Tag: Overture

‘Shakespeare’s MacBeth: A Rock Opera (Featuring Jeff Scott Soto)’ – Album Review (The Jeff Scott Soto Series)

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Many years ago, Greg Cherone and John Bettencourt got together with an idea to turn William Shakespeare’s most tragic of tragedies into a Rock Opera. The tragedy in question is MacBeth, one of his most well-known works. Greg and John got through a number of songs in the first Act done, but the project was shelved for years collecting dust and going no where. That was until a new collaborator was brought in who had a background in musical theater, Greg’s cousin, Robert Clapp Jr. Greg asked Robert to work on one song called “A Dangerous Thing” and after that was done, Robert agreed to work on another, then another until he was in hook, line and sinker. After a year or so of work, we get a finished project with two full acts, 27 songs telling the story of MacBeth.

Robert played all the instruments and even sang all the parts to kick things off so they had a base tracking of the album. They added vocals to each song by using friends, family members and even hiring singers using the app Fiverr which was very successful for them. But they still needed a name, a person that would help draw some interest into the project. Their main goal was to get a backer to help stage the show in the theater and bring these songs to life. Greg mentioned to me that he styled the Rock Opera in the same way as Jesus Christ Superstar of which all three of them are a huge fan. I believe Robert Clapp was actually in Jesus Christ Superstar at one time.

As luck would have it, during the Monsters of Rock cruise back in March of 2025, an evening dinner would start the interest in someone to sing MacBeth. On the cruise was the band Extreme and as it so happens, Gary Cherone and Nuno Bettencourt of the band are the brothers of Greg Cherone and John Bettencourt the creators of the MacBeth Rock Opera. Gary was having dinner with Jeff Scott Soto and talked to him about the MacBeth project. Later, Gary told Greg about Jeff so Greg reached out and asked Jeff to sing on one song. Jeff did it and they loved his work so they thought, why not ask Jeff to do all the MacBeth. The worst he could do is say No. Well, Jeff doesn’t like to say No and he happily agreed to handle all the vocals as he had barely enough time before his next project, a Brazilian tour.

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Def Leppard – ‘Raw: Early BBC Recordings’ (2020) – Album Review (The Def Leppard Collection)

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To celebrate the 40th Anniversary of the bands debut album, Def Leppard put together quite an impressive box set.  This disc is the second prized disc to have.  It is full of studio recordings and live songs from various BBC recordings in those early years.  Some pretty cool stuff and the only way to get it is to buy The Early Years ’79-’81 (2020)

The first set of songs were recorded in June 1979 and they were for a show hosted by DJ Andy Peebles.  The really cool thing about these four songs is that all the guitar parts were handled by Steve Clark. Pete Willis was unable to get off work to record the sessions. This was back when the band was still trying to make it. Those 4 songs that were recorded were “Glad I’m Alive”, “Sorrow is a Woman”, “Wasted” and “Answer to the Master”.  The guitar sound on these songs all sound a little different as a result, There isn’t as much depth as the guitar parts sound too similar than when Pete is on it as this guitars sound different than Steve’s.

The solo on “Glad I’m Alive” sounds different almost hollow like in a stage far from the band. Still, this is one of the coolest non-album tracks the band has ever done. “Sorrow is a Woman” sees Joe shine on vocals, but the music this time around lacks a little punch. “Wasted” is all guitar so it is all Steve. It isn’t as raw and crunchy as the original recording, but there is something cool on this one. Rick Savage’s bass seems to be higher in the mix to offset the lack of Pete’s guitar and it adds a new dimension to the song. They also added a lot of echo to Joe’s vocals at time which i very different from the original. Lastly, “Answer to the Master” really misses the second guitar,but still a solid recording of the song. I’d still would’ve been a fan of these songs if these were what I heard first. I didn’t have these versions in my collection so I think they are awesome. 

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Def Leppard – ‘When the Walls Came Tumbling Down (April 26, 1980)’ (2020) – Album Review (The Def Leppard Collection Series)

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Def Leppard never wanted to release live albums. At least that is what I remember them saying years and years ago. Was it something like “a band only releases live albums when they’ve run out of ideas”. Don’t quote me on that, that is something I swear I heard them say a very long time ago. And for 31 years, Def Leppard never officially released a live album. A live video, yes. But never an album until around 2011 with ‘Mirrorball’. And it would be another 9 years before we ever got a live show from their Early Years! But thanks to the box set ‘The Early Years’, we finally had a live show from 1980. It doesn’t get much earlier than that for them. It was recorded at New Theatre in Oxford on April 26, 1980. The show is completely unedited and as is (so they say) and I would believe it.

But it wasn’t my first early show of Def Leppard. I have a bootleg from a show at BBC’s Paris Theatre, London, England, 22nd August 1979 and some recorded at the Reading Festival, Reading, England, 24th August 1980 and it was called “Live at the Top”. That was my first taste of early Lep and what a taste it was. This show is even better and sees a hungry, raw Def Leppard giving it their all. There are four historical pieces on here as we get a liver version of Good Morning Freedom which the band had never released, an early version of Lady Strange from an album that hadn’t come out yet and two songs that would wind up completely different when they were finally released on two different albums. The show was first released in that box set, then they decided to release a vinyl of the show as well which I have both versions as you can see in the last picture.

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Def Leppard – ‘On Through The Night’ (1980) – Album Review (the Def Leppard Collection Series)

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The Def Leppard E.P. from 1979, sold really well and saw the band’s popularity rise heavily in their home country of the U.K. The Union Jack was their friend, but that was soon about to change. With the release of their debut album, shouts were coming from the media that Def Leppard were sell-outs and trying to pander to the American public especially with a song called “Hello America” and the fact that they toured way more in the U.S. then they did anywhere else. As a result of those shouts, they were abused and heckled and bombarded with bottles of piss at the Reading Festival, but to be fair a lot of bands were abused during that festival.

Def Leppard were one of the first bands on this ride called the New Wave of British Heavy Metal which included the likes of Iron Maiden, Saxon, Tigers of Pan Tang and many more. Their sound was more raw, definitely more heavy and yet a little more polished then some of the other bands. There was no denying that this young gang of boys with an average age of 18, were ready to rock America and the World. The band consisted of singer Joe Elliott, guitarists Steve Clark and Pete Willis, bassist Rick Savage and the Thunder God himself, Rick Allen who was the tender age of 16 when the album came out.

The album was produced by Colonel Tom Allen who you might know from producing acts like Judas Priest and engineer on albums from Black Sabbath. He helped craft a really solid and exciting debut album which saw the light of day March 14, 1980. The album saw three singles with only 2 charting in the UK, but the album did sell over a million copies over time thanks to their big albums ‘Pyromania’ and ‘Hysteria’ I am sure. Through the success of the album and the touring, they band caught the eye of producer, Robert John “Mutt” Lange. The man saw something special and these young lads and would change their world forever.

I remember growing up and seeing this album in my brothers collection and I remember him seeing them live and telling me how great they were. So I grabbed this album and listened to it a lot. I had a strange fascination with it using it for two projects in school. One was a paper in English which I talked about the song “Wasted”. That paper sucked and I was lucky to walk away with a “C” when it probably deserved and “F”. The second was for Art Class when I drew the album cover. I still have the original album on vinyl and the cover is all marked up since I drew lines on it to help with my actual drawing. It is rough. Not the drawing, it looks great and is below…

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