Mid-way through the tour for Whiplash Smile, there was a new head at Chrysalis Records named Mike Bone. He wanted to immediately make his mark with Billy and suggested putting a compilation together of Remixed songs along with a live version of “Mony Mony”. Billy was on board and while on tour, they recorded the live version, slapped a bunch of remixes together and bam…you had an album.
All this above was from Billy’s book, ‘Dancing With Myself’, but doesn’t make sense to me. As the time in the book was around 86/87 and this compilation had already been released in 1985 in the UK. In September 1987, ‘Vital Idol’ was released in the US. Plus, my version doesn’t have a “Live” version of “Mony Mony”. At least it doesn’t sound live. Not sure Billy’s memory was correct in the order of things as the book doesn’t mention the UK version and the live take of “Mony, Mony” was on the greatest hits collection that came out in 1988 not the 1987 version of Vital Idol. Sorry, not completely true as a 1988 Japanese version of Vital Idol does have the live version. Confusing.
The UK and US version also differed ever so slightly. The UK version had one less song and the track order was different. The US version had a remix of a track off Whiplash Smile which the UK version was out before that album was even released so it wouldn’t have it.
Continue reading “Billy Idol – ‘Vital Idol’ – Album Review (The Billy Idol Series)”
After the demise of Generation X and Gen X, Billy would follow Bill Aucoin, his manager and Kiss’ former manager, to New York City to start a solo career. When Billy signed on with Gen X as their manager, he quickly learned that the star of this band was not the band, but its lead singer, Billy Idol.
When Billy got to New York, he met a lot of interesting people and really loved the club scene…and of course, the drug scene was something he enjoyed as well. If you read his book, “Dancing With Myself“ you can find out all about it so I won’t spoil the details here.
Billy was introduced to a guitarists at this time that would become just as big a part of Billy’s solo career as he was. He met Steve Stevens. There is no Billy Idol sound without Steve and his guitar playing is what makes Idol’s solo songs that much better.
With Steve Stevens in tow along with Phil Feit on bass and Gregg Gerson on drums, the band set out to record Billy’s first solo album. As a teaser and build up to his career, it was decided an E.P. would be put out, I guess to whet everyone’s whistle and draw up buzz on the singer. ‘Don’t Stop’ was the result. It was more of a dance album than the former punk sound Billy had and you could see the magic being developed on what would become an amazing run of albums in the 80’s.
Continue reading “Billy Idol – ‘Don’t Stop E.P.’ – Album Review (The Billy Idol Series)”