For My Sunday Song #318, we will talk about “Clock Strikes Ten” by Cheap Trick. The song is off their 1977 album ‘In Color’ and the single was only released in Japan where it went all the way to #1 helping pave the way for Budokan. It is also a great song to hear live!
The song was written by Rick Nielsen and was basically about partying on the weekend. When the clock strikes 10pm, it is time to party. The lyrics keep speaking of the clock striking every two hours and how the night was progressing. It is simply a party song that is completely old school rocked out.
It starts off with what sounds like a clocks bell chiming and representative of Big Ben’s clock. The song then explodes in to an old rockabilly stylings with that old school 50/60’s rock & roll i.e. “Rock Around the Clock” style. I even feel there is even a little Aerosmith vibe going as well. It is a fireball of a song that will get you on your feet and moving which is all we really want in a song anyway, right!
For My Sunday Song #317, we are going to talk “Long Time Coming” by Cheap Trick. The song is off their 2017 album ‘We’re All Alright’ which I think is one of their best. It was the only single from the album and only hit #36 on the Mainstream Rock Chart but it is way better than that. A band that has been around for over 40 years comes along and delivers a song and album like this shows they still have a ton of gas in the tank. The song was written by Rick Nielsen, Robin Zander, Tom Petersson and producer Julian Raymond and it was released as a single on April 27, 2017.
“Long Time Coming,” a crunchy hard rocker driven by a Kinks-flavored riff, is a bit of a one-song tribute to Cheap Trick’s influential forebears. “It’s our interpretation of Slade and MC5 and AC/DC and Aerosmith — a lot of riffs that are reminiscent of the Move, but they’re not steals,” Nielsen says. “It’s just, like, all the bands we like.” The song also features a synthesizer underbelly that was a signature in “Surrender,” “Dream Police” and other Cheap Trick songs.
There is nothing I can say that will summarize better than Rick Nielsen does. It is full of that classic angst of early Cheap Trick with their influences laid out on their sleeves. It rocks out and is about as heavy as these guys get. And though they are 40 years in, you don’t know that based on this song. They sound, hungry and fresh as ever! And if you want to sound like The Kinks and AC/DC and mix the two together, sign me up.
Give the song a listen and let me know what you think. These guys are still going strong and seem to be getting better and better. Not too many old bands still excite me like these guys do!! Thanks for stopping by and I hope you have a wonderful and Happy Sunday!!
“Long Time Coming”
I’m in the middle of something And it sure feels good It makes me feel better Do I look like a should?
Get me on the tour bus Then put me on a plane Take me to the city Before I go insane
I can feel, I can think, I can show ya What you want, what you need, get to know ya I don’t care what they say all the time Believe me, you’re gonna feel fine
It’s been a long time coming (long time coming) It’s been a long time coming down (long time coming) It’s been a long time coming (long time coming) It’s been a long time coming down (long time coming)
Shake it, shake it, shake it About to blow my mind A real pole grinder I leave my troubles behind
I can feel, I can think, I can show ya What you want, what you need, get to know ya I don’t care waht they say, I can tell all the time Believe me, you’re gonna feel fine
It’s been a long time coming (long time coming) It’s been a long time coming down (long time coming) It’s been a long time coming (long time coming) It’s been a long time coming down (long time coming)
I can feel, I can think, I can show ya What you want, what you need, get to know ya I don’t care what they tell all the time Yeah, believe me, you’re gonna feel fine
It’s been a long time coming (long time coming) It’s been a long time coming down (long time coming) It’s been a long time coming (long time coming) It’s been a long time coming down (long time coming)
Long time coming (long time coming) Long time coming down (long time coming) It’s been a long time coming (long time coming) It’s been a long time coming down (long time coming)
It’s a long time!
Written by Rick Nielsen, Robin Zander, Tom Petersson and producer Julian Raymond
For My Sunday Song #316, we are talking about “When I Wake Up Tomorrow” by Cheap Trick. The song is off their stellar 2016 album ‘Bang, Zoom, Crazy…Hello!’. The song was released as a promotional single and went to #24 on the Mainstream Rock Chart. The song was written by Rick Nielsen, Robin Zander, Tom Petersson and Julian Raymond. They have decided to credit everyone that is an official band member and the producer. Whatever works right.
The song is a modern ballad. It is dark and there is a sadness as the singer is looking for more than a one night stand and is begging and pleading for more. He doesn’t feel like he can live without her and just wants her to stay the night and wake up with him tomorrow. Part of me wonders if he wants her to stay the night so he won’t kill himself it is that dark sounding. But there is a beauty to it as well.
“When I Wake Up Tomorrow” brings a darker, more moody styled song and Zander does some of his best Bowie vibes he can muster. The rhythm section on this one is also a standout as Tom and Daxx seem to have found the groove that fits nicely with in Rick’s great guitar work. But it is those keyboard parts that add a new texture and layer which are so cool and almost U2 like in their stylings. Easy to see why this was a single as it is fresh sounding and one of the best things they’ve done in years. Pure brilliance.
For My Sunday Song #315, we are diving in to the very controversial song “Daddy Should Have Stayed in High School” by Cheap Trick. The song is off the 1977 debut album. The song was not a single for obvious reasons once you learn what it is about, but it was the B-Side to the single “Oh Candy”. It was written by Rick Nielsen back when not everyone got writing credits.
“Daddy Should Have Stayed in High School” is nothing if not controversial giving us a song about a guy who loves to pervert around with teenagers. I believe that is called an ephebophile. With lyrics like “I’m thirty, but I feel like sixteen / I might even know your daddy” is simply plain sick, hysterical and so rock & roll. You can’t help but love it even if it is so, so wrong. It is no worst than Gene Simmons singing about “Christine Sixteen” years earlier.
The song starts with a bunch a school kids making noises. The song chugs along and is just so wrong, but it feels so right. It sounds a little nasty and dirty with the distorted sounding guitar, the dark bass lines and the heavier sounding drum beats. Robin sings it with a gritty feel to his vocals as he knows it is wrong and probably has to take a shower after singing this one. It is one that makes you take notice and shows they weren’t afraid to court a little controversy.
For My Sunday Song #314, we are going after the song “Sick Man of Europe” off the Cheap Trick 2009 album ‘The Latest’. The album came out on June 23, 2009 and the single and video for this song came out on August 13 of the same year. The song didn’t chart, but the album did at #78 on the Billboard Charts. The song was written mostly by Bun E. Carlos and Julian Raymond but credits will go all around to Rick Nielsen, Robin Zander and Tom Petersson.
“Sick Man of Europe” is named after the band name Rick and Tom had for their band while they were in Europe in the early 70’s, pre-Cheap Trick. The song is a nod to the old, but it is new again. It is basically them calling out to the world and telling them we still got it.
The bass is king here. Tom goes ballistic on this track as he is balls-to-walls amazing. Bun E. Carlos has such great feel on this one as he tears up the skins. Rick lays down some wicked riffs and Robin sounds as youthful as ever with that never aging voice. The song has all the punk attitude and force you remember from early Trick with tracks like “He’s a Whore” for example. It is short and sweet and will get you on your feet! It will slap you upside the face and kick you in the ass. It is a force to be reckoned with and shows they still got it.
For My Sunday Song #313, we are talking about the first single off their latest album called “Light Up the Fire”. The album, ‘In Another World’ was released in 2021 and it picks up with “We’re All Alright’ left off. The album only went to #142 which is a shame because it is a solid album. The single was a blistering power pop track. It was written by Rick Nielsen, Robin Zander, Tom Petersson and Julian Raymond (the producer).
The song is about…heck if I know for sure but from the lyrics it could be about a woman who wants to be good and find that right relationship, but at the same time she is tempted by dark side, if you will. The lyrics ask if she is “looking for heaven or one hell of a time”. She doesn’t know yet what she really wants. He wants to be with her in every sense of the word, but he doesn’t want her to burn out and destroy their love. He wants her to light up the fire, but be careful how hard and heavy it burns because it could be bad.
The song opens with some heavy, low down, deep and nasty bass line and a massive guitar distortion-filled riff, Cheap Trick brings back the heavy and Robin attacks the lyrics with some cocky bravado while Rick’s guitar playing on this one is stellar as he lets loose. Robin’s voice never ages and is still killer after almost 40 years of the band. The Daxx Nielsen & Tom Peterson combo are key to the vibe as their rhythm section is driving hard and fast. Tom’s bass line on this one is stellar. The song is filled with a classic cheap trick chorus, a great hook and totally infectious. A beast of a track.
For My Sunday Song #312, we are going with “You Let A Lotta People Down” off their 1997 self-titled album, ‘Cheap Trick’. The song wasn’t a single but a B-Side to the albums third single, “Carnival Games”. The album went fairly overlooked as this 1997 and nothing from bands from the 70’s and 80’s was getting much love. That doesn’t detract from its greatness though…not in my book at least.
I will be honest, I don’t know who the song is about. All that is obvious that someone has let a lot of people down. That has hurt this person severely to the point of anger and dare I say rage. To the point that he might be willing to get a gun and do something about it…or someone that this person has hurt will one day end things. The person was teetering on a fence between the right decision and the wrong decision and they feel towards the wrong, deceitful side.
The band is on fire with this as they completely rock out with this one borderline metal with its really dark and anger-filled tone. Robin’s vocals aren’t silky smooth, they have an edge like the song itself. There is anger in those lyrics and the music personifies it. The chorus is classic 70’s Cheap Trick and catchy as hell, but the sound is more modern and fits the darker 90’s style of music. There is a point with some really heavy bass, pounding drums and a simple slamming guitar riff while Robin is angry and screaming and it is freaking awesome!!! It is a side of Cheap Trick we don’t get to see very often and that is a shame.
For My Sunday Song #311, we are starting our Cheap Trick 10 song set. And first up is a personal favorite, “She’s Tight” off their 1982 album ‘One on One’ (which was their last good album for years). The song was written by Rick Nielsen and was the third single off the album. The song did okay, just missing out on the Top 40 as it landed at #45 on the Billboard Hot 100. That doesn’t mean it ain’t good, on the contrary…it is awesome.
The song is not very subtle. It is about a booty call, plain and simple. The singer gets the phone number off a bathroom wall, calls it and she’s ready for action. He heads over a gets a little action. It is pure sleaze and sometimes that is okay. As a young teenager when this came out, this was such a dirty song, and I loved it. And the darker side of it, I have read it is about a very young girl with the whole “She’s Tight” reference, but I don’t want to think that…I prefer the straight-up booty call.
I remember watching the video on MTV and every time I watched it, I couldn’t wait for them to show it again. The punk guitar riffs from Rick so simple was actually one of his best ever. Mix that punk stylings with the synths and you get a very modern pop/rock song that was very radio friendly. It sucks you in and won’t let go. The infectious groove and sound were magic in my book. So much fun and oh those intermittent female vocal…”hmmms”…were sexy as hell. Robin Zander can sing anything and sound great and he doesn’t disappoint here. Bun E. Carlos’ drum beat is crisp and sharp and a driving force behind the song. The band didn’t have Tom Petersson in the band any more at this point so Jon Brandt was the bass player for this song.
For My Sunday Song #310 and the final in the 10 Song Aerosmith set, we will discuss my all time favorite track, “Sweet Emotion”. The song is another off ‘Toys in the Attic’ and was the first single off the album. It kicks off side two of the album and actually went all the way to #36 just cracking the Billboard Top 40 song chart.
The song is supposedly about Joe Perry’s ex-wife and the riff she caused in the band. I guess she was the Yoko of the band as they did eventually part ways briefly with Joe Perry (he came back after his marriage ended). Steven blasts her for “Talking about things that nobody cares/ wearing things that nobody wears”. And how she was on the side of the stage just shaking her ass for Joe and he was soon eating form her hand. No, no tensions there! The song also is about the infighting in the band as not only were the wives getting in the way, but so were the drugs and egos.
Another Tom Hamilton and Steven Tyler penned track which explains that killer bass opening to the song. Damn Tom is on fire with this one. That bass line is so hauntingly cool and then throw in Perry on the Talk Box and you have a memorable, killer opening. And that vibraslap you hear in the opening, actually broke on their third take from what I’ve read. Tyler’s vocals are pristine and no one can deliver a lyric like him. Perry’s guitar playing is on fire just like the pants in the lyrics. Kramer lays down a great rat-tat-tat right before Perry’s solo and his fills throughout are over the top as he is playing on the twos and fours rather than than ones and threes of the beats which totally blew producer Jack Douglas away. The band shows a more sophisticated side to their writing and they deliver one of my all time favorite Aerosmith tracks. It is a freaking masterpiece.
For My Sunday Song #309, we are working through “Toys in the Attic” by Aerosmith which is off their 1975 album of the same name. It is the lead off track, but was not a single. Instead it was the B-Side to the single “You See Me Crying”. The album was their third studio album and is one of their biggest selling albums with over 9 million sold as it chock full of Classic Aerosmith tracks including this one.
The song was written by Joe Perry & Steven Tyler and the phrase “Toys in the Attic” is a euphemism for insanity and that is what the song is all about. It talks of a guy that is hearing voices and seeing things yet nothing is real. He is losing his mind and we get to watch it happen in all its glory.
“Toys In the Attic” is rich with the guitar riffs of Joe Perry and Tom Hamilton’s bass groove will get the juices flowing. It is fast-paced, a bluesy and gritty rocker that is almost punk, but so not at the same time. It is a fun-filled pack of goodness and the band just explodes. Steven Tyler’s vocals are on edge, tilting towards the edge of insanity and fits with the them of the song perfectly. You have to listen to the bass as it is front & center and some of Tom’s best work. Really brilliant!!
2 Loud 2 Old Music 