For My Sunday Song #289, we are going deep with a cut called “Memories of You” from a band Jeff Scott Soto was in back in 1988 called Kuni. Soto was able to land a gig with the Japanese guitar virtuoso, Kuni, after his stint with Yngwie Malmsteen. The rest of the band included Mike Terrana on Drums, who played with Yngwie and Beau Nasty, as well as Douglas Taylor Baker on Bass, who also wound up playing with Beau Nasty. The album was called “Lookin’ For Action’ and that album had plenty of action on it.
The song is sad as our singer sits with a picture in his hand of a love gone wrong. They loved so deeply and he doesn’t understand what went wrong and why their love died. But it did and all he is stuck with is his memories. He is wondering if she feels the same way. Is she feeling the pain he is feeling. Is she missing him as much as he misses her. We don’t ever get the answer, just a beautiful song.
This is one of my favorite songs on the record (and there are a lot on this album), “Memories of You”, was written by Cary Sharef. It also might be Jeff’s best performance on the album. It is a power ballad or as close as you can get with Kuni, maybe a little heavier than what you’d expect for one, but works like one as the chorus is hooky and layered with tons of backing vocals. Soto shows off his range here and hits notes that will shatter glass. And don’t worry, every power ballad has a killer guitar solo and this one is no different. It starts off slow and then Kuni rips you a new one. He is a brilliant player and could shred with the best of them. This is also a big part of why I like this song.
For My Sunday Song #286 is the song “One Love” by the Jeff Scott Soto band called W.E.T. What is W.E.T.? Well, it is comprised of Robert Sall of the band Work of Art, Erik Martensson of the band Eclispse and Jeff Scott Soto from the band Talisman. Take the first initial of each band and you have W.E.T. It also has 2 other members Magnus Henriksson and Robban Back. All are on the label Frontiers Records who brought the super group together. The song is off the debut album from 2009 album simply called ‘W.E.T.’. What many were afraid would be a one album deal has turned in to four album and a live album album. A legit band.
The song “One Love” was written by Erik Martensson and Vivien Searcy and is simply about that one true love. Despite all the temptations out on the road, he knows he will never find someone like her and that she is his rock. Here love is what sustains him and she is that miracle sent form heaven. It is really sweet.
The song itself is a power ballad and a pretty great modern version of one. It opens with keyboards from Erik who also handles all rhythm guitar duties. The lead guitar and solo are from Magnus and it fits the song so well. The drums are from Robban and for some reason Mr. Sail is not on the lead for this one. Musically, it is pure melodic rock gold. However, the highlight are those smooth vocals from Jeff. He really delivers and emotional, heartfelt song that matches the lyrics. You can hear from these high notes the man has some pipes and can sing about anything. If this was released in the 80’s, this ballad would’ve been top of the charts. It is infectious, catchy and simply beautiful. Man, if Jeff would’ve stayed in Journey and they released an album, this is what it would sound like.
We interrupt the regularly scheduled order of albums as I found another bonus LP out during my crate digging. I am little out of order because I can rarely find stuff in chronological order of my reviews. This Promo single is for “Is This Love” off the 1987 album simply called ‘Whitesnake’ to some and ‘1987’ to others. Me, I just call it awesome! The good news about interrupting the series is I get to spend more time absorbing the next album on the list.
There is really nothing special other than it being a Promotional copy. Minimal artwork and what you see on the cover above is all you get. The funny thing is that everyone on the cover, with the exception of Coverdale, did not play on the song. It was actually John Sykes (who co-wrote the song with David), Neil Murray, Ansley Dunbar and Don Airey. They were all fired right after production was finished. The cover has Adrian Vandenberg, Vivian Campbell (damn he looked young), Rudy Sarzo and Tommy Aldridge, a pretty stellar line-up too.
The back is solid white. No inserts or any special packaging. A plain and simple promo that says “Not For Sale”…oops, I bought it so somebody broke the rules. Was it me for buying it or Hardy Boy Records for selling it?? I don’t think either of us will get in to trouble, thankfully.
Side A had the LP version of “Is This Love” and the late 80’s were known for their ballads and Whitesnake had one of the best with this track. “Is This Love” which just missed landing at #1 and stalled at #2. David sounded so sexy and sultry and the music was soft yet maintaining a slight edge to it. The song was actually written for Tina Turner, but thankfully, David wisely held on to it and recorded it. In an album that was almost baked to perfection, this was the icing on the cake.
Side 2 is the “Edit Version” which means it’s a little shorter since this isn’t a dance remix which would then be like 15 minutes long or something ridiculous like that. This version cuts out the longer synth intro, the solo is a little shorter and the end run out is not as long and drawn out. It compacts the essence of the song into a shorter and could be a better package.
As far as ballads go, this one is top-notch and easily a 5.0 out of 5.0 Stars. It checks off all the buckets, slow at times, power at others, emotive singing and love in the title. What else could you possibly need? That’s right…Nothing!
For My Sunday Song #100, we are ending the Power Ballad set with a true classic, Whitesnake’s “Is This Love” off the 1987 album simply known as ‘Whitesnake’ or ‘1987’. The song reached all the way to #2 on the Billboard Hot 100 and helped propel Whitesnake into the stratosphere of rock stardom.
This midtempo power ballad was written by David Coverdale and the great guitarist John Sykes. They wrote it during the writing sessions for the album in one of the worst places you could possible be, the south of France (read as sarcasm). They recorded in David’s villa called Le Rayol. It must have been rough.
The song was actually going to be used for Tina Turner until Geffen heard the song and quickly put the brakes on that. Although David thinks Tina would still have been great for the song and you know I think he is right.
For My Sunday Song #99, we will tackle the Def Leppard power ballad, “Love Bites”. The song is off the Diamond selling album, ‘Hysteria’ and was Def Leppard’s biggest hit, if you can believe it. It is the only Def Leppard song to reach #1 on the Billboard Hot 100. Considering this was the fifth single off the album and with the success of “Pour Some Sugar on Me”, I was completely surprised by that fact (PSSOM did go to #2).
The song was originally brought to the band by the legendary producer Robert John “Mutt” Lange. The song was a country song at the time and of course the band put their spin on it and turned it in to of the great rock power ballads of the time. The title for the song actually came from another song that Leppard was working on and that song later became “I Wanna Be Your Hero” which was the B-Side for “Animal” in the US.
What I like about the song is that the guy is so in love with this person that he is actually going a little nuts. Hell, just touching her drives him crazy. But he isn’t sure she feels the same way. He keeps questioning her. Maybe it is really his own insecurities that are causing him to doubt the relationship. Or maybe she doesn’t love him and he really senses something missing.
For My Sunday Song #98, we take it back to the 80’s and hand it over to Scorpions with their ballad “Still Loving You” off the album ‘Love At First Sting” from 1984. With “Rock You Like a Hurricane”, I became a Scorpion fan and this song sealed the deal for life.
The song was the second single from the album and it only reached #64 on the Billboard Hot 100 which is crazy considering this song hit #1 in France. Yes, France. The Scorpions are credited with starting a baby boom in France in 1985 because of this song. I am not kidding!
The song is about a man who is in love with woman, but they fear the end of the relationship is fading and almost over. So what do they do, they try again to reignite that passion and flame and give it another shot. France is the country about love so that might be why it did so well.
At around 6:30, the song isn’t your typical power ballad..well at least in length. In style, it is exactly like every power ballad which is why it is a power ballad. The song’s slow crescendo throughout the song is it’s magic. The song keeps building and adding instruments and it gets more powerful and louder as it goes.
For My Sunday Song #96, I am discussing the beautiful song by Halestorm called “Beautiful with You”. The song is off the gold selling album ‘The Strange Case of…’ which went to # 1 on the Hard Rock Charts. However, despite the album having 5 singles, this was not one. I chose this one since we are currently discussing power ballads and I thought I would bring the power ballad into the 21st Century and highlight a newer song that I felt fit the mold.
The song definitely has the power with Lzzy Hale’s vocals and it is a slower tempo and softer song you would expect with a ballad that ebbs and flows between harder and soft. The song has a great tone to it and is a very emotional song. The song is about loving your self and realizing it is okay to reach out to others for help. It doesn’t make you weak, but strong. Here is what Lzzy told journalist Valerie Bastien (from Songfacts.com) about her low self-esteem…
“Believe me, I don’t always feel like a rock star, and there are times when I look in the mirror and scream. Especially emotionally,” admitted Lzzy. “I used to hide a lot of my feelings of insecurity and powerlessness, and just wouldn’t reach out to someone because I thought it meant that I was weak if I did. I wanted people to see that it’s ok to need a shoulder sometimes, and to have those “ugly days” and to let down your guard. We’re human and we’re not perfect… don’t let those thoughts in your head rule your life and prevent you from opening yourself up.”
I really love the verse that states the following:
For My Sunday Song #95, this power ballad comes to us from Poison. The song is “Something To Believe In” and is off their 1990 album ‘Flesh & Blood’. The song went to #4 on the Billboard Hot 100 and is great example of how moving and poignant a song can be.
The song is about two people in Bret Michael’s life. The first is his personal friend and bodyguard, James Kimo Maano or Kimo. Kimo got hooked up in the rock & roll lifestyle and with his abuse of drugs and alcohol, his life tragically ended early. When Bret found out, he was inspired to write this song as a tribute to his friend. When you watch the video of this song, you see an emotional Bret Michaels reacting to pictures that showed up on the TV of his friend. The Director of the video didn’t tell him the pictures were being used and it took Bret by surprise. It was a cruel trick, but it captured a real moment.
The other person is Bret’s cousin Bob who had been wounded in Vietnam and the song talks about his struggles mentally with what happened as well as the loss of so many of his cousin’s friends in the way. It paints a stark reality of the damage war can have on a person.
The whole song discusses reasons for Bret’s loss of faith whether it is from false prophets, the homeless, the impact of war or the loss of a close friend. The song paints such a graphic picture that you can’t help but be touched by it in some way. And depends on your mood when you listen, it could even bring a tear to your eyes.
For My Sunday Song #94, “I Remember You” by Skid Row is the next power ballad on the list. The song came out in November 1989 and by 1990 it was a huge success. It made it to #6 on the Billboard Hot 100 chart and ended up in being played at every high school’s prom according to Sebastian Bach in interview with SleazeRoxx.com. Who doesn’t remember dancing to this song (well, I don’t because I had already graduated high school three years earlier).
What band wasn’t doing power ballads back in the day, so why is this one so special? Well, it is easy. It is Sebastian Bach’s vocals. He delivered such a powerful, heartfelt, emotional performance of the song written by fellow bandmates Rachel Bolan and Dave Sabo. Now, Scotti Hill also laid down a killer guitar in the middle of the song that could stand up with any of the time. It was lethal combination. If you saw them live and this song came on, your lighter would be flickering as you raised your arm high into the air with everyone else in the building.
The song’s lyrics reflect a sadness and regret for a long lost love. A longing for the times together and Bach captures that essence perfectly. Rob Affuso’s drumming is strong and underlines the song with a punch that helps lift the ballad to another level. There is no denying this was one of the best power ballads to come out of the whole movement. I find it just as good today as it was back then.
One of the most recognizable songs in the Journey catalog was “Open Arms”. It was from the ‘Escape’ album and the single was released in January of 1982. The song did pretty damn good and went to #2 on the Billboard Hot 100, but for some reason it couldn’t hit that #1 spot. However, that is still one of the highest chart positions the band ever reached for a single if not the highest.
The song is believed by many to be one of the greatest power ballads ever written and is said to be one of the main catalyst for starting the power ballad movement in the 80’s. The funny thing is that most members of the band other than Steve & Jonathan did not want the song on the album. It was too sugary sweet for their tastes. As tie has shown, those members of the band were wrong.
Or were they. The band became known for this sound and it changed everything for the band from that point on. They had to have power ballads on every album as they were now expected from the band. And they did end up writing many more great ones and went on to superstar status. It did get them huge successes and paydays, but was it worth it? Probably so.
The song was brought to the band by Jonathan Cain as he already had the melody written when he tried to use it for his previous band, The Babys. However, vocalist John Waite, was not real keen on the song and said it was too syrupy. Wow, both bands originally stated the same thing…both were wrong.