Following their Farewell tour for the ‘Sting of the Tail’ album, the band decided to release one more album as sort of a comeback, but not. In all the reviews I read on this one, all the reviewers listed as the band’s final album. So, how can it be a comeback if it is the final. That might lie in the name of the album because it is called ‘Comeblack”. So a comeback album but the end at the same time…I don’t know. I’m confused. The band wasn’t confused. The excitement they felt after that tour and all the screaming fans, the success of ‘Sting of the Tail’, all led to the band wanting to do one more and do it for the fans. But as a fan, I don’t remember asking for this.
That wasn’t the only confusing thing about this album. It is sort of a compilation album with 7 songs that are Scorpions classics, but re-recorded and the final 5 songs are cover tunes. No new material here at all. The band wanted to re-record some classics giving them a modern sound with the new production capabilities and they did just that. The cover song choices are a celebration of some of their favorite songs/artists from the 60’s and I will say, they all have that Scorpions sound. But let’s be honest, this is a complete and utter waste of time and energy.
The album was released on November 4, 2011 and in the U.S on January 24, 2012 where the album only sold 5,000 physical copies in its first week and reached #90 on the Billboard 200 chart. Not very impressive. Klaus Meine, Rudolf Schenker, Mathias Jabs, James Kottak and Pawel Maciwoda all returned for this mess…or was it really that bad. I know the album cover was pretty decent which is not something that is normally the case. My copy is a gatefold, 2LP version and the packaging looks fantastic, but it is what is on the inside that matters
Really! Another greatest hits album. Why? Well, the labels want money as this is a cash grab, but it does have some good points. The album was released on May 28, 2002 on Hip-O Records and contains 18 classic songs from the band. Scorpions – ‘Bad for Good: The Very Best of Scorpions’ does offer something a little different than some of their other compilation albums. First, you get 3 tracks that are single edits and not straight album tracks. Second, you get two brand new Scorpions songs!! That right there is the reason to buy this one.
Now, that doesn’t mean there aren’t problems with this release and for that problem is glaring. Again, we get a greatest hits compilation that completely ignores any album prior to 1979’s ‘Lovedrive’. Why do they keep leaving off all those good songs? Is it that the band, or the label, don’t own the rights to those songs? Whatever is the reason, it is an absolute shame that the public doesn’t get to hear those great songs from the 70’s up against these smash hits. Being a single disc release, I see that there is no room and I do get the label wants the biggest hits…but biggest doesn’t mean the best.
The album is in chronological order…wait…not quite. They start it off with “Rock You Like A Hurricane” because that is like their biggest, most notable hit. After that, the rest are in chronological order. Not sure the point of that and seems quite silly in my book. I am not sure how much input Klaus Meine, Rudolf Schenker or Mathias Jabs had, but at least they might have had a say in the two new songs, but that might be it. There is a nice multiple page write up in the liner notes about the band by Gerri Miller from Metal Edge magazine and she talks about 3 decades of the band, but the compilation doesn’t give us songs that cover the whole period…but I’ve said that already. Enough bitching, let’s get to the songs.
Every band needs a signature song and Scorpions did that on their 9th album with the song “Rock You Like a Hurricane”. It only went to #25 on the Top 40 chart, but it has lived on and given the band one of the quintessential 80’s rock songs ever made. There is no one that doesn’t know this song the second that opening riff kicks in. It is a rock anthem like very few achieve. For ever how many songs the album sold, most were sold because of this track. With heavy riffs, killer solos and one of the most catchiest choruses ever, this song took the band to a level they probably never thought they would see.
The Scorpions were in a mood to keep doing things their own way and after doing an album and touring the classically orchestrated Scorpions rock, they decided to strip it all back and do some shows acoustically. The band performed 3 shows at the Convento do Beato in Lisbon, Portugal in February 2001 and those shows were recorded. From those 3 shows, the album called “Acoustica” was made. The album was released a few months later on May 14, 2001.
The show was a little unusual for the band as it was just the normal guys. Yes, Klaus Meine, Rudolf Schenker, Mathias Jabs, Ralph Rieckermann and James Kottak performed, but they weren’t alone. The actually had three guitarists and the third was Johan Daansen which really fills the songs up with that acoustic guitar sound. On keyboards was Christian Kolonovitis who also helped the band arrange the songs for the acoustic set. Christian was also the one who was the conductor and arranged the Scorpions songs for the Moment of Glory Berlin Philharmonic Orchestra album the prior year. James might have been on drums, but they also had a percussionist by the name of Mario Argandona. And to fill up the stage even more, there was a cellist, Ariana Acu and a group of female vocalists to help with backing vocals. They were Hille Bemelmanns, Liv Van Aelst and Kristel Van Craen. They really went all out to bring a different experience and I would say it worked pretty well.
The band also were great in giving us a few things extra on this release. We got the biggest hits, no doubt, but that wasn’t all. We actually were treated to 3 brand new songs (four if you got the DVD). And on top of that, we got a handful of great covers from The Cars, Kansas and Queen. With all that, it made this a very worthwhile purchase to get all the songs we hadn’t heard before. But was it all worth it? Let’s see.
The set opens with “The Zoo” and it has this cool groove which is almost like ‘Black Velvet” by Alannah Myles. Then we get the ballad “Always Somewhere” and the crowd claps along and at times sings along, there are female backing vocals and Klaus sounds stellar. Ballads usually work well in the acoustic setting and this one is no different. After this one we get the first of three new songs. First one up is “Life is Too Short” and this one brings some string orchestration. It is another ballad but it really shows the maturity of the band. I would really love to hear a studio version as this is really a great song. The chorus is really catchy which helps draw you in and as the song builds it just keeps getting better.
The Scorpions were flying high. From the release of ‘Lovedrive’ in 1979 all the way up to ‘Savage Amusement’ in 1988, they could do no wrong. Their label, Mercury Records, thought, “hey, good time for a greatest hits compilation”…and ‘Best of Rockers ‘N’ Ballads’ was born. Since they have had other compilations focusing on Pre-‘Lovedrive’, Mercury Records released a compilation of only songs that were during the bands tenure on Mercury from 1979-1988. To make it enticing to fans, they added a few new remixes and unreleased tracks and I am a fan of new mixes and unreleased tracks.
The album was released on November 29, 1989 just in time for Christmas. And what a present it was. The album sold over 1,000,000 copies and is the only Scorpions compilation to be certified Platinum. The album went to #43 on the U.S. charts and had one single that went to #5 on the Mainstream Rock Charts. Now, depending on where you were in the world, you got a different track list. The European version had an extra track, “Is There Anybody There” from ‘Lovedrive, but this was a remix and previously unreleased. They also got a remix of “Hey You” which is a Non-Album single from 1980 that hasn’t been released on any album up to this point. The US and Japanese releases did not have either of those tracks, but did have the original version of “Hey You”. The European CD release also included one more rare track. It was the version of “China White” which features the guitar solo that was only available on the US Blackout release. If you are a completist on the Scorpions, you have a lot to buy here.
With the massive success of ‘Love at First Sting’, Scorpions were riding high. So the label felt it was time for another live album as it had been 7 years since the last one. During the ‘Love at First Sting Tour’, numerous shows were recorded and a double live album was pieced together. The shows were as follows:
Bercy, Paris, France (1984-02-29)
The Forum, Los Angeles, CA, USA (1984-04-24 & 1984-04-25)
Sports Arena, San Diego, CA, USA (1984-04-26)
Pacific Amphitheatre, Costa Mesa, CA, USA (1984-04-28)
Sporthalle, Cologne, West Germany (1984-11-17)
The album was released on June 20, 1985 and went all the way to #17 on the US Billboard 200 Chart and sold over 1,000,000 copies giving it platinum status. The band could do no wrong. The classic line-up was in place with Klaus Meine, Rudolf Schenker, Matthias Jabs, Francis Buchholz and Herman Rarebell. And of course, the album was produced by long time Scorps producer Dieter Dierks.