For My Sunday Song #198, we are going with another deep cut and with a non-single song called “Just Older” off the band’s 2000 album called ‘Crush’. The album was kind of a comeback album… More
Welcome to the May Purchases review. I was worried that there wouldn’t be much to discuss as all the Record stores were closed, Amazon mentioned they wouldn’t be delivering records, but all that started to end and the world started opening back up. Now, I didn’t make as many purchases as usual and that is okay. One purchase this month was rather large and has kept me busy.
First up for this month is another Kiss album. Believe it or not, I haven’t bought them all yet. I am down to about 6 or 7 vinyls that I do not have and this month I picked up one of them. The album is ‘Sonic Boom’ and I have been searching for this one for a while. If you find one of the original pressing, it is well over $100 as there were so few of them. Thankfully, I finally discovered that there was a special release done by KissOnline a few years back and the price of those is so much better at around $30 (with shipping). So, I grabbed a nice one unopened, green vinyl. It is sweet!!
Then a week or so later, I was snooping around on eBay and I found a seller that was selling a bunch of CDs by Jeff Scott Soto and I am a huge fan of his. I used to have a bunch of his CDs, but gave them away years ago when we moved from one state to another….Dumb move…the CD part, not the actual move. I bought as much of his collection as my budget would allow. It had 13 CDs, but there were actually 15 separate albums as some had 2 albums in one. Do you want me to list them all?? Of course you do…
- Talisman – Life
- Talisman – 5 Out of 5
- Talisman – Live at the Sweden Rock Festival
- Talisman – Humanimal (2CD set)
- Talisman – Cats & Dogs
- Talisman – Truth
- Jeff Scott Soto – Live at Firefest 2008
- Jeff Scott Soto – Believe in Me E.P.
- Jeff Scott Soto – Prism
- Jeff Scott Soto – Love Parade
- Human Clay – Human Clay
- Human Clay U4ia
- Soto – Inside the Vertigo
- Soto – Divak
And there is another I picked up on Amazon, not pictured…Jeff Scott Soto – Retribution. That is a lot of Jeff and sadly, only a small sampling of what he has done. I am still missing 15-20 more that I want of his since he has more solo stuff, more Talisman stuff, more Soto, there is W.E.T., Eyes, Takara, Axel Rudi Pell and Sons of Apollo still waiting to be bought.
And that is it. Not much vinyl this month, but that is okay. I will make up for it in June I am sure when I go out and finally do some crate digging for some old vinyl. Plus, I have some Def Leppard coming and a new Whitesnake that will be in my June collection as they are already pre-ordered. Until next month! Happy collecting!
In my quest for collecting Kiss Bootlegs for eery tour they have done, I found another fantastic addition to the collection. My local record shop, Hardy Boy Records, has been a goldmine of late for Bootlegs. I have now bought four over the last few months and all for tours I didn’t have (or a collection of Wicked Lester demos – that is another story that will be told later).
The last 2 I bought were actually the same store, so I guess that statement was entirely true. The difference was one was the North American Tour setlist (which will come in the next week or two) and this one is the European leg of that tour with an ever so slightly different setlist.
Before we get to the show and the music, let’s discuss the cover of the album. This album is listed as “For Promotional Use Only” and is a really cheap production. The album jacket is plain white cover with this paper picture of the band that wraps around the back. It is glued down and not going anywhere. But the strange thing is the people on the cover. Now, I get it this the Animalize Tour so you would expect Mark St. John to be on the cover, but there is a problem. This is not one of the 3 shows that Mark actually played on. This has Bruce Kulick playing before he was an official member which would come about two months later.
The show is from October 26, 1984 at the Johanneshov Isstadion in Stockholm, Sweden on the first leg of the tour. The recording if an audience recording actually sounds quite excellent. Not much crowd noise and everyone sounds pretty clear with minor instances where the sound was off a little. This was released a year later in 1985 by a group called Poverty Records at least that’s what it says on the album itself. Continue reading “Kiss – ‘They Only Come Out At Night’ (Bootleg Series) – Album Review”
Well, last week I did a collection of memes for a German band I really know nothing about, so why not do it again. This time I scoured the interweb for the best memes I could find for Kraftwerk. And since I couldn’t find any, these will have to do!! All I know is they are electronica music and they stand behind a podium and make sounds by pushing keys and buttons or something like that. So, away we go….
The Starter Kit…
3 Doors Down got together way back in 1996 in the wonderful state of Mississippi and finally got a record deal and they released their first album, ‘The Better Life’, in 2000. They exploded on to the scene with the song “Kryptonite” and went on to massive success selling millions and millions of albums. After numerous band member changes, founder Brad Arnold and Chris Henderson are the only two members left that were on every album. But, that hasn’t impacted anything as they still sound just as strong on their 6th album as they did on their first.
I got in to the band right out of the gate. The debut album was great rock album and for me stood out in a time when boy bands and Britney ruled the charts. The have been labeled as a post-grunge band or alternative rock band, but for me they are a rock band. The band has had their ups and downs throughout their career and have dealt with alcoholism, health issues, vehicular homicide for one member and somehow the band has continued thanks to Brad and Chris.
Enough chit-chat, lets get to the music as that is why you are here anyway. Without further adieu, here the albums for 3 Doors Down ranked from their worst album to their best. I hope you enjoy.
THE WORST – SEVENTEEN DAYS (2005):
The band’s third album was the most inconsistent album for me. The album felt rushed, like there was a lot of filler and it just left me bored. The album title of 17 Days is due to the fact the band only had 17 days from the end of the tour until they had to be back in the studio to record the new album. Not much time to decompress after such a successful tour with ‘Away From the Sun’. There were some highlights as the guitar playing was fantastic, but the songs sounded repetitive and were less than stellar. Continue reading “3 Doors Down – The Albums Ranked From Worst to First”
For My Sunday Song #197, we are going to go with a song off Bon Jovi’s New Jersey album called “Wild is the Wind”. The song was from 1988 and it was never released as a single, but it stuck with me and was one of my favorites on the album. Like a lot of their albums, the deep cuts can sometimes be better than the actual singles and this was one of those for me. Next to “Blood on Blood” from the New Jersey album, this is one I go to more than others.
This song seems to be an admission of guilt for Jon as he seems to be feeling bad for not being there for his wife. It is something deeply imbedded in him that drives him to be on the road all the time. He feels she would probably do better finding someone else that can give her what she needs because he feels he is failing at that task. And as much as he lived that rock star lifestyle, I would say he failed quite a bit at giving her what she needed. In the end, we know how the story ends in real life as he and his wife are still together after all these years.
What I loved about the song is something that was a common theme on the New Jersey songs, it was this cowboy spirit drenched in the music style. It wasn’t a country twang or anything like that, it was mostly in how the acoustic guitar is used in the songs. There is this restless feeling in the songs. Musically, it is a cross between a ballad and just a plain old rock song. It has its slow moments, but rocks out in the end with some damn fine guitar work by Mr. Richie Sambora, the backbone of the band. Tico Torres has some nice drum fills and great moments as well so I don’t want to leave him out. Jon sings with all his heart and his emotions on his sleeve like he always did back then (now the new stuff feels like is his just going through the motions, but that is another story for another day).
Finally!! Yes, there are some albums I am actually excited about this week. It has been awhile for me since the last week that anything I was anxiously awaiting. This week, I have two that will definitely get a spin first thing in the morning while I am sitting at home in my office like I have for the last two months…I can’t wait to sit in traffic and drive to work. I never thought I would say that!!! Anyhoo, my choices are highlighted in Blue. Let me know what you are interested in hearing and what I may have missed. Thanks for stopping by and have a great weekend!!
- Dennis DeYoung – 26 East, Vol. 1 – (Frontiers Records): I couldn’t tell you the last time a Dennis DeYoung record got any press, but this one is making the rounds. I have heard nothing but positive comments on this one so far, so it has really piqued my interest. I have heard there is a strong Styx element and why wouldn’t there be as he was a huge part of that sound. We will see.
- One Desire – Midnight Empire – (Frontiers Records): Okay, this one might the first one getting a spin this morning. These two songs I have heard so far are a couple of the best I’ve heard this year. If you like some solid guitar driven, heavy melodic rock with a guy that can sing his heart out, this is the one for you to hear. I think this is going to be the one to beat this year.
In my quest for collecting Kiss Bootlegs for every tour they have done, I found another fantastic addition to the collection. My local record shop, Hardy Boy Records, has been a goldmine of late for Bootlegs. I have now bought four over the last few months and all for tours I didn’t have (or a collection of Wicked Lester demos – that is another story that will be told later).
The last 2 I bought were actually at the same tour, so I guess that statement wasn’t entirely true. The difference was one was the European Tour setlist (which will come in the next week or two) and this one is the North American leg of that tour with an ever so slightly different setlist.
Before we get in to where the show was and the music, lets first discus the cover as it is pretty cool and what drew me to this one in the first place. The cover is the same artwork as the Judas Priest album ‘Hero Hero’. Thanks to Mike Ladano for pointing that out to me when I sent him a picture of the album and sure enough, he was right.
After only three short years after Whitesnake’s ‘Good to Be Bad’, David and company bring us their next studio album, ‘Forevermore’. The album was released on March 9, 2011 and in modern Whitesnake times, 3 year gap is like a week as the gap between ‘Good to Be Bad’ and the previous studio album was 11 years.
David Coverdale and Doug Aldrich wrote the entire album together as David likes to sit with his guitarist and come up with the songs just as he did with Vandenberg and Sykes. The two tried to capture an album that was rooted in the early Snake albums with that blues rock feel and soak it in the modern rock of today. Of course, the sprinkled a little of the late 80’s in some songs to not alienate anyone. And did they succeed? I will let you know soon enough so slow that roll!
The line-up to the band has some changes to it. Doug Aldrich and Reb Beach are still unchanged from the line-up of the last album. However, we have had turnover in the rhythm section as we now have Michael Devin on Bass and Brian Tichy on drums. A pretty lethal duo. One thing I noticed is that Timothy Drury has been relegated down to a Special Guest for this album when he was a band member on the last…Interesting. A one cool special guest on this is Jasper Coverdale, David’s son, who supplies some backing vocals….David must be proud! Continue reading “Whitesnake – ‘Forevermore’ – Album Review (The David Coverdale Series)”
Okay, I will admit, I don’t know anything about Rammstein. In fact, if Mike Ladano said…”you know nothing John Snow” and we were talking about Rammstein, he would be right. And I wonder who will get that joke. However, these guys have a lot of memes and in fact again, they have so many memes that include cats, I could’ve done a whole collection on Rammstein & Cats (only regular readers will know that significance and only if they pay attention. Enough chatter, let’s get to the memes…
The Original Vs The Cover choice for this month is one that will tackle three separate artists on the song “Tainted Love”. The original was performed by Gloria Jones way back in May of 1965 and was written in 1964 by Ed Cobb and arranged by Lincoln Mayorga. The song was originally a B-Side for Gloria’s failed single “My Bad Boy’s Comin’ Home” so it never charted unlike the covers.
The song was about a girl that Ed was seeing and the whole relationship was plain toxic. He wanted to take the song from the girls point of view which is why the song was offered to a lady to sing. According to Ed, once he came up with the words “tainted love” the song basically wrote itself from that point forward.
The covers were both done by male vocalist thus changing up the point of view. The first cover is by New Wave 80’s band Soft Cell who went all the way to #1 in several countries and #8 on the US Billboard Hot 100. Their version was released in 1981. 2o years we would see another successful version of the song this time done by Shock Rocker Marilyn Manson. His version didn’t do as well, but charted through-out the world reaching # 1 in Portugal!!. All three versions have something to offer so let’s see who has the best one.
The original version by Gloria Jones is an uptempo fun, Motown styled song. The song is full of horns, guitars and drums as well as female backing vocals. This was 1964 and the song sounds like it. The Motown influence is front and center and Gloria’s vocals fit the song perfectly. There is a great upbeat tempo and the addition of the horns actually make it a fun sounding song which is why the song didn’t do well originally as it didn’t fit the lyrics. Continue reading “The Original vs The Cover vs The Cover – “Tainted Love””