Happy Friday and Happy Day After Star Wars Day. The Force is strong this week with new releases…yeah, that was pretty bad. But we do have a lot of new releases for you today and hopefully there is something for everyone. The only one I’m waiting on this week is Winger’s new one. Can’t wait for that to arrive today as I’m ready to crank that one. I am sure I’ll have to listen to Ed Sheeran’s new one as my kids tend to play him. Let me know what you want to hear this week and what we may have missed. Thanks for stopping by and have a great weekend.
Winger – Seven – (Frontiers Records)
Ed Sheeran – “-” – (Asylum Records / Atlantic Records / Warner Music)
I have done two posts already on the Best & Worst songs from every Judas Priest album and also from Cheap Trick. I really enjoyed doing that so I thought I would continue that process and this time we would go through every Whitesnake album and see what is the best song and the worst one off each album as well. Whitesnake has 13 studio albums to go through so sit back and take it all in. Now, let’s preface this with the fact that these are my choices and not necessarily yours as we can have different opinions. If you watched the show you will see that sometimes my worst song was their favorite so you never know what people like and we all like different things or this would be a very dull world. I hope you enjoy!!
‘TROUBLE’ (1978)
BEST SONG –“Belgian Tom’s Hat Trick”: The coolest song on the album and probably the best is “Belgian Tom’s Hat Trick” which is a full assault of an instrumental with 3 different solos. One for Moody, One for Lord and One for Marsden. I don’t see it as out of place as Purple threw in an instrumental on ‘Burn’ and this one is way better. I really love when Jon Lord lays it down and he does just that. The guitar’s have a riff that plays through-out that is the main feel for the song and everything is played beautifully off of that riff. No David Coverdale on this one, so sorry, but this is too killer not to include.
WORST SONG – “Day Tripper”: The worst is this horrible cover of the Beatles’ “Day Tripper”. It is…let’s say…not good. It is uninspiring and bluh. The adding in of the Framptonesque Talk Box doesn’t help and I really can’t stand it. I hope that point is coming across. Skip/Delete whatever you do, just avoid it.
With the album ‘Alive’ in 1975, Kiss finally broke through and were on their ways to be Rock Gods!! But their next album needed to make a statement. It needed to capture the band like none of their other albums had been able to do. Famed record producer, Bob Ezrin, was brought in to man the boards all based on the work he was doing with Alice Cooper. Kiss needed that same energy and success. And did Bob deliver? Oh hell yeah he did!! ‘Destroyer’ was released on March 15, 1976 and with songs like “Beth”, ‘Detroit Rock City” and “Shout it Out Loud”, Kiss was on top. They had made it! A now platinum selling artist, a massive touring act and they were starting to reach heights they only dreamed about. At first thought, the album was slow out of the gate until “Beth” was played on the radio…it was the B-Side to “Detroit Rock City” and then Bam!! Everything changed. To celebrate this pivotal album, Kiss delivered the 45th Anniversary Super Deluxe Edition Box Set which we’ve already reviewed and it is jammed pack with goodness. This time we have the 2-LP Deluxe Edition Colored Vinyl which we are discussing. It isn’t as jammed pack but it is still pretty great for what it is.
One thing I really like about this set is the gatefold. It is stunning. When you open up the gatefold and there are the members of Kiss in full gear on their choppers, you get excited. It is really cool.
Almost a decade earlier, Serafino Perugino of Frontiers Records, thought a supergroup with Jeff Scott Soto doing Journey type AOR music would be a smart idea. He is notorious for putting all these great musicians together for so-called supergroups and some would say he does it WAY TOO MUCH! And I would agree, except for W.E.T. W.E.T. is a culmination of some great artist including Robert Sall of the band Work of Art (The “W”); Erik Martensson of the band Eclipses (The “E”) and Jeff Scott Soto of the band Talisman (The “T”). All three bands are Swedish bands and all on Frontiers so it made it easy to bring these three guys together. Rounding out the band are Magnus Henriksson and Robban Back both from the band Eclipse as well. What most thought would be a one-off project has now turned in to 3 studio albums and one live album and we couldn’t be happier.
But, will the third time be the charm? Will this be as good or better than the first two or have they outlived their usefulness? The answer to those questions is that this band keeps getting better and better with age. They are like a fine wine and although there is a little cheese in this sound, the album gives us a group of songs that has so many hooks that the US Fish and Wildlife Service has issued a warning about that fact. So, sit back and get ready to get caught up in the music hook, line and sinker. And I am sure all that sounded as bad as it felt writing it. Since I’m only writing bad jokes at this point, lets get to the music.
The album opens with the stellar first single “Watch the Fire” and mine it is something to behold. It opens with an atmospheric keyboard sound, then the guitars and drums come roaring in and then we get Erik’s vocals to kick off the song and Jeff joins in as well. Another fantastic duet between the two and it is shame this is the only song they do it on, but what a song. The melodies, the harmonies, the hook-ridden chorus, the wicked guitar solo, it is melodic rock at its absolute best!! This is one of the best songs they have done on the three albums.
Winger – Seven – (Frontiers Records)
Ed Sheeran – “-” – (Asylum Records / Atlantic Records / Warner Music)
2 Loud 2 Old Music 