Tag: Cold Gin

Kiss – ‘Black Diamond: Lafayette Music Room, Memphis, TN April 18th, 1974 – FM Broadcast’ (Alternate Cover) – Album Review (The Bootleg Series)

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If you are thinking, “John, you’ve reviewed this show before”. You would be right. I reviewed it about a 1 1/2 years ago. But this one is different…it has a different cover and from a different manufacturer. In my quest to get as many Kiss Bootleg’s I can, I found this one in a local record show, new and sealed. And cheap. This is actually an easy one to get if you are collecting Kiss Bootlegs. I think I paid $20 for it. When I saw it, I knew I had this show, but I really liked the cover and this one has clear vinyl. Otherwise, there is nothing really special about this one, no inserts, no picture sleeves and no surprised in the package like I have received in a lot of my bootlegs. This one is rather generic. For historical reasons though, it is pretty cool. The recording is an FM Broadcast from April 18, 1974 in Memphis, TN at the Lafayette Music Room and is one of the earliest recordings of the band.

Soundwise…well…let’s just say there is sound. This is a recording off a radio broadcast on to a tape. That tape was then copied, which was then copied, which was then copied, which was then copied and keep going for another dozen copies. There is a massive tape drag at several points during the show which slows the song down and it is quite noticeable. That proves that the source material was from an old tape that had been copied many times. Yes, the sound sucks at times and might be on the low end of some of my bootlegs, but I am still okay with it and because I collect them I will buy regardless.

If you look at the setlist, you will notice a few things stand out. One is they basically played the entire debut album with a few minor exceptions. Two, they play the song “She” which won’t come out until 2 albums later on ‘Dressed to Kill’. And Three, they play a song called “Acrobat” which is actually the basis for the song “Love Theme From Kiss” from the first album. This is two months after the debut album release, so it is strange they played the “Acrobat” version and not the album version.

SIDE A:

The album and set opens with “Deuce” and boy can you hear the tape drag on this one, pretty drastic. But you can still make out the song and hear Gene just fine as it is in the instruments where you have the issues. Nothing is real clear except the vocals. Towards the end of the song, it clears up and gets a little louder and that cowbell comes in nicely. “Strutter” is up next after a slight pause and you get more wobbly instruments and even a little on the vocals this time around. Paul sounds like he is singing the song so much slower. Again, you are buying this strictly for the historical value…that is what I keep telling myself anyway.

“Firehouse” sounds great and I happy with that version. It is an untouched, live version warts and all and it is quite enjoyable. Ace’s solo sounds good and you get a glimpse of the band doing what they do best with no real hiccups. The cool song on here is “She” as I said it hadn’t even been released yet on an album. The guitar opening on it sounds a little slower and I am guessing that is the tape drag as there is a lot of wobble. But vocally again, sounds good. Gene is menacing as ever and Paul on background duties. The coolest part is the instrumental break/guitar solo as it isn’t what we get later. This the reason to buy this release if you need one. And last up for Side 1 is the badass song “Nothin’ to Lose”. And by this time you are used to the wobble and so it starts sounding pretty decent (okay, decent enough). I love this song as you get both Gene and Peter on vocals (and Paul is heard pretty good on backing vocals). I love Peter’s gritty and raspy old school singing on this one. Always fun.

SIDE 2:

Side 2 kicks off with the Ace Frehley penned song “Cold Gin” (after the radio DJ does a station break), but with Gene on vocals as Ace wasn’t singing this early on in the band. Now, I did get to see Ace do this one this past Summer when he opened for Alice Cooper but that is another story. I really love this song but I will say this version seemed a little flat and not sure if that was the band or the recording itself. After a little tuning, we get Gene’s bass and some thumps until they become “100,000 Years”. Paul sounds fresh and youthful and can do some great ooh-yeahs back then.

Another favorite of mine to hear live is “Black Diamond” even with a DJ interrupting the opening notes for a station break. The tape is wobbly again as it sounds a little funky and messed up, but it is still “Black Diamond”. I love the slow opening and then the bombastic explosion for the rest of the song. Plus, the instrumental break and solo are always great. An all around fantastic song every time I hear it. The song ends the broadcast. Then the show announcer comes back and the band is tuning their instruments a little they go in to what is labeled as “Acrobat” but it cuts out the “Love Theme From Kiss” parts off and is just the band jamming. Peter has a little drum solo piece then the band kicks in and they jam out, all instrumentally and then they start singing only a little. There are very few lyrics and they sing “You’re much too young” a couple times and then they go back to jamming and we get a killer guitar solo piece as well. Then Paul says “Good Night” and it is all over. Fun track.

Despite the tape drag and the wobbly sound in out at times throughout, I still find this an enjoyable most especially for an early version of “She” and for the encore with “Acrobat”. It is also a cool historical piece to have anything live and uncut from 1974 with them really just getting going. All-in-all, it turned out to be an okay show as you get used to the sound issues and you enjoy it for what it is. I can’t give it too high of a score, but I will give it at least a 2.5 out of 5.0 Stars (but it should get more for the two songs I mentioned – maybe a 3.0 to 3.5…but that might be too generous).

The Bootleg Series:

  1. Kiss – ‘Accept No Imitations’ (Bootleg Series) – Album Review (ASYLUM TOUR)
  2. Kiss – Look Wot You Dun to Me (Bootleg Series) – Album Review (CRAZY NIGHTS TOUR)
  3. Kiss – The Summer of Satan: The Devils Ride Out! (Bootleg Series) – Album Review (DESTROYER TOUR)
  4. Kiss – Return to Capital Center (Bootleg Series) – Album Review (DYNASTY TOUR)
  5. Kiss – With Fire & Thunder (Bootleg Series) – Album Review (HOTTER THAN HELL TOUR)
  6. Kiss – Northhampton PA March 19th, 1975 (Bootleg Series) – Album Review (DRESSED TO KILL TOUR)
  7. Kiss – The Hottest Show On Earth (Bootleg Series) – Album Review (THE HOTTEST SHOW ON EARTH TOUR 2010)
  8. Kiss – All the Way to the Ball Room (Bootleg Series) – Album Review (Australian Tour 1995)
  9. Kiss – Kiss of Thunder (Bootleg Series) – Album Review (The Rising Sun Tour 2006)
  10. Kiss – Agora Ballroom 1974: The Cleveland Broadcast plus Bonus Cuts (Bootleg Series) – Album Review (THE KISS TOUR)
  11. Kiss – Hotter Than Hell: Radio Broadcast 1976 (Bootleg Series) – Album Review (ROCK & ROLL OVER TOUR)
  12. Kiss – The Tickler (Bootleg Series) – Album Review (LICK IT UP TOUR 1983)
  13. Kiss – Barbarize (Bootleg Series) – Album Review (ANIMALIZE WORLD TOUR 1984 – North American Tour)
  14. Kiss – They Only Come Out At Night (Bootleg Series) – Album Review (ANIMALIZE WORLD TOUR 1984 – EUROPEAN TOUR)
  15. Wicked Lester and the Progeny Demo Sessions (Bootleg)
  16. Kiss – Black Diamond: Lafayette Music Room, Memphis, TN April 18th, 1974 – FM Broadcast
  17. Kiss – End of the Road: In Allentown 2020 (PPL Center, Allentown, PA, 4th February 2020) (End of the Road Tour) – Blu-Ray
  18. Kiss – ‘Monster Tour: Simpsonville 2013’ (Charter Amphitheatre at Heritage Park, Simpsonville, C – 13th August 2013) – Blu-Ray
  19. Wicked Lester – The Original Wicked Lester Sessions (Bootleg)
  20. Kiss – The Ritz on Fire (August 12, 1988, The Ritz, New York City. A radio broadcast – Crazy Nights Tour)
  21. Kiss – Kiss My Axe 1978: Live from the Los Angeles Forum in California, August 25, 1977 (Love Gun Tour)
  22. Kiss – Gods of Thunder: The Legendary Concert Broadcast – Sao Paulo, August 27, 1994′
  23. Kiss – Black Diamond: Lafayette Music Room, Memphis, TN April 18th, 1974 – FM Broadcast (Alternate Cover)

Kiss – ‘Gods of Thunder: The Legendary Concert Broadcast – Sao Paulo, August 27, 1994’ – Album Review (The Bootleg Series)

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In my quest for bootlegs, another one popped up at a record show here in Charlotte. This one was fairly new as it was released in 2020 and it was still sealed. It is simply called ‘Gods of Thunder”. The show is only a partial show from the Monsters of Rock show in Sao Paulo, Brazil on August 27, 1994. That setlist had 22 tracks and this is a streamlined vinyl with only 10 tracks and not even sure these are the best 10 tracks. But the good news is, they did omit “Rock & Roll All Nite” which we didn’t really need to have another live version of that as I have a million of it already.

I’m not sure what they were going for with the cover but I am sure with the lightning and cloudy skies is the God of Thunder part, but what is with the chess board at the bottom and the poorly cropped faces on the cover. That looks about as shitty of job that I could do. The bright side is, they at least got the right people as that would’ve been the line-up in 1994. The back cover is the same scene minus the heads and the track list instead. The cool thing about it is the beautiful blue vinyl. I like that a lot. And as far as sound, it is from a radio broadcast, so the sound is fantastic. There is no denying it is a live show as nothing has been done to fix the imperfections, which is what we like about the bootlegs.

SIDE 1:

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Kiss – ‘The Ritz On Fire’ – Album Review (The Bootleg Series)

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I can’t believe we are on our 20th Review in the Kiss Bootleg Series. Nuts to think I’ve picked up that many. This one is called ‘The Ritz on Fire’ which is from August 12, 1988, The Ritz, New York City. A radio broadcast, from the Crazy Nights tour. This one is not the full show, but sort of a Best Of Compilation of that show. There are a bunch of different ones out there, some with full shows and some like this. I do have a show from the Crazy Nights Tour that was recorded on April 18, 1988 in Osaka, Japan, so I figured I’d grab this one as well as why not, you can never have enough Kiss Bootlegs…obviously or we wouldn’t be on #20.

I have found that this version is one of the few bootlegs that get all the packaging correct. They have the right band members in the pictures (Paul Stanley, Gene Simmons, Eric Carr and Bruce Kulick) and the right song titles and I don’t see any mistakes which is rare in the Bootleg world.

This is Kiss live much in the same vein as their current “Off the Soundboard” series in that there are no touchups, it is as you heard it when it happened and in this case as it was on the radio broadcast. The first 9 songs on this 10 song set are in order of the original setlist and it isn’t until the 10th song that it jumps ahead a number songs and plays one more. Basically, it is the first half of the show.

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Ace Frehley – American Tour 2021 (Charlotte Metro Credit Union Amphitheatre, October 7, 2021) – Concert Review

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I have been a huge Ace Frehley fan since I was probably 8 years old. He was my very first guitar hero. I had only seen him play with Kiss and I have never seen him love as just Ace Frehley. When I saw he was opening for Alice Cooper, I couldn’t click the purchase ticket button fast enough. This was also the first concert I had attended since Covid began around 19 months ago so it was even more exciting.

The concert began at 7:30pm on October 7, 2021. We arrived in plenty of time because I was damn well sure going to make it to see the opening act, because, well, as was the opening act. We stand in line to get stamped with proof of vaccination (or proof of negative covid test) and then go in line again to go through the metal detector and all good so far. I don’t know why I said “so far”, because we ran in to ZERO issues all night. It was supposed to rain…None! The weather was a little chilly, but felt great. We hit the restrooms (TMI) and then went and bought some bottled water…except…they don’t sell bottled water anymore…WHAT!!! Nope. It is now in a can…huh???

Yes, Liquid Death is the name of the Water!! I’ve seen it all now.

Yes, they sell water in a can now so I guess non-drinkers don’t get harassed for not drinking as it looks like a beer can. I have to admit, it looks pretty damn cool for water. We then hit the merch table and there were a ton of Alice stuff and only a little Ace, but I saw Alice 3 years ago almost to the day, so I went with the Ace Shirt. They were already out of XL size, so I went 2XL and I hope it shrinks…

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Kiss – ‘Kiss’ (1974) – Album Review (The Kiss Review Series)

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On February 18, 1974, the world received their first Kiss album, simply called ‘Kiss’.  But not many people took notice. It only sold around 70,000 copies at the time and quickly faded into existence.  But hold on, before we get in to the album, let’s go back to the first Kiss show one year earlier on January 30th, 1973.  For that show, the band didn’t really wear any make-up.  They had their name, but were just setting out and didn’t know who they were yet. They had the drag/glam look going for them, but the make-up progressed rather quickly.  Each member was discovering their personalities….The Demon (Gene), The Starchild (Paul), The Spaceman (Ace) and the Catman (Peter).  Over the next year, they would settle on who they were and so much more.  And who were they?  They were the following:

  • Paul Stanley – The Starchild
  • Gene Simmons – The Demon
  • Ace Frehley – The Spaceman
  • Peter Criss – The Catman

In early March, the band would finally decide on the make-up, then about a week later, they entered The Daisy in Amityville, NY with famed Led Zeppelin producer and recorded a five song demo.  The same 5 songs we talked about briefly on the Wicked Lester demo album from last week.

Then shortly after that, they were doing a showcase in the Summer and they meet a lad named Bill Aucoin who would become their manager and change their life forever.  But before they signed with Bill, they said he had 2 weeks to get them a record deal.  Not much time for anyone, but for Bill, he made it work.  The band would be the first band to sign with Neil Bogart’s Casablanca Record label on November 1st, 1973.  Quite a busy year.  And yes, I skipped so much, but this isn’t a history lesson, this is an album review.  So why don’t we get to that part now.

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Kiss – Agora Ballroom 1974: The Cleveland Broadcast – Plus Bonus Cuts (Bootleg Series) – Album Review

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On April 1st, 1974, Kiss played at the Agora Ballroom in Cleveland, Ohio.  It was broadcast live on the radio and we have that show captured right here on another in the Bootleg Series.  This is probably one of the most famous of the bootlegs and one the band seems to like as well.

Kiss was signed only 6 months earlier on November 1st, 1973 to Casablanca records and Casablanca was heavily promoting them and this bootleg contains 3 such promotions.  The Agora Ballroom show, 3 songs from the ABC In Concert performance from March 29th, 1974 and their appearance on the Mike Douglas Show on April 29th, 1974.  It is Kiss at their infancy.

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The recording is from a broadcast and it is sounds really great.  Now do remember that this is a bootleg and so the sound isn’t perfect, but I think it is a true representation of the band’s live show and how cool to have such an early show. The sound is a little flat as the bass is a little understated (okay, a lot understated) and only one strong guitar sound (Ace).  The guys are eager, they are hungry and they are tearing it up.  There are no explosions, no one is breathing fire, it is straight up Rock & Roll. Well, there is the siren for “Firehouse”, but that is it.

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Kiss – The End of the Road Tour – Concert Review (Charlotte, NC August 10, 2019)

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We interrupt our regularly scheduled programming of Tuesday’s Memes to bring you this special announcement…

August 10th, 2019, Kiss bid farewell to the city of Charlotte, NC.  The End of the rode made a stop on a beautifully, hot night and a venue that holds 19,500 people was pretty freaking packed!!  If it wasn’t sold out, it wasn’t by much.  The place was filled with young and old alike and the costumes and make-up were a plenty including leather pants so tight, I don’t know how the women got them on (or off for that matter).

My first show was December 26, 1983 and August 10, 2019 was my last.  That is according to Kiss as this is the Farewell Tour or so they say.  I tried to drag my kids to it, but in the end, my oldest was the only one to go so I let her bring a friend.  My youngest has a few issues with noise sensitivity and after the show, I realized, she was probably right not to go as it would have been too much for her as the explosions and music were pretty darn loud.  Hell, my ears are still ringing a little this morning as I type.

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With tickets in hand, we found our seats and were ready to see “The Hottest Band in the Land…KISS”

But first, we had to sit through the opening act.  No, not a rock band.  Nope, not a comedian either.  We got the great pleasure of having David Girabaldi doing some performance art…painting.  What?  Painting is a performance art?  I was not aware of this.  David is immensely talented and whipped through 3 paintings in about 30 minutes. He did one of Jon Bon Jovi, while their music played.  His final one was of Kiss which was raffled off with proceeds going to Make a Wish Foundation which is cool.  The 2nd painting was of Ozzy!!  And it was really great…heck…they all were. The problem was it was so boring and unexciting.  The crowd liked it somewhat, I thought it sucked.  I would have liked a band to play, a young up & coming band or someone that had toured with Kiss before…Actually, Bruce Kulick’s band would have be the bomb!!

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Kiss – North Hampton, PA March 19 1975 (Bootleg Series) – Album Review

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The next in the Kiss Bootleg Series is a show from March 19th in 1975 on the Dressed to Kill Tour.  The show was at the Roxy Theatre in Northampton, Pennsylvania and is actually opening night of the Tour.

As usual, we will start with the packaging and what this bootleg has to offer.  First, it is a double LP, however, they skimped and there is no Gatefold to be had.  It is actually a pretty flimsy album jacket and I don’t think it will hold up over time.  The back cover is another live shot of the band but you can’t see anyone’s face.  Not the best choice for a picture.

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The album came with a couple surprises. The first being a collection of Kiss photographs from an L.A. photoshoot at the Playboy Club Rooftop on January 16th, 1974.  The photos came in a nice little mailer as seen below…

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Ace Frehley – “Bronx Boy” – 12″ Single

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Back in April 2018, Ace Frehley released his first single from his upcoming (yet unannounced) album.  The day was actually April 27th which was Ace’s birthday…do you think they planned that??  This the first new track since his 2014 album ‘Space Invaders’.  He did have a new album back in 2016, but it was a cover’s album so nothing new there.

The reception of the new music was so great, that a special limited edition 12″ Single has now been released (3 months later).  They had no intentions of releasing a physical copy of the song, but the people spoke and Ace & the record company listened and BAM!!  Physical product.

I was able to pick up one of these Limited Numbered Edition 12″ Singles with the White/Black Marble vinyl.  And they weren’t kidding about being numbered.  I am #3701 out of #4000, I believe.

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The new song “Bronx Boy” is a heavy guitar driven track…what else would you expect, it is Ace “freakin’ Frehley.  There is a raw, grittiness to the song that harkens back to his early days growing up in the Bronx, New York.  The song opens with a quick, nasty guitar riff and jumps right into the vocals describing Ace’s life as a “street kid” and his “street life”.  The vocals are rough and classic Ace which is what is great about the song.  Plus, the guitar solo is what we know and love from the Spaceman and he doesn’t disappoint.

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