My Sunday Song – “No Surprize” by Aerosmith

For My Sunday Song #303, we are talking about the song “No Surprize” off the Aerosmith’s 1979 album ‘Night in the Ruts’. It wasn’t the band’s most successful album as the drugs had really taken hold of them by this time. It was amazing an album was even made. The album went to #14 on the Billboard Album Charts, but didn’t stay for long. It was panned by the critics and fans alike. But it isn’t half bad (it ain’t half good either). One of the best songs is “No Surprize” yet it was never released as a single so now we will give it its dues.

The opening track of the album was “No Surprize” which took a long while to write. Joe and Steven had been working on a song together and Steven was having trouble with the lyrics. After two months of blockage, Steven finally got his second wind and wrote a great song that tells the story of the band. It covers from the humble beginnings in 1971, the struggles of making it, the drug problems and the wondering where their royalties were. I can tell you, they went in to the drugs!! Lots and Lots and Lots of Drugs!! There is a cool line in it with “Vaccinate your ass with a phonograph needle” and I wonder now if that would work to battle Covid. Probably not.

The song is a mix of blues and old time rock & roll with a Chuck Berry vibe on guitar coming from Perry. It is rough and raw and Tyler’s vocals a real grit to them like he had lived a tough life and currently he was doing just that. Hamilton and Kramer were the heart of the song laying down a great rhythm and keeping the song driving forward while Joe and Brad laid down some cool riffs. It is a down and dirty rock song, just the way I like it.

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My Sunday Song – “Kings And Queens” by Aerosmith

For My Sunday Song #302, we are talking about the song “Kings And Queens” from the bands 1977 album ‘Draw the Line’. The song was released on February 21, 1978 and it only made it to #70 on the Billboard Hot 100. It was written by most of the band including Steven Tyler, Joey Kramer, Tom Hamilton and Brad Whitford. It was not written with Joe Perry and one of the rare times that was the case, but drugs will do that. However, producer Jack Douglas managed to get a writing credit as well as he did a lot on this album as someone had to keep pushing the band forward.

Lyrically it seems more like a Zeppelin or even early Genesis as they delve in to sorcery knights and swords and stuff. It has this whole Medieval Knights of the Round Table vibe. It is also a rather violent look at the time and does not paint a glamorous picture. Tyler has stated that it is about all those that died during the period of the Holy Wars. With that being said, there is no rosy picture to paint. It should be dark and eerie and they captured that feel nicely both lyrically and sonically.

Side 2 of the album kicks off with one of the band’s best song called “Kings and Queens”. The song feels epic, grand and far beyond anything else they have ever done. The bass is extremely heavy, it has a mandolin by Jack Douglas, a banjo by Paul Prestopino, Tyler on piano and the rest of the band all in a world of their own making. Tyler gives what might be one of his greatest vocal performances as this song hits the mark on every aspect. It is so out of left field, yet so magical. Pure perfection!

Give the song a listen and let me know what you think. I think it should’ve gone higher than #70 on the Billboard Charts, but thats just me. Thanks for stopping by and I hope you all have a wonderful and Happy Sunday.

“Kings And Queens”

Long ago in days I’m told
Were ruled by Lords of greed
Maidens fared with gold
They dared to bare their wombs that bleed

Kings and queens and guillotines
Taking lives denied
Starch and parchment laid the laws
When bishops took the ride
Only to deceive

Oh I know I lived this life afore
Somehow know now truths I must be sure
Tossin turnin’ nightmares burnin’ dreams of swords in hand
Sailin’ ships the Viking spits the blood of father’s land
Only to deceive

Living times of knights and mares
Raising swords for maidens fair
Sneer at death fear only loss of pride

Living other centuries
Deja vu or what you please
Follows true to all who do or die

Screams of no reply they died
Screams of no reply and died
Lordy lordy and then then they died
Lordy no then they died

Live and do or die
Long ago were days I told…Lord they died
Kings and queens and guillotines…
Live and no reply they died
Long ago were days I told…
Kings and queens and guillotines…

Written by Steven Tyler, Brad Whitford, Joey Kramer, Tom Hamilton and Jack Douglas

The Original vs. The Cover – “Let The Music Do The Talking”

For this round of The Original vs. The Cover, we are battling out with “Let the Music Do the Talking” which will pit The Joe Perry Project against Aerosmith. Wait, isn’t Joe Perry in both of those…why yes he is!! The Joe Perry Project released an album in March 1980 with this song as the lead off track and the name of the album. Aerosmith did it 5 years later as the lead off track as well on their 1985 album ‘Done with Mirrors’.

How did this song come about? Well, Joe Perry got in to a major fight with Steven Tyler and the band over their wives, plus drugs and other band issues. He left the band and immediately started work on an album. Columbia Records was real hesitant on giving him a deal with all the struggles he had with Aerosmith. But they did and this song just kind of came in to being. Joe had a lot to prove that he could make it on his own and he felt the music should do the talking for him rather than shooting off his own mouth. And he was right. When he rejoined Aerosmith, the band loved the song and wanted to cover it, so they did.

Which one is better? We will see.

THE JOE PERRY PROJECT:

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My Sunday Song – “Lightning Strikes” by Aerosmith

For My Sunday Song #301, we are kicking off the next 10 song set with Aerosmith and first up is “Lightning Strikes” off their 1982 album ‘Rock in a Hard Place’. The song was released as a single on August 27, 1982 and is noted as the only charted song the band had without Joe Perry in the band. This had Jimmy Crespo on guitar who replaced Joe after he left in 1979. The song went to #21 on the U.S. Mainstream Rock Tracks Chart.

The song was written by Steven Tyler, Jimmy Crespo and Richie Supa (who replaced Joe first before the full time replacement was found in Crespo). It is basically about a gang fight. Not any old gang fight, it seems like an old 50’s/60’s style fight with leather jackets and knives. It is only missing Fonzi!! All seriousness aside, it does capture the toughness on the streets and has a solid story.

This is one of the best Aerosmith songs of all time…Sorry…but it is…get over it!! “Lightning Strikes” has this slow build up that explodes in to this rough and tumble, balling and brawling masterpiece. The song is heavy, it is tough, it is mean and it is fan”freaking”tastic! It actually starts off with some keyboard before Joey slams down some drum beats then the guitar slowly build in with more Joey fills. Steven sounds like he is ready to rumble which makes sense it is about gang fighting. It even ends with some Thunder rolling in. This was the only song Brad Whitford appeared for the album and it was as rhythm guitar since Crespo did the solo .

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Aerosmith – The Albums Ranked From Worst to First (The Aerosmith Collection Series)

Aerosmith…one of the greatest American Rock & Roll Bands. From the early 70’s the band has delivered, solid, good time, bluesy rock & roll. With 15 Studio albums, numerous live albums and compilations, they are a beloved American Icon. From the rough and raw days of the early Boston Bar band to the well-polished Stadium filled rock & roll band, they are as American apple pie.

Now the band has had issues, but for a majority of the career it has been Steven Tyler, Joe Perry, Brad Whitford, Tom Hamilton and Joey Kramer. Yes, some members went away for awhile, but the magic was always these five original guys. Alone, they are not the same…together they are magic. To celebrate this band, I went through all the albums in my collection (which was around 28 posts) and now we are going to rank their studio albums from Worst to First. So sit back, relax and get ready to be rocked like only Aerosmith can do it.

THE WORST – ‘MUSIC FROM ANOTHER DIMENSION (2012):

This album is so bloated with 16 tracks and at around 68 minutes and that is before the 3 bonus tracks on the 2nd disc which we will get to soon.  First off, yes, the packaging is better than the album.  The album does nothing for me but reinforce how tired I am of anything of Aerosmith’s past ‘Done With Mirrors’.  This series has reenforced that for me…big time.  Although I could pull out ‘Honkin’ on Bobo’.  The album is too much of everything and not enough of Aerosmith if that makes sense.  If this ends up being the last studio album, it is a shame. My Overall Score is 2.0 out of 5.0 Stars.  I didn’t enjoy this one and it didn’t get better with each listen. Sorry.

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Aerosmith – ‘ 1971: The Road Starts Hear’ (2021 RSD) – Album Review (The Aerosmith Collection Series)

It has been years since we have been given any new, unreleased material from Aerosmith. The last studio album was 10 years ago in 2012 and there were two live albums back in 2015, but nothing to light the world on fire. That was until Black Friday Record Store Day on November 26, 2021 when they had a “first release” of a found recording that contains the earliest known recording of the band to exist. The album is called ‘1971: The Road Starts Hear’ which is around 18 months prior to the release of their debut album in January 1973.

The timeframe of the release is sometime during the Fall of 1971 as Brad Whitford was in the band as he was the last cog in the wheel as he joined in August 1971. So, we had Brad as well as Steven Tyler, Joe Perry, Tom Hamilton and Joey Kramer and Aerosmith was born in the form we all know and love. However, the whereabouts of where this was actually recorded is in question. There are several possibilities, but no one actually knows for sure. We know it is not an actual concert as there is no crowd noise so thoughts are it is either a soundcheck or a band rehearsal, but whichever it is, it is totally amazing as we get a band that is fairly new, but extremely tight musically and destined to explode on to the world. The thought is it was recorded originally recorded in October 1971, Boston, Mass. on Joe Perry’s Wollensak 3M 1280 2-track tape recorder, but that is as much as we know for sure.

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Aerosmith – ‘Music From Another Dimension’ (2012) – Album Review (The Aerosmith Collection Series)

Our last review from Aerosmith was a live album from 2005. We jump all the way to 2012 for our next review which is pretty big gap between albums. Don’t fret though as they did release a couple live albums and 3 greatest hits albums during that time and honestly, I don’t own any of them. Since this is the Aerosmith Collection Series, we will stick to what is actually in my collection so here we are.

The band had a ton of issues between 2005 and 2012. They entered the studio to record a new album back in 2007, 2008 or 2009 (take your pick based on interviews) and nothing came of it. They toured, but they were plagued with health issues from several members and lots of shows were canceled. Tyler wanted to do solo work and seem to have stepped away for a little while. While out, Tyler became addicted to painkillers as a result of his knee injury and had to go to rehab. The remaining members were ready to replace Tyler as the singer and started auditioning new singers. Yeah, that didn’t go over well as lawsuits were filed, punches thrown and all sorts of mayhem over the years.

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Aerosmith – ‘Rockin’ The Joint’ (2005) – Album Review (The Aerosmith Collection Series)

Back in 2002, the band was towards the end of their Just Push Play Tour and the band played a real intimate show at The Joint at The Hard Rock Hotel in Las Vegas, NV. The band played more deep cuts then normal and recorded the show. The album was finally released over three years later on October 25, 2005 and went to #24 on the Billboard Charts. The band was the still the original guys with Steven Tyler, Joe Perry, Brad Whitford, Tom Hamilton and Joey Kramer…and there was an additional player for this show and that was Russ Irwin on keyboards. The album was produced by Steven and Marti Frederiksen.

The set list for the show was an astounding 26 songs and out of those there were some great deep cuts they hadn’t played in a long while, but the bad thing was the whole show wasn’t released. The album release only had 11 songs and you would get 2 more if you had the Japanese Edition or the Target Edition as well. That is a crying shame and a massive defect with this release. I am not sure I understand why they didn’t release the whole show. Big mistake.

My copy of the album is the Dual Disc version with the CD on one side and a DVD on the other. The DVD side is only the Enhanced PCM Stereo audio of the album on DVD, but not the actual show. It also has 4 Special Live Video Performances and some Exclusive Behind-The-Scenes Footage. There are two exclusive bonus tracks on the DVD that are the bonus tracks on the Target Exclusive Edition of the CD. The case of the CD is shaped a little different than the normal CD. There is a little button on the front that you push to open the disc. It is a cool version to have in the collection.

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Aerosmith – ‘Honkin’ On Bobo’ (2004) – Album Review (The Aerosmith Collection Series)

For the band’s 14th studio album they wanted to go back to their roots. They wanted to kick it old style. To do that, they decided to do a covers album of all Blues tracks! And to really make it old school, they brought back Jack Douglas as producer and they only recorded it live in the studio with all members of the band like they did it in the old days. The album takes us back to their sound of the 70’s and away from all the more recent over-produced crap that they had been releasing of late.

The album was recorded over most of 2003 as they really only recorded when they could all get together and they were all in a good mood. And you can imagine how little that probably was with this history of this band. Most of the work was done at Joe Perry’s Studio at his ranch near Boston. When they finally finished, the album got its release on March 30, 2004 and quickly sold over 100,000 copies in its first week putting it at #5 on the Billboard Charts. Today, that would easily be #1. But it did go to #1 on the Blues Chart and eventually went Gold with over 500,000 copies sold. The album wasn’t as successful as their past hits, but a Blues album to go Gold is pretty darn good. Steven Tyler, Joe Perry, Brad Whitford, Tom Hamilton and Joey Kramer will still together and doing what they loved, so for them that is a success on its own.

The album had 11 covers and 1 original blues song by the band. There are traditional blues songs from way, way back to even a Fleetwood Mac song. And the title ‘Honkin’ On Bobo’ is from a phrase Steven Tyler had heard but they don’t really know what it means. They thought it sounded cool and bluesy I guess. I thought Bobo might be the harmonica and honkin’ on it was playing the harmonica, but who knows. Let’s get to the music.

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Aerosmith – ‘Just Push Play’ (2001) – Album Review (The Aerosmith Collection Series)

Aerosmith’s last album was four years earlier in 1997 with Nine Lives. Between then and 2001, they kept in the public eye. In 1998, they released a live album called ‘A Little South of Sanity’ and the massive single “I Don’t Want to Miss A Thing” from the Armageddon Soundtrack. Then in 1999, they got their own roller coaster at Disney’s Hollywood Studio’s called Rock n’ Roller Coaster starring Aerosmith. Then in January 2001, they were co-headliners for the XXXV Super Bowl with ‘Nsync. The timing was impeccable as their new album would be released several weeks later on March 5, 2001 titled ‘Just Push Play’.

The band was still in tact with Steven Tyler, Joe Perry, Brad Whitford, Tom Hamilton and Joey Kramer. However, when recording, the band was not together. They recorded their parts separately with producers Mark Hudson and Marti Frederiksen along with Steven and Joe. As a result, this album is Joe Perry’s least favorite…he has been quoted as saying this album taught him “how not to record an Aerosmith album”. Pretty harsh!! And not far from the truth. This is not an album that sounds like classic Aerosmith. It is not rough around the edges. It is polished, over-produced and sounds like a pop album. It is all rainbow and unicorns and not what you want from Aerosmith. Yes, it went Platinum, but this was the beginning of the end of commercial success for the band. Diehard fans were not happy and the younger new fans were too stupid to and brainwashed by bad radio to know this isn’t Aerosmith.

We are now in the 2000’s so the cover art is trying to be all futuristic with the girl robot which was designed by Hajime Sorayama who designed the robot to resemble Marilyn Monroe. My copy was even more interesting. I bought this used and when I got home and opened it up, it also had an extra CD included. No, it isn’t listed on the cover that there is one. It was there by mistake. It was a copy of ‘Nine Lives’ which I already have on CD. Now I have a spare.

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