Tag: Cover

The Original vs. The Cover – “Hey Operator”

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For the month’s The Original vs. The Cover, we have a Canadian Battle Royale!! We are going to look at the song “Hey Operator” which was originally recorded by Toronto’s own Coney Hatch and they are battling it out with Montreal’s own Aldo Nova. The song was written by Coney Hatch’s lead singer Carl Dixon and was on their 1982 debut self-titled album. It was released as a single and went to #19 on the Canadian charts. No real success in the U.S. though. Aldo Nova released the song in 1983 on his second album ‘Subject’. It was never released as a single, but for me was one of my favorite songs on his album. I had never heard of Coney Hatch back then, but I was a massive Aldo fan.

“Hey Operator” is a simple song about a guy wanting to call his girl long distance…or maybe it is just phone sex, who knows. There doesn’t seem to be any deep seeded meaning behind it, but that doesn’t make a great song no matter who sings it. As both versions are worth a listen. But let’s’s walk through both and see who has the best version.

CONEY HATCH

The Coney Hatch is more of a guitar and piano version and is a straight up rock track. Very radio friendly with a catchy chorus and I like how the piano gets louder during the chorus with some great riffing by Steve Shelski. His solo is also great, if not short and sweet. The rhythm section of Andy Curran and Dave Ketchum is the driving force behind the song though. But for me the real highlight is Carl’s vocals as they are quite fantastic. I love his tone and he just has a great rock & roll voice. How did these guys never make it in the U.S. is unknown as this is great, a kind of Foreigner vibe to it.

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The Original vs. The Cover – “I’ve Done Everything For You”

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For this installment of The Original vs. The Cover we are going to discuss the Sammy Hagar track “I’ve Done Everything For You” which was later covered, more successfully I might add, by Rick Springfield. The original release of the song was a live version from Sammy back in 1978 on his live album ‘All Night Long’ which did not chart. Rick’s version came out as a single in 1981 and was the follow-up to his massive hit “Jessie’s Girl” and as a result went all the way to #9 on the Billboard Hot 100.

The song had been a constant in Sammy’s live shows which is why a live version was released. The studio version was done in 1979 and released as a B-Side to the song “(Sittin’ on) The Dock of the Bay” an Otis Redding Cover. It finally saw a release in 1982 on his greatest hits compilation called “Rematch” which was only done because of the popularity of the Springfield version.

The song seems to be about a relationship/an affair that was really one-sided. He gave everything to her, but she didn’t return that favor. I’ve also heard that it could possibly be about a manager or label where Sammy worked his ass off for them and got nothing in return. I am not sure which is true, but I am leaning to the relationship as it is spelled out specifically in the song, but Sammy could be using that as a pretty damn good metaphor. Either way, I like it.

SAMMY HAGAR

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The Original vs The Cover – “You Really Got Me”

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For this month’s edition of ‘The Original vs The Cover’, we are going to cover the song “You Really Got Me” by The Kinks vs the cover by Van Halen.  When Van Halen originally released this song back in 1978, I thought it was an original…what did I know, I was only 9.  The Kinks didn’t exist in my world yet.  Apparently, I wasn’t the only one as Ray Davies has mentioned that fans have come up to them after shows and thought it was cool that they played a Van Halen song.

“You Really Got Me” was released on Sept 2, 1964 in the US and the song was off the band’s album ‘Kinks’.  The song went to #7 on the Billboard Hot 100, but it went all the way to #1 in their home country of the UK.  It was their third single at the time, but it was the first to really do anything for the band.  It was so successful, it became their signature song.

The song has been described by Ray Davies as a “love song for street kids”.  It is a rebellious track of sex and lust and all around gritty, dirty love.  It is that energy both versions capture so well.

The Kinks

The Kinks’ version had a very Beatlesque quality to it which makes sense since the Beatles were huge at the time.  The band wanted to capture that sound and they truly did.  The song to me also had a real punk feel to it.  It was aggressive and in your face, but it was the guitar sound that really made the song.

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