It Is FRIDAY!! More new music for you to devour. There is nothing for me this week as I’m saving for the abundance of box sets coming soon. That doesn’t mean there is nothing for you…so let me know what you want to hear this week. Thanks for stopping by and have a great weekend!!
John Diva & the Rockets of Love – Your Favorite Drug – (Frontiers Records)
Andy Grammer – Big Stupid Heart – (Giant Soul Records LLC / S-Curve Records)
Yngwie Malmsteen brought back his first three singers for his next album which was a tribute album of all the songs that inspired Yngwie to do what he does. The aptly titled, ‘Inspiration’, is his ninth studio album and was released on October 14, 1996. The album charted in Finland and in Sweden but nowhere else that I can find. It did go Gold in Japan selling over 100,000 copies. It has been reissued a couple times over the years, but my copy is the original Japanese released on Pony Canyon from 1996 with OBI strip and booklet written all in Japanese.
The singers on the album are Joe Lynn Turner, Mark Boals and the reason we are here, Jeff Scott Soto. If you remember after ‘Marching Out’ when Jeff left the band yet again, I told you he would pop back in the Yngwie Universe. Joe and Jeff get 3 songs each while Mark gets 4 on the album. Yngwie even handles the vocals on one song which give us the 11 songs in total. The Japanese Edition that I has a bonus track that gives us 11 tracks in total. The normal release of the album only had 10 tracks.
Surprisingly, there are no instrumentals for Yngwie to show off which I think is pretty mature of him. There isn’t a lot of variety as we get 5 Richie Blackmore songs with 4 from Deep Purple and one from Rainbow. We also are treated to 2 Jimi Hendrix tracks. The remaining 4 tracks are from Kansas, U.K., Scorpions and Rush. But based off these tracks, he was influenced by a lot of guitarists and bands so many others were as well. Who doesn’t love Richie Blackmore or Jimi Hendrix.
The album opens with a cover of Kansas and their hit “Carry On Wayward Son” and wouldn’t you know that Jeff Scott Soto is also first up with the vocals. The song sounds like it should, but the riffs you know from the original are not on here as Yngwie changes them to suit Yngwie. Even the solo is all his own. Jeff handles the vocals with no problem. There are great harmonies and Jeff stuck with how the song should be done. He saves the song from veering too far off the rails.
Joe Lynn Turner handles the reins on “Pictures of Home” which is a Deep Purple cover off ‘Machine Head’. Turner is an impressive vocalist so no issue with the vocals on this one. And this isn’t even his best performance on the album. The guitar riffs are fast, frenzied and frantic as only Yngwie can. If you only heard the guitar, you would never guess this was a Deep Purple track. Now, the Yngwie bass playing on this one is badass and one of my favorite parts. The ending of the song is a crazy keyboard instrumental with some guitar thrown in. Very cool and helped make the song better.
“Gates of Bablyon” has a killer opening with its Indian style sitar work and then when Jeff jumps in, the song is taken up a notch. This might be the best vocal performance on the whole album. He has that raspiness at times that really adds some texture to the song. At the same time, his vocals simply soar. He does Ronnie James Dio proud with this Rainbow cover. Yngwie’s guitar playing is over-the-top for the song, but still really smokes. I actually don’t mind it all. And his picking at the end, sensational. The sum of this songs parts are what makes it one of the best songs on the album.
Yngwie now takes turns on the vocals with The Jimi Hendrix Experience’s own “Manic Depression”. The groove on this one is simply sweet. Wrapped around that groove are little guitar fills that add some layers. Now, Yngwie isn’t the best singer, but neither was Jimi. I think he holds his own here and his guitar parts aren’t too flashy and actually fit the song pretty well. They keep great song is still being great.
I don’t remember the band U.K., but hearing the song, I remember it. “In the Dead of Night” sees Mark Boals get his first vocals on a song. The song opens with some keyboards, guitar fills and then a solid beat that propels the song forward. Mark’s voice sounds great. The higher pitched of the three singers. Very melodic and when he hits the chorus, they hit that sweet spot and sound so good. About half way through the song, we get the guitar solo and it is very tasteful and plays for the song. It is nice to see Yngwie play reservedly sometimes and show us that he isn’t one-dimensional.
“Mistreated” is the final of the three Soto songs and this bluesy treat sees Jeff pull out his best David Coverdale from the Deep Purple years. What I love is that they left the blues aspect of this song as it gets a little down, dirty and nasty with that riff. But Yngwie, being Yngwie, throws in some wild, extra-curricular riffs. And it works. The solo is not as restrained as the last song, but it isn’t over-the-top either. A nice mixture of both that still sounds like the original, simply some extra flair thrown in for good measure. Soto has no missteps on his three songs, even if I’m extremely biased towards him…it is still true.
“The Sails of Charon” is the only Scorpions cover and I the do keep to the feel and vibe of the original with the main groove, but the riffs are all Yngwie. Wild, crazy and blistering fast. Does that hurt the song? Yeah, it does a little as it is a favorite of mine as far as early Scorpions goes. Uli is missed on this one. Mark Boals is back and he is trying his best Klaus Meine and he does a great job. At times, he sounds a little like him. I might have preferred more of sounding like himself, but I’ll take it. The solo here starts off while Mark is letting a long, drawn out scream. Yngwie attacks the frets at break-neck speed. Flashy and wild. Not a bad song, but not the best on the album.
Yet another Deep Purple cover is upon us with “Demon’s Eye”. Joe Lynn Turner is back this time around. Man, what a voice he has. He seems to be the main focus on this one and I love it. The groove on this one is solid, as good as the original. The solo is again, tasteful. I do like it when he shows he can rein it in for the song.
“Anthem” is up next and we are finally to the Rush song. I’ve been waiting for this one. Anders Johansson is the drummer on this one (and all the songs) and let me tell you he does a great job. Not an easy one to play. The guitar playing by Yngwie is as flamboyant as he is at times. Some really cool effects and some pure mastery at times. Mark Boals is back and he is a chameleon with his vocals. He sounds so different then the last track he was on. Might be his best performance on the album here. The guitar solo is wildly entertaining and so Yngwie. The energy around this song is electric and another favorite on the album.
The final track on the original album is a Deep Purple song…go figure. This time it is “Child In Time” and has Mark on the vocals. A great opening on the keyboards by David Rosenthal to open the track. It was nice to see him not try to duplicate Jon Lord (can’t be done). Mark starts off with a reserved vocal before he goes all crazy and delivers the screams that this song requires. It is good, not Ian Gillan good, but Mark does a respectable job. I guess we should mention Yngwie as it is his album. His solo is what you’d expect some resemblance to the original, but lots of dashes of his style thrown in for flavor. The solo is long and explosive and so Yngwie. And sometimes, that is a good thing.
“Spanish Castle Magic” by The Jimi Hendrix Experience is the Japanese Bonus Track. Like “Manic Depression” it captures that Hendrix Experience sound. Joe Lynn is on vocals and does a respectable job. Yngwie keeps to the spirit of the song and throws in his style to make it his own as best he could. To be honest, I’m not a fan of any covers of this song. Ace Frehley tried to do it and I didn’t like that one either. It isn’t a bad cover, the song doesn’t do anything for me. But you’d probably like it as this is not my personal taste.
Track Listing:
Carry On Wayward Son (Kansas Cover) – Keeper
Pictures of Home (Deep Purple Cover) – Keeper
Gates of Babylon (Rainbow Cover) – Keeper
Manic Depression (The Jimi Hendrix Experience Cover) – Keeper
In the Dead of Night (U.K. Cover) – Keeper
Mistreated (Deep Purple Cover) – Keeper
The Sails of Charon (Scorpions Cover – Keeper(1/2 Point)
The Track Score is 9.5 out of 11 Tracks or 86%. I have to say, I liked this way more than I thought I would. I can see how Yngwie’s style can get tiresome, but he did hold back on some songs and let loose on others which kept it interesting. The songs themselves are all awesome so great song choices too. The vocalist? I mean you have Mark Boals, Joe Lynn Turner and Jeff Scott Soto, what is there not to like. They all did a great job. I think Mark has come in to his own, Joe is a legend and the most seasoned of the bunch and Jeff is nothing but sensational as usual. Rarely does he not sound good to my ears. Songs like “Anthem” and “Gates of Babylon” are worth the price of this album alone and the rest of the songs just make it that much better. My Overall Score is a 4.0 out of 5.0 Stars. Again, this one surprised me how much I liked it. And to get three songs from Jeff I didn’t have before, that is just icing on the cake.
I can’t believe it is already November. The year is almost over, but the new releases aren’t yet. Stuff is still coming out just in time for Christmas. What on this list will be your Christmas wish list? Honestly, the only thing maybe I’d like to get is the Wings Deluxe set and quite possibly the Adam Ant compilation, but that is probably it. Let me know what you want or what we may have missed. Thanks for stopping by and have a great weekend.
Finger Eleven – Last Night On Earth – (Better Noise Records)
Slash – Live at the S.E.R.P.E.N.T. Festival – (earMusic)
As fall sets in, and the time has fallen back an hour earlier so the sunsets way too earlier, I need something to pick me up and new music always does that for me. What about you? We have a bunch of releases and a wide variety of choices so something for everyone hopefully. I’m looking forward to Chris Stapleton as he’s one of the few country artists I actually dig. I might even pick up the Bush greatest hits album. I’m also intrigued by the new Missing Persons album with Steve Stevens on guitar. Let me know what you want to hear this week or what we may have missed. Thanks for stopping by and I hope you all have a wonderful weekend.
Chris Stapleton – Higher – (Mercury Nashville / Sound Records / UMG)
Bush – Loaded: The Greatest Hits 1994-2023 – (Round Hill Records / Zuma Rock Records)
Soul Asylum – The Complete Unplugged NYC ’93 – (MTV Networks / Sony Music)
Happy Friday and let me tell you I’m happy. My Kiss Creatures of the Night Box Set should be here this afternoon and I can’t wait as that is my big purchase for myself as I need everything Kiss!! But have my eye on that Queen The Miracle Box Set as well and might get that one too! We will see. Let me know what you are wanting this week or what we might have missed. Thanks as always for stopping by and I hope you all have a wonderful weekend!!
The two I want….
Kiss – Creatures of the Night (40th Anniversary Edition) – (UMe / UMG)
Queen – The Miracle (Deluxe Edition or Collector’s Edition) – (Hollywood Records)
And all the rest…
Nickelback – Get Rollin’ – (Nickelback II Productions / BMG Rights Mgmt)
Disturbed – Divisive – (Reprise Records)
Michael Jackson – Thriller 40 – (Sony Music)
Dolly Parton – Diamonds & Rhinestones: The Greatest Hits Collection – (Sony Music)
Another week of a ton of new releases as everyone tries to get their albums out in time for the Christmas rush. And there are quite a few that interest me and one that interests a ton of my fellow blogging friends which is why it is #1 on the list. For those of us in the U.S., this coming week is Thanksgiving and with a year like we’ve had, we do have a lot to be thankful for and now more than ever we should make sure we let everyone know how special they are in our life and what they mean to us. But before we do that, why don’t you check out the releases this week and let me know which ones you want to hear or what I may have missed as everyone needs to know. Thanks for stopping by and have a wonderful weekend! Oh yeah, my choices are in Blue!!
Iron Maiden – Nights of the Dead, Legacy of the Beast: Live in Mexico City – (Sanctuary Records): I am not a huge Iron Maiden fan, but that doesn’t stop me from listing this as the #1 release of the week. My first thought is that this is yet another live album as Maiden has millions of them it seems. But a friend told me that this one is cool as the track list is so different the last album and there are songs they haven’t done in awhile. I would agree that would make this one worth getting. What are those songs? I don’t remember, but if you are real fan, you will know when you see the track listing. I hope you all enjoy. And yes, I will give it a spin.
The Wild Feathers – Medium Rarities – (The Wild Feathers): This is my top choice. An album of rare tracks from The Wild Feathers and since I have everything they have done and for the fact that I love rare tracks, demos any thing new by a band, this has been ordered and on its way. Oh yeah, and it will be signed by the band!!! Cool stuff. And if you want to know, they are a little country, a little folk, a little southern rock and a whole lot of awesome.
For this month’s The Original vs. The Cover, we are tackling the classic song “All Along the Watchtower” written by Bob Dylan. We are going to explore the Bob Dylan version and the Jimi Hendrix version. The two versions of this song couldn’t be more different. You have Bob Dylan’s version which is more Folk Rock and then the Hendrix version which is pure guitar rock. Each version is a classic in its own right so how do you choose. Let’s learn about each version first before we decide.
Bob Dylan
Bob Dylan wrote and recorded the song back in 1967. It was on the album John Wesley Harding which was released in December 1967. The song itself wasn’t released as a single until November 22, 1968 which was actually after The Jimi Hendrix Experience released it as they released it as a single on September 21, 1968. If we base the original and the cover based off single release date, then Hendrix’s is the original…right? No, it isn’t but one could make an argument if they so choose.
The song itself is a slow, almost ballad like for part of the song. Instrumentally, the standout is the harmonica which is the main driver of the song. The guitar and drum parts were background and their simplicity is what makes it work. The folksy sound and Dylan’s gritty voice were magical and he sings with such emotion. This is one of the few songs I actually could understand what he was saying.