Tag: Holding On

Jeff Scott Soto – ‘Essential Ballads’ (2006) – Album Review

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Jeff has only had 3 solo albums up to this point, a couple E.P.’s and that is about it. Yet, we get an entire album of ballads from those releases. Yes, only from his solo albums which leaves out a bunch of great ones from other bands he has been in, but that is okay. This is more than enough. Now, I have no idea whose idea this was…maybe Frontiers Records and maybe Jeff’s which would not be a surprise since when he sang with Axel Rudi Pell, Axel put out entire ballad collections as well. Whatever reason, this is a lot of ballads to take in all at once.

The one good thing about this release is they did add 3 bonus tracks, 2 of which have never been released, so that is always a good thing. That is 16 songs…all ballads…did I mention that it is a lot of a ballads to take in all at once. However, there isn’t a ton of information on the background of this release, so that is all I have for you. As a result, we might as well go through all the songs.

First up from his latest solo release ‘Lost in the Translation’, we get “If This is The End”. It starts off with some slow tempo guitar picking and then Jeff’s vocals softly, yet smoothly float over the verses. Around the 2nd verse, the drums kick in and some electric guitar riffs tossed in. It does pick up a little on the tempo and when it hits that second chorus Jeff’s vocals soar to new heights. Not one of his best ballads, but I like it as it does have a decent solo and is more proof that Jeff can do it all.

Next up is “As I Do 2 U” from his E.P. ‘Believe In Me’. This track is a demo (one of two on here) from a project that never got off the ground called Three Kings. It had Jamie Borger (drummer for Talisman) and Goran Elmquist. It is an acoustic ballad and being a demo, it feels unfinished but it isn’t half bad. A little cheesy, but there are elements there that could’ve turned in to something nice.

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Jeff Scott Soto – ‘Prism’ (2002) – Album Review (The Jeff Scott Soto Series)

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Rumors were flying that Jeff Scott Soto was going to leave The Boogie Knights and start concentrating on his solo career. Those rumors turned out true. Jeff started working with his Talisman bandmates on a side project called ‘Humanimal’ which was singed to Z-Records. Jeff was negotiating with Z-Records for a solo album and when things looked good and ready to go, Jeff and Z-Records split. Luckily, it wasn’t on bad terms as he continued with Humanimal until they had issues with Z-Records and that band was done.

Meanwhile, back on January 25, 2002, Frontiers Records had a press release that talked about them signing Jeff for his new solo album and if that was enough, they gained the rights to his debut solo album, ‘Love Parade’ and re-issued it as well. The new solo album was to be called ‘The Calm B4 The Storm’ and as Jeff has said, his earlier career was the Calm and what was coming after is The Storm. If Calm is being apart of 30+ albums over almost 20 years, I can’t wait to see what The Storm brings. However, that name was changed to Prism in parts due to where it was recorded, Prism Studios, and Jeff stating that is about a person that reflects many different lights. The album was released in December 4, 2002, I believe as I found the date on Discogs.

The new album was going to be done in the style of say Journey and Survivor which means it is power ballad heavy and not in a bad way. The songs were mostly done over the past few years for various projects that they didn’t quite fit so were never used and some new and all but one written by Soto. Jeff played most of the instruments and sang, but he was worried the label might not like that fact so he credited numerous fake people on the album. First is someone by the name of Michael Scott which is just Jeff’s middle name and his son’s middle name put together. He also credited two names that appeared in Jerky Boy’s episodes, Sam Isanogud and Mikos Scarbacci. There was also Jay Michael another reference to his son as well as Anthony Papa who is real, but didn’t actually play. That doesn’t mean there aren’t other musicians on the album because we do get Gary Schutt, Glenn Hughes and numerous Soto friends.

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Jeff Scott Soto – ‘Holding On’ E.P. (2002) – Album Review (The Jeff Scott Soto Series)

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Jeff Scott Soto was ready to call it quits with The Boogie Nights as doing some solo work was starting to appeal to him as it had been years since his debut solo album. He thought about signing with Z-Records, but due to the problems with his band Humanimal, that was quickly nixed. He wound up with an Italian label called Frontiers Records. The deal included re-releasing his debut solo album ‘Love Parade’ as well as new material which was already in the works and would be released in late 2002.

I am not sure the actual release date of this E.P., but I am guessing it is prior to the album. The E.P. consists of the first single from his upcoming solo album ‘Prism’ called “Holding On”. It also includes a previously unreleased track and 2 live songs plus a re-release of a song from his debut solo album ‘Love Parade’. It is a great E.P. to have.

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Caleb Johnson & the Ramblin’ Saints – ‘Born From Southern Ground’ – Album Review

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Caleb Johnson came to us via American Idol, but don’t let they fool you into dismissing him because that would be a huge mistake on your part.  Caleb’s debut album came out in 2014 very quickly after winning said singing competition and the album did pretty well, but the record company didn’t know what to do with him and Caleb was rather unhappy with them and with the album as he was forced to do songs he didn’t necessarily like.  After a long battle and finally breaking free from that contract, Caleb is back 5 years later with the album he wanted to make as his first album.  This is the real Caleb Johnson.

Caleb Johnson now has a band called ‘The Ramblin’ Saints’ and what a backing band they are. The album shows every influence that has impacted his life from classic rock, southern rock, soul and even a little funk all with one of the most powerful voices in rock today on full display.  If you really had to classify this album, it is straight-up, pure rock & roll.

The album opens with “Hanging On” with a nice Hammond Organ and then a build up until it rocks out which is pure classic rock in style and mixed with some lovely ladies that do the backing vocals on this (and other songs) that also adds a little soulful touch to the song.

The next song, “Solid Gold”, has a Rival Sons vibe probably because it was co-written with Jay Buchanan of the band along with Blair Daily.  It is bluesy piece and that guitar sounds a lot like the new Rival Sons album which is a very good thing.

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