Quiet Riot – “Mama Weer All Crazee Now” – 45 Single

In my ever growing attempt at saving 7″ Singles from sitting all alone in Record Stores craving to spun again a turntable, I have found a couple from the band Quiet Riot that were eager to be adopted by yours truly. I found these two at the great Charlotte Record Store of Noble Records. He is always putting out great stuff and these two are no exception.

The first to discuss was “Bang Your Head (Metal Health)” off their album ‘Metal Health’. This time we are going to discuss the other single I found, “Mama Weer All Crazee Now” off their follow-up album to ‘Metal Health’ called ‘Condition Critical’. This was one of the singles from that album and it did moderately well but not breaking the Top 40 as it stalled out at #51. I think part of the problem was it was another cover song by the same band they became famous covering with “Cum on Feel the Noize”. Yep, another Slade cover. I think they dipped their pen too much in that inkwell.

My single copy is again nothing special. It is a standard US copy on Pasha label with the B-Side being “Bad Boy” off the same album. I do like the Pasha label with its blue color and the naked man running with a hole in his chest and a flower growing. Strange, but yet interesting.

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Yngwie Malmsteen’s ‘Rising Force’ (1984) – Album Review (The Jeff Scott Soto Series)

Jeff Scott Soto saw an ad that Yngwie was looking for a lead singer so he sent a tape in to Yngwie’s managment in hopes of getting the job. The songs were from an early band he was in called Kanan. Amazingly, he received a phone call from Yngwie’s manager, Jeff Scott Soto had an easy decision to make so he left Panther, since he wasn’t really a member in the band, to take part in what was supposed to be a side project for Yngwie Malmsteen. I say a side project because Yngwie was in the band Alcatrazz when this was being made, but for some strange reason, he thought Alcatrazz was his band and Graham Bonnet felt differently and fired Yngwie. I guess we now know whose band it was. I guess you could say Yngwie has an ego problem. You could say it is a large ego or you could say it is even gigantic, both would be right as he is notoriously famous for that giant ego.

I know this is a Jeff Scott Soto series and we will get to Jeff, but the album focus is really Yngwie as it is a mostly instrumental album and only two songs feature vocals and those vocals are both handled by Jeff Scott Soto. The album was recorded in 1984 and released late in that year during November 1984. Don’t let wikipedia fool you as the album was not released in March 1984. As Jeff Scott Soto has pointed out that would be impossible as he didn’t meet Yngwie until a little after March as he was still working with Panther at that time. This album did come out before the Panther album and as I said, should’ve been the start but Panther really is the start of the story for Jeff (or at least the story I’m telling).

The debut album from Yngwie Malmsteen was called ‘Rising Force’ and did quite well garnering a Grammy nomination for Best Rock Instrumental Performance. It is heavily influenced by classical music and is a showcase of the true talent of Yngwie’s guitar mastering. It has been classified as neoclassical metal and I think that is about right. I will admit, I am not a big Yngwie fan and the only reason I own this album is because it has Jeff Scott Soto, however, this is quite an amazing album as I think this is before Yngwie’s ego completely took over and ruined things for me with him. But enough about that. Let us get to the music.

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My Sunday Song – “Soul Divine” by Jeff Scott Soto

For My Sunday Song #281, we are kicking off a 10 song set of Jeff Scott Soto. They won’t all be his solo work as they will cover his career and many bands. I figured since this past week we kicked off the Jeff Scott Soto Series here at 2 Loud 2 Old Music, why not continue that in to the My Sunday Song Series. First up is the song “Soul Divine” off his 2004 album ‘Lost in Translation’. The song was written by Jeff Scott Soto and Howie Simon who also played guitar and bass o the song. Glen Sobel played the drums.

“Soul Divine” is about regret. He treated his woman horribly and lost her. He now looks back and in his soul he knows he screwed it up. She was his light and yet he brought her so much pain and he didn’t realize what he did until she was gone and then he realized he had something really great. He has finally gotten to a point in his life where he realizes he was a little shit and feels really bad for it.

Musically, the song is a scorcher. It is heavy on the guitars from Mr. Simon who takes on bass duties as well which is also very prominent on the song. Glen Sobel’s drumming is rich and full force with a great driving beat and cool ass fills. It is a modern, melodic song that might be some of the best stuff Jeff has ever done. Howie’s opening riff is striking and almost singable and he also lays down a tasteful guitar solo that isn’t too boastful and fits the mood of the song. Jeff’s vocals are so masterful on this one. They soar, they are emotional, they are energetic and they are memorable. The chorus is catchy and his tones grab hold and pull you in and will have you singing along by the end. This one is a shining example of the soulful and smoothness of his voice as well. I figured, let’s kick it off with one of his best!!

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2021 – A Year in Review at 2 Loud 2 Old Music – The Top 10 Posts of the Year!!

Last Saturday, I gave you a post of totally useless information with all the albums I listened to in 2021, so let’s do it again this Saturday. We are going to look back at what happened in 2021…no not in the world of music. But in the world of 2 Loud 2 Old Music, the website!! I know this is important stuff, I get how excited you must be so stop the YAWNING!!!

We had a another record year here at the site. We finally broke 1,000 followers and are now sitting at around 1,022. A small milestone for the site. It only took 5 years to get there. If that was enough we broke a record of views this year with over 272,000 views which is a 36% increase over the prior year. Next year, we are hoping to finally pass 300,000 views. See, real exciting stuff.

During the year we worked on a lot of Review Series. We finished the Kiss Review Series which had around 74 separate posts and took over 13 months to complete. We also started and finished the Judas Priest Series and the Queen Series which were both a lot of fun. We have started and are a good way through the Cheap Trick Collection Series and the Aerosmith Collection Series as I love doing these Series so I hope you do as well. It lets me go back and deep dive in to their albums and it also gives me a reason to go out and buy more albums. For 2022, we have the Jeff Scott Soto Series and I will go ahead and tell you when the Aerosmith Series ends, we will be jumping right in to the Scorpions Collection Series. A lot to look forward to next year!

What were to Top 10 Posts of the Year?

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Friday New Releases – January 7, 2022

Welcome to the first Friday New Release post of 2022. It isn’t a big start, but a start nonetheless. This week there is nothing I need but maybe there is something in here for you. I might check out the Bowie release but that is all. Let me know if there is anything for you this week. If not, next week starts to get back to normal with a ton of releases and it doesn’t look like it is going to slow down anytime soon. Thanks for stopping by and I hope you all have a wonderful weekend.

  • 71d8lk3SMIL._AC_UY436_FMwebp_QL65_  David Bowie – Toy  – (Rhino / Parlophone): This is the missing album from around 2000 that never got released. It is finally time to bring it to the masses. Based on the album cover, I’m a little freaked out as that is the scariest looking Bowie baby I have ever seen. I might have nightmares. Hopefully the music doesn’t give me nightmares. I am sure it won’t as it is Bowie!!

And all the rest…

  • 91SxTTrtHNL._AC_UY436_FMwebp_QL65_  AmaLee – Rise of the Monarch – (Leegion Creative)
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Aerosmith – ‘Classics Live!’ (1986) – Album Review (The Aerosmith Collection Series)

Back in 1984, Aerosmith reunited with Brad Whitford and Joe Perry and went out on tour to celebrate the reunion. That tour was the Back in the Saddle Tour. The band had been on Columbia Records, but jumped ship and signed with Geffen Records in hopes of getting back in the good graces of the buying public. They planned out and released their comeback album ‘Done With Mirrors’ with little fanfare at least that was until they were on the Run DMC cover of their song “Walk This Way”. That combination of Hip Hop and Rock joining together and being celebrated so much on MTV brought them back in to the limelight.

This new found fame was great for Columbia Records because the bands new deal with Geffen still allowed Columbia to release material they owned of the band, which was a lot. Columbia took full advantage of this opportunity and the first release was a live compilation called ‘Classics Live’ in April 1986. The songs were collected from live shows ranging from 1978 up to 1984 and there was a bonus track any Aerosmith had to have, an unreleased studio track.

Four of the tracks on here come from the February 14, 1984 show at the Orpheum in Boston, Massachusetts. This was a very important show for the band because in the audience was Joe Perry and Brad Whitford who were no loner in the band at this time. Of course, this mean Jimmy Crespo and Rick Dufay were on guitar. But that wasn’t the important thing about this show. This was the very beginning of the original band getting back together and would start the band’s climb back to stardom.

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Cheap Trick – “Mighty Wings” (1986) – 7″ Single (The Cheap Trick Collection Series – Bonus Edition)

Between the albums ‘Standing on the Edge” and “The Doctor”, Cheap Trick were asked to do a song on an upcoming movie starring this two-bit actor named Tom Cruise. The movie was ‘Top Gun’ and would blow up the silverscreen and was a massive hit. What also was a massive hit was the soundtrack to that movie. What a line-up of who was big in the 80’s. You get Kenny Loggins, Loverboy, Berlin, Miami Sound Machine and Teena Marie to name most of the artist.

Cheap Trick were asked to do the song “Might Wings” which was written by Mark Spiro and Harold Faltermeyer who also produced the soundtrack. The song was the third single off the soundtrack and the only one to not chart which is a big surprise to me as it was my favorite song on the soundtrack. The song appeared in the movie twice. First as an instrumental piece during the scene first training session at Mirimar and then the full version of the track was played during the end credits.

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Quiet Riot – “Bang Your Head (Metal Health)” – 45 Single

In my ever growing attempt at saving 7″ Singles from sitting all alone in Record Stores craving to spun again a turntable, I have found a couple from the band Quiet Riot that were eager to be adopted by yours truly. I found these two at the great Charlotte Record Store of Noble Records. He is always putting out great stuff and these two are no exception.

The first to discuss is the 2nd Single off the band’s 1983 ‘Metal Health”. The song is “Bang Your Head (Metal Health). At least that is what it says on the single. My album that it is off of calls it simply “Metal Health” and I’ve even seen it listed as “Metal Health (Bang Your Head)”. Whichever way it is listed, it is still a killer song.

My copy is the Standard U.S. Pressing and has the B-Side has the same song, but as a live version recorded for the King Biscuit Flower Hour. The single was released in December 1983 and did really well on the charts. It broke the Top 40 and landed at #31 which wasn’t quite as good as the #5 hit “Cum On Feel the Noize”, the Slade Cover which is the song that broke the band. The band was Kevin DuBrow, Carlos Cavazo, Frankie Banali and Rudy Sarzo. However, bass on this song wasn’t Rudy, it was Charles Wright who left the band during the recording of the album.

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Panther – ‘Panther’ (1986) – Album Review (The Jeff Scott Soto Series)

Welcome and Happy New Year!! We are finally here. The first in the Jeff Scott Soto Series. I have been teasing this thing for months and let me tell you I am really excited to finally be starting the series. We are not going to go through Jeff’s entire career, but mostly focusing on albums where he is the featured singer. He has done a ton of tribute album songs, but this is all about the Studio albums he has done with his solo work and numerous bands he has been in and there are a lot. I have followed Jeff’s career for over 20 years thanks to the site Melodicrock.com. It was there I discovered Jeff with his band Talisman and his solo work. And from there, I’ve gone a little nuts. I’ve explored his entire career which now spans out 37+ years. We aren’t going back to the very beginning which would’ve have been his birth on November 4, 1965…nope that is too far back. We will pick things up in 1984 when Jeff was only 18 years old with his first real band. Yes, I know he wasn’t an official member of this band and that he was only used to record the demos so they could find a singer, but it is the first real recordings we have that have been released.

The album ‘Panther’ by the band Panther was originally released in 1986 and was only a 6 song E.P. Wait, 1986. If that is the case, why is this the first album? I’ll tell you why. The album was recorded in 1984/85 (depends what you read) as demos for the band. Right after recording the album, Jeff received a phone call from the management of some new gun slinger named Yngwie Malmsteen. Soto jumped at the chance and left the band to work with Yngwie’s Rising Force. Technically, the Yngwie albums were released prior to this one, but this one was recorded prior to those so that is why I am starting with this one. It is my site and my party and I’ll start where I want!

After Jeff’s success with Yngwie, the label finally released the album in 1986. It was released as an E.P. with only 6 songs. Good luck finding that original E.P. and if you have it…ugh how much do you want for it???? My copy is actually a re-release of the E.P. with four additional songs only a few years back in 2018. And that is perfect for me as I love to have as many songs as I can get. The band was Jeff Scott Soto on vocals, Mike Barrish on guitar, Glen Davis on bass and Scott Taylor on drums. The boys played up and down the LA Strip and played a lot at The Troubadour. Their style was typical 80’s Hard Rock with a very NWOBHM influence as well. And since that is all the history of the band I have been able to piece together (accurately or not accurately is to be determined) let us get to the music.

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My Sunday Song – “Jessie’s Girl” by Rick Springfield

For My Sunday Song #280 and the final of this 10 song set, we are talking about the 80’s classic “Jessie’s Girl” by Rick Springfield. It is an iconic song and one that screams The 80’s. The song went all the way to #1 and I believe is his only #1 song and garnered Rick a Grammy. Did you know, it was the #1 song in the country when MTV debuted!! The song was from the album “Working Class Dog” and helped catapult the album to Platinum status. Rick Springfield was everywhere and even on TV as he played Dr. Noah Drake on the Daytime Soap of ‘General Hospital” which my mom watched which meant I had to watch it. We didn’t have a lot of TV options back in 1981. I am sure that his TV popularity helped shoot this up the charts as women loved him and hoped to be Jessie’s Girl.

The song is about Rick’s friend’s girlfriend. His name was Gary and not Jessie as Rick was trying to protect the innocent. Rick was in a Stained Glass class with Gary and I guess saw the girl, but actually never met her or knew her name (or he is still protecting the innocent). In fact, he states that the girl probably has no idea the song is about her. Rick was lusting from afar, but at least we got a great song out of it. The lyrics are a little silly at times and it is strange that this old guy (he was in his 30’s at the time) was singing a song about teenagers, but he made it work.

The song is pure bubblegum, pop magic and total power pop bliss at the same time. It has this really cool guitar riff throughout and the solo really pushes the song on to the rock side as well which helped it be popular with everyone. Rick sings it with an energy and honest deliver that makes you feel bad for him that he didn’t have her. I am sure we all had someone we crushed on like that growing up. You feel his yearning for her and that is what connected with everyone. Plus, the music is so damn catchy.

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