Def Leppard – ‘Euphoria’ (1999) – Album Review (The Def Leppard Collection Series)

In 1998, Def Leppard went back in the studio to record their seventh studio album, ‘Euphoria’. The band’s plan for the album was pretty much, don’t abandon the original Leppard sound. Go back and record an album that sounded like the albums that made the band famous. And the album turned out exactly like that. After creating an album like ‘Slang’, that was a brand new sound for the band and wasn’t that successful. This was probably a smart idea. It was produced by Pete Woodruffe and Def Leppard at Joe’s Garage Studio’s 1 & 2 in Dublin, Ireland and would be released on June 8, 1999. The album would actually be moderately successful, hitting #11 on the Billboard charts and it would go Gold in the States.

Longtime friend and producer, Robert John “Mutt” Lange, came and helped out with the album, but only spent four days in the studio giving them advice rather than sitting at the boards working. Heck, he even helped write a few songs and sang backing vocals on a track. I’m sure his direction in those short four days helped the direction of the album. Speaking of direction, the band’s look went in a different direction too. The hair was cut short, the clothes were nicer and they looked like a more modern rock band going in to the year 2000. But musically, it was back to their heyday of the 80’s and early 90’s. And not a moment too soon.

The band was still Joe Elliott, Rick Savage, Rick Allen, Phil Collen and Vivian Campbell and is still that band today as I write this in 2024. What I like about this album is that Vivian keeps getting more involved and has a lot more writing credits on this one. His influence on the band is evident. The band have aged well, matured and delivered us a solid Leppard album.

Coming out of the cage with a roar is the opening track “Demolition Man”. A high energy, fist pounding rocker. The song sees the typical gang type vocals on the chorus, the fast, frenzied guitars and Joe spitting out lyrics at breakneck speed. A banger of an opener that let it be clear, Leppard was back with what you want to hear, yet sounding both old school and modern at the same time. A nice mixture of the two.

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Cheap Trick – ‘The Doctor’ (1986) – Album Review (The Cheap Trick Collection Series)

After recording the fantastic track, “Mighty Wings” for the Top Gun Soundtrack, Cheap Trick headed in to the studio to record their next album. At the time, not knowing that song wasn’t written by the band, I had high hopes that their album would come out rocking like that song. Yeah, but it didn’t…AT ALL!! Thanks to the production by Tony Platt, Cheap Trick came out with an album that had no balls and sounded so dated with the massive keyboards that you threw your hands up in the air and said “what is this crap”. Yes, I am ruining this review by telling you the ending right away…that is how bad this album is to me.

The band was really fighting with their label as the label kept screaming more keyboards and the band, in the end, just threw up their hands and finished the album in 3 weeks. I don’t think they even realized at the time how weak and lame this would turn out to be. They probably had an idea as it was Tony Platt that mixed their last album after Jack Douglas had to back out due to legal problems with Yoko Ono (that is whole other story for another time). Tony turned their album. “Standing On the Edge” in to a wimpfest when it was supposed to be a rocker…at least that was Jack’s vision. Why would they expect anything different with this one.

The band line-up was unchanged from the prior as we still had Robin Zander, Rick Nielsen, Bun E. Carlos and Jon Brant. However, this would be the last album to feature Brant as the band’s next album would see the return of founding bass player Tom Petersson. And not a moment too soon. The album finally saw its release on November of 1986 and it didn’t do well at all. It peaked at #115 on the Billboard Charts and only had one U.S. single which didn’t even chart. That says all you need to know right there. The band had probably hit rock bottom at this point in their career which would make you think that after this, there was no where to go but up. We will see if that happens.

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