If you follow the site, you know I’m a huge Billy Idol fan and anytime I can find a rare piece that I don’t have in the collection, I jump on it. This time around, I found a bootleg. And I do love my bootlegs. This is my fourth Idol bootleg and this one is from way back in 1990. It was recorded at the Pacific Amphitheatre in Costa Mesa, California on October 27, 1990. That means this would’ve been in support of his latest album at the time, ‘Charmed Life’ and we get a few from that album in the set list. Be warned, this is not a full show. This is a best of that was broadcast on radio at the time. But still, 10 songs of Billy is better than nothing am I right? Yeah…I am.
The version I have is a European release and was released recently back in 2023. I found it down in Tamp Florida at a store called D&J Records. I like to hit up local record stores when I am on vacation so this one was found back in June earlier this year. And I was thrilled to grab hold. Sadly, you will notice in the band credits, that there is no Steve Stevens on guitar as he and Billy were still on the outs at this time and for many years still to come. Does it impact the show? We will find out shortly.
While I was recording a show on Grant’s Rock Warehaus, we were discussing the Billy Idol Chrysalis Years and as I was gathering my vinyl for that show, I realized that I was missing the ‘Idol Songs: 11 of the Best’ from my collection. I could’ve sworn I had bought that one before as I remember holding it in my hand at one time. But, I apparently didn’t buy it. So, I told Grant I would remedy that situation and so I head over to discogs to see if I could get one and what the best one to get. Well, it turned out the best version to get was the UK 1988 version which came with a 12″ Limited 4 Track E.P. exclusive to this set. Sold. I bought it from someone in Sweden and a week later, it was in my hands. It still had the stickers on the front and back cover talking about the 12″ Exclusive 4 Track E.P. and it was in pristine shape.
The album was released on June 20, 1988 on Chrysalis Records and contains 11 tracks from his first three studio albums as well as the E.P. and includes a live version of “Mony, Mony” which wiki says comes from the ‘Don’t Stop’ E.P. but my E.P. does not have a live version, it is the studio track. You can get another limited edition version with 2 bonus tracks, but why do that when you get one like I have with the the 4 bonus tracks. The album went to #2 on the UK Charts and was certified Platinum. I don’t really remember this album here in the States as it came out after Vital Idol and I felt that was pushed way more than this compilation. But I have one now, so all is good. In 2003, they did reissue this album with a different cover and called it ‘Essentials’…I like my version better.
The opening track is the title song “Rebel Yell” which actually opened the ‘Rebel Yell’ album. It is a scorcher of a song, high energy and attitude. The opening of the song is all done with the guitar even though it sounds like both a guitar and a keyboard. Steve is showing off right out of the gate. Vocally, Billy is on fire and you can see his lip curling up while he is signing which is amazing as it is on vinyl. “Rebel Yell” was actually inspired by the Rolling Stones according to Billy on VH1 Storytellers. Billy was at a party thrown by the Stones and everyone was drinking Rebel Yell Bourbon Whiskey. I guess he loved that whiskey (along with a lot of drugs at the time).
Apparently compilations are always a big hit with the music buying public. No one wants full albums anymore of new material…nope. They just want the hits. Universal Music & Capitol Records are capitalizing on that and have a series called ‘Icon’. You might have seen one from Kiss, Megadeth, Limp Bizkit, even Billy Ray Cyrus. In 2013, Billy Idol was treated with his own ‘Icon’ greatest hits compilation.
Here is my thing with these releases. They are LAZY! No new edits, no unreleased tracks and only room for a handful of the hits. Not even all the good ones. This Billy Idol release is no different. It only draws from his biggest albums, the first three and one Generation X song. It is missing the good stuff from Charmed Life, Cyberpunk or even Devil’s Playground. However, what is here is good, great in fact. These songs are classics for a reason so I can’t complain about that, but it is still a safe collection. The songs are in chronological order which is also pretty damn lazy.
The albums first is the now classic, “Dancing With Myself”. I say now a classic because this song failed to chart upon its release and didn’t really do much. It wasn’t until Billy released it as one of his solo songs, but that is for another discussion. The song was inspired by what the band saw while on tour in Tokyo. They noticed at that dance clubs, the people were dancing more with their own reflections in the mirrored walls than they were with other people. The song is pure New Wave dance music with a slight punk edge…classic Billy Idol solo. It is so melodic and catchy. The guitars are a little louder on this version and not as much bass, but other than that it is the song you know. A great way to start out the collection. This track is off the Generation X album ‘Kiss Me Deadly’.
For the last half of the 90’s, Billy didn’t release anything. After the failure of the ‘Cyberpunk’ album (which was awesome) and the issues with the label, Billy sort of vanished from the music scene. He did have the single for the movie “Speed”, he made a memorable cameo in the movie ‘The Wedding Singer’, but outside of that, there wasn’t much else.
In 2001, that started to change. VH1 aired a ‘Behind the Music’ on Billy and a greatest hits compilation was released that had a cover of Simple Mind’s song “Don’t You (Forget About Me)” which had moderate success. Heck, the greatest hits album sold over 1 million copies in the U.S. alone. VH1 also decided to film a VH1 Storytellers with Billy and along for ride was Steve Stevens which was a reunion that was long overdue.
I am not going to critique the VH1 Storytellers show, but the CD that was released. The CD came out on February 22, 2002 and is only the songs that were played and not any of the stories. For that, you need the DVD.
Mid-way through the tour for Whiplash Smile, there was a new head at Chrysalis Records named Mike Bone. He wanted to immediately make his mark with Billy and suggested putting a compilation together of Remixed songs along with a live version of “Mony Mony”. Billy was on board and while on tour, they recorded the live version, slapped a bunch of remixes together and bam…you had an album.
All this above was from Billy’s book, ‘Dancing With Myself’, but doesn’t make sense to me. As the time in the book was around 86/87 and this compilation had already been released in 1985 in the UK. In September 1987, ‘Vital Idol’ was released in the US. Plus, my version doesn’t have a “Live” version of “Mony Mony”. At least it doesn’t sound live. Not sure Billy’s memory was correct in the order of things as the book doesn’t mention the UK version and the live take of “Mony, Mony” was on the greatest hits collection that came out in 1988 not the 1987 version of Vital Idol. Sorry, not completely true as a 1988 Japanese version of Vital Idol does have the live version. Confusing.
The UK and US version also differed ever so slightly. The UK version had one less song and the track order was different. The US version had a remix of a track off Whiplash Smile which the UK version was out before that album was even released so it wouldn’t have it.
After the success of his self-titled debut album, Billy Idol, teamed back up with producer Keith Forsey and guitarist Steve Stevens. And in late 1983, we were treated to his second album, ‘Rebel Yell’. The collaboration with Steve Stevens grew immensely with this album. On the first, Steve only had his hand in writing two songs. On ‘Rebel Yell’, he contributed to all but one song that was only written by Idol. The bond had grown so much, that Steve even made the back cover of the album.
The duo of Billy and Steve was complete and you couldn’t have one without the other, at least for a long while anyway. If you notice on the back cover, the songs are broken out into Sides 3 and Sides 4. This was because the debut was 1 and 2, so these naturally would be 3 and 4, he would do this at least one more time for the next studio album. I liked the concept.