Takara – ‘Eternity: The Best of 93-98’ (1998) – Album Review (The Jeff Scott Soto Series)

After Takara’s third album, The label decided to release a greatest hits compilation of those first three albums. Jeff Scott Soto was no longer a member of the band…okay…he was never an “official” member of the band even though he sang on three albums with them. Now that the band needed to search for a new singer, the label wanted to release this to hold fans over until that process was done. Neal Grusky’s search for a replacement would take a little while as their follow-up album didn’t come out until 2001 with Michael James Flatters as their new singer.

This compilation had 16 tracks and was released on November 18, 1998. If you have the Japanese Edition, you get two additional acoustic tracks as well which is always a plus. However, I think you get those two acoustic tracks on every edition so it isn’t that special…although I don’t think they were ever previously released. You also get the ever cherished OBI Strip along with a booklet with lyrics in both English and Japanese. As far as a breakout between albums you get 5 tracks from the debut, ‘Eternal Faith’, 6 from the follow-up ‘Taste of Heaven’ and 5 from the final Soto album, ‘Blind in Paradise’. The songs are in chronological order and even in the same order they were on the album so not much thought was put in to sequencing for this release. But it is a money grab, so what do you expect.

“Spotlight” kicks it all off and is the first of five tracks from ‘Eternal Faith’. It sounds like you are right back in 1985 with the keyboards and heavy guitar riffs. It is Bon Jovi meets Europe. The album sounds so dated in the 80’s which is not where the music scene was going in 1993!! It has the obligatory guitar solo and Jeff’s vocals have that higher register tone which was key for 80’s rock. The biggest problem is the keyboards are high in the mix and sound like crap. They have this crisp, clink, clink sound to them which I find rather annoying. But not too much that I don’t enjoy the song…more a production note.

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Jeff Scott Soto – ‘Damage Control’ (2012) – Album Review (The Jeff Scott Soto Series)

It had been 3 years since Jeff’s last solo album, 2009’s ‘Beautiful Mess’. That album was good, but a lot of people didn’t like it’s direction as it wasn’t the hard, melodic rock that fans of Jeff love. And I get it, but let’s be honest, Jeff should be able to make whatever music he wants to make. I wasn’t a massive fan of that album, but it had some great moments for sure. ‘Damage Control’ sees Jeff listening to his fans and giving them what he they want. He is always good about that. And I wonder if the title is in reference to that fan reaction from the prior album. It seems pretty tongue-in-cheek if you ask me.

I want to say the album dropped around January 6th, 2012, but I could be mistaken. But before that release date, Jeff put in a lot of work on this album and he worked with a ton of writers and a ton of musicians (and sometimes both). Some of the writers were old friends such as Jamie Borger (Talisman) and Gary Schutt (solo band) and then there were names we hadn’t heard yet in his career like Joel Hoekstra (Whitesnake/TSO). Jeff has known Joel for awhile and Jeff would return the favor a couple years down the road (which we will review as well.

Jeff had a total of 21 songs ready for the album, but they needed to dwindle it down to 11 which somehow he did. The songs were recorded all over the world on three different continents including Europe as well as North & South America. The album wound up on Frontiers due to the long standing relationship he has had with Serafino Perungino. They agreed to do a Deluxe Edition where Jeff could actually include 14 of the 21 songs as long as there was a DVD with an EPK (Electronic Press Kit) and some music videos and that is the copy I have and will review.

The album kicks off with “Give a Little More” and it is nasty piece of a rock with that gritty guitar riff, the heaviness of the bass the drums. Jeff attacks the vocals with in equal intensity. An almost anthemic, melodic rock song that is proof that Jeff can still deliver the heavy rock like fans complained about. This song is a statement and the guitar solo by Leo Mancini is the exclamation point on that statement.

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Takara – ‘Blind in Paradise’ (1998) – Album Review (The Jeff Scott Soto Series)

Takara had 2 albums in the can with Jeff never really being an official member. He was always doing the vocals to help promote the band and hopefully giving them a chance to find a new singer. The third album was written and the music was laid down back in December 1996. The tapes were sent to Jeff and it took almost a year for Jeff to finish the vocals as he was so busy with The Boogie Knights. You might ask yourself, why did the band wait for Jeff. Well according to Neil Grusky, there was no one as good as Jeff. And that might be true, but was it worth it? Probably not as the band never really took off and never found success with or without Jeff. Without a full commitment from Jeff and the band not finding another singer, they were really destined for nothing.

Three years after the release of their second album, ‘Taste of Heaven’, the new album ‘Blind in Paradise’ was finally released. The band consisted of Jeff Scott Soto on vocals, Neal Grusky on guitar, Carl Demarco on bass, Eric Rango on keyboards and Robert Duda on drums. The band continued their AOR sound and being 1998, it is a very dated sound for even that time as this album reeks of the 80’s. I’m not saying that is a bad thing…it just isn’t really a good thing.

My copy is a cool one I think as I have the Japanese version. It comes with the prized OBI strip and even a postcard to join their MVP Supporting Club. The booklet is half in English and half in Japanese which better than getting two separate books. It also has two bonus tracks and that is really why we want the Japanese Edition is those bonus tracks. If you look at the song titles, you see a lot of numbers or letters replacing words. Soto is huge fan of Prince and Prince did that a lot so Soto thought if it was good enough for Prince, it is good enough for him. Now, enough about this version, let us get to the music.

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