After the debut album being a dud and all the touring, the band wasted no time going in to the studio for their second album, ‘Get Your Wing’. This time around at the boards was famed producer Jack Douglas who was introduced to the band by the one and only Bob Ezrin, who the label wanted to produce the album. Jack worked out well and would go on to have a long relationship with the band and deliver some of their best albums.
The band had extensive preproduction work and extensive rehearsals, the band entered the studio The Record Plant in New York City on December 17, 1973 and by January 14, 1974, they were done. The album would come out on March 15, 1974 and would go only to #74 on the Billboard Charts. All 3 singles flopped and not one of them charted. If they thought the first album was a dud, this one didn’t fare any better. But don’t feel bad, once the band broke, this album has since sold over 3 million copies and is certified Triple Platinum. It all worked out in the end.
But what makes this album successful on its own is that the band found their voice. They found their sound and they would find rock stardom. Bandmates Steven Tyler, Joe Perry, Brad Whitford, Tom Hamilton and Joey Kramer found themselves and were set to take over the world…okay, that is a little dramatic, but you know what I mean.
The band took a long, long, long break after 2008’s ‘Nostradamus’ which was not received all that well, despite the fact I really enjoyed that one. In 2011, there were rumblings of new album the band had been working on and they said they were going to take their time with it and let me tell you, they did just that. The album didn’t come out until July 8th, 2014 more than 3 years later. And a lot happened in those three years.
The biggest thing that happened was the departure of one of its founding members and the jelly to the jam of the guitar duo. K.K. Downing departed the band in 2011 and it sounded like it was over creative differences with the band. This was a major blow to the band, though probably not as big as losing your lead singer…sorry, easier to replace a guitarist than a singer (except if your Eddie Van Halen maybe). The band found a replacement in the wonderful guitar playing of Richie Faulkner and from what I can tell has been very well received by the fans. Richie immediately has made an impact as he was heavily involved in the song writing for this album.
It takes time to get a new member acclimated to things, so the band spent the next 3 years completing the album and having Richie get familiar with the other members of Rob Halford, Glenn Tipton, Ian Hill and Scott Travis. Upon its release, the album saw them hit their highest peak on the charts in the U.S., going to #6 on giving them first Top 10 album. Now, it only sold a little over 100,000 copies but this is 2014 and streaming was taking over as well as digital sales so actual album sales are not what they used to be. Still a respectable showing, but it is a respectable album. Let us find out.
When I was on vacation during this past Summer, I found a ton of 45 Singles with the Picture Sleeves at a place called House of Vinyl and I ended buying 7 Van Halen 45’s. First up last week was “Dance the Night Away” from 1979. And second we have the song “Pretty Woman” off the band’s album ‘Diver Down’ from 1982.
The copy I found was interesting to me. First was the fact the song was called “Pretty Woman” and not “(Oh) Pretty Woman”. When the single was first released, it went without the (Oh) part of the title and later issues corrected that and put the (Oh) back in. So that tells me I have an original issue copy. The second thing I found interesting is that the back cover of the picture sleeve has the flip side being “Happy Trials” which was actually the B-Side on the album. However, this copy is a promotional copy and it only has “Pretty Woman” on Side A and Side B. One Mono version and one Stereo version like the last one. That got me thinking was this in the wrong cover and what I can find is that it is not. It looks like they slipped the Promo copies in the same sleeve as the actual single to the public at least according to what I found on Discogs.
Another thing I thought was cool about the label on the Single was how the Engineer, Donn Landee, was actually listed. That does not happen very often. According to Ted Templeman’s book, he feels that he couldn’t be as a good as a producer he was without the help of an amazing engineer and Donn was that to him. He wanted Donn to get as much credit for these albums and songs as he did so he had his name added. Pretty freaking cool if you ask me.
Like a lot of musicians during the pandemic, Billy Idol kept himself busy recording his first new music in 7 years with ‘The Roadside’ E.P. Sadly, it is only four songs, but as a fan I will take what I can get. One of my favorite albums of Billy’s was his last album ‘Kings & Queens of the Underground’ so I have been waiting to see where he goes next and now we know. And I am excited as I can add a new post to the fantastic Billy Idol Series we did here on the site. I don’t know if this series will ever come to an end and I sure hope it doesn’t as I love having new Billy Idol music to hear.
The album was produced by producer Butch Walker (He’s worked with Matt Nathanson who I love) and Billy had his partner-in-crime, Steve Stevens, at his side to help him co-write and create new music. The three together were able to craft a great little nugget of music that will hopefully be the first of many from Billy in the future. The most recent thing we’ve had prior to this was a song Billy did with Miley Cyrus called “Night Crawling” which was fantastic. You know, that makes me think I need to review that song for the series as well. I will get on that.
I have a copy of the E.P. that should be arriving today, but I couldn’t wait to review it so I went ahead and did that thanks to streaming. My version that is in the mail is the standard black edition with one big difference. Mine will be autographed by the man himself! Yep, Billy Idol autographed my copy just for me…plus anyone else’s copy that ordered one.
For My Sunday Song #265, we are going to go back to the controversy with the song “Thoughts & Prayers” by Will Hoge. The song is off his protest E.P. called ‘My American Dream’ from 2018. When Will does the E.P.’s, he has a lot to say and he will not hold back and I think that is the magic of his protest music. It is honest, truthful and he rips the band-aid right off and exposes things for what they are.
This song was inspired by yet another mass shooting and this time it was one on November 5, 2017 in Southerland Springs, Texas at a church where 26 people were murdered when someone walked in to their church and opened fire. Will heard the news while he was on tour in Denver and before his show that night, he sat down and started writing a song based around three words he found useless and pointless that was coming from the mouths of politicians. Those words were “Thoughts & Prayers”. He felt those words held no wait. We need action and not words. He rips the politicians and tears a new whole to the NRA as he speaks to fact we need better gun control in this country. He isn’t saying we don’t need guns, but more that it should be harder to get and more scrutiny who can get them.
Musically, the song is very simple. It is an acoustic guitar and Will truthfully speaking out his lyrics and you can feel the truth oozing from his mouth. You can feel the anger, feel the sadness and the hurt and you can feel the exhaustion from all the non-sense that comes from Washington D.C. Politicians that are snuggled in the warm blankets of the NRA afraid to do something and lose that NRA money for their elections. 3 years later, still zero action and it feels like we have a mass shooting almost every single day. It is really crazy. I know it isn’t guns that kill people, but something needs to be done to make it harder for those people that kill people to get them. Whatever we have right now, isn’t working.
You, my reader, are going to pick an album for me to review each month. It is really simple…first, I will give you 5 albums to choose from and second, you will tell me which one of those you would like to see reviewed on the site. See…simple!
There are a few simple rules I have put in to place in my selections. They are…
One has to be a new release (within the last month)
One has to be one I have never heard before (new releases don’t count for this one)
One has to be from a genre I don’t normally listen to at all or very often
And the last two are choices from my collection that I haven’t reviewed before
What are the 5 albums you ask? Funny you should ask because I have those right here…
New Release – Candlebox – ‘Wolves’
Never Heard Before – MC5 – ‘Kick Out the Jams’
Not My Normal Genre – Issac Hayes – ‘Hot Buttered Soul’
From My Collection – Guns ‘N Roses – ‘Chinese Democracy’
From My Collection – Mother’s Finest – ‘Another Mother Further’
Let me know which one you would like to see and sometime in October, I will post a review of the album that gets the most votes. You have one week to decide and from there I will start listening to the album and do a review.
Happy Friday!! You made it through another week so congratulations are in order! And as an award you have an abundance of new releases to pick through and hopefully something will catch you eye. We have the 2nd week in a row with over 50 albums to choose form. I also want to give a shout out to my beautiful wife and wish her a HAPPY BIRTHDAY!!! Today she is ??? I ain’t going to tell you her age, that would be rude!! Now back to the show, I am really excited about one and somewhat about others and I have highlighted all my choices in Blue. Let me know what you want to hear and what albums I may have missed as it does happen. Thanks for stopping by and I hope you all have a wonderful weekend.
Billy Idol – The Roadside E.P. – (BFI Records / Dark Horse Records / BMG): I am so excited about this release as I have been a fan for a long time and I did a whole series of over 20 posts on his career. It was a blast. His new song “Bitter Taste” is actually amazing and I can’t wait to hear the rest. The only disappointing thing is it is an E.P. and only 4 songs, but I will take what I can get at this point. My autographed copy should be here soon.
Daughtry – Dearly Beloved – (Dogtree Records): It has been 3 years since his last release but feels like longer. I like his style of rock as it is pretty damn catchy and he has some great choruses and I like that. I did get oversaturated with him, but I am ready for some more as I feel it has been longer than it has actually been. Here’s to hoping for a good album!!
After the disappointing sales of their debut, the band quickly jumped back in to the studio to work on their second album, ‘In Color’. By September of 1977, the album was done and released. The album was far more polished than the rawness of the debut. I am sure they were hoping for a more radio-friendly sound and hoping for a big single. Which sadly, they did not get in the U.S. However, the band became superstars with this album in Japan. Yep, Japan. When they went and toured that country the next year, they were welcomed with a whole Beatlemania type vibe and the country just loved them. But we will get to that later.
The album cover as interesting. On the front, you have Robin Zander and Tom Petersson on the front riding motorcycles and in vivid color. But when you turn the cover over, you get an upside picture of Rick Nielsen and Bun E. Carlos riding bicycles and in black & white. I loved the contrast between the two pictures as it shows a playful band that doesn’t take itself too seriously and is having a little fun. Although the album is a single LP, you get a gatefold album jacket and in the inside picture is of the whole band in bright, bright color and again split between the same two members on each side, but at least Bun and Rick are not upside down this time.
When I was on vacation during this past Summer, I found a ton of 45 Singles with the Picture Sleeves at a place called House of Vinyl and I ended buying 7 Van Halen 45’s. For the next 7 weeks, we will go through those singles in release order. And first up is “Dance the Night Away” from 1979.
For the band’s second album, “Dance the Night Away” was the first single released for the album. The copy I have is actually a promotional copy so the song “Dance the Night Away” is on both sides. Why is that you may ask. That is because as a promotional copy this was sent to radio stations. The first side has the song in Mono and B-Side is the same song but in Stereo. That way the radio station could use the side that fit their format if they were either an AM Radio station or an FM, I presume. The song is I believe the album track and not a edited version so nothing special about it other than it is cool.
The song was originally titled “Dance, Lolita, Dance” according to David Lee Roth, but Edward Van Halen thankfully talked him out of it. The song was one of the few off Van Halen II that were actually conceived in the studio and done so when the band was standing in a circle humming to each other. And according to Wiki, the song was inspired by Fleetwood Mac’s song “Go Your Own Way” which I can see. The song is a little more upbeat and less hard rock and maybe even more pop rock.
After the sour reaction to the previous album, ‘Jugulator’, Priest tried to determine what went wrong. It was a myriad of things, but most importantly was due to the departure of the much loved Rob Halford and then completely changing your sound and abandoning everything that Judas Priest was known for in its sound. It is pretty simple actually. They tried to rectify one of those things as Rob was still not in the band. The lead singer for his second album with the band was Tim ‘Ripper’ Owens. The end result was the album ‘Demolition’ which was released on July 16, 2001 and did even worse then the previous album. It only charted at #165 on the US Billboard charts.
However, the album is way better than the reception it received. The band still consisted of K.K. Downing, Glenn Tipton, Ian Hill and Scott Travis along with Tim ‘Ripper’ Owens and this time around they went back to a more Priest sound which was a little less heavy and a lot more melodic. They did modernize the sound by adding some nu-metal / industrial elements while still maintaining a lot of what Priest fans loved. This was a much more accessible album and one I find to be way better than the previous one. Dare I say, I really like this album, but it still doesn’t completely feel like a Priest album. It is a step in the right direction.
The opening track “Machine Man” sadly doesn’t really stray too far from the previous album. It is pretty brutal and heavy. It is one of the songs on the album that actually garnered Priest with their first Parental Advisory Sticker on an album due to the language. The guitar playing on this is pretty lethal and the combo of Tipton and Downing again shows how great this band is with those two. And not to be outdone, Travis’ drumming is totally maddening and still can’t figure out how he can drum that fast…it is crazy nuts. But I don’t completely hate it despite it’s resemblance to the prior album. Tim’s singing is better and more melodic at times and at least it had a decent chorus.