Takara – ‘Eternity: The Best of 93-98’ (1998) – Album Review (The Jeff Scott Soto Series)

After Takara’s third album, The label decided to release a greatest hits compilation of those first three albums. Jeff Scott Soto was no longer a member of the band…okay…he was never an “official” member of the band even though he sang on three albums with them. Now that the band needed to search for a new singer, the label wanted to release this to hold fans over until that process was done. Neal Grusky’s search for a replacement would take a little while as their follow-up album didn’t come out until 2001 with Michael James Flatters as their new singer.

This compilation had 16 tracks and was released on November 18, 1998. If you have the Japanese Edition, you get two additional acoustic tracks as well which is always a plus. However, I think you get those two acoustic tracks on every edition so it isn’t that special…although I don’t think they were ever previously released. You also get the ever cherished OBI Strip along with a booklet with lyrics in both English and Japanese. As far as a breakout between albums you get 5 tracks from the debut, ‘Eternal Faith’, 6 from the follow-up ‘Taste of Heaven’ and 5 from the final Soto album, ‘Blind in Paradise’. The songs are in chronological order and even in the same order they were on the album so not much thought was put in to sequencing for this release. But it is a money grab, so what do you expect.

“Spotlight” kicks it all off and is the first of five tracks from ‘Eternal Faith’. It sounds like you are right back in 1985 with the keyboards and heavy guitar riffs. It is Bon Jovi meets Europe. The album sounds so dated in the 80’s which is not where the music scene was going in 1993!! It has the obligatory guitar solo and Jeff’s vocals have that higher register tone which was key for 80’s rock. The biggest problem is the keyboards are high in the mix and sound like crap. They have this crisp, clink, clink sound to them which I find rather annoying. But not too much that I don’t enjoy the song…more a production note.

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