Tag: Gary Schutt

Jeff Scott Soto – ‘JSS: Live at the Gods 2002’ (2003) – Album Review (The Jeff Scott Soto Series)

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2002 was a big year for Jeff Scott Soto. It was the year of his coming out as a solo artist. Yes, he released a solo album back in 1994, but the intent was not to tour and showcase as a solo artist. He had signed with Frontiers Records and was getting ready to release his 2nd solo album ‘Prism’, but before that Frontiers’ promotional crew were in high gear. With press releases and having Jeff involved in the 10th Anniversary of The Gods Festival. The festival consists of artists/bands from the Frontiers Records label as well as Now & Then label.

The festival occurred on June 2, 2002 and was to be released as a live album and a DVD. I only have the live album, I need to get the DVD still. The line-up was pretty impressive as it had Eric Martin, Hardline, Harem Scarem, Honeymoon Suite, Ten, Soto and several other bands. It took place at Pennington’s in Bradford, England and what I’ve read, it was a helluva show by all.

Jeff’s band that night consisted of some old familiar friends including Alex Papa on drums, Gary Schutt on bass & acoustic guitar (did an album review of his for this series) and on guitar, Howie Simon. JSS is listed as “Top Dog” and he is right. It is his show, his songs, his voice everyone came to hear. He proved that when he came out on stage, alone, dressed all in black and did “2 Your Heart” a cappella. The song is from the debut Human Clay album. Jeff proved that voice is for real. The band comes in full force as the race through the Queen cover “Let Me Entertain You” which is appropriate because Soto does just that.

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Jeff Scott Soto – ‘Love Parade’ (1994) – Album Review (The Jeff Scott Soto Series)

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For the 10 years prior to this release, Jeff Scott Soto has been singing for other people and other bands. This time around it was all for himself. ‘Love Parade’ is Jeff’s first solo album and the first chance for people to see a side of Jeff they’ve never seen. That can be a good thing or a bad thing and for a lot of Jeff’s metal fans this album was a strange departure. It was because this was not a metal album or even a hard rock. It is more a funk, R&B and a rock album all rolled in to one. His influences are worn on his sleeves with this one.

The songs he compiled for this album were mostly old demos he had that never amounted to anything prior. He felt they truly represented who he was outside of the metal/rock world. There were several songs from his band Slam that never released anything. He had a couple songs from his girlfriend, Julie Greaux, that he was co-producer on. He took them, re-worked them and then sang on them.

Musicians on the album were some friends including Gary Schutt, who Jeff sang for on Gary’s debut solo album, played bass and guitar. His girlfriend, Julie Greaux did background vocals and keyboards. George Bernhardt played drums, bass and guitar as well. And Jeff played a little of everything as well including the singing. The album was released sometime in 1994/1995 on Long Island Records but the year depends on who you ask. The album didn’t make any major waves, but thankfully in 2002, Jeff signed with Frontiers Records and they re-released it and by this time it made bigger waves as he was more famous.

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Gary Schutt – ‘Sentimetal’ (1994) – Album Review (The Jeff Scott Soto Series)

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We have seen Gary Schutt before in the Jeff Scott Soto Series and that was with the review of the Takara album ‘Eternal Faith’ from 1993. Gary Schutt was the bass played. However, here is the not only the bass player, but he is also the guitar player, the keyboardist, the drum programmer. The only thing he doesn’t do on here is sing as that is left up to his good friend, Jeff Scott Soto. The two were spending a lot of time together because at the same time Gary was making his debut solo album, so was Jeff and we will get to his for the next review.

The album was recorded over a two week period in May of 1994 as both Gary and Jeff were renting a house in Delray Beach, Florida. The album was released on August, 31, 1994 in Japan and sometime in 1995 in Europe. It did get a reissue in 2005 that has 3 Bonus Tracks, but we are going to review the original album with the basic 11 tracks. And what we get is a cross between hard rock, melodic rock, aor and a little prog thrown in. Let’s check it out

The album kicks off with “Warpaint” and immediately you are sucked in to some great guitar playing as Gary rips some massive riffs. His bass is thunderous and powerful. The drum sound is the only negative because they are programmed sounding. To me it feels like an Extreme song a la ‘III Sides to Every Story’. The guitar has Nuno fill along with the bass and Jeff sings with a hint of Cherone and there is nothing wrong with that. An explosive opener and a sign of things to come.

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Takara – ‘Eternal Faith’ (1993) – Album Review (The Jeff Scott Soto Series)

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The story of Jeff Scott Soto and Takara starts way back in 1985 when Jeff met Neal Grusky who is a founding member of Takara. They quickly became friends through their mutual love of music. Neal started Takara in 1987, but it wasn’t until November 1988 that Jeff really got involved. He agreed to help produce a set of demos for the band. When current lead sing, Mark Del Papa, couldn’t do the vocals due to drug issues, Jeff jumped in and sang on the demos as well. The demos were strictly to help the band find a lead singer. Now, where have we heard that before??? Oh yeah, Panther.

Jeff’s job was to produce and do the scratch vocals. They would bring in other singers to sing as well and Jeff would help produce and mix those. This went on for a number of years and they had done demos from 1987 to 1991. There was no intention to release these, it was strictly to get the band moving forward. Also, Jeff had never produced or mixed before so it was a trial by fire process.

Somehow, the tapes wound up with EMI/Toshiba in Japan and the label really liked them and showed interest in the band. But there was a catch…isn’t there always. They didn’t want to release an album with the other singers, they only liked Jeff’s versions and would only release it with Soto as the singer. Neal went back to his friend and Jeff being the good friend he was, agreed to let that happen as he didn’t want his friend to lose the label deal.

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