It started back on August 1, 2022 and it ends today. The Scorpions Collection Series has been a run ride and after 40 posts, we come to the conclusion. And that conclusion will take the 19 Studio albums and 1 compilation and rank them from the best album to the worst. The 1 compilation is really a studio album. ‘Comeblack’ is 1/2 re-recorded hits and 1/2 covers so in my book, it is a studio album.
Scorpions started way back in 1965, but their first album after many ups and downs finally came out in 1972. It was ‘Lonesome Crow’. There are two classic line-ups of the band in my book. You have the 1st with Rudolf Schenker, Uli Jon Roth, Klaus Meine, Francis Buchholz and Rudy Lennars. Then their heyday of the 80’s saw Rudolf Schenker, Klaus Meine, Francis Buchholz, Mathias Jabs and Herman Rarebell. Yes, Micheal Schenker was in the band and there have numerous drummers and the like, but I would say these two were my favorite line-ups. The final album came out in 2022 and it was called ‘Rock Believer’, so we have 50 years of albums and over 50 years of the band and it was a hell of a ride going through this series.
Now, let us get to the brass tacks here and start this ranking…and away we go….
THE WORST – ‘EYE II EYE’ (1999):
I think it is fair to say this might be the worst Scorpions album of them all. And since I’ve heard them all, I think I’m qualified to make that statement. I am all fine with experimenting, but with such a drastic change, it is a little too much all at once. The techno sound, the rapping, the almost full album of ballads was too shocking for most humans to handle. Now, there are a handful of great tracks on here, but not enough to save this pile of garbage (though good enough for a Scorps playlist). My Overall Score is a 1.0 out of 5.0 Stars as the Scorpions are not a boy band, they are not a pop band and they are definitely not a techno band. They are a hard rock, heavy metal giant that got lost in the 90’s like a lot of 70’s/80’s bands did.
Really! Another greatest hits album. Why? Well, the labels want money as this is a cash grab, but it does have some good points. The album was released on May 28, 2002 on Hip-O Records and contains 18 classic songs from the band. Scorpions – ‘Bad for Good: The Very Best of Scorpions’ does offer something a little different than some of their other compilation albums. First, you get 3 tracks that are single edits and not straight album tracks. Second, you get two brand new Scorpions songs!! That right there is the reason to buy this one.
Now, that doesn’t mean there aren’t problems with this release and for that problem is glaring. Again, we get a greatest hits compilation that completely ignores any album prior to 1979’s ‘Lovedrive’. Why do they keep leaving off all those good songs? Is it that the band, or the label, don’t own the rights to those songs? Whatever is the reason, it is an absolute shame that the public doesn’t get to hear those great songs from the 70’s up against these smash hits. Being a single disc release, I see that there is no room and I do get the label wants the biggest hits…but biggest doesn’t mean the best.
The album is in chronological order…wait…not quite. They start it off with “Rock You Like A Hurricane” because that is like their biggest, most notable hit. After that, the rest are in chronological order. Not sure the point of that and seems quite silly in my book. I am not sure how much input Klaus Meine, Rudolf Schenker or Mathias Jabs had, but at least they might have had a say in the two new songs, but that might be it. There is a nice multiple page write up in the liner notes about the band by Gerri Miller from Metal Edge magazine and she talks about 3 decades of the band, but the compilation doesn’t give us songs that cover the whole period…but I’ve said that already. Enough bitching, let’s get to the songs.
Every band needs a signature song and Scorpions did that on their 9th album with the song “Rock You Like a Hurricane”. It only went to #25 on the Top 40 chart, but it has lived on and given the band one of the quintessential 80’s rock songs ever made. There is no one that doesn’t know this song the second that opening riff kicks in. It is a rock anthem like very few achieve. For ever how many songs the album sold, most were sold because of this track. With heavy riffs, killer solos and one of the most catchiest choruses ever, this song took the band to a level they probably never thought they would see.
The Scorpions camp felt it was time for another live album. This would be the band’s third to date and was released April 3, 1995. Now, the disc is not one show as that would be the smart thing to do and this instead is the easy way out. They took shows from several concerts from 1988 to 1994. The cities were Leningrad (Russia), San Francisco (US), Mexico City (Mexico), Berlin (Germany) and Munich (Germany). The album has the normal crew of Klaus Meine, Rudolf Schenker, Mathais Jabs, Herman Rarebell and current bass player, Ralph Rieckermann. However, most of the bass playing is long time member Francis Buchholz. The best thing about the album is that they did include 3 studio tracks which is the real reason to buy. No definitive time on the recordings, but I believe they range for 1988-1995, just no where I can prove that out.
As far as live albums go, it does sound fantastic. The guitar sound is actually killer, almost to amazing which makes me wonder if any touch up was done. And Klaus’ vocals are spot on, the drum sound is hard and heavy. There is no denying these boys can play live. They kick off with “Tease Me Please Me” and it would be a good song to start with as it totally rocks out and gets you on your feet. Then we get a real treat with the ‘Lovedrive’ track “Is There Anybody There”. I love the reggae vibe to the song. I really unexpected choice for the live show, but very welcomed. Really cool. Back to the heavy rock guitar sound with “Rhythm of Love” and they nail it here before going in to the only song that is a found on another live album and that is the fantastic “In Trance” and this is a classic track. Man is it good.
The first misstep for me is “No Pain No Gain” as I’m not a fan of this song, but they do make it sound a little better than the studio track here. It fits better in the live setting than album setting, but not by much. Then from ‘Blackout’ we get “When the Smoke is Going Down” and another surprise track for me. I didn’t like this song as the ending to that album, but mixed here in the middle of the show and listening to Klaus sound incredible on this one, I dig it here. Next up is “Living for Tomorrow” and this song had been released previously on the 1992 compilation called ‘Still Loving You’. On here, two slow songs in a row really can start to drag the show down. Klaus speaks to the crowd in Russian as it was recorded in Leningrad.
We are now to the 2nd of the 4 Promo pieces I have in my Scorpions Collection from the album ‘Crazy World’. The song this time is the opening album track, “Tease Me Please Me”. It was released in November 1990 and was written by Klaus Meine, Mathias Jabs, Herman Rarebell and Jim Vallance. It did go to #8 on the US Hot Mainstream Rock Track Chart, but didn’t chart anywhere else.
My version is the U.S. edition and it is a cheap little cardboard box with a sliding CD sleeve out the side of the packaging. At the bottom of the CD, it does say those famous words…”For Promotional Use Only…Not For Sale”. Oh, I love those words.
The band’s eleventh studio was recorded in 1990 and was the first album in year (maybe decades) to not include Dieter Dierks as producer. Instead, they went with Keith Olsen and went back to a less polished sound which helped see the album go to #21 in the U.S. upon its release on November 6, 1990. It is also the last album to be certified 2X Platinum in the States. It is also known as the band’s first #1 album in their home country of Germany which I find insane it took that long.
The band is still in tact with Klaus Meine, Rudolf Schenker, Mathias Jabs, Francis Buchholz and Herman Rarebell. Little did we know though that this would be the last album to feature longtime bassist, Francis Buchholz. But before he leaves, he actually gets his first songwriting credit with the song “Kicks After Six” which we will talk about soon enough. This album saw the band have a more mature tone in some of their songwriting, but don’t worry there is still the whole sleazy piece of rock as well. The best of both worlds.
The album opens with, “Tease Me Please Me”, which is a sleazy little track that seems part Motley Crue, part everything else at the time and that is okay. The song is a rocker that doesn’t take a lot of thought, but it still kicks ass. A fun opening track with a cool riff, some nasty guitar work, Klaus’ gritty vocals and overall catchy as hell. It is straight up down and dirty rock & roll. Yes, please…sign me up.
“Don’t Believe Her” is up next and it is proof that the Scorpions were now an American rock band as the sound is like every other band rocking out in the U.S. at the time. I really like the opening guitar work and then it goes very Ratt-like with the tone. The only thing missing was Pearcy’s rough vocals. Instead we get much better with Klaus. The song isn’t something to write home about, but it is still a fun, upbeat song although chorus is pretty weak.
Then it is more radio-fodder with “To Be With You In Heaven”. I thought it was going to be a ballad, but it is too upbeat and too much a rocker to be one, but it doesn’t miss by much. Rarebell has a slamming drumming beat as the base to the song. The song does have those romantic lyrics you’d expect in a ballad and Klaus delivers them flawlessly, but still not a ballad with that dual guitar work from Jabs and Schenker.
The next track was the first ballad and it is the band’s mega-hit “Wind of Change”. The song was written by Klaus Meine and was inspired by the band’s trip to the Moscow Peace Festival in 1989. The song is about the change that was brewing in the Soviet Union and in Berlin. When the Wall fell and the Soviet Union was no more, the song was a unifying song for everyone. The whistling in the song was by Klaus, Mathias was playing the rhythm guitar and Schenker handled the solo. A slow ballad that seem to strike a chord with everyone as it went to #1 in 9 countries and #4 in the U.S. It was certified Silver, Gold or Platinum in 9 countries as well. To say this was a worldwide phenomenon would be understatement. And the YouTube video is closing in on almost 1 Billion views…impressive.
The band ends Side 1 with “Restless Nights” which is very bluesy and almost a doom like vibe to the whole thing. The chorus picks up and is more melodic while the everything is a little dark and foreboding. Even Klaus sings it with a little doom & gloom until his more sunny-vibed chorus. Jabs does lay down a great solo amongst the Meine screams. Still not a huge favorite of mine though.
Side 2 kicks off like Side 1 did with pure sleazy, sexualized rock and roll. “Lust of Love” is pretty mindless fun with a great, driving beat and a chorus that lingers long after its gone and you find yourself singing it around the house and your wife looks at you with a suspiciously strange evil eye. It is a rousing metal anthem…well pretty close. I do like it though.
And the next rack is the song with Francis’ first co-writing credit. “Kicks After Six” is more of the same, enticingly good time rock & roll. I have to admit, I like the raucous, sleazy, dirty little rockers. The are fun, joyful and put a little bounce in my step. This one opens with a really cool riff that I think makes the song. Rarebell pounds away the driving beat and the song kicks some major ass for me. Oh, and the solo…don’t forget the solo. Crank it baby!!
“Hit Between the Eyes” keeps the party going with some almost speed metal riffs and what I believe is a killer dual guitar solo between Mathias and Rudolf…love it! Klaus is brutal as he attacks the verses with a feistiness we haven’t seen yet on this album. Probably the heaviest track here and what a 1-2-3 punch we get on this side. A total rocking good time.
Then we get to a different tone on the album and first up is “Money And Fame”. It harkens back to an older Scorps sound, but I’m not really feeling this one. You’d think I like the gloomy feel to it. The talkbox, by Jabs, has been played to death by most bands at this time. The song drags on for me and doesn’t feel like it gets where it is trying to go.
The title track, “Crazy World”, is up next and it does pick up the pace and has a little more rocking feel to it. The “ooohs” by Klaus are a nice touch especially accompanied by some cool riffing. This is a different track from the rest of the album. A little more sophisticated from the sleazy tracks and I kinda dig it. A nice change of pace and a pretty deep cut that maybe should’ve been placed earlier in the set. Who knows.
And finally we get to end and as usual, Scorpions end with a ballad and I think it is one of their best ballads ever. “Send Me An Angel” sees Klaus give his best vocal performance as he conveys both a melancholy vibe yet there is still a shimmering light of hope. The keyboards add to the sadness and they are handled by Jim Vallance who actually co-wrote 7 of the tracks on here as well. You know Jim from his work with Bryan Adams. There is a desperation to the lyrics as he feels so lost but the hope that an angel will come and make everything better. A really beautiful track and one I never tire of hearing. They outdid themselves with this one in my book.
Tease Me Please Me – Keeper
Don’t Believe Her – Keeper(1/2 Point)
To Be With You In Heaven – Keeper
Wind of Change – Keeper
Restless Nights – Keeper(1/2 Point)
Lust or Love – Keeper
Kicks After Six – Keeper
Hit Between the Eyes – Keeper
Money And Fame – Delete
Crazy World – Keeper
Send Me An Angel – Keeper
The Track Score is 9 out of 11 Tracks or 82%. I like this one and the fact they didn’t over produce this one like ‘Savage Amusement’. The sleazy songs were so much fun and sometimes you just need down & dirty. The more sophisticated tracks like “Winds of Change”, “Crazy World” and “Send Me An Angel” also were a nice dichotomy to the album. You got some slick and some sick…that is what you need sometimes. It was good to bring Keith Olsen in to produce as the guys needed to shake things up a bit. My Overall Score is a 4.0 out of 5.0 Stars as this is their last great album for some time to come…at least in my book.
NEXT UP: CRAZY WORLD – 4 TRACKS FROM CRAZY WORLD – PROMO VINYL (1990)
The Scorpions were flying high. From the release of ‘Lovedrive’ in 1979 all the way up to ‘Savage Amusement’ in 1988, they could do no wrong. Their label, Mercury Records, thought, “hey, good time for a greatest hits compilation”…and ‘Best of Rockers ‘N’ Ballads’ was born. Since they have had other compilations focusing on Pre-‘Lovedrive’, Mercury Records released a compilation of only songs that were during the bands tenure on Mercury from 1979-1988. To make it enticing to fans, they added a few new remixes and unreleased tracks and I am a fan of new mixes and unreleased tracks.
The album was released on November 29, 1989 just in time for Christmas. And what a present it was. The album sold over 1,000,000 copies and is the only Scorpions compilation to be certified Platinum. The album went to #43 on the U.S. charts and had one single that went to #5 on the Mainstream Rock Charts. Now, depending on where you were in the world, you got a different track list. The European version had an extra track, “Is There Anybody There” from ‘Lovedrive, but this was a remix and previously unreleased. They also got a remix of “Hey You” which is a Non-Album single from 1980 that hasn’t been released on any album up to this point. The US and Japanese releases did not have either of those tracks, but did have the original version of “Hey You”. The European CD release also included one more rare track. It was the version of “China White” which features the guitar solo that was only available on the US Blackout release. If you are a completist on the Scorpions, you have a lot to buy here.
While at a record show here in Charlotte, one of the vendors had a Special Edition single of the Scorpions song “Rhythm of Love”. The single was a UK edition and it was a box set. On the cover it says it is a Special Boxed Set including record & Five Full Colour Cards. You know it isn’t a US release because color is spelled as “Colour”. The set was released in 1988 and I will say that my box is a little beat up and not in the greatest shape, but everything is there and I think it is still pretty cool.
As I said above, the set came with 5 full color pictures and what is cool is that they are double sided. On one side, you get a picture of each band member, up close and personal…
And then on the other side, you get the album pictures of their last 5 albums…
It had been four years since the band’s last studio album ‘Love at First Sting’ in 1984. The band toured extensively for that record and then released a live record ‘World Wide Live’ celebrating that tour. Then the band toured again for the Live album and they were exhausted. They finally headed back in the studio in 1987 to start recording ‘Savage Amusement’ and worked on the new album through to early 1988. The band’s sound changed as they became way more polished and mature sounding thanks in large part to the success of Def Leppard. I would say the sound tried to mirror them to some degree.
The album saw the full band return with Klaus Meine, Rudolf Schenker, Mathias Jabs, Francis Buchholz and Herman Rarebell. The producer was the same as well with Dieter Dierks, however, this would wind up being his last Scorpions album. ‘The ‘Savage Amusement’ was released on April 16, 1988 and did really well going to #5 in the U.S. and going Platinum with over 1,000,000 copies sold. Sadly though, it was considered a disappointment.
With the massive success of ‘Love at First Sting’, Scorpions were riding high. So the label felt it was time for another live album as it had been 7 years since the last one. During the ‘Love at First Sting Tour’, numerous shows were recorded and a double live album was pieced together. The shows were as follows:
Bercy, Paris, France (1984-02-29)
The Forum, Los Angeles, CA, USA (1984-04-24 & 1984-04-25)
Sports Arena, San Diego, CA, USA (1984-04-26)
Pacific Amphitheatre, Costa Mesa, CA, USA (1984-04-28)
Sporthalle, Cologne, West Germany (1984-11-17)
The album was released on June 20, 1985 and went all the way to #17 on the US Billboard 200 Chart and sold over 1,000,000 copies giving it platinum status. The band could do no wrong. The classic line-up was in place with Klaus Meine, Rudolf Schenker, Matthias Jabs, Francis Buchholz and Herman Rarebell. And of course, the album was produced by long time Scorps producer Dieter Dierks.
In the U.S., the label was capitalizing on the Scorpions success by releasing a compilation, so why not the European labels. 1984 was a big year for the Scorpions so lets milk it for what we can was the attitude of the day!. With the massive success of their ballad “Still Loving You”, why not release an E.P. of their best ballads and pick those from four of their best albums, ‘Lovedrive, ‘Animal Magnetism’, ‘Blackout’ and ‘Love at First Sting’. And ballads are big sellers, so it made perfect sense.
My copy is the German release…yes, I have a bunch of German releases as I found all of these at one of our local record shows (not stores, but the record shows where there are all the goodies). The album was released on October 13, 1984 with multiple reissues over the next couple years across Europe. This copy I have is from the original release in Germany. It is a 5 song E.P. and let me tell you, it is a great set of ballads. I also love that the cover is probably an outtake photo from the ‘Love at First Sting’ album cover shoot.
Sit back and let us go trough it for you.
“Still Loving You”, from ‘Love at First Sting’, is one of my favorite Scorpions ballads and one of my favorite all time as well. About a couple in love that knows it’s over, but try to make it work one more time. The song opens with some gentle, soft riffing and Klaus singing in almost a whisper. Then the power part of the ballad kicks in and the guitar licks are blissfully beautiful and the chorus is gut-wrenchingly heartbreaking and lovely at the same time. I think this might one of Klaus Meine’s best vocal performances on any album.