My Sunday Song – “Suspended” by Matt Nathanson

For My Sunday Song #215, we are going to discuss “Suspended” by Matt Nathanson off his 2003 album ‘Beneath the Fireworks’. The album was one of the first I heard by Matt and helped me get on board to become a full-fledged fan. “Suspended” was a single off the album but failed to chart. His first charted single didn’t come until his next album, ‘Some Mad Hope’ in 2007.

The song seems to be about being with someone that that you think is pretending you are the one. You are scared. You are feeling things that you haven’t felt before. You are alive, no longer numb. You feel she might actually be the one, but you are scared that she is. You freak out a little, but you finally suspend disbelief and except her for what this is and it could be beautiful. For me, it is a song about hope in finding your true love. I find it it to be a beautiful and the way he captures the emotions in the lyrics is amazing.

Musically, it is a pop song, plain and simple. Nice beats, good grove, great vocal delivery. There is nothing special about it, no outstanding moment. It perfectly captures the tone of the lyrics and it is catchy, fun and pleasant. Sometimes, the beauty is in the simplicity.

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Matt Nathanson – ‘At the Point’ – Album Review

For the regulars of my site, they already know I am a huge Matt Nathanson fan.  For those non-regulars, I will let you know I am a huge Matt Nathanson fan.  I have been re-exploring his earlier catalog lately and I want to point out a great live set he has available called ‘At the Point’.

‘At the Point’ was recorded, well, at The Point.  The Point is an intimate club in Philadelphia, PA.  It was recorded in the Summer of 2005 and released in 2006.  It is only Matt and his acoustic guitar.  Nothing or no one else.

What I love about this album is it is a lot of his old songs from before my discovery of Matt which was around 2007 or so.  The album showcases his live performance, his ability to own a crowd, his comedic stylings (he is one funny SOB), his voice and most importantly his songwriting and musicianship.

From such classics as “Church Clothes”, “Answering Machine”, “Curve of the Earth” and “I Saw” to his cover of Dire Straits’ “Romeo and Juliet” and Drivin’ N Cryin’s “Straight to Hell”, you get lost in his performances as they are delivered so flawlessly and seem so personal.  You get laughs as he tells stories that will have you laughing your ass off and you just get an hour and seven minutes of pure enjoyment.  This is what a live album should be.  Something you can feel and connect with.

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