Continuing the saga of all the 12″ Singles I picked up at the big Metalocalypse sell at Noble Records, we are now on a 4 week run of singles from The Cult. First up was from the band’s 1985 album ‘Love’ with “She Sells Sanctuary” and then we took a look at the lead track and third single form the band’s 1987 album ‘Electric’ with the song “Wild Flower”. The 12″ this time around is also off ‘Electric’ and was the first single off the album. The song was “Love Removal Machine” written by both Ian Astbury and Billy Duffy. My copy was still sealed, but since it wasn’t expensive and music should be listened to, it is no longer sealed and it sounds fantastic now that it finally gets to breathe and be heard. I could feel it sigh with relief when I broke the seal. I swear I heard it say softly…”finally”.
The 12″ comes with three tracks. The LP Version of the song as well as an extended version. The third track is “Wolf Child’s Blues” which was not on the album so that is the gem piece for this 12″ Maxi Single. All songs were produced by Rick Rubin and “Wolf Child’s Blues” was actually recorded live in the studio on New Years Eve 1986.
Continuing the saga of all the 12″ Singles I picked up at the big Metalocalypse sell at Noble Records, we are now on a 4 week run of singles from The Cult. First up was from the band’s 1985 album ‘Love’ with “She Sells Sanctuary”. This time we are going to look at the lead track and third single form the band’s 1987 album ‘Electric’ with the song “Wild Flower”. The 12″ this time around doesn’t have any other tracks other than “Wild Flower”, but you do get three versions. You get the the Remix version, the Dub version and the original LP Version.
My copy is mint and still in the plastic which is why the picture is a little hard to read. The vinyl was clean and who knows when it last saw a needle…maybe never. That has since changed.
The song was written by Ian Astbury and Billy Duffy. “Wild Flower” is basically Ian’s alter ego Wolfchild who has a lust for the liquor, drugs and those fine women. The Wolfchild came out when Ian decided to crossover to the wild side.
The remix was done by Andy Wallace and the album and the album was produced by Rick Rubin. The Remix version of the song is actually 2 minutes longer than the original which in part comes from the extended opening which is heavy on the drums and not as much as a crushing opener as the original. Throughout, you get extended parts with repetitive musical breaks, more drum parts and bass added to give it a more dance feel I guess. You still get that killer Duffy solo as the song would be lost without it.
First up on this side is the dub mix which was also done by Andy Wallace. This time they open with the guitar and then give that echo layered heavy drum beat that extends out numerous times before the song kicks in to familiar territory. No real lyrics here only Ian thrown in the with lines from the chorus and occasional “Wild Flower” thrown in. It is a lot of drums and guitars which isn’t always a bad thing.
The second track on here is the LP Version and man what a beast of a track. Those rip roaring riffs by Duffy are soul crushing. Ian’s vocals are stellar as his inner beast shines and he tears through the lyrics. As an opening track on the album it is impactful and mind blowing. What a killer way to start off the album. Here it is the last to remind you that even though there are dance mixes, this song is a total rocker and way better than any mix.
And there you have it. I hope you enjoyed the look at this little gem…well, a gem to me. I actually enjoy all versions on this one, but the original LP version is still the killer track here. I am glad I have all the mixes since they didn’t go too crazy with them. I actually like the dub version as it is more guitar driven and the extended version still makes for a joyful ride even with all the extended parts probably because the musicianship on the song is stellar so now matter how you slice it up, it still sounds great.
I came across this 12″ Single in someone’s collection I was buying and I knew I had to have it. I am rocker at heart, but this hip hop version of a classic Aerosmith song is quite groundbreaking and I knew I needed it in my collection. Mainly, because it adds to my Aerosmith collection as I don’t really have a Run DMC collection (until now I guess).
“Walk This Way” was released back in 1975 (and re-released in 1976) and reached #10 on the Billboard charts. The song is off the band’s album “Toys in the Attic” (great album by the way, but that is for another day) and it is that producer Rick Rubin pulled out and played for Run DMC while they were recording their album “Raising Hell” back in 1986. The band had sampled the song before, but didn’t know the song. Rick suggested the band cover the song, but the band was not too keen on the idea except for Jam Master Jay.
The band recorded the song and even were able to get Steven Tyler to sing and Joe Perry to actually play on the track. I said earlier it was a groundbreaking song and that was because it was really the first big hip hop & rock collaboration that crossed-over into the hip hop world and to the rock & pop world. The song helped take hip hop and rap mainstream.
This month’s ‘The Original Vs. The Cover’s focusing on the Nine Inch Nails Song “Hurt”. The song is one of my favorite Nine Inch Nails songs and I am not a huge fan of the band, but this song always struck a chord with me. However, it was the cover of this song by a gentleman who goes by the moniker of Johnny Cash that made me stop and pay attention to this song (maybe you have heard of him). It was one of the most surprising song choices for Cash to cover, but damn! did he make it his own song. Let’s start off with the Original version of “Hurt” by Nine Inch Nails.
NINE INCH NAILS:
The song, “Hurt”, was written by Nine Inch Nails front man Trent Reznor and is off their album ‘The Downward Spiral’. For those not familiar with the band, their style is very industrial rock and has a very metalic sound. This song is no different other than the slow, plodding pace of song. It comes at you with such a sadness and a dark tone that you immediately feel the pain the singer is going through. The opening lines define the song right out of the gate…”I hurt myself today / To see if I still feel”.