In 1982, Deep Purple didn’t exist, no new music was coming for a few more years, but the world needed a brand new Live album by the band. Or at least that is what the record company thought. This live album was really not new, it was only newly released. It was recorded back in 1974 with the Mark III line-up of the following:
- Richie Blackmore – guitar
- David Coverdale – lead vocals
- Glenn Hughes – Bass and vocals
- Jon Lord – keyboards
- Ian Paice – drums
The album was recorded on May 22, 1974 at the Gaumont State Theatre in London, England and was used a BBC Radio Broadcast but never actually saw the light of day on a physical release until 8 years later. The tour was for the album “Burn” which is where a majority of the songs will come from.
Like with most Deep Purple Live albums, there are only a handful of songs as some of the songs last an eternity. You get 6 whole songs on the original release and when they do the re-issues years later you are blessed with getting a whole other song that adds over 30 minutes to the time…yep…one song at 30 minutes. Wow!!
Continue reading “Deep Purple – ‘Live in London’ – Album Review (The David Coverdale Series)”
This one completely caught me off guard. Soren Andersen, famous for being the guitarist for the great Glenn Hughes as well as Electric Guitars and Mike Tramp, released a new solo album without me even knowing. How does that happen. It doesn’t matter as I found it and I am a better person for it. After the brilliance of his 2011 release ‘Constant Replay’, this time around he goes full on instrumental.
From the opening track, “City of Angels”, you know you are in for something special. At times there is a whole Satriani vibe to the songs because they are songs. They are full of melodies and typical song structure you can almost sing along with the guitars which is what I want in an instrumental. There is no showboating for the sake of showboating. He isn’t going, “hey, look what I can do!!”. He is giving you his heart and emotions in his songs.
At times he goes all metal with songs such as “The Kid” that come at you like a fist to the face. He is a rocker at heart with songs like “Agent Wells” that even throw in some funky bass lines. There are even a couple songs I would consider ballads with the song “Satori” and “Bird Feeder” which are both a little reminiscent of Satriani from his early 90’s work. “Skybar” opens with a little electronica elements and some wicked ass bass guitar. The album is full of interesting elements and Soren isn’t a one-trick pony. He gives you a little of everything. The album ends with one of the most interesting tracks, “Bipolar”, which gives you two elements of his style and sound and blends them together.
Continue reading “Soren Andersen – ‘Guilty Pleasures’ – Album Review”
‘Last Concert in Japan’ only saw a release due to the death of guitarist Tommy Bolin who died in December of 1976. The album was released shortly after in March of 1977 in Japan. The record company was in a rush to capitalize on his death is all I can think why this was released. The band was done, all parties had moved on and the record company thought it would be an easy cash grab. Now I have no proof, this is pure speculation but it is what record companies do.
This album captures the Mark IV line-ups last show in Japan as the title says at the Budokan Hall which I believe they set a record for attendance at that time. The release is not a full show and it was streamlined down to fit on only one LP.
There are a lot of problems with this album. First off, the mix. It is pretty crappy as the release was done in such a hurry that the master tracking really suffered and let me tell you it shows. And if that wasn’t enough, let me just say the guitar playing is less then stellar and I believe Jon Lord was used a lot more in places that there should have been more guitar. The reason being is Tommy Bolin had been doing drugs quite heavily the night before and according to Glenn Hughes, he feel asleep on his arm for 8 hours and couldn’t play. And based on what I hear, I believe he might be telling the truth.
Continue reading “Deep Purple – ‘Last Concert in Japan’ – Album Review (The David Coverdale Series)”
Now that Deep Purple was defunct, the record company needed to release something I am sure so why not a live album. In October 1975, ‘Made in Europe’ was released. The recording from April 3rd – April 7th on some of the final dates that Ritchie Blackmore would play as he left the band shortly after. So, with that being said, the line is the Mark III lineup of the band consisting of Ritchie, David Coverdale, Glenn Hughes, Jon Lord and Ian Paice.
The show was recorded from 3 different shows that took place on April 3rd, 1975 in Graz, Austria, April 5th in Saarbrücken, Germany and finally on April 7th at the Palais des Sports in Paris, France. According to the album jacket, the album was recorded using the “Rolling Stones” mobile truck. And it has also been discussed that there were some heavy overdubbing and cleaning up of the set including the audience with the crowd noise and applause…but this is the 70’s what live album wasn’t retouched (ahem…Kiss).
The album is only a single LP and only includes 5 songs with a total run time of 45:47 which means the average song length over 9 minutes so the band plays the heck out of these songs which is really what a Deep Purple live album is all about. The band had huge success with the prior live album ‘Made in Japan’ and although this is a good release, it isn’t as good as the Japan release.
Continue reading “Deep Purple – ‘Made in Europe’ – Album Review (The David Coverdale Series)”
Ritchie Blackmore left the band after the last album, ‘Stormbringer’, due to creative differences with David Coverdale and Glenn Hughes. I find this funny considering Ritchie brought them in to help take the band in a new direction and Ritchie ended up not liking that direction. So Deep Purple was done…or were they?
David talked Jon Lord and Ian Paice to continue and they did. Now before they could continue, they needed a new guitar player and in comes Tommy Bolin, a bloody American. This upset quite a few diehard UK Purple fans. And probably part of the reason the album didn’t do that well.
David had heard Tommy’s playing on Jazz fusion drummer Billy Cobham’s solo album called ‘Spectrum’ and thought he would be perfect. And we all know now that David has an ear for great guitarists (can you say John Sykes and Steve Vai to name a couple). Tommy was a great guitar player and it is too bad his heroin addiction would take a life way too soon a little over a year after the album’s release.
Deep Purple would continue and this would end up being the first Deep Purple album to not feature either Ritchie Blackmore or even Ian Gillan. As a result, a lot of people don’t really consider this a Deep Purple album. Now that is crazy because if they consider ‘Burn’ to be a Deep Purple album, then this one is as well as the sound and feel is so similar to that album and quite possibly could be better. I know I might be in the minority, but I really like this album.
Continue reading “Deep Purple – ‘Come Taste the Band’ – Album Review (The David Coverdale Series)”
After ‘Burn’, Deep Purple went right back in the studio and recorded their second album together with the Mark III line-up. The album was released in November 1974 just nine months after ‘Burn’. ‘Stormbringer’ is the bands 9th album and actually ended marking the end of an era for the band which will discuss shortly.
The album cover is a great picture of a tornado with a pegasus riding in with the storm. The cover is based on a photo by Lucille Handberg which was taken back on July 8th of the year 1927 in the town of Jasper, Minnesota. The picture stretches out to the back cover to show the immense size of the storm. The intenseness of the album cover; doesn’t necessarily translate to the music.
The sound of the album is a continuation of ‘Burn’, but not near the intensity. There seem to push the Blues and Funk and lot more on this one much to the dismay of its leader Ritchie Blackmore. Ritchie was so displeased with the direction of the band that after this album, Ritchie left ending the era of the Mark III phase of Coverdale, Hughes, Lord, Paice and Blackmore. I find this funny considering David Coverdale and Glenn Hughes were both brought in by Ritchie to explore a new sound and direction for the band. I guess sometimes be careful what you wish for.
Continue reading “Deep Purple – ‘Stormbringer’ – Album Review (The David Coverdale Series)”
Welcome to the new series covering the career of the great David Coverdale. We will start off with Deep Purple and then cover his solo work, his work with Jimmy Page and of course, Whitesnake. We have a long journey ahead as we have around 33 albums that we will cover. Sit back and I hope you enjoy the ride…Let’s get started!
Deep Purple – ‘Burn’ (1974):
In 1973, Deep Purple went through yet another line-up change. This one saw the band lose the lead singer, Ian Gillan, and bass player, Roger Glover. And for this time around, Ritchie Blackmore wanted to take the band in a new direction and it was the start of Mark III.
First up he brought in bass player Glenn Hughes and damn the man can sing as well so not a bad pick. Glenn had come from the band Trapeze where he had made a name for himself. But Ritchie wasn’t done.
Ritchie found a pretty unknown singer whose voice he really loved as it had a blues tone to it that spoke to him. That gentleman was none other than David Coverdale. We would all grow to love him from Whitesnake, but every story has a beginning and this is his. With the powerful vocals of Hughes and Coverdale, Deep Purple were set up to do great things. Not only those two great singers, Ritchie still had the amazing Jon Lord on keyboards and Ian Paice on Drums. It is a pretty impressive line-up!
Continue reading “Deep Purple – ‘Burn’ – Album Review (The David Coverdale Series)”
For My Sunday Song #90, I am going with “Burn” by the band Deep Purple. The song was the first single off the album of the same name and the first with new lead singer David Coverdale and Glenn Hughes. The song wasn’t a big chart buster on its release in 1974, but it did chart at #45 on the UK Charts in 1978, but that was four years after its release. Not sure why the time difference.
The song at 6:40 in length features a blistering guitar solo by Richie Blackmore and a finger licking good organ solo by Jon Lord. The song has everything. The vocals are shared between David Coverdale and Glenn Hughes. A pretty awesome duo to have in your band. In fact, the whole band for this song & album were pretty amazing.
- David Coverdale – vocals
- Glenn Hughes – bass, vocals
- Richie Blackmore – guitar
- Jon Lord – Hammond Organ
- Ian Paice – drums
It doesn’t get much better than that. After this version of Deep Purple broke up (the Mark III version), Coverdale would go on to form Whitesnake and at one time or another, Ian and Jon both played in the band with David.
Continue reading “My Sunday Song – “Burn” by Deep Purple”
Welcome to the Top 20 Rock Songs of 2016. These songs are my favorite songs of the year and were not necessarily played on the radio or even shot up the charts. They just moved me in some way good or bad!
If you missed the Top Rock Albums of 2016 or the Top Albums of 2016 (that were not Rock), just click on the link and go check them out.
It is time to start the list so here we go…
20. “Parasite (feat. John 5)” by Ace Frehley off the album ‘Origins, Vol. 1’: I wouldn’t pick a covers song for this list if this one wasn’t so damn good. John 5 on guitar is amazing and since this is an old Kiss song it is perfect for Ace. I think it sounds better than the original.
19. “Raise Hell” by Dorothy off the album ‘RockisDead’: This bluesy gem from Dorothy has such a great sound and Dorothy’s vocals are perfect for this style. I expect big things from this band!
Continue reading “The Top 20 Rock Songs of 2016”
2016 is about to be over so it is time to look back on the year and see what amazing albums rocked my world this year. It was a great year indeed. This was the year I started this blog back in April and it has been a blast. I have listened to a lot of albums this year so I had stuff to write about and it really made the year special.
This list will be my favorite “Rock” albums of the year. All other types of music will be for a later post. I am going to leave this one to my favorite genre. It is a broad genre, but these are the albums that I consider to be ROCK!!
Also note, these are MY FAVORITES!! These are not the most popular or possibly even the ones that have sold the most. These are the albums that I connected with during the year and kept coming back to again and again. And without further adieu, here are the Top Rock Albums of 2016:
My #1 Album of the Year:
Hellyeah – UnDen!able (Eleven Seven Music): This album screams Rock & Roll to me! It is heavy and pounding with aggressive vocals and lyrics and was perfect for me when I got stuck in traffic and needed to vent a little. With songs like “Startariot”, “X”, “Scratch A Lie” and “Be Undeniable”, I was completely satisfied with this gem. Check out the review at this link to see what I thought in detail about the album.
Continue reading “The Top Rock Albums of 2016”