Van Halen – ‘Zero Demos’ (Bootleg – 1976/2022) – Album Review

Whenever I got to Repo Records, especially on Record Store Day, I tend to find Bootlegs while waiting in line. I think he does it on purpose knowing I’m a sucker for those things (not true as he doesn’t know me from Adam). The last few trips have been very successful and this last trip was no exception. This time I found another Van Halen Bootleg and this one was called ‘Zero Demos’ and it is a collection of the demos produced by Gene Simmons way back in 1976. I have always wanted to hear and have those demos and now I do.

You probably have already heard the story of Gene Simmons involvement in Van Halen so I won’t go in to too much detail. Gene saw them play and fell in love with them. He took them under his demonic wing and took the band in to the studio and they recorded a 10 song demo tape that Gene shopped around to try and get them a deal. He was unable to and his demands with Kiss were huge, so he ripped up the contract and let them find their own way which they did and the rest is history. During this time, Gene had Eddie and Alex help with some demos for Kiss including “Got Love for Sale”, “Christine Sixteen” and “Tunnel of Love” which were long in demand and I have copies thanks to Gene Simmons’ The Vault!!

This bootleg is fairly new as it came out in 2022 from Yellow Dog Records. I like how the front cover is a reproduction of the debut album cover with the ‘Zero Demos’ at the top. The back has a bunch of live shots of the band. And with a lot of bootlegs, there are mistakes and the only one I really see is the “House of Pain” demo is listed as “House In Pain”…close enough I guess. The vinyl is a red/yellow splatter and looks beautiful. The label is easy with the word Zero and Side A or B. Can’t much simpler than that without just putting a blank label on it. What do I have to say about the music? Well, we will see in a minute, but the sound is fantastic for demos from 1976 that have probably been transferred from tape to tape to tape over the years. 

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Bon Jovi – ‘Keep The Faith’ (1992) – Album Review (The Bon Jovi Collection Series)

After 16 months of touring for ‘New Jersey’, the band was simply exhausted. Without so much as a goodbye, the band members went home and did their own things for awhile. Jon Bon Jovi became real disillusioned with the music “business” so he fired everyone from management to advisers to even agents (which was Doc McGhee). Jon took control. And in October 1991, he brought the boys back together down in St. Thomas in the Caribbean where the band hashed out their issues and decided it was time to work again.

In January 1992, the band headed back to Little Mountain Studios in Vancouver, Canada to start work on their fifth album. They tried to get Bruce Fairbairn back to produce, but he was busy with a little band from Boston called Aerosmith and their smash album ‘Get a Grip’. So, they got the next best thing, Bob Rock, who engineered their last two albums with Bruce so he was taught very well. They worked on the album through August of that year and wrote/recorded over 30 songs for the album. Of which, 12 made it and a couple were used for various bonus tracks whether in Japan or Australia.

Things had changed significantly since their last album. Some thing called Grunge had taken over and even Rap was growing in popularity. But the boys ignored all that, they also ignored their old sound which was full of cliches. Instead, the focused on righting real songs about more serious topics. Now, not all the songs were that way, but enough were that we got a band that sounded more mature, more focused and more serious.

The album came out on November 3, 1992 and would spawn six singles – four in the U.S. and two around the world. The album would chart at #5 in the U.S., #1 in the UK and high on so many charts around the world. It would sell over 8 million copies worldwide and have 3 Top 40 hits. Bon Jovi was back and in a big way. They were actually more popular around the world then in their home country. Why did this album do so well, let’s dig in to the songs and see.

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