Spring has sprung (not completely temperature wise, but calendar wise) and I couldn’t be happier to get past the gloomy winter months. To celebrate, let’s look over what purchases were made at 2 Loud 2 Old Music this month. And we cover the spectrum with Vinyl, CDs, 7″ Single and even Tour Books. Yes, I did not discriminate on a particular product this month. I spread the wealth.
I hadn’t been out to a record store in a long while, so I hit up two of my favorite haunts, Hardy Boy Records and Noble Records and like normal, I found some cool items. First up are a couple of Tour Books from the 1970’s. They are both for Alice Cooper and yes, we will go through them in detail in the next couple months. They are for the Welcome to My Nightmare Tour and the Guilty Tour.
I also find a 7″ Single from Cheap Trick for the Top Gun Song, “Mighty Wings”…love that song…
Continuing the saga of all the 12″ Singles I picked up at the big Metalocalypse sell at Noble Records, we are now on a 4 week run of singles from The Cult. First up was from the band’s 1985 album ‘Love’ with “She Sells Sanctuary” and then we took a look at the lead track and third single form the band’s 1987 album ‘Electric’ with the song “Wild Flower” and from that same album we did the song “Love Removal Machine”. And finally we are on “Fire Woman” written by Ian Astbury and Billy Duffy off their 1989 classic ‘Sonic Temple’. Like “Love Removal Machine”, this copy was still sealed, but since it wasn’t expensive and music should be listened to, it is no longer sealed and it sounds fantastic now that it finally gets to breathe and be heard. I could feel it sigh with relief when I broke the seal. I swear I heard it say softly…”thank you”.
This 12″ was a “Specially Priced Maxi-Single, whatever that means. The song “Fire Woman” was produced by Bob Rock and is the first song I think I really heard by them that made me take notice because when I did, I was hooked. The song is about a femme fatale who is fiery and hotter than hell. She might be a dancer the way the moves around like a flame or she is really wild and sexy…probably all of the above.
You, my reader, are going to pick an album for me to review each month. It is really simple…first, I will give you 5 albums to choose from and second, you will tell me which one of those you would like to see reviewed on the site. See…simple!
There are a few simple rules I have put in to place in my selections. They are…
One has to be a new release (within the last month)
One has to be one I have never heard before (new releases don’t count for this one)
One has to be from a genre I don’t normally listen to at all or very often
And the last two are choices from my collection that I haven’t reviewed before
What are the 5 albums you ask? Funny you should ask because I have those right here…
New Release – Rob Zombie – ‘The Lunar Injection Kool Aid Eclipse Conspiracy’
Never Heard Before – King Crimson – ‘In the Court of the Crimson King’
Not My Normal Genre – David Lanz – ‘Cristofori’s Dream’
From My Collection – AC/DC – ‘For Those About to Rock’
From My Collection – The Cult – ‘Electric’
Let me know which one you would like to see and sometime in April, I will post a review of the album that gets the most votes. You have one week to decide and from there I will start listening to the album and do a review.
Continuing the saga of all the 12″ Singles I picked up at the big Metalocalypse sell at Noble Records, we are now on a 4 week run of singles from The Cult. First up was from the band’s 1985 album ‘Love’ with “She Sells Sanctuary” and then we took a look at the lead track and third single form the band’s 1987 album ‘Electric’ with the song “Wild Flower”. The 12″ this time around is also off ‘Electric’ and was the first single off the album. The song was “Love Removal Machine” written by both Ian Astbury and Billy Duffy. My copy was still sealed, but since it wasn’t expensive and music should be listened to, it is no longer sealed and it sounds fantastic now that it finally gets to breathe and be heard. I could feel it sigh with relief when I broke the seal. I swear I heard it say softly…”finally”.
The 12″ comes with three tracks. The LP Version of the song as well as an extended version. The third track is “Wolf Child’s Blues” which was not on the album so that is the gem piece for this 12″ Maxi Single. All songs were produced by Rick Rubin and “Wolf Child’s Blues” was actually recorded live in the studio on New Years Eve 1986.
Continuing the saga of all the 12″ Singles I picked up at the big Metalocalypse sell at Noble Records, we are now on a 4 week run of singles from The Cult. First up was from the band’s 1985 album ‘Love’ with “She Sells Sanctuary”. This time we are going to look at the lead track and third single form the band’s 1987 album ‘Electric’ with the song “Wild Flower”. The 12″ this time around doesn’t have any other tracks other than “Wild Flower”, but you do get three versions. You get the the Remix version, the Dub version and the original LP Version.
My copy is mint and still in the plastic which is why the picture is a little hard to read. The vinyl was clean and who knows when it last saw a needle…maybe never. That has since changed.
The song was written by Ian Astbury and Billy Duffy. “Wild Flower” is basically Ian’s alter ego Wolfchild who has a lust for the liquor, drugs and those fine women. The Wolfchild came out when Ian decided to crossover to the wild side.
The remix was done by Andy Wallace and the album and the album was produced by Rick Rubin. The Remix version of the song is actually 2 minutes longer than the original which in part comes from the extended opening which is heavy on the drums and not as much as a crushing opener as the original. Throughout, you get extended parts with repetitive musical breaks, more drum parts and bass added to give it a more dance feel I guess. You still get that killer Duffy solo as the song would be lost without it.
First up on this side is the dub mix which was also done by Andy Wallace. This time they open with the guitar and then give that echo layered heavy drum beat that extends out numerous times before the song kicks in to familiar territory. No real lyrics here only Ian thrown in the with lines from the chorus and occasional “Wild Flower” thrown in. It is a lot of drums and guitars which isn’t always a bad thing.
The second track on here is the LP Version and man what a beast of a track. Those rip roaring riffs by Duffy are soul crushing. Ian’s vocals are stellar as his inner beast shines and he tears through the lyrics. As an opening track on the album it is impactful and mind blowing. What a killer way to start off the album. Here it is the last to remind you that even though there are dance mixes, this song is a total rocker and way better than any mix.
And there you have it. I hope you enjoyed the look at this little gem…well, a gem to me. I actually enjoy all versions on this one, but the original LP version is still the killer track here. I am glad I have all the mixes since they didn’t go too crazy with them. I actually like the dub version as it is more guitar driven and the extended version still makes for a joyful ride even with all the extended parts probably because the musicianship on the song is stellar so now matter how you slice it up, it still sounds great.
Continuing the saga of all the 12″ Singles I picked up at the big Metalocalypse sell at Noble Records, we are now on a 4 week run of singles from The Cult. First up is from the band’s album ‘Love’ from 1985. The song is “She Sells Sanctuary” and this is the 12″ Remix release. The original version of the song is not on here, nope. Instead you get two extended mixes of the song and one unreleased track.
All of these were only available on one of their 12″ Single releases which they had a couple. That was until 2009 when the band released a deluxe edition of the album which included all the mixes and unreleased tracks.
The original song did really well and stayed on the Dance Club Chart for about 6 weeks reaching #36 back in 1986. I never thought of The Cult as a dance band, but whatever floats your boat. My only complaint with this 12″ is the back cover. I’m old and my eyes aren’t that great anymore, but the font with songs is really light and very heard to read. I snapped a closer up shot so I can read it and you too…
Let’s get to the music…
As you can see, the sole song on side one is “She Sells Sanctuary (Howling Mix)” which is over 8 minutes long. The howling mix does just that. It has a howling dog at the beginning and several other times in the mix. There isn’t much in the way of vocals as it is mostly music done in more of a dance fashion than anything else. It was remixed by Steve Brown. The song is good if you like that sort of thing, but I’ll stick with Side 2 as that is where the greatness is for this disc.
Side 2 kicks off with the 12″ Mix of of “She Sells Sanctuary” and this one more closely resembles the original song. It has the vocals from Ian Astbury who sings with such confidence and a sound that is unique to him. He is easily recognizable. But it is that guitar work from Billy Duffy that shines on this song. Accompanied by that driving beat from Nigel Preston, which this was his last recording before he was fired, Billy’s gritty metallic guitar sound delivers a killer riff and some cool fills This is the version I’m more familiar with and the extended version just adds to its greatness.
The real gem at the time of this release is the final track which was the unreleased song called “Little Faces”. Ian’s vocals are so melodic and powerful, it has a smoothness to it that lifts the song to another level. Billy’s guitar work is sensational as usual and he lays down a nice solo. I found the song to be worthy of the album and no reason it needed to be left off as it is as good as anything else they have done. I love it when a B-Side track shines and this does brightly.
And there you have it. I hope you enjoyed the look at this little gem…well, a gem to me. Side Two is the winner of the best side as the extended long version of “She Sells Sanctuary” is just as good as the album version. But the real joy is the song “Long Faces” as that is worth price for just this song. My copy is practically mint and I don’t think was played much…that has since changed. We will be back next week with the next The Cult 12″ that we picked up. Thanks for stopping by.
We are at the final month of 2020 and thank the Heavens. I hope 2021 sees an end to Covid, but not an end to my music buying. This month we have another treasure trove of stuff I have obtained over not just the month, but the last 6 months as a couple things I ordered in prior months finally arrived. And being December, there is everything I got for Christmas that is music related.
First up this month are a couple things I bought back in April/May timeframe, right when Covid started. My brother saw these on the Facebook market from a friend of his and knew I would like it so I told him I wanted them and he bought them (I paid him back of course). I told him to hold them and I would be down to Atlanta soon and boy was I wrong. We are now in December and I haven’t been down. I eventually asked him to mail them. I got another Kiss Tour Book and this was from the Alive/Worldwide Tour (1996-97) and the other is The Ultimate Kiss Fanzine Phenomenon 1976-2009 hard back book. They are both awesome and will be reviewed in detail in 2021.
August started off with a bang on purchases. We went on vacation down to St. Augustine, Florida and like I do on every trip, I hit the local record stores to see what I can find. There were three to choose from on this trip and of course, I hit all three on different days.
The first was actually in a little house that was selling Antiques. The record shop goes by the name On The Record – Vinyl Records and More and it was two blocks from where we were staying which made for an easy walk from the house. It was a small shop and didn’t have a ton, but enough that I found some albums. First up was a Crowded House album and then 2nd was The Cult. I also picked up a 45 Single for the song from the TV show The Greatest American Hero which I loved (at least the first season).
The next shop was a record store called MusicMatters. It was in a strip mall and looked promising but was far from it. They didn’t have anything really cool and everything was overpriced. Not a great shop in my book. I did find a Kiss Bootleg and thankfully I already had that one because they wanted $200 for it. That is right $200. CRAZY!!!…no F$&KING CRAZY!! I paid $50 for mine and the quality was no different at all. I did find one cool piece at this store and that was a compilation that I bought for two reasons, 1) I had when I was a kid and 2) it was $5. It was “Masters of Metal”… Continue reading “August 2020 Purchases – Vinyl & CDs”→
We are now on our 4th Producer Extraordinaire in this series. We have seen Robert John “Mutt” Lange, Brendan O’Brien and Bruce Fairbairn so far, and now it is time for Bob Rock. Bob Rock actually got his start as a recording engineer and mixer under the great Bruce Fairbairn so he learned from one of the best.
Bob’s musical career started back in 1979 / 1980 when he started engineering from Bruce as well as joined the band Payola$ who had a big hit in 1980 called “Eyes of a Stranger”. They were pretty successful in Canada and won a Juno Award in 1983 for Single of the Year. However, Bob’s real talent (or at least to me) is his ability to work with bands and produce amazing albums.
Bob Rock has worked with some of the biggest bands in the world, but they don’t get bigger than Metallica. Bob was selected as the Producer for the band’s biggest album they had ever done, however, at the time they did not know it would become so big. “The Black Album” as it is commonly known made Metallica cool in the mainstream world as well as the Thrash world.