Def Leppard – ‘Euphoria’ (1999) – Album Review (The Def Leppard Collection Series)

In 1998, Def Leppard went back in the studio to record their seventh studio album, ‘Euphoria’. The band’s plan for the album was pretty much, don’t abandon the original Leppard sound. Go back and record an album that sounded like the albums that made the band famous. And the album turned out exactly like that. After creating an album like ‘Slang’, that was a brand new sound for the band and wasn’t that successful. This was probably a smart idea. It was produced by Pete Woodruffe and Def Leppard at Joe’s Garage Studio’s 1 & 2 in Dublin, Ireland and would be released on June 8, 1999. The album would actually be moderately successful, hitting #11 on the Billboard charts and it would go Gold in the States.

Longtime friend and producer, Robert John “Mutt” Lange, came and helped out with the album, but only spent four days in the studio giving them advice rather than sitting at the boards working. Heck, he even helped write a few songs and sang backing vocals on a track. I’m sure his direction in those short four days helped the direction of the album. Speaking of direction, the band’s look went in a different direction too. The hair was cut short, the clothes were nicer and they looked like a more modern rock band going in to the year 2000. But musically, it was back to their heyday of the 80’s and early 90’s. And not a moment too soon.

The band was still Joe Elliott, Rick Savage, Rick Allen, Phil Collen and Vivian Campbell and is still that band today as I write this in 2024. What I like about this album is that Vivian keeps getting more involved and has a lot more writing credits on this one. His influence on the band is evident. The band have aged well, matured and delivered us a solid Leppard album.

Coming out of the cage with a roar is the opening track “Demolition Man”. A high energy, fist pounding rocker. The song sees the typical gang type vocals on the chorus, the fast, frenzied guitars and Joe spitting out lyrics at breakneck speed. A banger of an opener that let it be clear, Leppard was back with what you want to hear, yet sounding both old school and modern at the same time. A nice mixture of the two.

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