Def Leppard – ‘Raw: Early BBC Recordings’ (2020) – Album Review (The Def Leppard Collection)

To celebrate the 40th Anniversary of the bands debut album, Def Leppard put together quite an impressive box set.  This disc is the second prized disc to have.  It is full of studio recordings and live songs from various BBC recordings in those early years.  Some pretty cool stuff and the only way to get it is to buy The Early Years ’79-’81 (2020)

The first set of songs were recorded in June 1979 and they were for a show hosted by DJ Andy Peebles.  The really cool thing about these four songs is that all the guitar parts were handled by Steve Clark. Pete Willis was unable to get off work to record the sessions. This was back when the band was still trying to make it. Those 4 songs that were recorded were “Glad I’m Alive”, “Sorrow is a Woman”, “Wasted” and “Answer to the Master”.  The guitar sound on these songs all sound a little different as a result, There isn’t as much depth as the guitar parts sound too similar than when Pete is on it as this guitars sound different than Steve’s.

The solo on “Glad I’m Alive” sounds different almost hollow like in a stage far from the band. Still, this is one of the coolest non-album tracks the band has ever done. “Sorrow is a Woman” sees Joe shine on vocals, but the music this time around lacks a little punch. “Wasted” is all guitar so it is all Steve. It isn’t as raw and crunchy as the original recording, but there is something cool on this one. Rick Savage’s bass seems to be higher in the mix to offset the lack of Pete’s guitar and it adds a new dimension to the song. They also added a lot of echo to Joe’s vocals at time which i very different from the original. Lastly, “Answer to the Master” really misses the second guitar,but still a solid recording of the song. I’d still would’ve been a fan of these songs if these were what I heard first. I didn’t have these versions in my collection so I think they are awesome. 

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Def Leppard – ‘When the Walls Came Tumbling Down (April 26, 1980)’ (2020) – Album Review (The Def Leppard Collection Series)

Def Leppard never wanted to release live albums. At least that is what I remember them saying years and years ago. Was it something like “a band only releases live albums when they’ve run out of ideas”. Don’t quote me on that, that is something I swear I heard them say a very long time ago. And for 31 years, Def Leppard never officially released a live album. A live video, yes. But never an album until around 2011 with ‘Mirrorball’. And it would be another 9 years before we ever got a live show from their Early Years! But thanks to the box set ‘The Early Years’, we finally had a live show from 1980. It doesn’t get much earlier than that for them. It was recorded at New Theatre in Oxford on April 26, 1980. The show is completely unedited and as is (so they say) and I would believe it.

But it wasn’t my first early show of Def Leppard. I have a bootleg from a show at BBC’s Paris Theatre, London, England, 22nd August 1979 and some recorded at the Reading Festival, Reading, England, 24th August 1980 and it was called “Live at the Top”. That was my first taste of early Lep and what a taste it was. This show is even better and sees a hungry, raw Def Leppard giving it their all. There are four historical pieces on here as we get a liver version of Good Morning Freedom which the band had never released, an early version of Lady Strange from an album that hadn’t come out yet and two songs that would wind up completely different when they were finally released on two different albums. The show was first released in that box set, then they decided to release a vinyl of the show as well which I have both versions as you can see in the last picture.

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Def Leppard – ‘On Through The Night’ (1980) – Album Review (the Def Leppard Collection Series)

The Def Leppard E.P. from 1979, sold really well and saw the band’s popularity rise heavily in their home country of the U.K. The Union Jack was their friend, but that was soon about to change. With the release of their debut album, shouts were coming from the media that Def Leppard were sell-outs and trying to pander to the American public especially with a song called “Hello America” and the fact that they toured way more in the U.S. then they did anywhere else. As a result of those shouts, they were abused and heckled and bombarded with bottles of piss at the Reading Festival, but to be fair a lot of bands were abused during that festival.

Def Leppard were one of the first bands on this ride called the New Wave of British Heavy Metal which included the likes of Iron Maiden, Saxon, Tigers of Pan Tang and many more. Their sound was more raw, definitely more heavy and yet a little more polished then some of the other bands. There was no denying that this young gang of boys with an average age of 18, were ready to rock America and the World. The band consisted of singer Joe Elliott, guitarists Steve Clark and Pete Willis, bassist Rick Savage and the Thunder God himself, Rick Allen who was the tender age of 16 when the album came out.

The album was produced by Colonel Tom Allen who you might know from producing acts like Judas Priest and engineer on albums from Black Sabbath. He helped craft a really solid and exciting debut album which saw the light of day March 14, 1980. The album saw three singles with only 2 charting in the UK, but the album did sell over a million copies over time thanks to their big albums ‘Pyromania’ and ‘Hysteria’ I am sure. Through the success of the album and the touring, they band caught the eye of producer, Robert John “Mutt” Lange. The man saw something special and these young lads and would change their world forever.

I remember growing up and seeing this album in my brothers collection and I remember him seeing them live and telling me how great they were. So I grabbed this album and listened to it a lot. I had a strange fascination with it using it for two projects in school. One was a paper in English which I talked about the song “Wasted”. That paper sucked and I was lucky to walk away with a “C” when it probably deserved and “F”. The second was for Art Class when I drew the album cover. I still have the original album on vinyl and the cover is all marked up since I drew lines on it to help with my actual drawing. It is rough. Not the drawing, it looks great and is below…

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Def Leppard – ‘First Strikes: 1978-1979’ (Bootleg – 2013) – Album Review (The Def Leppard Collection Series)

I do love bootlegs. They are a chance to hear a band’s live shows that were never released, a radio broadcast, old forgotten demos or whatever it may be. Bands hate them because they don’t get paid, however, diehard fans want them as they want to consume everything from their favorite bands. I own quite a few bootlegs for Def Leppard on CD, vinyl and DVD so we will go through a bunch, but first we will start with this one. It was released in 2013 and what is cool about this one it is a collection of various demos and rare albums from Def Leppard.

The first 3 songs, which were recorded a Fairview Studios in Hull, England back in November 1978, were actually released by the band. The songs “Ride Into the Sun”, “Getcha Rocks Off” and “The Overture” are taken from the band’s debut E.P. called ‘The Def Leppard E.P.’. We discussed that album in full detail on the first post in this series so we won’t repeat that story here. Back in 2013 when this bootleg was released, those three songs were extremely hard to find. There were only 1,000 copies or so of the first E.P. The band has since released them as a Record Store Day Release on a 12″ Single rather than the 7″ E.P. originally (The Def Leppard E.P. (1979/2017)). They have also re-released in the Box Set called The Early Years ’79-’81 (2020). Check those out as well.

The next batch of demos, songs 4-10, were recorded back at Fairview Studios during the Summer of 1979. These songs were never released, then in 1984, the bootleg called ‘First Strike’ was released without the permission of the band or management. Def Leppard sued to get the production stopped and they won. They even were paid royalties on what was sold. You can still find these on Discogs or ebay, but be prepared to pay through the roof on them as they are very rare. Someday I’ll get one.

What was great about these songs is that “Heat Street” and “See the Light” I don’t think I have seen the light of day yet, while “Glad I’m Alive” was on The Early Years Box Set. The other 4 songs were re-recorded for the debut album ‘On Through the Night’ which we will get to later. These demos were recorded live and are raw and fantastic.

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