Van Halen – ‘Zero Demos’ (Bootleg – 1976/2022) – Album Review

Whenever I got to Repo Records, especially on Record Store Day, I tend to find Bootlegs while waiting in line. I think he does it on purpose knowing I’m a sucker for those things (not true as he doesn’t know me from Adam). The last few trips have been very successful and this last trip was no exception. This time I found another Van Halen Bootleg and this one was called ‘Zero Demos’ and it is a collection of the demos produced by Gene Simmons way back in 1976. I have always wanted to hear and have those demos and now I do.

You probably have already heard the story of Gene Simmons involvement in Van Halen so I won’t go in to too much detail. Gene saw them play and fell in love with them. He took them under his demonic wing and took the band in to the studio and they recorded a 10 song demo tape that Gene shopped around to try and get them a deal. He was unable to and his demands with Kiss were huge, so he ripped up the contract and let them find their own way which they did and the rest is history. During this time, Gene had Eddie and Alex help with some demos for Kiss including “Got Love for Sale”, “Christine Sixteen” and “Tunnel of Love” which were long in demand and I have copies thanks to Gene Simmons’ The Vault!!

This bootleg is fairly new as it came out in 2022 from Yellow Dog Records. I like how the front cover is a reproduction of the debut album cover with the ‘Zero Demos’ at the top. The back has a bunch of live shots of the band. And with a lot of bootlegs, there are mistakes and the only one I really see is the “House of Pain” demo is listed as “House In Pain”…close enough I guess. The vinyl is a red/yellow splatter and looks beautiful. The label is easy with the word Zero and Side A or B. Can’t much simpler than that without just putting a blank label on it. What do I have to say about the music? Well, we will see in a minute, but the sound is fantastic for demos from 1976 that have probably been transferred from tape to tape to tape over the years. 

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Van Halen – ‘Destruction in Dallas: Reunion Arena, Dallas, Tx – November 18, 1982’ (Bootleg) – Album Review

There is no better feeling than out vinyl digging and find something unexpected like a bootleg. Make that bootleg Van Halen and make there be two different ones there by Van Halen and that is why I love collecting. Those little surprises and the first one I already reviewed.. It is a soundboard recording from April 3, 1978 and recorded at the Pogo’s Night Club and Discotheque in Wichita, Kansas. The other bootleg I found was Van Halen’s Destruction in Dallas. Recorded on November 18, 1982 at Reunion Arena in Dallas, TX in front of a sold out show of over 19,000 screaming fans. This recording is a soundboard recording, although not a great one. The sound is really low, you can hear everything, but you really have to turn it up and it never gets loud enough for me which does detract from the show a little.

But Michael Anthony, Alex Van Halen, David Lee Roth and Eddie Van Halen due to all out and I am sure the fans had a great time at the show. This was the Diver Down/Hide Your Sheep 1982 Tour. Now, the copy I have of this bootleg is on 2 LPs and both colored. We get a beautiful red one for Sides A/B and a white on for Sides C/D. The track list appears to be accurate from what I’ve seen and the last three songs on Side D are actually demos of songs that have not seen the light of day on any release.

The album opens up with an enthusiastic introduction from the announcer and the band goes in to “Romeo’s Delight” with Eddie’s guitar throwing riffs out like they were candy. Dave “woahing” and screaming as he forgot the fucking words (as he tells the crowd). Someone might be a little hammered already and we are only at the first song. Not a good sign of things to come. Sound quality wise, the sound is a little hollow for the instruments. And I have it cranked and still hard to hear the instruments. Dave is clear, Eddie’s guitar is clear, but the rest not so much. Oh, and the backing vocals are pretty loud too.

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