After 2 Record Store Releases in a row up for review, we are now on our third in a row and 6 total RSD releases from this band and all fantastic. Cheap Trick’s ‘Out to Get You! Live 1977’ is pretty freaking cool. This was very early on between the debut album and only months away from the release of their second album, In Color, which came out 3 months later. We get basically every song from those two albums (and one the crowd hadn’t even heard yet) as well as a couple from their third album (which hadn’t even been recorded or thought of yet), plus a handful of tracks that wouldn’t show up again for years.
They were hungry, energetic and fresh and yet still a little green. The release is from Record Store Day 2020 and is an exclusive release…well, not that exclusive since you can stream it but physically it is currently only available on vinyl. And there were only 4,700 on this limited release. The show is recorded over 4 performances over two days on June 3rd and 4th at The Whisky A Go Go in Los Angeles and we get 22 tracks of pure and utter joy.
These four unassuming gentlemen were a cross between rockers, nerds and plain quirky looking guys. Meshed together, they were a force to be reckoned with. The albums didn’t necessarily match the power that came from the stage and when you saw them, you had no idea the type of music that would flow from them. In 1977, this was pre-Budokan so the world wasn’t truly hip on them yet, but these performances captured here let us know that we had one of America’s greatest bands waiting to blow up on the world…and they did just that.
Tim Durling from Tim’s Vinyl Confessions new show is up now on Youtube. Tim invited me to join him as we talked through Aldo Nova’s latest releases. He has more than one. One is his remixing, reimagining of some of his biggest songs called ‘Reloaded 2.0’ and then it is the stellar 10-Song EP of ‘The Life & Times of Eddie Gage: A Rock Opera’. Go check it out.
That is right…starting August 1, 2022, we will begin the next series here on 2 Loud 2 Old Music and it is the Mighty Scorpions!! This is another “Collection Series” so will be everything I have in my collections from The Scorpions so I might miss a few things. We will start from the beginning with ‘Lonesome Crow’ in 1972 and go all the way to 2022’s release of ‘Rock Believer’. 50 Years of the Scorpions and it is time to celebrate them for the greatness that they are!!!
We will do studio albums, live albums, compilations and singles and whatever I have you will see. So what will we see…a list is at the bottom, but for now here you go.
The 70’s Studio Albums…
The 80’s Studio Albums…
The 90’s Studio Albums…
And the 2000’s…
But we don’t stop there…we will cover their live albums…
Their greatest hits compilations…
And I even have a handful of singles and promos…
So, buckle up and get ready to walk through the history of the Scorpions!! And it is a lot…take a look at it all in its beautiful glory!!
Below is a list of the order of the reviews (it is subject to change)…I can’t wait to dive in deep with these German Rock Gods!! See you real soon…
Lonesome Crow (1972)
Fly to the Rainbow (1974)
In Trance (1975)
Virgin Killer (1976)
Taken by Force (1977)
Tokyo Tapes (1978)
Best of Scorpions (1979)
Animal Magnetism (1980)
Rock Galaxy (1980)
Hot & Heavy (1982)
Love at First Sting (1984)
Still Loving You Maxi Single (1984)
Best of Scorpions Vol. 2 (1984)
Gold Ballads (1984)
World Wide Live (1985)
Savage Amusement (1988)
Rhythm of Love – Single (Box Set) (1988)
Best of Rockers ‘n’ Ballads (1989)
Crazy World (1990)
Crazy World – 4 Track From Crazy World Promo Vinyl (1990)
Tease Me Please Me Promo CD (1990)
Don’t Believe Her Promo CD (1990)
Send Me An Angle Promo CD (1991)
Face the Heat (1993)
Live Bites (1995)
Pure Instinct (1996)
Big City Nights (Compilation) (1998)
Eye II Eye (1999)
Moment of Glory (with Berlin Philharmonic Orchestra) (2000)
When we reviewed Takara’s ‘Eternal Faith’ album a few weeks back, we mentioned that Jeff Scott Soto said he wasn’t a member of Takara and did it as a favor. Well, a couple years later we are back with the second Takara album and who is singing? It is a Mr. Jeff Scott Soto, of course. After the band had such success in Japan with ‘Eternal Faith’, the Japanese record company wanted another album and would only do it with Jeff on vocals. Jeff didn’t want to let his good friend, Neal Grusky, down and be the reason his buddy lost his record contract, so Jeff being the man he is agreed to do vocal duties again as well as Produced, Engineered and Mixed the album. When Jeff says he’s going to help out, there is no half-assing it for him.
The band had more money to produce this record then the measly $2,500 for the last so we do get better production quality…plus Jeff was getting better at it. The biggest difference is that Jeff’s friend Greg Schutt was no longer on bass. Duties were handled by Carl DeMarco. There were two songs that the bass was done by Bob Daisley from Ozzy and Rainbow fame which is pretty cool, but Carl was the now official band member. On drums, we still had Robert Duda and Neal Grusky on guitar as expected. There are also some keyboard elements done by none other than Jeff’s then girlfriend Julie Greaux, of course!
The album was released on May 24, 1995 in Japan and went to #96 on their national charts, so not bad at all. The version I have is the Canadian Release from 1995 but the CD has 1993. That isn’t the only mistake the CD has as it also called the last song “Lonely Sade of Blue” omitting the “h” in Shade. Oops! Good quality control goes a long way. Let’s get to the music, shall we!
At the most recent record show here in Charlotte, I found a couple bootleg CDs that I snagged up for a real cheap $5 each. Gotta love that. The first one I grabbed was from the band Extreme. The bootleg was called ‘Hollywood Rock 1992’ which was recorded from the rock festival Hollywood Rock down in Rio de Janeiro Brazil on January 26, 1992. The CD says it was a Freddie Mercury Tribute, but the band only played one Queen cover so not much of a tribute.
What I love about Bootlegs are the errors. Yes, they have errors. The reason why is the people that make bootlegs don’t give a crap about editing and making things perfect and accurate. They only care about getting out product. The first major error is where it was made. The album was made in Italy…however, the back cover says it was made in Itary. I have been looking at a globe for about 10 hours now and I can’t find Itary anywhere on it. Then it is the song titles…”Pornograffitti” is spelled as “Pornographiti” and what should be a Nuno acoustic guitar solo actually says that he sold his acoustic guitar.
What makes it even better is that they spelled everything correctly on the actual CD, but they used the wrong words at times. One error on the CD is on “Suzi” they called it “Suzi (Wants Her All Day Want?)” and it should be (Wants Her All Day What?). Then for “Decadence Dance” there is a drum solo and they list it as Pat but Pat plays bass. Paul is on drums.
Axel Rudi Pell has had four solo albums so a live album was long over due. As a result, during two shows on February 4th & 5th of 1995, they were recorded so a live album could be released. They were recorded in Markthalle, Hamburg and Zeche, Bochum. There were three songs from the Markthalle show and five from Zeche. The band was of course Axel Rudi Pell on guitar, Jeff Scott Soto on vocals, Jorg Michael on drums, Volker Krawczak on bass and Julie Greaux on keyboards. It was the same band that recorded the previous album ‘Between the Walls’ for which they were now touring for that album, and it is a great, solid band.
1994 was an extremely busy year for Jeff Scott Soto and by the looks of it, 1995 was not going to be any different as we have 3 releases for this year and this being the first. For this album, Jeff felt the biggest fault was it was too short and he would’ve liked to have included a few more of the older tracks. With that being said, if that is the only fault, then we are in for a real treat. The show captures how much Jeff enjoyed working with Axel and it shows in his performance and everyone’s performance for that matter. The album came out around May 22, 1995 and is a great time capsule of a great period of Axel Rudi Pell.
The show kicks off with some riffing by Axel and then they go straight in to “Talk of The Guns” off their most recent album ‘Between the Walls’. Here is the song is sped up even faster and a lot heavier. It seems faster than speed metal here. The drums are pounding and relentless and Pell’s solo is pure Axel. Jeff does a great job keeping up with that pace and not losing his breath, but it was close.
Cheap Trick has hopped on the Record Store Bandwagon with 3 previous releases for each Volume of The Epic Archives and now for the 2019 Record Store Day they dug in to the archives and are finally releasing their New Year’s Eve concert from the Fabulous Forum in Los Angeles from 1979 in full. Some songs were released on the Expanded Edition of the ‘Dream Police’ album, but never the full show. This is the first time it has been released on vinyl, the first time the full show has been released giving is new mixes from the original master tracks. The only issue is the first reel of the master tapes could not be found, so the first four songs aren’t as clean and crisp as the rest of the album. They had to source those songs from a high resolution tape of the official radio broadcast. You can tell the difference in the listen, but honestly, it has zero impact on the listening pleasure.
RSD has it listed as an exclusive release, but only exclusive in the fact it is the only way to get the vinyl. The show has been released on CD and digitally so the vinyl release isn’t truly exclusive. The package is a 2 LP set in a beautiful gatefold. After getting the Epic Archive albums in multiple colors, here we get the standard black vinyl. I have read a lot of reviews and/or comments that they feel the sound sucks, but it is a personal taste. If you like a live album that sounds live, then this will be great. I wasn’t bothered by any of the sound quality and that won’t be mentioned at all as it was a non-issue for me. I was listening to the music and what we got and we got a lot. Let’s walk through it.
For the 10 years prior to this release, Jeff Scott Soto has been singing for other people and other bands. This time around it was all for himself. ‘Love Parade’ is Jeff’s first solo album and the first chance for people to see a side of Jeff they’ve never seen. That can be a good thing or a bad thing and for a lot of Jeff’s metal fans this album was a strange departure. It was because this was not a metal album or even a hard rock. It is more a funk, R&B and a rock album all rolled in to one. His influences are worn on his sleeves with this one.
The songs he compiled for this album were mostly old demos he had that never amounted to anything prior. He felt they truly represented who he was outside of the metal/rock world. There were several songs from his band Slam that never released anything. He had a couple songs from his girlfriend, Julie Greaux, that he was co-producer on. He took them, re-worked them and then sang on them.
Musicians on the album were some friends including Gary Schutt, who Jeff sang for on Gary’s debut solo album, played bass and guitar. His girlfriend, Julie Greaux did background vocals and keyboards. George Bernhardt played drums, bass and guitar as well. And Jeff played a little of everything as well including the singing. The album was released sometime in 1994/1995 on Long Island Records but the year depends on who you ask. The album didn’t make any major waves, but thankfully in 2002, Jeff signed with Frontiers Records and they re-released it and by this time it made bigger waves as he was more famous.
I know this is The Cheap Trick Collection Series, but I have to do this one album even though I don’t actually own a copy (yet) so I am able to complete an album rankings of all their studio albums. The album I don’t own is their Christmas album called ‘Christmas Christmas’. I am not a massive fan of Christmas albums so I will do my best to not be too biased on this one…I can’t promise anything. The album was released on October 20, 2017 and actually has 3 original songs written by the band which is Robin Zander, Rick Nielsen and Tom Petersson with Daxx Nielsen on drums. The remaining 9 tracks are covers with only one of those being a full on traditional song. The album is their 19th Studio album and went to #93 on the Top Album Sales and #5 on the Holiday Charts…not too bad for a Christmas album.
And one other thing. We are reviewing this in May for a posting in June and it is so not time for Christmas music, so getting in that frame of mind is difficult. I watched some Christmas movies, wore a Santa hat, wrapped some presents to give to my kids, made some eggnog and all that jazz to get in the mood and it worked!! So, let’s get going…(note: none of that is true!!)
The album kicks off with an original, “Merry Christmas Darlings”, and let me tell you…it is a great Christmas song. Robin sounds amazing, joyful and all in the Christmas spirit. The song is bouncy and has little rocking edge so don’t expect sleigh bells but lyrically it does touch on a lot of the cliches and there are a lot of “la la la las”. Robin, Rick and Tom actually wrote a decent song. And to keep it the rocking edge going we get “I Wish It Could Be Christmas Everyday” by Roy Wood and the Wizzards. Another upbeat track that sees Cheap Trick go full glam with lots of angst and yuletide fun.
Alright…You Picked It! And this one really surprised me as I didn’t expect this one to get picked or many votes at all. But I am glad it did as I do enjoy this one a lot! A guilty pleasure you could say. The winner was Danger Danger’s 1991 album ‘Screw It!’ which is one I do have in my collection. Here are the results.
Danger Danger – ‘Screw It!’ – 9 votes
Neil Young – ‘After the Gold Rush – 5 votes
Halestorm – ‘Back from the Dead’ – 4 votes
Boston – ‘Boston’ – 3 Votes
Miranda Lambert – ‘Revolution’ – Sadly, 0 votes
Thanks to all for participating. The July choices will be up on Saturday!
DANGER DANGER – ‘SCREW IT!’:
Danger Danger’s second album was not a repeat of their debut, but an improvement. It was more polished, more naughty and well…more everything. They recorded at in Ft. Lauderdale, Fl at New River Studios where Skid Row recorded their album ‘Slave to the Grind’. The funny thing is both bands put out singles called “Monkey Business” in the same year. Danger Danger was going to call their album ‘Monkey Business’, but changed their mind. I think they had trouble finding a name for the album and they said screw it! So, that became the name of the album ‘Screw It!’. And based on the lyrics in the album, there is a lot of that going on.
The band Danger Danger consists of lead singer, Ted Poley, guitarists Andy Timmons, Kasey Smith on keyboards, Bruno Ravel on bass and Steve West on drums. These guys were awesome. They were a true hair metal band and their music was the epitome of the genre. It was rude, crude, and anthem rocked out. It was one of the most sexualized albums I have ever heard and yet, even in today’s #MeToo Movement, I lover every minute of it. There is no denying their target audience with this one…young teenage boys…who had hot chicks as friends. I first heard of them because in 1990, they opened for Kiss. After I got that taste, I went and bought the debut and then was a day one shopper when this was released and I have loved it ever since. In fact, it is my #1 album on their Worst to First Ranking. I guess I have now spoiled the review…oh well…here it goes anyway.