Before the release of ‘100,000,000 Bon Jovi Fans Can’t Be Wrong’, Bon Jovi had already finished recording their next album, ‘Have a Nice Day’. The record company wanted to put it out in early 2005, but Jon and the band had other ideas. They actually went back in to the studio and recorded more songs and tweaked some of the existing. As a result, the album didn’t see the light of day until September 20, 2005. The album 13 tracks and 3 bonus tracks scattered over Europe, Australia and Japan. The album would hit #2 in the U.S. and would hit platinum status as well as see #1 in numerous countries around the world so they were still a big worldwide band.
The album saw a new face in the producer chair. A gentleman by the name of John Shanks. John had worked with Ashlee Simpson, Hillary Duff, Kelly Clarkson and so many more. Us rock fans, were not real excited about that pedigree. Would this be a watered down, poppy Bon Jovi. Thankfully, that wasn’t the case as the album picked up where ‘Bounce’ left off giving us some heavy Bon Jovi and actually it saw a more thought-provoking Bon Jovi as Jon Bon Jovi really dug deep for the lyrics.
But, this would also be the first of many Shanks produced albums that many fans is the reason the band has lost its way and isn’t the same as it used to be. Yes, a band should grow and play with new sounds, and they did that, but the diehard fans have not been happy with the results, this fan included. This was the last Bon Jovi album that was good in my book. We will see if that thought still holds true as I re-explore the later albums. For now, I’m just going to enjoy this one like I always have.
The album would kick off with the first single and the title track, “Have a Nice Day”. The song is a carbon copy of “It’s My Life” as it is anthemic as well as delivering a positive message that says live your life the way you want to do it and when people try to bring you down, just tell them to “Have a Nice Day” and move on with your life. It is an exciting opening track, with an ear worm candy of a chorus that will keep you singing for days after you hear it.
We are in the year 2004 and Bon Jovi has now been around for 20 Years at this point. To celebrate their 20th Anniversary, they released a really cool box set of mostly unreleased tunes and a lot of little extras titled ‘100,000,000 Bon Jovi Fans Can’t Be Wrong’. The Box Set is a collection of 50 songs spread over 4 CDs, 38 of which had never been released. The others were songs from soundtracks, remixes and/or B-Sides. This was a band dumping everything sitting by the wayside in to one set and I applaud them for that. Us diehard fans love this kind of stuff. And if that wasn’t enough, if you have the Japanese Edition, which i do, you get another CD of B-Sides and Japanese Bonus Tracks. That is another 10 songs.
This is a lot of music to absorb and we won’t be absorbing it all here. Nope. I’m going to go through each and every CD, track by track over 6 posts. We are now on the fourth disc which had a total of 13 tracks, 10 of which were previously unreleased. So let’s get started and dive into the music as that is why we are really here any way.
We are now to the final disc of music for the original box set. We still have the Japanese Bonus Disc to do and the DVD. This set starts off with two versions of “Love Ain’t Nothing But a Four Letter Word”. A song about domestic violence which is a serious topic for the band. However, the music doesn’t make it feel all that serious. This is an upbeat version with a real R&B, Motown feel to it with the horns and the angelic ladies on the backing vocals. That sound is why they never used it on an album. The other version of this song is Jon’s original demo with I think just him on the song. Some different lyrics and a more rocker feel to it the final studio version.
We are in the year 2004 and Bon Jovi has now been around for 20 Years at this point. To celebrate their 20th Anniversary, they released a really cool box set of mostly unreleased tunes and a lot of little extras titled ‘100,000,000 Bon Jovi Fans Can’t Be Wrong’. The Box Set is a collection of 50 songs spread over 4 CDs, 38 of which had never been released. The others were songs from soundtracks, remixes and/or B-Sides. This was a band dumping everything sitting by the wayside in to one set and I applaud them for that. Us diehard fans love this kind of stuff. And if that wasn’t enough, if you have the Japanese Edition, which i do, you get another CD of B-Sides and Japanese Bonus Tracks. That is another 10 songs.
This is a lot of music to absorb and we won’t be absorbing it all here. Nope. I’m going to go through each and every CD, track by track over 6 posts. We are now on the third disc which had a total of 13 tracks, 9 of which were previously unreleased. So let’s get started and dive into the music as that is why we are really here any way.
The third disc opens with one of the greatest Bon Jovi songs never to be released on an album. That song is “Edge of A Broken Heart” which was used for the soundtrack of the great comedy movie starring The Fat Boys called ‘Disorderlies’. The movie was from 1987 and was just terrible. However, the song is amazing. The song was written by Jon Bon Jovi, Richie Sambora and Desmond Child. It ended up as an outtake to the ‘Slippery When Wet’ then resurrected for the soundtrack. A fan favorite that the band knew needed to be on this box set. The song was too much like the big hits on the album so they pulled it and what a shame.
Next up is “Sympathy” which Jon and Richie during the ‘Keep the Faith’ sessions. According to the book in the box set, the recording studio where they were recording the album in Vancouver had a projector that was playing a Rolling Stones concert and it was plastered on the wall about 8 to 10 feet wide. They song became a homage to the band. At the end of the song is a little bit where Jon pokes fun at Tico Torres singing in a weird old school trying to rhyme anything with Tico. It is pretty funny. Richie helps out and it is quite funny.
Bon Jovi wasted no time working on their 8th studio album, ‘Bounce’. They started writing while still on tour for their album, ‘Crush’. Then something happened in the world that would change it and strongly influence the album…the September 11th attacks on New York City. Since the boys were from New Jersey, this had a profound impact on the song writing. They started writing in the Summer of 2001 and it would really pick up after this event and by the end of 2001, they had around 25 songs written and demoed around 12. But by the end of the writing and recording, there was about 40 songs written over the span of a year. They used 12 for the album and several more for B-Sides and bonus tracks.
The band was still a four-piece with Jon Bon Jovi, Richie Sambora, David Bryan and Tico Torres. Of course, future member Hugh McDonald was there on bass like had been for awhile, but an old face came back to help on the album. Their good friend Desmond Child was back in and helping the band write some songs. They had more help on the songs with Swedish producer and writer Andreas Carlsson and Billy Falcon. As far as producing, Jon, Richie, Desmond and Andreas all had a hand, but most was done by Luke Ebbin who had a big hand in the new sound that started with “It’s My Life”.
The album finally saw the light of day on October 8, 2002 and went to #2 in the U.S., the UK and numerous other countries only going to #1 in the European album chart. And like had happened most of their career over the last decade, they were bigger in Europe than the U.S. They sold 500,000 copies in the U.S. going Gold while they sold over a million copies in Europe. They were still a massive global act as they inched closer to 20 years as a band. For me, this album was the start of the decline. I like this album and the next one, but a little more was taken away from with each passing one. But let’s see about this one first.
Yes, I was there for the end. The final Kiss show. I have been a fan for around 46 years or since ever since I discovered these albums in my brothers collection. I was around 7-8 years old. The make-up, the larger than life characters, the pictures on those albums and most of all, the songs all captured this little kid’s mind and never let go. Through the good years and the bad (and there have been some), Kiss has always been a part of my life.
My very first Kiss show was December 26, 1983 for the Lick It Up Tour. My brother, Gary, gave me a ticket for the show on my birthday, which was the day before the show. Imagine my surprise. Here we are 40 years later and this time I bought the tickets. My brother took me to My First Kiss Show and I am taking him to the Last!! We arrived in New York City early morning on Friday, December 1st, 2023. Gary from Atlanta and I from Charlotte. Once we arrived, we did a couple touristy things, but one of the cool things was going to where Kiss were photographed in the suits for the Dressed to Kill album cover. That was at the southeast corner of W23rd Street and 8th Avenue looking North. I didn’t recreate it, just took a picture there.
Cheesy, yeah…but it was fun standing there where the guys made that iconic Kiss picture. The other Kiss place we went was down to Electric Lady Studios. The place where Kiss recorded their demos with Eddie Kramer, prior to the debut album. You know this studio because it was Jimi Hendrix’s Studio. If you open the door, you will see the original door and brick that was there when Kiss was. The funny thing about these two locations is that we knew we found the right locations as there were already other Kiss fans doing the same thing we planned on doing. And speaking of fans, everyone we met was so friendly and so excited about the weekend. Kiss fans, when not being overly critical, are actually great people.
After Bon Jovi’s very successful ‘These Days’ album and especially that tour which ran for 126 shows in around 43 countries, the band was ready for a break. The tour ended on July 19, 1996 and the band decided, it was time for a hiatus from the band. They did a self-imposed two year break from the band. That 2 year break would turn in to 3, but no one is counting. During that time, we saw solo albums, Jon went and did a lot of acting and the thoughts that Bon Jovi were done were on everyone’s mind.
Jon didn’t waste any time and was the first with a solo album as he beat Richie by about a year. Jon’ second solo album is called ‘Destination Anywhere’ which he was working on even during the “These Days Tour”. It was finished around January 1997 and it came out on June 16, 1997 which is a long time after the album was finished. A lot of that had to do with Jon’s little vanity project of ‘Destination Anywhere’…the FILM! I don’t actually own a copy and won’t be reviewing, but I’ve heard nothing good about it. It was a movie with some big stars all surrounded by the songs from the album, but this wasn’t a concept album. The songs were just in the film.
The album saw Jon break away from the Bon Jovi sound which a good solo album would do. It was more Indie Rock and Pop then the glam rock that Bon Jovi did and for that I was super excited because if I want to hear Bon Jovi, I’ll listen to Bon Jovi. I want to hear what he can do outside of that arena and this was a great set of songs to showcase he could do more. And he filled it with a lot of influence from British bands as well like Blur and Manic Street Preachers which is completely unexpected.
The album saw four singles, it had four producers other than Jon and it was filled with talented musicians as you’d expect. Heck, a could of the Bon Jovi boys appeared on the album as well (not Richie though). the album would go to #2 in the UK and sell over a million copies in Europe, but it only hit #31 in the US and not sure how many it sold. This continued the success of the band on Jon more overseas than in the states.
For their 16th Studio album, Scorpions wanted to shake things up a bit. But before they could do that they needed to get a producer and that seemed like a daunting task. They had hoped to work with Dieter Dierks yet again, but that didn’t work out yet again due to contract issues. They brought a ton of producers to Germany to interview including Roy Thomas Baker, but the band wasn’t exactly pleased with those results. In the end they settled on two producers. They chose James Michael (lead singer of the band Sixx A.M.) and famed songwriter/producer Desmond Child. They each had their own specific expertise that was utilized on the production. James worked on the guitars, drums and bass while Desmond concentrated on the vocals.
So, Rudolf Schenker, Mathias Jabs, Pawel Maciwoda and James Kottak were in one studio with James while Klaus Meine was in another with Desmond. Desmond believes that if a singers vocals are in great shape, you will get a great performance so Desmond had Klaus basically take vocal lessons every day for an hour before they recorded the vocals. They brought in vocal coach to help Klaus warm up his vocals each and every day. The album is full of songwriters from outside the band as well, but the band still is on every song. You get Eric Bazilian (Hooters), Marty Frederiksen, Jason Paige, Russ Irwin, James Michael, Desmond Child and there are even more.
The band started recording in October 2006 and had about 30 songs and by the second recording process they had another 20 songs. The album was going to be a concept album that was developed by Desmond Child and futurist Liam Carl. It was based on a civil war between humans and robot, it is very apocalyptic in nature and at times very dark. Which is why a number of songs were thrown out because they were too dark. The album needed some more upbeat style songs and those were added, but they were all based around this concept and all tied together because the songs were about humanity. The album was called ‘Humanity: Hour 1′ and was released on May 14, 2007 in Europe and August 28, 2007 in the U.S. We were introduced to a very modern sounding Scorpions album, but at the same time, it still sounded like the Scorpions. All I know is that when I heard this album, I was back on board the Scorpions’ train and been riding it since. Sit back and get ready for the best Scorpions album in decades!!
A woman robot welcomes us to Humanity: Hour 1 as “Hour 1” is the start of the war. The earth-shattering drum beats, the Sabbathy guitar riffs and then Klaus comes in and sounds amazing as he introduces the reasons behind our downfall and that humans tried to play God with their machines causing all the problems we are now facing. It is a heavy, intense and rocking opening track. Very modern and very brutal and a solo that will rip your face off as the battle rages on. A killer opening track and one of their most aggressive tracks…ever!! And what is even cooler about this one is that the guest guitarist is none other than the mighty John 5.
Out at one of my local haunts, Mad Jacks, I found a handful of 7″ singles and the first one up is from Joan Jett & the Blackhearts for their song “I Hate Myself For Loving You”. The song was released in June 1988 and is off her album “Up Your Alley”. The song was written by Joan Jett along with the great Desmond Child who also produced it as well. The song was a Top 10 hit for Joan Jett going all the way to #8 on the charts and help propel the album platinum status.
My version is the standard U.S. Edition with the B-Side being a live version of “Love is Pain”. The original song is off her album “I Love Rock & Roll”. Joan Jett wrote and produced this song. My copy isn’t special or rare, but I am trying to collect any decent 80’s rock picture sleeves so I had to have it.
In my quest to find good homes for 7″ Singles with picture sleeve covers, I came across another Bon Jovi single. This time around it is for the song “You Give Love a Bad Name” off their mega-selling album “Slipper When Wet”. It was the first single off the album and was the band’s first #1 single and wouldn’t be their last. The song was written by Desmond Child, Jon Bon Jovi and Richie Sambora and is about a woman who has done her lover wrong. So wrong that she gives love a bad name.
An interesting note about the song is Desmond had written this song for Bonnie Tyler, but it was called “If You Were a Woman (And I Was a Man)” which had completely different lyrics. The song did poorly so he brought it to his writing session with Jon and Richie and pitched it. They completely re-wrote the lyrics and turned it in to the big hit it is today.
The single I have is the standard U.S Release which was released on July 23, 1986. The B-Side is also off ‘Slippery When Wet’ and is the song “Raise Your Hands”. The picture sleeve I have is in great shape and the vinyl is clean and sounds great. For being 36 years old, I would say it is in pretty great shape.
Back in 1991, Aerosmith actually signed a new recording contract with their old label Columbia Records. The problem was they hadn’t completed their obligation to Geffen. They had a 6 album deal with Geffen and only 5 albums had been released. There appears to have been a deal that they would release a live album under Geffen, but first they were going to record their first album for Columbia Records un der their deal.
The recordings started in Miami at Criteria Studios with Glen Ballard as producer. He also co-wrote several songs on the album. Desmond Child and Taylor Rhodes both came back to the fold to also co-write songs for the album. Right before rehearsals started, the first signs of trouble reared its ugly head. Joey Kramer was suffering from depression and wasn’t able to play at that time so Steve Ferrone was brought in to hit the skins. As a result, rumors were flying around that the band was in trouble. If that wasn’t enough, when they delivered their album, Columbia was not real happy with what they received. They decided to replace Glen Ballard and brought in Kevin Shirley in to produce and re-work the album.
In September 1996, the band went back to the studio, this time in New York City at the Boneyard. John Kalodner was also brought in to help supervise and the band and due to the delay, Joey Kramer was able to play on the album. They recorded all the songs they had previously done with Ballard so Joey could play on them. Kalodner helped the band reduce their over 20 tracks recorded for the album down to the 13 that were actually released on the album. This also gave them a ton of tracks to use as bonus tracks for the Japanese edition and any other international release. The album saw the light of day finally on March 18, 1997. They released 5 singles, the album went to #1, they won a Grammy and the album sold over 2 million copies. Not as good as their last album, but still pretty damn good.
The artwork for the album caused a lot of controversy in the Hindu community. The original cover had been inspired by a painting in a book by A. C. Bhaktivedanta Swami Prabhupada, featured Lord Krishna (with a cat’s head and female breasts) dancing on the head of the snake demon, Kāliyā. The band had no idea it was offensive and quickly removed it and used a new picture of a cat tied to a circus knife-thrower’s wheel. The booklet for the album was some really cool artwork in and of itself. There are 12 pieces of art and each picture has a picture of the previous page’s artwork building on itself meaning that 12th picture includes all 12 pictures and the first picture includes the 12th so it just keeps going round and round and round. It is pretty cool…maybe the coolest thing about the album (oops did that give the review away a little).
Musically, the album isn’t much different than the prior three albums as you can hear those elements for sure on numerous songs. However, at times it is heavier and way more experimental with some of it working and some of it not. It all starts with a a guitar note and then the wailing of a cat and then they jump in to the title track “Nine Lives” co-written with the great Marti Frederiksen. I believe that cat scream was used on “Rock And a Hard Place (Chesire Cat)” off ‘Rock and a Hard Place’. The song is a ball of energy with Joey pounding on the drums and Tom slamming a bass groove. The guitar work of Brad and Joe is exceptional as every and it is classic Steven on vocals. However, not my favorite opening track of theirs albeit still a good song.
Then we get the cheesy and tongue-in-cheek “Falling in Love (Is Hard on the Knees)” co-written with Glen Ballard who produced the first recording session for the album. It has a little bluesy tinge to it and some well-used horns, but it is nothing new or original and sounds like it could’ve been on any of the previous three albums which is why it made a perfect single and became a hit because the radio world likes the same old song and dance.
“Hole in My Soul” is a ballad co-written with their old pal Desmond Child and he can still help create a great ballad even though in 1997 no one was really doing ballads and having hits except Aerosmith. Steven Tyler’s speaking verses and sung choruses were brilliant and what I loved most about the song. It just worked. The funny thing this could’ve been on any of their albums and this time it doesn’t bother me at all because I feel it is such a strong song.
Then the band goes all experimental with “Taste of India” which is another Ballard co-write. This is one example of experimenting and it working better than expected. With “India” in the title you would expect the song to have that Indian feel and it does with some excellent playing of the sarangi by Ramesh Mishra. It also feels very 60’s with a hole psychedelic vibe to it which I love. Joe and Brad whip out their Stratocasters for this one and really shine adding some great textures. Kramer’s drum sound is immense and Hamilton’s bass groove lays the foundation. Tyler’s vocals blend well with the sarangi and it is all just a little magical. It sounds like nothing else they’ve done and amen to that fact.
Then we get “Full Circle” which has a country-vibe to it and leaves you thinking WTF! It is slowed down a little tempo wise and sounds like something you sing in a bar or on New Year’s Eve as it has this “Auld Lang Syne” feel to it which isn’t necessarily a good thing. It is co-written by Taylor Rhodes which is his only co-write on the album.
“Somethings Gotta Give” picks the energy back up. Another Marti Frederiksen co-write and you begin to see why people want him on their albums. This one is a balls-to-wall rocker. It’s blues influences are immense as it has some massive harmonica solo pieces from Tyler that are some of the best he has ever done. It is smokin’ hot!!
Desmond’s back with another ballad called “Ain’t That a Bitch”. It has a very dramatic opening with some movie-style horns and then explodes in to a blues-filled groove that sees Tyler screaming in that classic style. I don’t think it is as good as the previous ballad because it really is borderline a ballad, but either way still not a bad track.
The next track, “The Farm”, has co-writes by Steve Dudas and Mark Hudson along with Perry & Tyler as usual. This is another experimental track that opens with Steven doing his best Dorothy and Wizard of Oz impression (which sucks) then he screams in classic style and the song kicks in. It is rocker and has so many cool elements and then some that leave me cold. Cut out the movie-type dialogue and it improves the song a ton but drowns a little under the weight of those stupid pieces. It’s use of horns helps make it a little more dramatic and impactful but not sure it is enough.
“Crash” comes out of you like a bat out of hell. It has punk’s breakneck speed and careless attitude. Tyler is up for the challenge and goes toe-to-toe with Kramer pounding drums and Perry’s speedy ass guitar playing. It will appease the rockers in the audience. Co-written by Mark Hudson and Dominic Miller.
Now we are getting to where the album gets a little tiresome. “Kiss Your Past Good-bye” which is another Hudson co-write. The chorus comes out of no-where and is very hooky or memorable. The verses are dull and seems like filler…enough said.
The big exception to the tiresome part is the classic song “Pink” co-written by their pal Richard Supa. It is a blues-filled masterpiece with Tyler strutting through the lyrics. It has a little something for everyone and will appeal to a lot of people. I like the groove and the pacing as it shows a confidence of a band that has been doing this for awhile.
“Attitude Adjustment” is our last Marti co-write. By this time we are pretty tired as there are way too many songs. I am a little bored with it as it is missing a little something extra to put it over the top. More filler for me. Next…
Talk about bloated, “Fallen Angels” is over 8 minutes long. Whew. Co-written with Supa, the song has a dramatic opening with a whole lot of sounds going on and Tyler making some strange noises. It is a slower tempo and I guess you could say a ballad, but for me it is too long and a little boring in that there is nothing I haven’t heard before. It is uninspiring and I am too tired to care anymore at this point.
Track Listing:
Nine Lives – Keeper
Falling in Love (Is Hard on the Knees) – Keeper(1/2 Point)
Hole in My Soul – Keeper
Taste of India – Keeper
Full Circle – Delete
Something’s Gotta Give – Keeper
Ain’t That A Bitch – Keeper
The Farm – Keeper(1/2 Point)
Crash – Keeper
Kiss Your Past Good-bye – Delete
Pink – Keeper
Attitude Adjustment – Delete
Fallen Angels – Delete
The Track Score is 8 out of 13 or 61%. Way too many songs. This album is so over-bloated and just because your CD can hold 62 minutes doesn’t mean it should and this is a prime example. The whole production process was a mess with 2 different producers and 2 totally separate recording processes was not what they needed. It is unfocused at times and all over the place at others. While it does have some great moments, I won’t deny that, I am still lukewarm on the whole thing. The first half is way stronger than the second and a couple songs on here I would call some of their best, but in the end it isn’t their best work. My Overall Score is a 3.5 out of 5.0 Stars as it still is a good album even if it has too many songs and some of those way too long. Cut this down to 9-10 songs and this is a totally different conversation.
2 Loud 2 Old Music 