In my further quest for owning all Matt Nathanson items listed on Discogs, I found another gem. This Promo CD is for the song “I Saw” off his 2003 album and major label debut called ‘Beneath These Fireworks’. The song was from 2004 and sadly it didn’t chart. No real surprise as he’s never been a big radio hits guy (even though his stuff is better than radio). The album didn’t do well either and shortly after releasing his first major label debut on Universal, Universal dropped him. Such is the story of so many artists and bands.
The song was written by Matt Nathanson and Mark Weinberg and it seems to be about a break up. The two people were together and one still aches and longs for the other. It sounds like he screwed up, she broke up. He wants her back and is sorry for what he did. He wants her to save him so badly by taking him back. She’s consoling him and telling him everything will be alright, but she isn’t going to take him back. It is over. He dreams about her and can’t get her out of his head, but it doesn’t happen. They are done.
Welcome to Black Friday and as a result, there aren’t a ton of new releases this week. In fact, it is Black Friday Record Store Day for 2022 so that is taking the steam away from the new releases. If you want the RSD releases…go to the bottom of the list and they are all there. I have nothing I really want from either the new releases or the RSD list so my wallet is getting a break which is great after last week’s Kiss box set for Creatures of the Night. It needs a break!! Let me know what you want or what we may have missed. Thanks for stopping by and I hope you all have a great weekend!!
Tom Petty & the Heartbreakers – Live at the Fillmore, 1997 – (Petty Legacy LLC / Warner)
David Bowie – Divine Symmetry – (Parlophone Records / Jones & Tintoretto Entertainment)
Ringo Starr – Live at the Greek Theater 2019 – (BFD)
Sword – III – (Massacre Records / Soulfood Music)
Our Mirage – Eclipse – (Arising Empire)
Stormzy – This is What I Mean – (Def Jam / Hashtag Merky Music / Universal)
Felix Riebl – Everyday Amen – (My Shore Productions / AWAL Recordings)
High Command – Eclipse of the Dual Moons – (Southern Lord)
Happy Thanksgiving!! Here is what I am thankful for as far as music goes (of course tops is my family and friends).
I am always on the hunt for Kiss Bootlegs and I got another classic one a few weeks back. Noble Records was having their 3rd Anniversary Drop and Dylan always has some great stuff out that day. The store opened at 10 and the line had to be long as it always in as everyone wants the good stuff. I had been recovering from surgery and this was my first trip out so there was no way I was getting there early and standing in line. No, I wasn’t doing that. Instead I left the house at a little before 10 and got there around 10:20 am. I figured, if it was meant for me to have it, it would still be there. And guess what, it was still there and I grabbed it!!! Yes, I was excited. Bootleg #21 of Kiss was now in my collection.
This one was an old one. It was from 1981 and was actually a re-issue of the 1978 original release of the album. The people putting out this one spared no expense as the album sleeve is a plain white cardboard with nothing on it. Instead you get a piece of paper with a badly printed picture of the band and the details on the release. That is it. The inner sleeve is white and labels, well, as you see below, there was not much too them. But typical bootleg fashion, the band’s name is not on the label. I love these old style boots, you can’t beat them.
This was recorded live at Los Angeles Forum, California, On August 25, 1977 and this is fresh off the new album at the time, ‘Love Gun’. I’m really excited about this one because I didn’t have a bootleg from the Love Gun Tour…now I do. The band was hungry, young and insanely good at this time. The recording is an audience recording as you can hear a lot of the kids screaming around the person recording the show. But as far as audience recordings go, it isn’t bad. It isn’t the whole show as it is only 11 songs and most of them are from the ‘Love Gun’ album.
While at a record show here in Charlotte, one of the vendors had a Special Edition single of the Scorpions song “Rhythm of Love”. The single was a UK edition and it was a box set. On the cover it says it is a Special Boxed Set including record & Five Full Colour Cards. You know it isn’t a US release because color is spelled as “Colour”. The set was released in 1988 and I will say that my box is a little beat up and not in the greatest shape, but everything is there and I think it is still pretty cool.
As I said above, the set came with 5 full color pictures and what is cool is that they are double sided. On one side, you get a picture of each band member, up close and personal…
And then on the other side, you get the album pictures of their last 5 albums…
In my quest for picture sleeve 7″ Singles from my favorite artist in the 70/80/90’s, I found this one from Styx. It is the 7″ Single for the song “Mr. Roboto” from the album ‘Kilroy Was Here’, the album that basically killed the band for a short time anyway. This song was released on February 23, 1983 and went all the way to #3 on the Billboard Hot 100 and selling over 1,000,000 copies.
The album was a concept album which Styx was not unfamiliar with and they still do them today, but this one caused a riff in the band. Dennis DeYoung wanted to really focus on the theatrics and he loved doing the soft ballads, which was against the grain for what James Young and Tommy Shaw wanted to do. It led to a short break-up, if you want to call it that. Tommy left and eventually came back but Dennis was gone by then and still gone today. But this is all for another day, let us get to the song.
The song is about…well…let’s let Wikipedia explain it as they can do a better job than I can…
The song tells part of the story of Robert Orin Charles Kilroy (ROCK), in the rock opera Kilroy Was Here. The song is performed by Kilroy (as played by keyboardist Dennis DeYoung), a rock and roll performer who was placed in a futuristic prison for “rock and roll misfits” by the anti-rock-and-roll group the Majority for Musical Morality (MMM) and its founder Dr. Everett Righteous (played by guitarist James Young). The Roboto is a model of robot which does menial jobs in the prison. Kilroy escapes the prison by overpowering a Roboto prison guard and hiding inside its emptied-out metal shell. When Jonathan Chance (played by guitarist Tommy Shaw) finally meets Kilroy at the very end of the song, Kilroy unmasks and yells “I’m Kilroy! Kilroy!”, ending the song.
Soul SirkUS started originally as a project called PlanetUS which had Neal Schon, Deen Castronovo, Sammy Hagar and Michael Anthony. They demoed a couple songs, but it ended abruptly when Sammy and Michael returned to their small side gig called Van Halen. Neal and Deen wanted to continue so they needed a singer. Then in January 2004 at the NAMM Convention in Anaheim, California. Neal had heard of Jeff Scott Soto thanks to Andrew McNiece at Melodicrock.com who was good friends with Jeff and mentioned it to Neal. At the NAMM Convention, Neal and Jeff met and jammed and the relationship between the two was born.
They pulled in the great bass player Marco Mendoza and now the band was complete. They recorded 11 songs and changed the name from PlanetUS to Soul SirkUS. The name had to have the US in the name as Neal wanted to show this as a continuation of what he started with PlanetUS. The Soul Sirkus parts each start with an S to represent Neal Schon and Jeff Scott Soto. They spent time writing together, Neal on music and Soto on lyrics, but from what I gather, it was recorded in two days!! That is impressive. The album was complete and released on December 7, 2004. The cover was black which is different than the copy I have and I still need to get that copy.
While rehearsing for a tour, Deen Castronovo was exhausted and his health was not great after the long Journey tour that he and Neal just recently finished. Deen stepped away. But no one wanted the project to end so they recruited drummer Virgil Donati most notably from the band Planet X. The band didn’t want to go on the road as a band and support an album that not every member played on so they went back in the studio and had Virgil re-do all the drum parts. This gave them time to do a couple new songs as well. They re-released the album in March 2005 and this time the cover was a bright yellow and there were now 16 songs and not just the original 11 tracks.
For My Sunday Song #326, we will let Brent Smith dive in to the song “A Symptom of Being Human” by Shinedown. The song is off their brand new, 2022 album, ‘Planet Zero’. It is not a single (yet), but it is one of the songs that grabbed me the most when I heard the album. The album went to #5 on the Billboard Top 200, but #1 on pretty much every other rock chart on Billboard. I think this is one of the standout tracks.
“A Symptom Of Being Human” is a very poignant song on the album and what it is referring to and what it is about is so important. In that chorus, we’re unpacking a lot in that chorus. So I would have to say with that song in particular, the lyric that says “Sometimes I’m in a room where I don’t belong and the house in on fire and there’s no alarm and the walls are melting too, how ‘bout you.” The house represents your mind, your thoughts and what’s going on, and sometimes in modern day what we’re all dealing with on a daily basis and how we’re trying to navigate this place, sometimes, you know, up top we just kind of question what’s going on up there and sometimes it takes a lot out of you. And “Symptom” is about understanding that, hey, it’s not just you, it’s all of us; it happens, things aren’t always going to be perfect all the time; but you’re not alone, we all feel like this from time to time; that’s why it’s called being human. So I would say that lyric hits me really, really hard. That song hits me really, really hard. Every single time I hear that song it does something to me still.
The song is an emotional, ballad in the sense it is a slowed tempo, acoustic and has an orchestration feel to it. It makes it more dramatic and the piano break at the end just adds a finishing touch that brings the feels. Brent’s vocals are smooth and emotive and his tone makes you stop and take notice. You absorb every word, every note and get lost in it. Every listen brings something new to focus on, whether it is the vocals, the piano, the drum beat and definitely the lyrics. A brilliant track.
You, my reader, are going to pick an album for me to review each month. It is really simple…first, I will give you 5 albums to choose from and second, you will tell me which one of those you would like to see reviewed on the site. See…simple! Now, if you want to cast more than one vote, comment on the Twitter and Facebook post and you could get up to 3 votes on your favorite pick.
There are no longer rules for my selections, maybe themes. I’m just picking albums in my collection and this time they are classics from the 70’s. What are the 5 albums you ask? Funny you should ask because I have them right here…
Alice Cooper – ‘Billion Dollar Babies’
Elton John – ‘Captain Fantastic’
Rolling Stones – ‘Sticky Fingers’
David Bowie – ‘Diamond Dogs’
Led Zeppelin – ‘Led Zeppelin II’
Let me know which one you would like to see and sometime in December, I will post a review of the album that gets the most votes. You have one week to decide and from there I will start listening to the album and do a review.
Happy Friday and let me tell you I’m happy. My Kiss Creatures of the Night Box Set should be here this afternoon and I can’t wait as that is my big purchase for myself as I need everything Kiss!! But have my eye on that Queen The Miracle Box Set as well and might get that one too! We will see. Let me know what you are wanting this week or what we might have missed. Thanks as always for stopping by and I hope you all have a wonderful weekend!!
The two I want….
Kiss – Creatures of the Night (40th Anniversary Edition) – (UMe / UMG)
Queen – The Miracle (Deluxe Edition or Collector’s Edition) – (Hollywood Records)
And all the rest…
Nickelback – Get Rollin’ – (Nickelback II Productions / BMG Rights Mgmt)
Disturbed – Divisive – (Reprise Records)
Michael Jackson – Thriller 40 – (Sony Music)
Dolly Parton – Diamonds & Rhinestones: The Greatest Hits Collection – (Sony Music)
It had been four years since the band’s last studio album ‘Love at First Sting’ in 1984. The band toured extensively for that record and then released a live record ‘World Wide Live’ celebrating that tour. Then the band toured again for the Live album and they were exhausted. They finally headed back in the studio in 1987 to start recording ‘Savage Amusement’ and worked on the new album through to early 1988. The band’s sound changed as they became way more polished and mature sounding thanks in large part to the success of Def Leppard. I would say the sound tried to mirror them to some degree.
The album saw the full band return with Klaus Meine, Rudolf Schenker, Mathias Jabs, Francis Buchholz and Herman Rarebell. The producer was the same as well with Dieter Dierks, however, this would wind up being his last Scorpions album. ‘The ‘Savage Amusement’ was released on April 16, 1988 and did really well going to #5 in the U.S. and going Platinum with over 1,000,000 copies sold. Sadly though, it was considered a disappointment.