For the next edition of The Original vs. The Cover, we are going with the classic song “Proud Mary” originally done by Creedence Clearwater Revival and covered by Ike & Tina Turner. The song was written by John Fogerty and released in January 1969 on the band’s album ‘Bayou Country’. This song has had 100’s of covers made of it, but in 1969 alone, there were 35 covers…35!!! Unbelievable.
The song was written by Fogerty after he was discharged from the Army in 1967 which was the the “good job” he left in the city. “Proud Mary” is the name of the River Boat and the song is about that journey down the river with the big water wheel rolling around and around pushing them down the river. The song went to #2 for CCR and #4 for Ike & Tina on Billboard Hot 100 charts which is pretty respectable for both.
But enough about that. Let us focus on the song and which version is better. We will start as we usually do with the Original and then discuss the Cover ending with a wonderful Verdict of which one I like more. And away we go…
CREEDENCE CLEARWATER REVIVAL
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For this edition of The Original Vs. The Cover, we are going to explore the Bruce Springsteen song “Blinded by the Light” which was later covered by Manfred Mann’s Earth Band. For Bruce, it was his first single in the U.S. off his 1973 debut album, Greeting From Asbury Park, N.J. And…it flopped! Manfred Mann’s version was released in 1977 and went all the way to #1 and I believe it was Bruce’s first #1 song and his only. It took someone performing his song for him to get a #1 song…interesting considering how much he is acclaimed as being The Boss.
The song was very auto-biographical for Bruce. There were a ton of references to friends, his youth experiences and even him getting sick. The song came about because the record company felt he needed a single. So, sitting in his bedroom with a rhyming dictionary, Bruce threw so many words together and came up with this beast. He went nuts with the words and threw everything in, but I don’t see the kitchen sink.
As I said, the song flopped in the U.S. and it was probably because it had so many words. No person listening to the radio could remember all the words. The chorus was catchy, no doubt, but it is a difficult song to get in to with the way it is presented. Bruce vocals are done in a singing / speaking format rather than full on singing which is typical Bruce.
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For this version of The Original Vs. The Cover, we are covering a fairly new cover of the song Africa by Weezer compared to the original by Toto. The Weezer cover has brought Weezer back in to the news, but it has also brought the band Toto to a whole new generation of music lovers which is always a good thing.
The song was written by David Paich and Jeff Pocaro of the band Toto and released back in 1982. David came up with the song after watching a documentary about all the suffering in Africa. It moved him, but so did the pictures of such a beautiful continent. The song is a love song, but love for a place and not an actual romance. The song did really well for the band and hit #1 on the US Billboard Hot 100 chart and #3 in the UK.
Now, 35+ odd years later, a fan on twitter kept asking Weezer to record a cover of the song which they did not do. They did a cover of the song “Rosanna” to troll the people begging for a cover. However, a few months later, the band finally released a cover of the song. Their version only went to #51 on the Billboard Hot 100, but much higher on other charts. To make it even better, Toto went on and released a cover version of “Hash Pipe” by Weezer, We are not going to cover that song here.
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For this month’s version of The Original Vs. The Cover, we are tackling the 70’s hit, “New York Groove” that was made famous by Ace Frehley on his solo album in 1978. However, the song was originally performed by the Glam band Hello back in 1974. The song was written by Russ Ballard and if you don’t know Russ, he was in the band Argent, went solo, and was a songwriter who has worked with America, Roger Daltrey, Peter Criss, and Frehley’s Comet to name a few.
The Hello song did pretty well in the UK hitting #9 and #7 in Germany. Ace’s version was the highest charting song of any of the Kiss Solo albums where it peaked at #13 in the Billboard Hot 100.
Russ Ballard wrote the phrase “back in the New York Groove” while on a plane headed to New York where he hadn’t been in a long while. So, that became the theme of the song and eventually he would finish the song.
Hello connected with Russ while he was in the UK and the band’s manager had reached out to Russ asking if he had any songs the band could use and boom, you get “New York Groove”.
Hello’s version opens with a hand clap sound (maybe a stomping/clapping sound), a harmonica riff and a great drum beat. Right before the chorus, there is nice little guitar riff and speaking of chorus, the way they emphasized the word “Groove” in New York Groove was unusual and made it stand out. It definitely has that 70’s feel to it and Bob Bradbury does a great job with the vocals. It is actually a very fun song and I can see why they had a minor hit with it.
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Welcome to another edition of The Original Vs. The Cover. This time we are going to compare the song “Nothing Compares 2 U” to the original and the best cover of the song. The Original was performed by the band The Family and the Cover was famously performed by Sinead O’Connor. The song was written by Prince and he did perform this song in 1984 or so and it was finally released in 2018 so I can’t count that as the original since it wasn’t released before The Family’s version. Prince did release a version with Rosie Gaines in 1993 which was again after both versions
The Family? What? You never heard of them? Not surprising. The band was a creation of Prince as another outlet for HIS music to be released. He was very controlling and involved in every aspect other than singing and performing. As a result, after they released 1 album, 2 singles (which this song was not one) and after only 1 show, the lead singer, Paul Peterson aka. St. Paul, quit. He felt Prince was too controlling and he felt restricted.
The Family’s version was never released as a single and you probably never heard this version before. I hadn’t until I decided to do this song for the post. I had trouble finding it and only found it on that Tube of You.
The is very stripped down. It is mostly an organ playing with horns and keyboards. No percussion whatsoever. Paul Peterson’s vocals are really great and the backing vocals of Susannah Melvoin played nicely with Paul’s vocals. Paul had a haunting, painful feel to them which the song seems to have a lot of pain.
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For this installment of The Original Vs. The Cover, we are discussing the classic Aretha Franklin song “Respect” which is actually a cover of the song originally written and performed by Otis Redding just two years earlier. The Otis Redding song was written for Speedo Sims and his band the Singing Demons, but they were unable to find the sound they liked and so Otis decided to sing the song.
The song came out in 1965 and went to the Top 5 on the Black Charts, but actually crossed-over to the pop charts where it reached #35. It was one of a couple songs that crossed-over for Otis. The Redding version is about a man’s plea to his woman to show him some respect for bringing home the bacon. He could care less if she does him wrong, but just wants his due from her.
In looking through his roster of musicians, he had a couple that stood out for me. There were two keyboard players on the song, one goes by the name Booker T. Jones and the other is Isaac Hayes. The rest of the band were all Booker T. & the MG’s band members except for the horn section, they were not part of Booker’s band.
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For this version of The Original vs. The Cover, we are covering the song “Get It On” by T. Rex and covered by The Power Station. The song originally came out back in 1971 and went all the way to #1 in the UK, but only #10 in the US (only…like #10 is a bad thing). However, in the States, the song was called “Bang a Gong (Get It On)” as jazz band called The Chase, released a song that same year called “Get It On”…completely different song though.
The Power Station released the song in 1985 and they did so much better as the song went to #9 on the US Charts and all the way to #22 on the UK charts..oh wait, that isn’t really better…oh well. It still was very popular and helped sell a lot of albums for the band.
The song is a simple song which is basically about sex. What? That wasn’t obvious to you with the title. That’s it, it is about sex. I have nothing else to add. There is no big story behind it, just sex. I do know that a certain radio DJ of some fame by the name of John Peel really hated this song and as a result, his relationship with Marc Bolan became strained as Peel wouldn’t play the song on his show. Apparently they were solid chums prior to this song. Other than that, that is all I got for you until I speak of the song itself with each band. So let’s get to that.
T. Rex’s version is a straight up rocker with a great little guitar riff that Marc Bolan claims he took from Chuck Berry’s song “Little Queenie” which he also ended the song with the line “For the meanwhile I’m still thinking” from that song as well. The song has a retro 50’s feel to it as well and the simplicity of the lyrics is also a shout out to that era.
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When you hear the song title “Black Magic Woman”, most people immediately associate the song with Santana and that is because they have the most famous version of the song. However, their version is actually a cover version. I did not know that until a short time ago when I discovered that the original was performed by Fleetwood Mac two years earlier. My world was rocked as I had no idea. I don’t know if life will ever be the same.
The song was written by Peter Green who was the original singer for the Fleetwood Mac and he came from John Mayall & The Bluesbreakers where he originally replaced Eric Clapton on guitar. There is whole story around that and the formation of Fleetwood Mac which we will have to save for another time as this post is about comparing the two versions of “Black Magic Woman”.
The Fleetwood Mac version of “Black Magic Woman” was a real bluesy track, heavy on the drums and the bass with little guitar riffs thrown in. Then there is a great guitar solo that comes in about a minute into the song and goes on for about 45 seconds. It is really great and what would you expect from a guy that replaced Eric Clapton in another band.
Peter sounds great vocally as well and after listening to it, I realized I have heard the song many times before but probably thought it was the Santana song, of course it doesn’t have the same feel, but they aren’t completely different songs.
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For this month’s edition of “The Original vs. The Cover”, we are going to take on a third version as we tackle the David Essex song “Rock On”. We will battle it out between David Essex’s original version vs. covers by both Michael Damian and Def Leppard.
The song was written for a movie that David was starring in called “That’ll Be the Day” which also had Ringo Starr and Kieth Moon. The song, however, was not used in the movie. David wrote the song based on his character from the movie and it has a pure old rock & roll rebellious attitude. The song is actually a tip-of-the-hat to the old time rockers as it mentions “Blue Suede Shoes” and “Summertime Blues” as well as it gives a shout-out to an old Hollywood rebel James Dean.
Since we have three versions, we might as well jump right into it.
David’s version hit #3 on the UK singles chart in 1973 and didn’t do that great in the US, but doesn’t mean we Americans don’t love it. The song is very unique in that there are no instruments that play any chords which means there is No Guitar and No Piano on the song at all. It is all bass, percussion and horns. It is really stripped down.
You can tell a major influence of the song is Jamaican raggae and the whole dub style. The song is driven by the bass line which was done by Herbie Flowers. According to Wikipedia…”(Herbie’s) double-tracked bass guitar was treated with a prominent “slapback” delay effect, creating a complex polyrhythmic backbeat.”
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As everyone is aware, David Bowie had what is called his Berlin Era which was the time period between 1976-1979 when he lived in Berlin and recorded several albums including ‘Low’, ‘Heroes’ and ‘Lodger’. During that same period, Iggy Pop was living in Berlin as well and the two got together and wrote the song we covering this month on The Original vs. The Cover. That song is “China Girl”.
The Original version of this song is actually by Iggy Pop. It was released by Iggy in 1977 on his album ‘The Idiot’. David Bowie’s version didn’t come out until 1983 on his album ‘Let’s Dance’. I will tell you that at the time of Bowie’s release I was completely unaware that Iggy had done this song 6 years earlier so I thought this was the original.
There has been discussion over the meaning of the song over the years. One group believes the song is about a Vietnamese woman that Iggy was completely infatuated with. Her name is Kuelan Nguyen. The song is about his desire to be with her, but at the same time warn her of the problems of Western Civilization and the damage it can do as you can see with the line…”Visions of swastikas in my head”. The fact the were in Berlin probably added to that commentary.
The other camp thought the song was about Heroin since the term “China White” is a term used to describe heroin. The girl in the song was considered the Heroin and all the problems it can cause. I can believe either version, but the truth is it was actually about the woman that Iggy was crazy about. I prefer the love story over the drugs. Now, let’s get to the music.
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