Billy Idol – ‘California FM 1990’ – Bootleg (The Billy Idol Series)

If you follow the site, you know I’m a huge Billy Idol fan and anytime I can find a rare piece that I don’t have in the collection, I jump on it. This time around, I found a bootleg. And I do love my bootlegs. This is my fourth Idol bootleg and this one is from way back in 1990. It was recorded at the Pacific Amphitheatre in Costa Mesa, California on October 27, 1990. That means this would’ve been in support of his latest album at the time, ‘Charmed Life’ and we get a few from that album in the set list. Be warned, this is not a full show. This is a best of that was broadcast on radio at the time. But still, 10 songs of Billy is better than nothing am I right? Yeah…I am.

The version I have is a European release and was released recently back in 2023. I found it down in Tamp Florida at a store called D&J Records. I like to hit up local record stores when I am on vacation so this one was found back in June earlier this year. And I was thrilled to grab hold. Sadly, you will notice in the band credits, that there is no Steve Stevens on guitar as he and Billy were still on the outs at this time and for many years still to come. Does it impact the show? We will find out shortly.

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Billy Idol – ‘Idol Songs: 11 of the Best’ (1988) – Album Review (The Billy Idol Series)

While I was recording a show on Grant’s Rock Warehaus, we were discussing the Billy Idol Chrysalis Years and as I was gathering my vinyl for that show, I realized that I was missing the ‘Idol Songs: 11 of the Best’ from my collection. I could’ve sworn I had bought that one before as I remember holding it in my hand at one time. But, I apparently didn’t buy it. So, I told Grant I would remedy that situation and so I head over to discogs to see if I could get one and what the best one to get. Well, it turned out the best version to get was the UK 1988 version which came with a 12″ Limited 4 Track E.P. exclusive to this set. Sold. I bought it from someone in Sweden and a week later, it was in my hands. It still had the stickers on the front and back cover talking about the 12″ Exclusive 4 Track E.P. and it was in pristine shape.

The album was released on June 20, 1988 on Chrysalis Records and contains 11 tracks from his first three studio albums as well as the E.P. and includes a live version of “Mony, Mony” which wiki says comes from the ‘Don’t Stop’ E.P. but my E.P. does not have a live version, it is the studio track. You can get another limited edition version with 2 bonus tracks, but why do that when you get one like I have with the the 4 bonus tracks. The album went to #2 on the UK Charts and was certified Platinum. I don’t really remember this album here in the States as it came out after Vital Idol and I felt that was pushed way more than this compilation. But I have one now, so all is good. In 2003, they did reissue this album with a different cover and called it ‘Essentials’…I like my version better.

The opening track is the title song “Rebel Yell” which actually opened the ‘Rebel Yell’ album.  It is a scorcher of a song, high energy and attitude.  The opening of the song is all done with the guitar even though it sounds like both a guitar and a keyboard.  Steve is showing off right out of the gate.  Vocally, Billy is on fire and you can see his lip curling up while he is signing which is amazing as it is on vinyl.  “Rebel Yell” was actually inspired by the Rolling Stones according to Billy on VH1 Storytellers.  Billy was at a party thrown by the Stones and everyone was drinking Rebel Yell Bourbon Whiskey.  I guess he loved that whiskey (along with a lot of drugs at the time).

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Billy Idol – ‘Icon’ (2013) – Album Review ( the Billy Idol Series)

Apparently compilations are always a big hit with the music buying public. No one wants full albums anymore of new material…nope. They just want the hits. Universal Music & Capitol Records are capitalizing on that and have a series called ‘Icon’. You might have seen one from Kiss, Megadeth, Limp Bizkit, even Billy Ray Cyrus. In 2013, Billy Idol was treated with his own ‘Icon’ greatest hits compilation.

Here is my thing with these releases. They are LAZY! No new edits, no unreleased tracks and only room for a handful of the hits. Not even all the good ones. This Billy Idol release is no different. It only draws from his biggest albums, the first three and one Generation X song. It is missing the good stuff from Charmed Life, Cyberpunk or even Devil’s Playground. However, what is here is good, great in fact. These songs are classics for a reason so I can’t complain about that, but it is still a safe collection. The songs are in chronological order which is also pretty damn lazy.

The albums first is the now classic, “Dancing With Myself”.  I say now a classic because this song failed to chart upon its release and didn’t really do much.  It wasn’t until Billy released it as one of his solo songs, but that is for another discussion.  The song was inspired by what the band saw while on tour in Tokyo.  They noticed at that dance clubs, the people were dancing more with their own reflections in the mirrored walls than they were with other people. The song is pure New Wave dance music with a slight punk edge…classic Billy Idol solo.  It is so melodic and catchy.  The guitars are a little louder on this version and not as much bass, but other than that it is the song you know.  A great way to start out the collection. This track is off the Generation X album ‘Kiss Me Deadly’.

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Billy Idol – “Sweet Sixteen” – 7″ Single (The Billy Idol Series – Bonus Edition)

If you remember my discussions last week, while at a record show here in Charlotte, I came across that Billy Idol Picture Disc for “Eyes Without A Face”, but that wasn’t all I found. I also found a couple 7″ Singles from Billy Idol as well. First up was “Hot in the City” with the B-Side “Catch My Fall”.  The other 7″ Single I found from Billy was for the song “Sweet Sixteen” off the album ‘Whiplash Smile’. The B-Side for the song was also from the album, a song called “Beyond Belief”.

The US release of this single was in April 1987 and this single is from that release. The song did great as it went to #20 on the Top 40 charts helping drive the album to sells of over 1 million copies in the US alone making it go Platinum for Billy. Both songs on the single are strictly the album versions. There are no single mixes or remixes, only the normal released songs. As a result, this is nothing new I don’t already have, but I didn’t have it in single form so I will take it to grow my Billy Idol collection.

The third single from the album was an acoustic guitar heavy ballad called “Sweet Sixteen” with a very nice bass groove added in. It might just be the best song on the album.  A nice change of pace and gave you a softer side of Billy.  The story behind the song is based on a true story about Edward Leedskalnin who was dumped by his fiancée Agnes Scuffs the day before their wedding. To try and win her back, he built a monument complete with furniture made of coral, in Homestead, Florida called Coral Castle.  Sadly, she still didn’t want him. Oh well, it is now a little tourist attraction…although quite weird.  Edward’s nickname for Agnes was “Sweet Sixteen”.

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Billy Idol – ‘Whiplash Smile’ – Album Review (The Billy Idol Series)

After the tour for Rebel Yell, Billy Idol continued to live like he was on tour.  The drug use was getting worse, his relationship with Perri Lister was over and even his manager, Bill Aucoin was absent due to his own drug issues.  Billy’s world was slowly spiraling out of control.  And so was his ego.

When work was started on his next album ‘Whiplash Smile’, Billy’s ego started to get in the way.  He wanted control.  He wanted to write all the songs.  He wanted to add more synthesizers, more sounds, more stuff that wasn’t Steve Stevens.  And it is noticeable in the music.

What is also noticeable, is that with everyone leaving his life, the loneliness found its way into the music.  And an album that found about as much success as its predecessor, it wasn’t not quite the Billy Idol album people wanted or critics even liked.  It was an album that would lead to the end of a relationship between musicians that really needed each other.

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