After ‘Charmed Life’, Billy wanted to do something different. He didn’t want to keep repeating his previous work over and over again. Let me tell you he completely succeeded. The album is nothing like his previous work and I think was way ahead of its time. ‘Cyberpunk’ delivered Billy’s most experimental and most controversial album.
Billy became fascinated with technology and the cyberpunk movement of the early 90’s. He saw how the advancement could be used to make music and in fact, this was one of the first albums to use ProTools for almost the entire recording of the album. He felt the use of the computers allowed him to do things faster and he felt it gave the whole feel of a garage band. I don’t know about that last part, but it was the very early stages of how albums and music would be recorded down the road.
When he released the single for “Shock to the System” he released it with a 3 1/2″ Floppy Disc. MP’s eat your heart out. The disc housed pictures, bios and all the things you now see issued in todays electronic press kits (EPK). He was also was one of the first albums to actually have an email address in the booklet that came with the album (don’t try it, it no longer works).