Tag: Blood Red Skies

My Sunday Song – “Blood Red Skies” by Judas Priest

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For My Sunday Song #294, we are going to discuss the song “Blood Red Skies” by Judas Priest off their 1988 album ‘Ram it Down’. The song is not an official single from the album which had some real crappy singles so this would’ve been way better as a single then what the chose. Ok, probably not a better choice as the song is over 7 minutes long so way to long for radio. The album did go gold thanks to songs like this (but mostly due to past success). The song was written by the normal trio of characters with Glenn Tipton, K.K. Downing and Rob Halford.

The song to me is so powerful. There is a real struggle and battle with the singer. And since the singer is Rob, I believe the battle is his struggle with and the world’s acceptance of his homosexuality. He was so afraid of being found out and what that would do to the band and to him. Rightfully so as this was the metal community back in the 80’s and being gay was not widely accepted yet. The song dives in to his personal struggles and what religion says will happen if you are gay, he’s being watched by everyone and is afraid the fame will all go away. But damn it, he is who is and he is going to fight for the right to be who he is and as history has shown, no one cares that he is gay. We all love Rob for Rob and it never hurt him or the band and he is finally happy being who he is.

The most epic song on ‘Ram It Down’ is “Blood Red Skies” the song feels like it is wrapped in a whole Terminator-like vibe. It feels like science fiction in music. The song starts off slower and it sounds like we are in space or something atmospheric like that. There are some acoustic guitars and Rob comes in soft and gentle to keep with the feel of the music. His falsettos are stellar. The song kicks up the tempo with some guitar synthesizer sounds and heavier drumming (although they sound programmed which sucks a little). Rob changes his vocal approach as well getting a little more sinister and angrier. The song takes me back to earlier Priest when they were doing a little more Prog stuff (without the synths though). This is one of the better songs on the album and really reaches new heights with the grand levels it reaches. It is engaging and feels like it is telling some powerful journey which it actually is.

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Judas Priest – ‘Ram It Down’ (1988) – Album Review (The Complete Albums Collection Series)

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As you know, the Turbo album was supposed to be a double album, but the powers-that-be decided the band should only release a single disc album. That meant a lot of songs were scrapped. Well, at least four of those songs wound up on the band’s follow-up, ‘Ram It Down’. The rest of those songs wound up as Bonus tracks on the re-issues and a couple I don’t think have ever seen the light of day. Maybe someday we will hear them.

‘Ram It Down’ was recorded from December 1987 to March of 1988. It would finally be released on May 17, 1988 and would end up being the last album with drummer Dave Holland. There are a few people I know that were quite happy with that move as they always felt Dave’s drumming was a little on the lackluster side. The album would ship gold but only wound up going to #31 on the US Billboard Charts. The album was pretty heavy compared to Turbo, but the songs were no where near as strong and I believe most were disappointed with the end result. In fact, when we did the Nigel Tufnel Top 10 Judas Priest albums on The LeBrain Train several weeks back, none of the three guest even chose this album as one of their Top 10 if that clues you in on anything.

The album kicks off with the classic Halford scream and really slams it home with heavy thrash sounding drums and frantically flying fingers on guitar. The title track, “Ram It Down”, is doing just that. Slamming the fist down to show the world they weren’t a synthesizer band anymore. When compared to the rest of the album, this is one of the better tracks as it still has a little bite and a great dual guitar solo from Glenn Tipton and K.K. Downing and man their fingers had to be smoking after the speed of those solos.

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