Motley Crue – ‘On With The Show’ (1988) – Bootleg

In my quest for interesting, unique and rare albums for bands I like, I found this bootleg of an old Motley Crue concert from 1986. It says it was recorded at Fresno & Boston in 1986. It was released on Toasted Records in 1988 out of Australia, so pretty cool I found a copy here in the States. The show, as I said, states it is 1986. The label on each of the 2 LPs included in this set have a copyright of 1985 which is impossible if the show didn’t take place until 1986. Actually, the 1985 is probably correct as the Fresno, California pieces of this disc are from November 25, 1985 and the Boston, Massachusetts parts of this show are from a 1984 show.

But Bootlegs are never known to be very accurate. Just take a look at the cover above. That picture is from at the very least the ‘Girls, Girls, Girls’ era which was 1987. And the picture on the back looks more like ‘Shout at the Devil’ which is probably where the Boston piece of this show was recorded. A 1985 show (Fresno) would’ve been ‘Theatre of Pain’ era. Based on all this we have two eras in one with this bootleg. And from what else I can find on this album, two of the songs are from the US Festival in 1983. Sound quality of the release isn’t bad. It doesn’t sound like a soundboard, but I’ve read it is and an FM broadcast, but the quality isn’t a normal soundboard if it is. There is a little hollowness to it, but still very listenable.

LP 1:

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Cheap Trick – ‘The Doctor’ (1986) – Album Review (The Cheap Trick Collection Series)

After recording the fantastic track, “Mighty Wings” for the Top Gun Soundtrack, Cheap Trick headed in to the studio to record their next album. At the time, not knowing that song wasn’t written by the band, I had high hopes that their album would come out rocking like that song. Yeah, but it didn’t…AT ALL!! Thanks to the production by Tony Platt, Cheap Trick came out with an album that had no balls and sounded so dated with the massive keyboards that you threw your hands up in the air and said “what is this crap”. Yes, I am ruining this review by telling you the ending right away…that is how bad this album is to me.

The band was really fighting with their label as the label kept screaming more keyboards and the band, in the end, just threw up their hands and finished the album in 3 weeks. I don’t think they even realized at the time how weak and lame this would turn out to be. They probably had an idea as it was Tony Platt that mixed their last album after Jack Douglas had to back out due to legal problems with Yoko Ono (that is whole other story for another time). Tony turned their album. “Standing On the Edge” in to a wimpfest when it was supposed to be a rocker…at least that was Jack’s vision. Why would they expect anything different with this one.

The band line-up was unchanged from the prior as we still had Robin Zander, Rick Nielsen, Bun E. Carlos and Jon Brant. However, this would be the last album to feature Brant as the band’s next album would see the return of founding bass player Tom Petersson. And not a moment too soon. The album finally saw its release on November of 1986 and it didn’t do well at all. It peaked at #115 on the Billboard Charts and only had one U.S. single which didn’t even chart. That says all you need to know right there. The band had probably hit rock bottom at this point in their career which would make you think that after this, there was no where to go but up. We will see if that happens.

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