We are now to the final album in the box set, The Complete Albums Collection. Why is it the final album in the set, because it is the last album to feature original guitarist, K.K. Downing. This box set contained ALL albums that featured the 4 main members, Rob Halford, Glenn Tipton, Ian Hill and K.K. Downing. We know it wasn’t because of a single drummer as they close to a 1,000 drummers in their career…and yes, that is an exaggeration. This live album is also the band’s fifth live album, but only 3rd in this series. We won’t be doing the other two any time soon, so sorry about that fact.
This live album was the first one since Rob Halford rejoined the band and it is also noted for an old producer friend of the band sees his return. Tom Allom is back as co-producer with the band and I can’t say that was actually a good thing after you hear my complaints about this album. They did a good job about not repeating any tracks on any other Halford led Live album up to this point. There are a lot of repeats on the Tim “Ripper” Owen albums, but those don’t count for this conversation. Why don’t we jump straight in to this release.
The album took songs from the band’s tours in 2005 and 2008 and not from one show which is okay. The problem was they didn’t mix the album to sound like a full live show. Nope! Each song fades out and then the next song comes in totally ruining the live album effect. If you are going to make a live album, at least give it the feel that it is one consistent show even if it is not. It totally takes me out of the game when you fade the songs in and out.
After ‘Ram It Down’, Priest needed to find themselves as they were going down the wrong path musically. In January 1990, the band got back to the studio to begin work and a comeback album that would show they were still the metal titans they were. This time it would be without their drummer Dave Holland who left in 1989. Drummer Scott Travis, from Racer X, was brought in and his double kick drumming style was going to help bring the heavy back to their sound. Also out was producer Tom Allom and in came Chris Tsangarides who also helped Priest find a new sound. We still have Rob Halford, Ian Hill, Glenn Tipton and K.K. Downing.
The album was finished by March 1990, but didn’t see a release until September 1990. The reason for the delay was that Judas Priest was being sued for subliminal messages in their music stemming from a civil suit brought on by the families of two teens that say the band had subliminal messages in the song “Better By You, Better Than Me” telling the teens to kill themselves. One teen was successful in his attempt and the other teen survived. The lawsuit ended up being thrown out on August 24th as the judge ruled in favor of the band that there was no messaging. As a result, the band released the album on September 3, 1990 and the heavy was brought back to Priest. The album went Gold in the US selling over 500,000 copies and charting at #26 on the Billboard Charts.
Following the Painkiller tour, Rob Halford left the band as he was ready to try a solo career plus he was tired of dealing with the ever growing tensions in the band. His final date with the band was May 1992. According to Halford’s book ‘Confess’, Rob sent a letter to the band discussing his intentions to pursue outside music and he wanted to take a break to do that, but the band he says took that as he was quitting the band. Not liking confrontation, It took Rob 10 years to finally talk with the band and discuss this matter with them and finally clear the air. We will get to that for the next review. For now, it is music time.