This week my buddy Deke and I are starting a series called “In Depth” and each episode we will pick any album and dive a little deeper in to it. We decided we would do a mini-Queensryche series and go from their E.P. up to ‘Promised Land’. Since this is the beginning we are starting with their debut E.P. simply titles ‘Queensryche’. So, if you like a little Queensryche then come check it out as we have a little show this week since the E.P. only has 4 songs (5 if you count the 1988 re-issue). Which we do.
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At the May 2022 Record Show here in Charlotte, I found a couple bootlegs on CD that I had to grab. The first was from Extreme which we discussed recently and this one is from Queensryche. I don’t know much about it but I do know that it had to come out sometime after 1992 as the most current songs on here were recorded around that time. There are 3 different versions of this bootleg according to Discogs and all three have the same track listing. The other two were from Italy and released in 1992 and the other 1994. This one has no date or country of origin so all is unknown. If you do know, please comment below.
The first 5 tracks are taken from MTV Unplugged which were recorded on April 27, 1992. I don’t think there has ever been an official MTV Unplugged release for this show…at least not that I can find. Tracks 6-9 and 11-14 are all recorded around 1983 in New York which is very early Queensryche. Pre the release of ‘The Warning’ which is really cool. They would’ve only had out the Queensryche E.P. at this point. Song 10 comes from Tokyo and Budokan in 1985.
And like any good bootleg, there are mistakes in both song titles and track orders. First, the song “Take Hold of the Flame” is actually “Take Hold of My Flame”. Track 7 is listed as “Blinded” but is actually “Queen of the Reich”. Track 8 is listed as “The Lady Wore Black (Electric)” but is actually “Blinded” and as a result, Track 9 is listed as “Queen of the Reich” but is “Blinded”. Okay, I think that is all that I can find.
We are now to the final album in the box set, The Complete Albums Collection. Why is it the final album in the set, because it is the last album to feature original guitarist, K.K. Downing. This box set contained ALL albums that featured the 4 main members, Rob Halford, Glenn Tipton, Ian Hill and K.K. Downing. We know it wasn’t because of a single drummer as they close to a 1,000 drummers in their career…and yes, that is an exaggeration. This live album is also the band’s fifth live album, but only 3rd in this series. We won’t be doing the other two any time soon, so sorry about that fact.
This live album was the first one since Rob Halford rejoined the band and it is also noted for an old producer friend of the band sees his return. Tom Allom is back as co-producer with the band and I can’t say that was actually a good thing after you hear my complaints about this album. They did a good job about not repeating any tracks on any other Halford led Live album up to this point. There are a lot of repeats on the Tim “Ripper” Owen albums, but those don’t count for this conversation. Why don’t we jump straight in to this release.
The album took songs from the band’s tours in 2005 and 2008 and not from one show which is okay. The problem was they didn’t mix the album to sound like a full live show. Nope! Each song fades out and then the next song comes in totally ruining the live album effect. If you are going to make a live album, at least give it the feel that it is one consistent show even if it is not. It totally takes me out of the game when you fade the songs in and out.
For the band’s sixteenth studio album, they went somewhere they had never gone before and really pushed the boundaries of what they could do. “Nostradamus” was going to be a concept album about the man himself, Nostradamus. The idea was brought to the band by their manager, Bill Curbishley, way back in 2005. Eventually the band came around and work started on the album in 2006 and went through 2007. The album finally saw the light of day on June 16, 2008 and saw the band get their highest charting album to date at #11 (now realize that was only sales of 42,000 and in 2008 that had become a lot as album sales were way down).
The band would shed their speed and thrash metal sound and stick strictly to a more symphonic metal sound so if you were expecting anything from before you were in a shock. This was going to be so different than anything else they had done. The album turned in to a 2 CD set with 23 tracks and over a 103 minutes worth of music. You were taken on a journey through the life of Nostradamus and would get songs about his notorious prophecies and about the man himself. You can tell by the titles of the songs on the first disc they are about some dark prophecies that talk about war and the basically the end of the world. The album is full of orchestrated moments and even choirs and if you are looking for the classic Halford scream, you will only get that on the very rare occasion. Rob sings more in an operatic singing style and fits the music perfectly. This is the band stretching their limits and really reaching for the stars.
The band is still Rob Halford, K.K. Downing, Glenn Tipton, Ian Hill and Scott Travis on drums. Don Airey is still on keyboards and then you have Pete Whitfield who handles all the string instrumentation. The band was hitting on all cylinders and have given an album that has to be listened to as an album and from front to back in the order intended to get the full effect and follow along. And due to the length of the album there is no way we are going to go through song by song in any great detail so forgive me. I will stick with the highlights and there are many.
2 Loud 2 Old Music 