38 Special – ‘Milestone’ (2025) – Album Review

There is one thing I never thought I would say I needed and that was a new 38 Special album in 2025. I didn’t think I would need because I thought the band was done doing albums as it has been 21 years since their last studio album back in 2004 with ‘Drivetrain’. This is a milestone and thus the name of the album is ‘Milestone’. The band has been active since 1974, but sadly there is really only one original member and that is singer Don Barnes. However, there are two members from the 90’s with keyboardist, Bobby Capps (1991), and drummer Gary Moffatt (1996). There are also two members that joined since the turn of the century and that is bass player, Barry Dunaway (2014), and lead guitarist, Jerry Riggs (2019).

The album came out on September 19, 2025and honestly, I forgot to order it when I heard about the new album. Thanks to Tim Durling, he reminded me and I went and grabbed it. Don Barnes produced the album along with Jim Peterik from another classic 80’s band, Survivor. And I can hear that sound in some of the songs, probably cause Jim also helped write a few songs. We have a very special guest singer on one track and simply solid playing and singing throughout the album.

I was a big fan of the band in the late 70’s and early 80’s as their Southern Rock sound was right up my alley as I am from the south. These guys were some of the best. By the 80’s they turned a little more pop and had some big radio hits. They ended up fading away from my mind by the end of the 80’s and honestly, didn’t listen to them much since. But I do on occasion and when I find an album on vinyl, I grab it. The memories of their music etched in my brain so they are definitely a nostalgia band for me. Now, when I popped in the new album, I will say if I didn’t know already it was 38 Special, I probably would’ve never figured out who it was. We have to remember, we are 35 years past when I was listening to them and these guys are older and way more mature. And that is what this album sounds like. The album sounds like a classic AOR sounding album with some really modern productions. And none of that is a bad thing. In fact, let’s discuss the songs.

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My Sunday Song – “Let It Ride” by Big Sugar

For My Sunday Song #379, we are talking about “Let it Ride” and not the BTO version, but the cover by Big Sugar. Deke’s choice is another Canadian band, but he is mixing it up by picking a cover song. The song is off this Toronto band’s 1998 album ‘Heated’ which went platinum in Canada with over 100,000 album sold.

The song has a great story with it as it was inspired by a bus touring traffic incident with Bachman-Turner Overdrive. While driving from one town to the next, the band got boxed in between some 18 -Wheelers and when the trucks and the bus pulled over at the next rest stop, they actually confronted the truck drivers. And truck drivers being as cool as they normally are, they told the band to basically calm down and let it ride. The song itself is about a guy that apparently has lied to his girl and he is telling her to forget about and move on…yeah…I am sure that went over well.

Big Sugar has taken this song and really changed it up. The guitars don’t sound like this 70’s hit did, no. They brought some crunchy guitars and then there is almost a swagger to it with a reggae vibe. The vocals aren’t full of harmonies, now they have a darker edge that only Gordie Johnson can do. They have brought the song in to the 21st Century in a big way. Heck, they even added another 1:20 to the song with more guitars and well more everything. A totally different vibe, they made it their own song. Which I like to see they put in a lot of effort thinking how they wanted to present this song.

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The Original Vs. The Cover – “American Woman”

For this month’s version of The Original Vs. The Cover we tackle “American Woman” by The Guess Who vs Lenny Kravitz’s version.  The song was originally released in 1969 by Canadian band The Guess Who.  The song went to #1 and became such a popular song in the U.S. mainly because of it’s title.

That is strange because the song is not Pro-American, but it isn’t really Anti-American either.  It is a small part Anti-War song (one line says “I don’t need your war machine”) and large part bashing of American women.  Bashing is harsh, it was more like American women were too much for lyricist Burton Cummings.  Here is what he said about the song to the Toronto Star back in 2014

“It had nothing to do with politics. What was on my mind was that girls in the States seemed to get older quicker than our girls and that made them, well, dangerous. When I said ‘American woman, stay away from me,’ I really meant ‘Canadian woman, I prefer you.’ It was all a happy accident.”

The article goes on to describe how the song developed and it seems like it was by pure chance…

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