The Scorpions were in a mood to keep doing things their own way and after doing an album and touring the classically orchestrated Scorpions rock, they decided to strip it all back and do some shows acoustically. The band performed 3 shows at the Convento do Beato in Lisbon, Portugal in February 2001 and those shows were recorded. From those 3 shows, the album called “Acoustica” was made. The album was released a few months later on May 14, 2001.
The show was a little unusual for the band as it was just the normal guys. Yes, Klaus Meine, Rudolf Schenker, Mathias Jabs, Ralph Rieckermann and James Kottak performed, but they weren’t alone. The actually had three guitarists and the third was Johan Daansen which really fills the songs up with that acoustic guitar sound. On keyboards was Christian Kolonovitis who also helped the band arrange the songs for the acoustic set. Christian was also the one who was the conductor and arranged the Scorpions songs for the Moment of Glory Berlin Philharmonic Orchestra album the prior year. James might have been on drums, but they also had a percussionist by the name of Mario Argandona. And to fill up the stage even more, there was a cellist, Ariana Acu and a group of female vocalists to help with backing vocals. They were Hille Bemelmanns, Liv Van Aelst and Kristel Van Craen. They really went all out to bring a different experience and I would say it worked pretty well.
The band also were great in giving us a few things extra on this release. We got the biggest hits, no doubt, but that wasn’t all. We actually were treated to 3 brand new songs (four if you got the DVD). And on top of that, we got a handful of great covers from The Cars, Kansas and Queen. With all that, it made this a very worthwhile purchase to get all the songs we hadn’t heard before. But was it all worth it? Let’s see.
The set opens with “The Zoo” and it has this cool groove which is almost like ‘Black Velvet” by Alannah Myles. Then we get the ballad “Always Somewhere” and the crowd claps along and at times sings along, there are female backing vocals and Klaus sounds stellar. Ballads usually work well in the acoustic setting and this one is no different. After this one we get the first of three new songs. First one up is “Life is Too Short” and this one brings some string orchestration. It is another ballad but it really shows the maturity of the band. I would really love to hear a studio version as this is really a great song. The chorus is really catchy which helps draw you in and as the song builds it just keeps getting better.
Happy Friday and let me tell you I’m happy. My Kiss Creatures of the Night Box Set should be here this afternoon and I can’t wait as that is my big purchase for myself as I need everything Kiss!! But have my eye on that Queen The Miracle Box Set as well and might get that one too! We will see. Let me know what you are wanting this week or what we might have missed. Thanks as always for stopping by and I hope you all have a wonderful weekend!!
The two I want….
Kiss – Creatures of the Night (40th Anniversary Edition) – (UMe / UMG)
Queen – The Miracle (Deluxe Edition or Collector’s Edition) – (Hollywood Records)
And all the rest…
Nickelback – Get Rollin’ – (Nickelback II Productions / BMG Rights Mgmt)
Disturbed – Divisive – (Reprise Records)
Michael Jackson – Thriller 40 – (Sony Music)
Dolly Parton – Diamonds & Rhinestones: The Greatest Hits Collection – (Sony Music)
By 2001, Jeff Scott Soto and Marcel Jacob and had been playing together for a decade. The longest project Jeff had ever been with and probably the most fulfilling as he and Marcel were able to craft Talisman out of all the types of music they both liked. To celebrate that 10 years, a tour was needed and they wound up playing at the Sweden Rock Festival in 2001 on one of the smaller stages.
The place was packed up to an hour before the show. The crowd was chanting their name and was ready to hear some Talisman. Jeff Scott Soto, Marcel Jacob, Pontus Norgren and Jamie Borger were ready to take the stage and give the fans what they wanted…Talisman!! They played on the Rockklassiker stage with a 2000 crowd capacity. But it started off a little rough…two days prior to the show, Marcel’s gear was left in Stockholm where he, Jeff and Pontus were working on the new Humanimal album. So, Marcel had no bass. He wasn’t going to play, but when he heard the crowd chanting, he ran and found a bass from another band.
There was another band at the festival that had some recording gear and so they decided to record the show. Marcel and Pontus were a little unhappy with the recording as the bass sound wasn’t what Marcel really sounded like (remember, not his guitar), Jeff’s microphone had issues and the guitar sounded a little out of tune at times…they re-recorded a lot of the record in the studio and played as if it was the show to capture that essence…and honestly, you can’t tell. It all sounds fantastic.
This was 2001, so this was prior to Humanimal project and prior to the giant riff between Marcel and Pontus which forced the end of Humanimal and the end of Pontus in Talisman. So, if this is the last recording with Pontus on lead guitar, then we get a wonderful time capsule. The album was supposed to come out in April 2002, but the release was delayed (probably due to the Humanimal issues going on). It finally saw the light of day in December 2002 and thankfully it did as it is a fantastic show.
At the most recent record show here in Charlotte, I found a couple bootleg CDs that I snagged up for a real cheap $5 each. Gotta love that. The first one I grabbed was from the band Extreme. The bootleg was called ‘Hollywood Rock 1992’ which was recorded from the rock festival Hollywood Rock down in Rio de Janeiro Brazil on January 26, 1992. The CD says it was a Freddie Mercury Tribute, but the band only played one Queen cover so not much of a tribute.
What I love about Bootlegs are the errors. Yes, they have errors. The reason why is the people that make bootlegs don’t give a crap about editing and making things perfect and accurate. They only care about getting out product. The first major error is where it was made. The album was made in Italy…however, the back cover says it was made in Itary. I have been looking at a globe for about 10 hours now and I can’t find Itary anywhere on it. Then it is the song titles…”Pornograffitti” is spelled as “Pornographiti” and what should be a Nuno acoustic guitar solo actually says that he sold his acoustic guitar.
What makes it even better is that they spelled everything correctly on the actual CD, but they used the wrong words at times. One error on the CD is on “Suzi” they called it “Suzi (Wants Her All Day Want?)” and it should be (Wants Her All Day What?). Then for “Decadence Dance” there is a drum solo and they list it as Pat but Pat plays bass. Paul is on drums.
In 1989, Marcel Jacob had label interest but no band. You remember Marcel, he was in Yngwie Malmsteem’s Rising Force with Jeff Scott Soto. Although the two didn’t hit it off at first as their musical upbringing were so different. Marcel was a European music snob and Jeff was simple uncultured American. Over time, they became friends and Marcel needed help from his friend for a project he was working on that had no singer. He asked Jeff to sing the songs for the album.
Marcel’s project was originally called Guitars on Fire, but after the songs were completed and mixed, the name changed to Talisman. But the album almost didn’t happen. At the time of recording the album, Jeff Scott Soto was in a band called Eyes and his contract had him exclusively which means, Jeff can’t do anything outside of Eyes. At the time, Jeff was broke, and I mean flat broke. He needed money fast. So Jeff talked to his label, begged and pleaded and made them understand that this album is a one-off and wouldn’t compete with Eyes. It would have limited release only in Sweden so they had nothing to fear. And you know, they bought it.
Jeff went to Sweden and recorded the album with Jacob in 1989. For the album, you had Marcel Jacob on bass, drums (except for two tracks), keyboards and guitar. Jeff Scott Soto handled the vocals, Christopher Stahl on guitar, Mats Lindfors on guitar, Mats Olassaon on keyboard, and Peter Hermansson on drums for the two tracks Marcel didn’t play on.
Last Saturday, I gave you a post of totally useless information with all the albums I listened to in 2021, so let’s do it again this Saturday. We are going to look back at what happened in 2021…no not in the world of music. But in the world of 2 Loud 2 Old Music, the website!! I know this is important stuff, I get how excited you must be so stop the YAWNING!!!
We had a another record year here at the site. We finally broke 1,000 followers and are now sitting at around 1,022. A small milestone for the site. It only took 5 years to get there. If that was enough we broke a record of views this year with over 272,000 views which is a 36% increase over the prior year. Next year, we are hoping to finally pass 300,000 views. See, real exciting stuff.
During the year we worked on a lot of Review Series. We finished the Kiss Review Series which had around 74 separate posts and took over 13 months to complete. We also started and finished the Judas Priest Series and the Queen Series which were both a lot of fun. We have started and are a good way through the Cheap Trick Collection Series and the Aerosmith Collection Series as I love doing these Series so I hope you do as well. It lets me go back and deep dive in to their albums and it also gives me a reason to go out and buy more albums. For 2022, we have the Jeff Scott Soto Series and I will go ahead and tell you when the Aerosmith Series ends, we will be jumping right in to the Scorpions Collection Series. A lot to look forward to next year!
For 2021, I did something a little different here at 2 Loud 2 Old Music. I tracked every single album I listened to kind of like Spotify, but more manual and not as technical. Every time I listened to an album or E.P., I wrote it down. And I will say that this will be the last and only time I ever do this as it was a pain in the ass. I will say, this was not a normal year. I worked from home all year which gave me access to all my music, vinyl, cds and streaming. I didn’t include individual songs or shuffling which I like to do. These were straight album listens from beginning to end in the order the album was meant to be heard.
A couple more points to note. When I do a review of an album, I try to listen to it 5 to 6 times before reviewing so there are a lot of repeat listens to an album. And what did I track? I tracked the following:
Year of Release
Day of the Week
With all that data, I am able to give you lots of useless information that I thought would be fun. So let’s get started. How many albums did 2 Loud 2 Old Listen to in 2021? Easy…1,374!! If I was working in the office, the number probably would’ve been no where even close to that number. Now let’s get in to the juicy details. Out of the 1,374 albums, there were 609 unique albums I heard during the year.
What were the Top 20 Bands I listened to during the year and how many albums?
Note, I worked on a number of Review Series during the year and made some Album Rankings and as a result, those are going to be high on my list. I don’t think there are really any surprises on this list, especially the Top 5 as they were all Review Series. There were 290 different artist and bands I listened to throughout the year.
Count of Artist
Stone Temple Pilots
Jeff Scott Soto
What were the Top Albums I listened to during the year?
In going through Amazon’s Kindle book, I found this book on Freddie Mercury and thought I would give it a try. The book is called ‘Freddie Mercury: A Life, In his Own Words by Freddie Mercury, Greg Brooks and Simon Lupton. Now, it says by Freddie Mercury but that is very misleading as Freddie was not involved with this book as he had long since passed. It is not an Autobiography. The book is actually a collection of interviews that Freddie had done over the years and they were pieced together here to let you hear from Freddie and what he was thinking. A pretty cool idea, however, it didn’t work in the way I am sure they were hoping it would.
Here are the problems…First…the book is in no real chronological order. It doesn’t really tell the story of Queen or really Freddie in any kind of sequential order. It is all over the place timeline wise. Second…it doesn’t go in depth on Queen much at all. So, if you are looking for a deep dive in to the inner workings of Queen, albums or tours, you will be sadly bored to tears. And third…it is very repetitive, It is very repetitive and it is very repetitive. I can’t tell you how many times we have to hear about how much Freddie likes to spend money, how much the real Freddie is not like the stage Freddie and how lonely and few friends he has. Those are all interesting story points true, but these interviews mention it time and time and time again.
What did they get right? Well, the concept is really cool. I did like hearing Freddie talk about the struggles of being famous, his battle with being lonely and his inner thoughts about getting old. As I said, they are truly interesting bits to learn about they just didn’t need to rammed down our throats a hundred times. The man does have an ego as he knows how good he really was, but that ego is squashed by how charming he can be in an interview. Heck, I did have fun reading the book in Freddie’s voice. In my mind I am putting the inflections on the headvoice as I am reading the same way I remember how Freddie would say things. He was flamboyant, he was over-the-top and he was Freddie Mercury, but you do get to see the other side of him which is quite nice to learn.
Here at 2 Loud 2 Old Music, we went through and reviewed all the Studio Albums for the band Queen. And to do this, we are used the 40th Anniversary 2011 Remastered CDs as our source as I picked up the 3 Volume Box Set for Christmas 2020. And with any good series, we will start with their debut album and work our way through all the studio albums in chronological order. There were 15 albums and all with the same band members of Freddie Mercury, Brian May, Roger Taylor and John Deacon. How many bands can say that? Not many.
What was great about going through them all in order is that you see how the band evolved over time and how much they experimented whether it was successful or not. You see the highs and the lows, where the band hit its groove and where they were wandering around lost. They did move soundtracks, the rocked out, they had fantasy songs, rockabilly, disco and even metal. They did it all. Now let’s go through and see where they ranked worst to first.
THE WORST – ‘MADE IN HEAVEN’ (1995):
The album did not have a cohesive feel and it shouldn’t since it wasn’t really written as an album. It was a last ditch effort to pull as many Freddie songs together as they could for one final release. And I don’t think it is one they should’ve done mainly because all these songs aren’t really up to the Queen Standard in my book. There were way too many ballads, they used two songs that were already released as Freddie solo songs and I don’t think the material was all that great to begin with. I feel they should’ve left well enough alone as I think ‘Innuendo’ was a great way to go out, but what do I know. My Overall Score is a 2.0 Out of 5.0 Stars. There were a few tracks worth having, but overall not enough to make this a must have album.
We are now to the final studio album by Queen called ‘Made in Heaven’ which also means this is the final review in The Studio Album Series. The album was released on November 6, 1995 almost 4 years after Freddie’s death which was on November 24, 1991. It is the only studio album from the band released with Freddie after his death so where did the music come from you might wonder. After the band finished their last album, ‘Innuendo’, which was around November 1990, Freddie was very ill due to the AIDS virus. He had his mind made up that he would sing as much as he possibly could and leave that for the band to finish at some point down the road. Normally Freddie would do the vocals after the music was done and recorded, but due to his failing health, he sang whatever he had written or the band had put in front of him to sing. He only wanted to leave these last bits of gift to the world.
The remaining members of the band, Roger Taylor, Brian May and John Deacon, tooled around on the songs for years, mostly due to Brian May heading out on tour for his solo album, ‘Back to the Light’, which coincidently is getting a Deluxe Edition released in a couple months. The band worked some of the new material Freddie had completed and they added the Queen sound to them. However, that wasn’t enough songs to complete the album so the band also dove in to their back catalog and searched for material that Freddie had sung, but was never used even dipping in to Freddie’s solo work. It was a hodgepodge of songs and that is exactly how the album feels. It is a little disjointed and not very cohesive as a complete album work. It felt like a money grab in my book, but that is only my opinion.
The album cover is a picture of Freddie’s statue that was erected in Montreux, Switzerland where the band had a recording studio that had used for years. It as the town’s way of celebrating Freddie. The picture was taken at sunset and overlooks Lake Geneva. The back cover of the CD was the remaining band members looking out upon the Alps. Now, if you got the vinyl and not the CD, your front and back cover would be the picture above which was taken at sunrise and actually had the band standing near the statue overlooking the Lake. It is a very fitting picture actually.