale…yeah…bootleg!! As far as setlist go, Kiss doesn’t deviate at all from the prior show.

The show says it was in Cleveland, Ohio, but it was actually Richfield, a suburb of Cleveland and throughout Paul says Cleveland. The opening act was Artful Dodger and I have no information on Crowd size or box office take like I did for the last one. It is a soundboard recording and is said to be one of the best recordings of the tour with the exception of some mix level adjustments early on and a cut short on ‘Rock And Roll All Nite’, but this mix fixes the cut short although the remainder of the song sounds different. Crowd noise is minimal and all you hear are the boys doing what they do best!!

The show starts off with some noodling around on the instruments, a pause and then we get the classic “You Wanted the Best and You Got ‘Em…”. This was louder then when the band actually starts playing. Lots of explosions can be heard at the start of “Detroit Rock City”. Paul’s vocals are quite loud in the mix compared to the mix of the last album we discussed, so you hear all his flaws (which aren’t many at this time in their career. Suddenly the drums get higher in the mix, then down a little as I am guessing they are still noodling around. Ace’s guitar sounds very distant during the solo and the bass is about the same. Outside of all that, a great performance. Definitely a soundboard recording.

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Kiss – Boxx (Vol. 1) (1993) – Album Review (The Kiss Bootleg Series)

Published on by 2loud2oldmusic19 Comments

I have been doing a Kiss Bootleg Series for years. You get a review every time I add a new one to the collection. Well, after buying 38 Bootleg CDs from John Humphrey’s personal collection, I figured let’s jump right back in and do a whole lot of reviews on the Bootlegs. Oh, if you don’t know who John Humphrey is, you need to know he is a massive Kiss collector. And he is the drummer of the band Seether. John decided to sell off his entire collection…sort of…he kept all the vinyl (like 4,000 of them). He did it through an auction at Backstage Auctions and I had to have a piece of it…and I did wind up with some things.

This time around we have another Australian Bootleg which means it has a big “UNAUTHORIZED” across the cover. It is called Boxx (Vol. 1) and was released in 1993 by a label called Banana and distributed by Apple House Music. What is with the fruit references?? It’s packaging is identical to the Live Vol. 1 we did a few weeks back. Both were made in Australia. This time instead of tracks from one show we get them from two. One is Cleveland 1975 and the other is actually Nashville 1984 despite the cover saying ’85. Oops. It looks like songs 1-6 are from June 21, 1975 at the Cleveland Music Hall and was actually part of the King Biscuit Flower Hour Broadcast…which explains why it sounds so good. Tracks 7-13 are from January 11, 1984 show at Nashville Municipal Auditorium.

It starts off with what is called “Intro” so I was expecting a big “You Wanted the Best, You Got the Best…” opening, however, it was simply the intro to the song “Hotter Than Hell” as are only taking songs from the setlist here and not a full show. “Hotter Than Hell” really cooks. The guitars are smoking, the bass is steaming and the drums are explosive. Paul’s vocals are killer and it is hard to believe this is a bootleg. The go right into “Firehouse” like they do in the original full show. And it is more of the same awesomeness. You know how the song goes so no need discussing that, simply know this sounds like a band in their prime and hungry as hell.

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